Iš visų Adam Pendleton paveikslų garsiausias yra History (Lab 1964 Grey) (2005); jis eksponuojamas Carnegie meno muziejus, Pittsburgh. Iš 1 Adam Pendleton kūrinių mūsų kataloge šie 1 yra garsiausi – kiekvienas su datą, muziejų ir istoriją nurodančia informacija.
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1 muziejai, kuriuose yra daugiausia šioje puslapyje esamų paveikslų.
| Muzejaus | Miestas | Adam Pendleton darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
| Pittsburgh | 1 | History (Lab 1964 Grey) |
Vienas metai – 2005 – apima visus šioje puslapyje esamus Adam Pendleton datuotus plėtninius: štai jie, pirmiausia patikimiausi.
History (Lab 1964 Grey) (2005)
Adam Pendleton, gimęs 1984, buvo 21 metų amžiaus: History (Lab 1964 Grey) datuojamas 2005 m.
Kataloge yra 1 darbų autoriaus Adam Pendleton.
Daugiausia – Carnegie meno muziejus (Pittsburgh); viršuje esančiame sąraše nurodytas kiekvienas muziejus ir jo plėtojimo darbai.
Adam Pendleton is an American conceptual artist whose diverse practice encompasses painting, silkscreen, collage, video, performance, and word art. Born in Richmond, United States, he began writing poetry at an early age and later transitioned into painting. His academic journey included studying at the Artspace Independent Study Program in Peitrasanta, Italy, before moving to New York in 2002. Currently, he divides his time between New York City and Germantown, New York.
His work often involves the investigation of language and the recontextualization of history through appropriated imagery. Pendleton's artistic output has been featured in various international exhibitions, including shows at the Museum of Modern Art, the Whitney, the New Museum, and La Triennale at the Palais de Tokyo in Paris. In 2024, he was honored with the Rosenthal Family Foundation Award for Painting from the American Academy of Arts and Letters.
A central concept in Pendleton's work is "Black Dada," a term he uses to discuss the present moment by addressing both the future and the past. This concept is exemplified in his Black Dada series of paintings, which feature partial views of Sol LeWitt's cube sculptures alongside letters derived from the phrase "Black Dada." This phrase itself originates from the 1964 poem "Black Dada Nihilismus" by Amiri Baraka.
His various series and installations explore different visual and linguistic systems: