Sea Wall (1973)은(는) William E. Ward의 가장 대표적인 작품으로, 클리블랜드에 위치한 클리블랜드 미술관에 소장되어 있습니다. William E. Ward의 작품 1점이 등록되어 있습니다. 그중 가장 유명한 1점의 작품을 연도, 소장 미술관, 그리고 각 작품에 담긴 이야기와 함께 만나보세요.
각 작품의 검색, 방문 및 주문 수를 결합한 인기 점수를 기준으로 순위를 매깁니다. 11월 2026 업데이트됨.
이 페이지에 있는 작품을 가장 많이 소장하고 있는 1개의 미술관
| 소장 미술관 | 도시 | William E. Ward의 작품 | 이 목록의 작품들 |
|---|---|---|---|
| 클리블랜드 | 1 | Sea Wall |
이 페이지에 있는 William E. Ward의 시대별 캔버스 작품은 모두 1973년의 작품들입니다. 명성에 따라 순서대로 나열하였습니다.
Sea Wall (1973)
1922년에 태어난 William E. Ward은(는) 51세였으며, Sea Wall은(는) 1973년의 작품입니다.
William E. Ward의 작품 1점이 카탈로그에 있습니다.
대부분 클리블랜드 미술관 (클리블랜드)에 소장되어 있습니다. 위 목록은 각 미술관과 해당 미술관의 작품 목록을 나타냅니다.
Cleveland, United States, provides the backdrop for the life of William E. Ward. Born in 1922, Ward does not occupy a single niche within the creative landscape. His hands moved between the precision of calligraphy and the structural demands of exhibition design. He was a man of many disciplines, functioning simultaneously as a painter, photographer, and lecturer. This breadth of practice suggests a mind preoccupied with the intersection of form and space.
His professional life extended into the logistical and aesthetic realms of the art world. As an exhibition designer, he understood how art occupies a room, a perspective that likely informed his own visual output. He was also an art collector, a role that places him deeply within the ecosystem of cultural preservation and appreciation.
Ward’s creative output was defined by a diverse set of technical skills. He navigated the delicate balance between the spontaneous stroke of a painter and the calculated precision of a designer. His work reflects a deep engagement with the physical properties of his medium.
His professional identity was built upon several distinct pillars:
In 1973, Ward produced Sea Wall, a work that remains his most significant contribution to the permanent record of American art. This piece is held within the collection of the Cleveland Museum of Art. It represents a moment where his various sensibilities—the eye of the photographer and the hand of the painter—converge on a single subject. The work exists as a permanent fixture in the history of his creative life, marking a point of recognition within a major American institution.
By the time of his death in 2004, Ward had left behind a legacy that spans the technical and the expressive. He moved through the art world not as a specialist in one field, but as a practitioner of many, bridging the gap between the design of the space and the art within it.