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St Peter weeping

Vardas Klasė Data

Stanislovas Grigalauskas, St Peter weeping (1862), Lithuanian Art Fund. Reprodukcija skirta informacinėms tikslams; teisės saugomos. Pamatykite šį paveikslą judančios šviesos dėking: piešinį, tikrąsias lakui po esančias spalvas, gryną pigmentą

Faktai

Autorius
Stanislovas Grigalauskas topimpressionists.com/lt/artists/stanislovas-grigalauskas/
Autoriaus datys
1893 –
Spalvotas
1862
Originalus dydis
68 x 55 cm
Viešintas
Lithuanian Art Fund topimpressionists.com/lt/museums/lithuanian-art-fund-vilnius/

Kontekste

St Peter weeping — Stanislovas Grigalauskas

Koks yra jo dydis?

Originalūs matmenys yra 68 × 55 cm (aukštis × plotis), čia pateikta šalia vidutinio ūgio suaugusiojo.

Kada tai buvo nupiesta?

  1. 1860
  2. 1870
  3. 1880
  4. 1890

Viršutinė eilutė: metai. Žemiau esanti eilutė: kiek metų menmeniui buvo kiekvieno laikotarpio pradžioje ir pabaigoje (gimimas – 0).

▲ šis kūrinys, 1862 kiekviena su data pavadinta paveikslėlio, dešimtmečiais

Spalvos

Matuota iš vaizdo skaitmeniniu būdu

    Pagrindinė spalva

    Phthalo Green #2d271f

    Kataloguota paletė

    • #2D271F
    • #A85E2E
    • #673E26
    • #DC8B42

    Šios spalvos visoje meno kūryjos paletėje Raskite kitus paveikslus pagal spalvą

    Paletė
    Earthy Dominiruojanti spalvų grupė paveikslėlyje.
    Pagrindinės spalvos pavadinimas
    Phthalo Green
    Intensyvumas
    Balanced Kiek spalvų yra prisigamintų ir kokios jos yra ryškios – nuo vienos nuolydžios spalvos iki daugybės ryškių tonų.
    Kontrastas
    Gentle Kiek spalvų skiriasi šviesos ir ryškumo dėkingai per visą paveikslą.
    Harmonija
    Strong Color Unity Kaip spalvos dera tarpusavyje – nuo kontrastuojančių iki visiškai suvienytų.
    Ryškumas
    Deep_shadow Bendras vaizdo šviesumas ar tamsumas, nuo gilių šešėlių iki ryškių šviesos dėliojų.
    Sodrumas
    Subtle Color Spalvų gryrumas ir intensyvumas svyruoja nuo beveik pilkšų iki visiškai ryškių.

    Apie šį kūrinį

    St Peter weeping — Stanislovas Grigalauskas

    St Peter is an apostle and the first Pope of the Roman Catholic Church. He is a former fisherman called Simon. For a long time he fished together with his brother Andrew. Peter met Jesus at the River Jordan, where he came to listen to St John the Baptist’s preaching. It is here that Jesus called him a rock (Petros in Greek) and invited him to become his disciple. The symbolic meaning of the name is revealed by the words of Jesus that Peter would be the rock upon which Jesus would build his church. All the Gospels state that Peter betrayed Jesus three times. During the time of persecution of Christians, Peter decided to escape from Rome, but after meeting Jesus, he returned. He died as a martyr. He was crucified upside down, because due to his betrayal of Jesus he saw himself unworthy to be crucified in the same way as Jesus.

    Draugas ir muziejus

    Autorius

    Stanislovas Grigalauskas

    Gimė Jieznas, Lithuania

    A Legacy of Devotion

    The life and artistry of Stanislovas Grigalauskas, also known by the name Stanislovas Daunoras, offer a window into a profound era of Lithuanian creative expression. Born in 1893 in Jieznas, Lithuania, his journey as an artist is deeply intertwined with the spiritual and cultural fabric of his homeland. While much of the specific biographical detail regarding his early years remains shrouded in the mists of history, his presence in the annals of art is marked by a commitment to themes that resonate with eternal human emotions.

    His work, categorized within the Modern period, demonstrates a capacity to engage with heavy, sacred subject matter. One of his most notable contributions to the visual record is the evocative piece St Peter weeping. In this work, the artist captures the profound psychological and spiritual weight of the apostle's remorse. Through his brush, the narrative of betrayal and subsequent redemption becomes a tangible, visual experience, inviting the viewer to contemplate the complexities of faith and human frailty.

    Artistic Significance and Heritage

    The historical significance of Grigalauskas lies in his ability to bridge the gap between traditional religious iconography and the evolving sensibilities of the Modern era. His work is recognized within important cultural repositories, such as the Lithuanian Art Fund, ensuring that his perspective on sacred history continues to be studied and appreciated by those interested in the spiritual heritage of Lithuania.

    Though the specific technical evolution of his style is a subject for deep scholarly inquiry, the enduring impact of his imagery remains clear. His ability to translate the biblical narrative into a medium that speaks to the soul allows his art to transcend its original historical context, maintaining a sense of relevance and emotional potency for contemporary audiences seeking connection with the past.

    Muziejus

    Lithuanian Art Fund

    Parodoma Vilnius, Lithuania

    A Sanctuary of Soulful Heritage

    Nestled within the historic heart of Vilnius, the

    Lithuanian Art Fund

    offers far more than a mere exhibition of objects; it provides an intimate portal into the very essence of Lithuania’s artistic soul. Unlike the sweeping, monumental narratives found in grand national galleries, this private collection, established by the visionary Dr. Jaunius Gumbis, invites a profound personal connection. It is a place where history does not feel like a distant memory, but a living, breathing presence. The museum serves as a delicate bridge to the era of the Grand Duchy of Lithuania, a period of unparalleled cultural flourishing where the influences of Poland, Russia, and Western Europe converged to create a unique, multifaceted identity.

    The architecture of the Lithuanian Art Fund further enhances this immersive experience. Housed in a beautifully preserved historic building, the museum provides a contemplative atmosphere that is rare in the modern age. The setting itself acts as a silent curator, its aged walls and quiet corners encouraging a slow, meditative approach to art appreciation. For collectors and interior designers seeking inspiration, the Fund offers a masterclass in how art can transform a space into a sanctuary of culture.

    A Tapestry of Diverse Traditions

    The collection itself is a tapestry of diverse traditions, woven with threads of folk art, sculpture, and rare literature. Visitors find themselves wandering through layers of time, encountering handcrafted treasures that whisper stories of ancient spiritual beliefs and the rhythmic pulse of daily Lithuanian life. The museum’s strength lies in its curated intimacy, prioritizing the emotional resonance of each piece over sheer volume. From the intricate patterns of traditional folk crafts to the evocative power of oil paintings, every item has been selected to foster a sense of discovery.

    Among the collection's most captivating highlights are the works that capture the shifting light and spirit of the Lithuanian landscape and its people:

    The Watercolor Landscapes of Józef Bałzukiewicz:

    These works offer a masterful glimpse into 18th-century life, where every brushstroke reconstructs the dignity of a nobleman or the quiet bustle of a street corner with historical precision.

    The Views of Helena Römer-Ochenkowska:

    Her delicate, translucent layers of Vilnius transport the viewer to the pastoral serenity of 1900.

    The Spiritual Depth of Stanislovas Grigalauskas (Daunoras):

    His hauntingly beautiful

    ‘St Peter Weeping’

    provides a profound emotive depth for those drawn to spiritual symbolism.

    The Symbolist Landscapes of Kazimierz Stabrowski:

    Dreamy vistas that invite the observer to lose themselves in a bygone era.

    It remains a singular destination for those who seek to understand not just the history of Lithuanian art, but the enduring spirit that continues to define its creative legacy.

    Kur skaityti daugiau

    Raskite internete

    QR kodas, vedantis į St Peter weeping atsisiuntimo puslapį

    topimpressionists.com/lt/art/download/stanislovas-grigalauskas-st-peter-weeping-D8D8X2-en/

    Citavimo šio kūrinio duomenys

    MLA
    Grigalauskas, Stanislovas. St Peter weeping. 1862, Lithuanian Art Fund. https://topimpressionists.com/lt/art/stanislovas-grigalauskas-st-peter-weeping-D8D8X2-en/
    APA
    Grigalauskas, Stanislovas (1862). St Peter weeping [Painting]. Lithuanian Art Fund. https://topimpressionists.com/lt/art/stanislovas-grigalauskas-st-peter-weeping-D8D8X2-en/
    Chicago
    Stanislovas Grigalauskas. St Peter weeping. 1862. Lithuanian Art Fund. https://topimpressionists.com/lt/art/stanislovas-grigalauskas-st-peter-weeping-D8D8X2-en/
    Harvard
    Grigalauskas, Stanislovas (1862) St Peter weeping. Lithuanian Art Fund. Available at: https://topimpressionists.com/lt/art/stanislovas-grigalauskas-st-peter-weeping-D8D8X2-en/

    Atidžiai pastebėkite

    St Peter weeping — Stanislovas Grigalauskas

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    Klausimai ir atsakymai

    Ar galiu peržiūrėti „St Peter weeping“ – Stanislovas Grigalauskas prieš užsakant?

    „St Peter weeping“ – Stanislovas Grigalauskas peržiūra galima kūrinio Peržiūra interjere puslapyje.

    Kokie yra „St Peter weeping“ reprodukcijos teisės Lithuanian Art Fund kolekcijoje?

    „St Peter weeping“ – Stanislovas Grigalauskas autoriškos teisės statusas yra aiškus: kūrinys priklauso vis dar saugoma autorineje teisėje. Jo buvimas Lithuanian Art Fund šio statuso nekeičia.

    Iš kur renkasi „St Peter weeping“ – Stanislovas Grigalauskas lankytojai?

    Statistika apie „St Peter weeping“ – Stanislovas Grigalauskas pateikiama kūrinio Statistika puslapio: mėnesiniai kūrinio apsilankėjimai, kito šio autoriaus kūrinių apsilankėjimai bei neseniai apsilankiusiųjų skirstymas pagal šalis ir kalbas.