Werner Büttner의 가장 사랑받는 작품은 슈테델 미술관(프랑크푸르트)에 전시된 The third world pushing its way to the regulars' table (1981)입니다. Werner Büttner의 작품 2점이 등록되어 있습니다. 그중 가장 유명한 1점을 선정하여 제작 연도, 소장 미술관 및 작품의 특징과 함께 소개합니다.
각 작품의 검색, 방문 및 주문 수를 결합한 인기 점수를 기준으로 순위를 매깁니다. 11월 2026 업데이트됨.
이 페이지에 있는 작품을 가장 많이 소장하고 있는 1개의 미술관
| 소장 미술관 | 도시 | Werner Büttner의 작품 | 이 목록의 작품들 |
|---|---|---|---|
| 프랑크푸르트 | 1 | The third world pushing its way to the regulars' table |
이 페이지에 있는 Werner Büttner의 모든 캔버스 작품은 1981년에 제작되었습니다. 가장 유명한 작품부터 차례대로 소개합니다.
The third world pushing its way to the regulars' table (1981)
1954년에 태어난 Werner Büttner은(는) 27세였으며, The third world pushing its way to the regulars' table은(는) 1981년의 작품입니다.
Werner Büttner의 작품 2점이 카탈로그에 있습니다.
대부분 슈테델 미술관 (프랑크푸르트)에 소장되어 있습니다. 위 목록은 각 미술관과 해당 미술관의 작품 목록을 나타냅니다.
Born in Jena, Germany, Werner Büttner moved to Munich with his parents in 1961 before relocating to Berlin in 1968. After studying law at the Freie Universität Berlin from 1973 to 1977, he worked as a social assistant in the Tegel correctional facility. His early career was marked by the founding of various organizations, such as the Dum-Dum-Liga-Journal and the Liga zur Bekämpfung des widersprüchlichen Verhaltens, the latter established with Albert Oehlen. During the 1980s, Büttner was associated with the Neuen or Jungen Wilden movement, a group of painters who advocated for a Rückkehr der Malerei, or a return to painting, moving away from conceptual art. His work during this period was characterized as neo-expressionist and neo-dadaist, often utilizing humorous and sarcastic references to everyday life within his titles and subjects.
Büttner’s influence extended into academia, where he served as a lecturer and later as a professor at the Hochschule für Bildende Künste in Hamburg from 1989 to 2021. During his tenure, he taught painting and was involved in university politics, mentoring students such as Daniel Richter and Matvey Slavin. In addition to his teaching, he co-founded the Meter-Verlag with Albert Oehlen. His later artistic focus has shifted toward neo-dadaist collages, which have been exhibited at venues like the Deichtorhallen in Hamburg. His work is held in several collections, including: