아틀리에 — 전 세계 무료 배송 — 배송 기간 2~6주
      Orcagna, 1315 – 1368

      Orcagna: The 13 Best-Known Paintings

      Of all Orcagna's paintings, Saint John the Baptist (1355) is the most famous; it hangs in the 예일 대학교 미술관, 뉴헤이븐. Close behind come The Calling of St. Matthew (1367) and Throne of Grace (1400). Among the 13 works by Orcagna in our catalogue, these 13 are the most celebrated, each shown with its date, its museum and its story.

      각 작품의 검색, 방문 및 주문 수를 결합한 인기 점수를 기준으로 순위를 매깁니다. 10월 2026 업데이트됨. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.

      Orcagna의 초상화
      Orcagna · 1315 – 1368
      생몰 연도
      1315 – 1368, Florence
      카탈로그 작품 목록
      13
      가장 유명한
      Saint John the Baptist (1355)
      최다 소장처
      Cappella Strozzi

      Orcagna's 10 most celebrated paintings

      Orcagna paintings ranked 11 to 13

      What Orcagna painted most

      The four subjects that return most often on these canvases, each with its best-loved example.

      Where Orcagna's canvases hang

      이 페이지에 있는 작품을 가장 많이 소장하고 있는 5개의 미술관

      소장 미술관 도시 Orcagna의 작품 이 목록의 작품들
      Cappella Strozzi, FlorenceCappella Strozzi Florence 2 View of the Chapel, The Strozzi Altarpiece
      예일 대학교 미술관, 뉴헤이븐예일 대학교 미술관 뉴헤이븐 1 Saint John the Baptist
      바르샤바 국립 박물관, 바르샤바바르샤바 국립 박물관 바르샤바 1 Throne of Grace
      팔라초 베키오, 피렌체팔라초 베키오 피렌체 1 The Expulsion of the Duke of Athens
      국립 미술관, 암스테르담국립 미술관 암스테르담 1 Triptych with the Virgin and Child, and Saints Mary Magdalene and Ansanus, Andrea di Cione named Orcagna, 1350

      Decade by decade: Orcagna's most celebrated canvas

      1. 1340s
      2. 1350s
      3. 1360s

      Your questions on Orcagna's paintings, answered

      Which is the most celebrated painting by Orcagna?Read the answer

      Saint John the Baptist (1355), 예일 대학교 미술관, 뉴헤이븐. The Calling of St. Matthew (1367) and Throne of Grace (1400) follow.

      How old was Orcagna at the time of Saint John the Baptist?Read the answer

      Orcagna, born in 1315, was 40 years old: Saint John the Baptist dates from 1355.

      Which ten paintings is Orcagna most famous for?Read the answer

      Saint John the Baptist, The Calling of St. Matthew, Throne of Grace, The Burial of the Virgin, Tabernacle (detail), Tabernacle, Dormition and Assumption of the Virgin, detail of the Tabernacle, View of the Chapel, Hell (fragment) 및 The Expulsion of the Duke of Athens. Each canvas in the ranking above comes with its year and its museum.

      How many paintings by Orcagna are known?Read the answer

      13 works by Orcagna are in our catalogue, dated 1343 to 1367.

      Which museums hold Orcagna's best-known canvases?Read the answer

      Mostly in Cappella Strozzi (Florence), 예일 대학교 미술관 (뉴헤이븐) 및 바르샤바 국립 박물관 (바르샤바); the list above names each museum and its canvases.

      In which years did Orcagna paint the most celebrated canvases?Read the answer

      In 1350s, which gave 8 of the 13 works on this page, Saint John the Baptist among them.

      What are the first and the last of Orcagna's famous canvases?Read the answer

      The earliest canvas here is The Expulsion of the Duke of Athens (1343); the latest is The Calling of St. Matthew (1367).

      What can I see by Orcagna at the Cappella Strozzi?Read the answer

      The Cappella Strozzi, Florence holds 2 of the works on this page, among them View of the Chapel 및 The Strozzi Altarpiece.

      Can I order a hand-painted copy of a painting by Orcagna?Read the answer

      Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.

      Orcagna: the painter's story

      Andrea di Cione: The Architect of Florentine Vision

      The name Orcagna—a moniker bestowed upon him by local artisans—encompasses a remarkable figure in the history of Italian art: Andrea di Cione, a painter, sculptor, architect, and master craftsman who dominated the artistic landscape of Florence during the latter half of the 14th century. Born around 1308 within the bustling heart of the city, Orcagna’s life was inextricably linked to its burgeoning wealth, political intrigue, and fervent religious devotion—elements that profoundly shaped his distinctive style and enduring legacy. His story isn't one of solitary genius, but rather a testament to collaborative artistry, meticulous planning, and an unwavering commitment to both technical mastery and expressive power.

      Orcagna’s early life remains shrouded in some mystery, though it is believed he apprenticed under the renowned sculptor Andrea Pisano. This formative experience instilled within him a deep appreciation for classical forms and a sophisticated understanding of three-dimensional space—qualities that would later manifest in his monumental marble tabernacle for Orsanmichele. However, Orcagna’s artistic trajectory quickly diverged from his master's, developing a distinctly Florentine style characterized by dramatic figures, vibrant colors, and an innovative approach to composition. He was formally admitted into the painter’s guild in 1343-44 and later joined the stonemasons’ guild in 1352, demonstrating his versatility and ambition across multiple artistic disciplines.

      The Grandeur of Orvieto: Mosaic Master

      Orcagna's most celebrated achievement undoubtedly lies in his contribution to the magnificent façade of the cathedral in Orvieto. Commissioned in 1358, this project demanded a level of technical skill and artistic vision that pushed Orcagna to the very limits of his abilities. He oversaw the creation of an extensive mosaic decoration, including a breathtaking rose window—a masterpiece of Byzantine-inspired design that exemplifies the lavishness and spiritual intensity characteristic of the period. The mosaics themselves are characterized by their rich palette, intricate detailing, and powerful emotional impact, reflecting Orcagna’s mastery of color theory and his ability to imbue religious subjects with palpable drama.

      The scale of this undertaking was immense, requiring meticulous planning and coordination. Orcagna's role extended beyond mere execution; he served as a consultant, guiding the work of numerous skilled artisans and ensuring that every element harmonized within the overall design. The Orvieto mosaics stand as a testament to his organizational prowess and his ability to synthesize diverse artistic talents into a cohesive whole.

      The Sculptural Triumph: Orsanmichele’s Tabernacle

      Perhaps Orcagna's most enduring legacy resides in the monumental marble tabernacle he designed and oversaw for the Orsanmichele, a former confraternity hall now serving as a public art gallery. Completed between 1352 and 1359, this architectural marvel is a complex and ambitious undertaking that showcases Orcagna’s exceptional skill as an architect and sculptor. The tabernacle's intricate façade is adorned with a multitude of sculpted figures—a veritable encyclopedia of biblical narratives, allegorical symbols, and classical motifs. Each figure is rendered with remarkable detail and expressive power, reflecting Orcagna’s deep understanding of human anatomy and his ability to convey complex emotions through gesture and expression.

      The tabernacle's design incorporates a sophisticated system of arches, vaults, and niches, creating a dynamic interplay of light and shadow. The use of color—particularly the vibrant hues of the inlaid marble—further enhances its visual impact. Orcagna’s work on Orsanmichele demonstrates his mastery of both architectural form and sculptural technique, solidifying his reputation as one of Florence's most accomplished artists.

      A Legacy of Innovation

      Orcagna’s influence extended far beyond the immediate commissions he undertook. His innovative approach to composition—characterized by dynamic figures, dramatic lighting, and a heightened sense of realism—helped to shape the course of Florentine painting in the late 14th century. He bridged the gap between the Gothic traditions inherited from his predecessors and the emerging Renaissance style, paving the way for future generations of artists. His work served as an inspiration to many of Florence’s leading painters, including Jacopo di Cione, his brother, who continued Orcagna's artistic legacy after his death in 1368.

      Orcagna’s untimely death at the age of sixty is a poignant reminder of the fragility of life and the immense loss suffered by the Florentine art world. Despite his relatively short career, he left behind a remarkable body of work that continues to captivate audiences today—a testament to his extraordinary talent, unwavering dedication, and enduring vision.

      Orcagna의 작품 13점 전체 보기 →