The Last Match (1887)은(는) William Small의 가장 대표적인 작품입니다. William Small의 작품 1점이 등록되어 있습니다. 그중 가장 유명한 1점의 작품을 연도, 소장 미술관, 그리고 각 작품에 담긴 이야기와 함께 만나보세요.
각 작품의 검색, 방문 및 주문 수를 결합한 인기 점수를 기준으로 순위를 매깁니다. 11월 2026 업데이트됨. 이 페이지의 모든 작품은 린넨 캔버스에 수작업으로 제작된 유화 복제화 또는 원하는 크기로 제작 가능한 파인 아트 프린트로 주문하실 수 있습니다.
이 페이지에 있는 William Small의 시대별 캔버스 작품은 모두 1887년의 작품들입니다. 명성에 따라 순서대로 나열하였습니다.
The Last Match (1887)
1843년에 태어난 William Small은(는) 44세였으며, The Last Match은(는) 1887년의 작품입니다.
William Small의 작품 1점이 카탈로그에 있습니다.
네, 이 페이지에 있는 모든 작품은 각 작품의 상세 페이지에서 원하시는 크기의 수작업 유화 복제화 또는 파인 아트 프린트로 주문하실 수 있습니다.
Born in Edinburgh, United Kingdom, in 1843, William Small occupied a significant space in the visual landscape of the Victorian era. He was a man of many mediums, moving with ease between the precision of a draftsperson and the fluid grace of a watercolorist. His career was defined by a prolific output that reached far beyond the walls of private studios, finding its way into the hands of the public through the pages of noted periodicals such as The Graphic, Good Words, and Once a week. He possessed a particular ability to translate complex narratives into striking illustrations, a skill that earned him a reputation as one of the most successful illustrators of his time.
His technical range was vast. Whether working in oil on canvas or through the delicate application of lithography, Small demonstrated a mastery over his tools. His work often leaned toward the Idyllic school, a style that favored a certain sense of peace and pastoral beauty. This inclination is visible in his ability to capture the quietude of nature and the subtle tensions of human interaction.
Small’s professional life was marked by a steady accumulation of accolades and institutional recognition. His contributions to the arts were not confined to a single genre, but rather spanned the essential disciplines of the nineteenth-century illustrator and painter. His reach extended from the bustling centers of London to the galleries of Manchester, Liverpool, and Leicester.
His professional identity was shaped by several key roles and honors:
As the decades progressed, Small’s influence remained steady, even as the artistic sensibilities of the era began to shift. He remained a fixture of the British art scene until his death in Worcester, England, in 1929. His legacy is preserved not merely in individual canvases, but in the historical record of the periodicals that relied on his hand to bring stories to life. From the quietude of The woodlands to the more spirited scenes of The Last Match, his work remains a window into the visual language of a bygone age.