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Studentų kūrybos vadovas

Maria Sick

Vardas Klasė Data

Joaquin Sorolla, Maria Sick (1907). Viešasis domenas Pamatykite šį paveikslą judančios šviesos dėking: piešinį, tikrąsias lakui po esančias spalvas, gryną pigmentą

Faktai

Autorius
Joaquin Sorolla topimpressionists.com/lt/artists/joaquin-sorolla_lt/
Autoriaus datys
1863 – 1923
Spalvotas
1907
Technika
Oil On Canvas
Originalus dydis
60 x 90 cm
Judėjimas
Impressionist Style Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.
Laikotarpis
19th Century
Artistic style
Light & Color
Influences
Sorolla
Notable elements
Brick wall, benches
Subject or theme
Portrait of Woman

Kontekste

Maria Sick — Joaquin Sorolla

Koks yra jo dydis?

Originalūs matmenys yra 60 × 90 cm (aukštis × plotis), čia pateikta šalia vidutinio ūgio suaugusiojo.

Kada tai buvo nupiesta?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920

Viršuje esanti eilutė: metai. Žemiau esanti eilutė: kiek metų menmeniui buvo kiekvieno laikotarpio pradžioje ir pabaigoje — 0 gimimo metu, 60 mirtės metu.

Paveikta menininkui būnant 44 metų. Degimo metai: 60. 265 iš 558 šio kūrinio autoriui datuotų darbų mūsų kataloge buvo sukurti anksčiau.

Šviesoplėvis: Joaquin Sorolla gyvenimas (1863–1923) ▲ šis kūrinys, 1907 kiekviena su data pavadinta paveikslėlio, dešimtmečiais

Pirmieji darbai: iki 1901 Pagrindiniai kūrybos metai: 1901–1911 Vėlesni darbai: nuo 1911

Šios trys juostos šio katalogo darbus, turinčius nurodytą datą, skirsto į pirmą ketvirtį, vidurinę dalį ir paskutinį ketvirtį. Jos nėra pilna kūrybos apimtis: retas kūrybos laikotarpis gali būti tiesiog praleista istorinė detalė, o ne tiesiog tylos periodas. Tie patys metai, su šiaame laikotarpyje įrašytu paveikslėlio kūrinio gyvenimu

Palyginti su

Pasirinkite vieną viršuje esantį kūrinį: nurodykite du panašumų su šiuo kūriniu ir vieną skirtumą.

Daugiau šiam kūriniui priderančių darbų: topimpressionists.com/lt/art/similar/joaquin-sorolla-y-bastida-maria-sick-8BWSFV-en/

Spalvos

Matuota iš vaizdo skaitmeniniu būdu

    Pagrindinė spalva

    Rosy Brown #c28b7c

    Kataloguota paletė

    • #C28B7C
    • #472E34
    • #826E76
    • #BCBEC5

    Šios spalvos visoje meno kūryjos paletėje Raskite kitus paveikslus pagal spalvą

    Pagrindinės spalvos pavadinimas
    Rosy Brown
    Intensyvumas
    Balanced Kiek spalvų yra prisigamintų ir kokios jos yra ryškios – nuo vienos nuolydžios spalvos iki daugybės ryškių tonų.
    Kontrastas
    Bold Kiek spalvų skiriasi šviesos ir ryškumo dėkingai per visą paveikslą.
    Harmonija
    Balanced Harmony Kaip spalvos dera tarpusavyje – nuo kontrastuojančių iki visiškai suvienytų.
    Ryškumas
    Bright Bendras vaizdo šviesumas ar tamsumas, nuo gilių šešėlių iki ryškių šviesos dėliojų.
    Sodrumas
    Subtle Color Spalvų gryrumas ir intensyvumas svyruoja nuo beveik pilkšų iki visiškai ryškių.

    Kur pasaulyje žiūrima į šį paveikslą?

    • 低于 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ir daugiau
    Šio paveikslėlio lankytojų duomenys yra per mažai, kad būtų galima suformuoti žemėlapį, todėl čia pateikiamos visos Joaquin Sorolla darbai per pastaruosius dvylika mėnesių — iš viso 48 šalių. Iš kur gauti šie duomenys

    Dešimt pirmなusių šalių

    1. 1 Kinija 41,4%41.600 visits
    2. 2 Jungtinės Amerikos Valstijos 8,4%8.400 visits
    3. 3 Prancūzija 6,2%6.200 visits
    4. 4 Ispanija 5,4%5.400 visits
    5. 5 Pietų Korėja 4,8%4.800 visits
    6. 6 Singapūras 4,8%4.800 visits
    7. 7 Honkongas 4,4%4.400 visits
    8. 8 Rumunija 4,2%4.200 visits
    9. 9 Italija 3,1%3.100 visits
    10. 10 Jungtinė Karalystė 2,3%2.300 visits
    11. · 38 kitų šalių 15,0%15.200 visits

    Žemėlapyje rasti tris tamsiausias šalis. Ar viena iš jų yra ta, kurioje yra muziejus, saugantis šį paveikslą? Įrašykite vieną priežastį, kodėl žmonės iš toli galėtų jį aplankyti.

    Populiariausi Joaquin Sorolla kūriniai (žiūrėtos dalis: 20)

    1. 1 Miela merginė su gėlėmis, 1886 6,7%9.200 visits
    2. 2 Pasivaikščiojimas pakartotėje, 1909 2,0%2.700 visits
    3. 3 Running along the beach, 1908 1,7%2.300 visits
    4. 4 Valencia beach in the morning light, 1908 1,6%2.200 visits
    5. 5 Seville, the Dance, 1915 1,5%2.000 visits
    6. 6 Sewing the Sail, 1896 1,2%1.600 visits
    7. 7 Siesta, 1911 1,1%1.500 visits
    8. 8 Coast at Santa Cristina, 1914 1,0%1.400 visits
    9. 9 bacante, 1886 1,0%1.400 visits
    10. 10 Midday at Valencia beach, 1904 0,9%1.300 visits
    11. 11 On the Rocks at Javea, 1905 0,8%1.100 visits
    12. 12 Nude with Ball, 1887 0,8%1.100 visits
    13. 13 The Little Sailing Boat, 1909 0,8%1.100 visits
    14. 14 Swimmers, Jávea, 1905 0,7%1.000 visits
    15. 15 Clotilde on the Beach, 1904 0,7%1.000 visits
    16. 16 Valencijos žuvis, 1916 0,7%900 visits
    17. 17 Žvejų tinklai, 1893 0,7%900 visits
    18. 18 Sea Idyll, 1908 0,7%900 visits
    19. 19 Types of Lagartera or Lagarterana bride, 1912 0,7%900 visits
    20. — Maria Sick, 1907 šis paveikslas 0,0%0 visits

    Kartu šie darbai sudaro 25,3% visos dėmesės, skirtos šio paveikslėlio kūrybai per pastaruosius dvylika mėnesių. Kataloge yra 850 šio kūrybinio veikėjo darbų, iš kurių 460 buvo apžiūrėti bent vieną kartą. Šiam paveikslui kol kas belum buvo žiūrėta — jis uždaro sąrašą neturint įvertinimo. Viskas tas pats, mėnesį po mėnesio

    Sluokslai matuoja dėmesį, o ne kokybę. Pasirinkite viršuje esantį kūrinį ir šį: išvardykite vieną dalyką, kuris gali padaryti paveikslą garsų ne dėl to, kaip gerai jis tapytas.

    Apie šį kūrinį

    Maria Sick — Joaquin Sorolla

    Introduction to Joaquin Sorolla Y Bastida

    Joaquin Sorolla y Bastida – a name that resonates with the very essence of Spanish light and life. Born in Valencia in 1863, he wasn’t merely a painter; he was an interpreter of his nation's soul, capturing moments of everyday beauty with a remarkable sensitivity. His early years were marked by profound loss – orphaned at two due to a devastating cholera outbreak – an experience that undoubtedly shaped his artistic vision, fostering a deep appreciation for the transient nature of existence and translating this into works brimming with vibrant emotion.

    Sorolla’s journey began in Valencia, where he honed his skills under the tutelage of established artists like Cayetano Capuz and José Benlliure. This foundational training paved the way for a four-year scholarship to Rome, a pivotal period during which he immersed himself in the classical traditions while simultaneously developing his own distinctive style – one characterized by an unparalleled mastery of light and color. His time in Rome profoundly influenced his approach, allowing him to synthesize classical influences with the burgeoning Impressionist movement.

    Maria Sick: A Portrait of Contemplation

    "Maria Sick," painted in 1907, is a poignant example of Sorolla’s ability to distill complex human emotion into a single, arresting image. The painting depicts a woman – presumably Maria – seated on the ground, wearing a hat and gazing intently towards something unseen. This simple composition belies a profound sense of introspection and quiet contemplation. The textured brick wall in the background isn't merely a backdrop; it’s an active element, adding depth and a subtle sense of unease to the scene.

    Sorolla’s meticulous technique is immediately apparent. Executed in oil on canvas, the brushstrokes are loose yet confident, creating a shimmering effect that captures the play of light – a hallmark of his style. The use of color is particularly noteworthy; warm ochres and yellows dominate, reflecting the intense Mediterranean sunlight that Sorolla so famously sought to capture. The subtle variations in tone contribute significantly to the painting’s emotional impact, drawing the viewer into Maria's private world.

    Artistic Style and Historical Context

    "Maria Sick" firmly places Sorolla within the context of Spanish Impressionism. While influenced by French artists like Monet and Renoir, he adapted these techniques to suit his own unique vision, incorporating elements of Spanish realism and a deep understanding of local culture. The painting reflects his ability to capture not just the visual appearance of a scene but also its emotional resonance – a characteristic that earned him widespread acclaim during his lifetime.

    Created in 1907, the work speaks to a period of significant artistic change in Europe. Sorolla’s embrace of Impressionism aligned with broader trends towards capturing fleeting moments and subjective experiences, reflecting a shift away from purely academic approaches to artmaking. His focus on everyday subjects – like this portrait of a woman – further cemented his position as a champion of accessible beauty.

    Dimensions and Significance

    This exquisite reproduction measures 60 x 90 cm (23.6 x 35.4 inches), making it an ideal size for a variety of interior spaces. The original painting, housed in the Museo de Bellas Artes de San Pio V in Spain, is a testament to Sorolla’s enduring legacy. "Maria Sick" offers a rare glimpse into the artist's world – a world characterized by light, color, and an unwavering commitment to capturing the beauty of human experience.

    Draugas ir muziejus

    Autorius

    Joaquin Sorolla

    Gimė Βαλένσια, Ισπανία

    Joaquín Sorolla y Bastida – A Life Bathed in Light

    Joaquín Sorolla y Bastida, a name synonymous with the radiant light and vibrant energy of Spain, was more than just a painter; he was a chronicler of his nation’s soul. Born in Valencia in 1863, Sorolla's early life was marked by tragedy. Orphaned at the tender age of two following a cholera epidemic that claimed both parents, young Joaquín and his sister were raised by their maternal aunt and uncle. This early experience with loss perhaps instilled within him a profound appreciation for the fleeting beauty of life – a sentiment that would permeate his art. Though hardship shadowed his beginnings, it did not dim the spark of artistic talent that quickly became apparent. He received initial instruction in Valencia, demonstrating an aptitude that led to studies under established artists like Cayetano Capuz and José Benlliure, eventually culminating in a four-year grant to study in Rome. It was there, amidst the classical grandeur of Italy, that Sorolla began to forge his unique artistic path, absorbing influences while simultaneously developing a style distinctly his own.

    Early Life and Influences

    Joaquín Sorolla’s formative years instilled within him a deep sensitivity to loss—a preoccupation with mortality that would inform much of his oeuvre. Born on February 27, 1863, in Valencia, Spain, he was the eldest child born to Joaquín Sorolla Bastida, a tradesman, and Concepción Bastida. His sister, Concha, arrived a year later. The sudden death of his parents from cholera at just two years old profoundly impacted his worldview, shaping his artistic vision with an awareness of fragility and beauty. Recognizing his exceptional talent early on, he commenced formal art education in Valencia under the tutelage of Cayetano Capuz and José Benlliure—artists who championed realism and employed meticulous observation as core tenets of their craft. This grounding in academic tradition provided a crucial foundation for Sorolla’s subsequent explorations into Impressionism and Luminism.

    A pivotal moment arrived when he embarked on his studies in Rome at the age of eighteen, securing a prestigious grant from the Valencian Diputación Provincial. Amidst the artistic fervor of the Italian capital—where he encountered luminaries like Francisco Pradilla Ortiz—Sorolla absorbed influences from masters such as Jules Bastien-Lepage and Adolf von Menzel, artists who championed expressive brushwork and captured atmospheric effects with remarkable precision. These encounters solidified his commitment to portraying light and color in ways that transcended mere representation, propelling him toward a distinctive artistic style.

    From Historical Narratives to Sun-Drenched Realism

    Sorolla’s initial artistic endeavors leaned towards historical painting—large-scale canvases depicting mythological scenes and grand narratives—reflecting the prevailing academic trends of his time. However, he swiftly transitioned away from these conventions as he returned to Spain and began to immerse himself in the everyday life of Valencian society. The intense Mediterranean sunlight, the shimmering sea, and the vibrant energy of the people became Sorolla’s primary subjects—a deliberate departure from formal historical depictions that prioritized grandeur over human experience. This shift wasn't abrupt; Sorolla continued to explore social realism with works like Sad Inheritance (1899)—a poignant portrayal of children afflicted by polio bathing in the sea—demonstrating a compassionate engagement with marginalized communities and signaling a broadening of his artistic horizons. The painting garnered considerable acclaim, yet it simultaneously revealed Sorolla’s capacity for confronting darker themes alongside radiant beauty.

    The Luminist Style: Capturing Fleeting Light

    Sorolla's artistic breakthrough occurred when he perfected his technique—a revolutionary approach known as Luminism—characterized by bold and impastoed brushstrokes that conveyed movement and atmosphere with unparalleled dynamism. Unlike Impressionists who sought to capture momentary impressions of light, Sorolla aimed to distill the essence of illumination itself—the way it danced on surfaces, refracted through water, and transformed ordinary scenes into spectacles of breathtaking splendor. He achieved this feat by working en plein air whenever possible—directly confronting the challenges posed by fluctuating weather conditions—resulting in canvases brimming with palpable energy and immediacy. His beach scenes—particularly Children on the Seashore (1904) and Sewing the Sail (1915)—became emblematic of his Luminist style—capturing not just visual details but also the intangible feeling of sunlight filtering through air, illuminating skin, and animating landscapes. Sorolla’s masterful handling of light elevated his paintings beyond mere depiction; he transformed them into embodiments of joy, vitality, and the sublime beauty of nature.

    Legacy and Recognition

    Joaquín Sorolla's artistic achievements cemented his place as one of Spain’s most celebrated painters—a figure whose influence extended far beyond his lifetime. He garnered international acclaim through prolific exhibitions in major cities across Europe and America—receiving numerous awards and commissions that underscored his stature as a leading artist of his era. His monumental mural cycle, Vision of Spain (1912-1928)—commissioned by the Hispanic Society of America—stands as an enduring testament to his artistic vision and technical prowess—a project undertaken during his final years and completed posthumously. Sorolla’s legacy continues to inspire artists today—his unwavering dedication to capturing light and color, coupled with his profound empathy for human experience—reminding us that art possesses the capacity to illuminate our world and transcend temporal boundaries. His paintings reside in prominent museums globally—including the Museo Sorolla in Madrid—where they continue to captivate audiences with their luminous beauty and evocative power.

    Kur skaityti daugiau

    Raskite internete

    QR kodas, vedantis į Maria Sick atsisiuntimo puslapį

    topimpressionists.com/lt/art/download/joaquin-sorolla-y-bastida-maria-sick-8BWSFV-en/

    Citavimo šio kūrinio duomenys

    MLA
    Sorolla, Joaquin. Maria Sick. 1907, https://topimpressionists.com/lt/art/joaquin-sorolla-y-bastida-maria-sick-8BWSFV-en/
    APA
    Sorolla, Joaquin (1907). Maria Sick [Painting]. https://topimpressionists.com/lt/art/joaquin-sorolla-y-bastida-maria-sick-8BWSFV-en/
    Chicago
    Joaquin Sorolla. Maria Sick. 1907. https://topimpressionists.com/lt/art/joaquin-sorolla-y-bastida-maria-sick-8BWSFV-en/
    Harvard
    Sorolla, Joaquin (1907) Maria Sick. Available at: https://topimpressionists.com/lt/art/joaquin-sorolla-y-bastida-maria-sick-8BWSFV-en/

    Atidžiai pastebėkite

    Maria Sick — Joaquin Sorolla

    Atidžusiai pastebėkite

    Atsakykite savo žodžiais. Čia nėra neteisingų atsakymų – yra tik atsakymai, kuriuos galite paaiškinti.

    1. Kas pirmiausia patraukia jūsų dėmesį ir kodėl?
    2. Kokie spalvos ar formos sukuria nuotaiką — ir kokia tai nuotaika?
    3. Mūsų kataloge šis kūrinys priskirtas prie: sorolla painting, maria sick, spanish artist. Ar sutinkate? Ką pridėtumėte arba pašalintumėte?
    4. Prisiminkite Valencia beach in the morning light (1908), apie kurią buvo rašyta anksčiau šiame vadove. Įvardinkite dvi bendras detales su šiuo kūriniu ir vieną skirtumą.
    5. Impressionist Style: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Kur tai galima pastebėti šiame darbe?

    Jūsų atsakymas

    Parašykite trumpą pastraipę apie šį kūrinį. Naudokite informaciją iš ankstesnių šio vadovėjo dalių bei savo anksčiau pateiktus atsakymus.

    Klausimai ir atsakymai

    Kokia yra autorinės teisės situacijos priežastis kūriniam darbui „Maria Sick“ – Joaquin Sorolla?

    „Maria Sick“, kurį sukūrė Joaquin Sorolla, yra yra viešosios erdvės dalis – jo autorinė teisė pasibaigusi. Autorinės teisės apsaugos terminai skaičiuojami nuo autoriaus mirties, o Joaquin Sorolla mirė 1923 m.

    Kokio spalvų ryškumo turi „Maria Sick“ – Joaquin Sorolla?

    „Maria Sick“ spalvų intensyvumas yra Balanced. Intensyvumas apibūdina, koks spalvų ryškumas yra suvokiamas.

    Kokia buvo Joaquin Sorolla amžius sukuriant „Maria Sick“?

    Kai 1907 m. buvo sukurta „Maria Sick“, Joaquin Sorolla – gimęs 1863 m. – buvo 44 metų amžiaus.