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      Adèle Romany, 1769 – 1846

      37 garsiausių Adèle Romany paveikslų

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795) – tai tapinys, dėl kurio labiausiai žinomas Adèle Romany; jis priklauso muziejui National Museum of Women in the Arts, miestui Vašingtonas, D.C.. Madame Coury, Duhamel Widow (1811) ir Portrait of a Young Woman (1804) užbaia labiausiai mylimų plėtojamų paveikslų trio. Mūsų kataloge yra 39 darbų autoriaus Adèle Romany. Štai 37 garsiausiųjų: su metais, muziejumi ir kiekvieno płatinio pasakojimu.

      Rangos vieta nulegiama pagal mūsų populiarumumo balas, kurį sudaro kiekvieno kūrinio paieškos, apsilankėjimai ir užsakėjimai. Atnaujinta spalis 2026. Kiekvieną šioje pusėje esantį paveikslą galite užsisakyti kaip rankų darbą – aliejuje ant lino drobos atspirtį, arba kaip aukščiausios kokybės meninį spausdinį, pagamintą jūsų pasirinktu dydžiu.

      Adèle Romany portretas
      Adèle Romany · 1769 – 1846
      Gedė · mirė
      1769 – 1846, Paris
      Judėjimas
      Neoclassicism
      Darbai mūsų kataloge
      39
      Labiausiai žinomi
      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795)
      Daugiausia darbų yra
      Library-museum of the Comédie-Française

      Dešimties mėgstamiausių Adèle Romany paveikslų

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795) aut. Adèle Romany
      1

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou

      1795 · Oil · National Museum of Women in the Arts, Vašingtonas, D.C.

      The gaze of the sitter meets us in Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, a work that captures a quiet, creative pause. Painted by Adèle Romany around 1795, the portrait presents a woman poised amidst the tools of her intellect and expression. She exists in a moment of stillness, her presence defined by the delicate textures of her attire and the objects that surround her.

      Ranku tapytos aliejaus reprodukcija nuo $178 27 × 36 cm Pusė kaip originalo $522 97 × 128 cm Užsakyti originalaus dydžio →
      Madame Coury, Duhamel Widow (1811) aut. Adèle Romany
      2

      Madame Coury, Duhamel Widow

      1811 · Oil On Canvas · Nationalmuseum, Stokholmas

      In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence defined by a sense of refined status and the stillness of a life lived with intention. The composition is a three-quarter length arrangement, positioning her slightly off-center to create a balanced, natural poise. A deep forest green gown anchors the figure, its…

      Ranku tapytos aliejaus reprodukcija nuo $178 28 × 36 cm Pusė kaip originalo $467 90 × 117 cm Užsakyti originalaus dydžio →
      Portrait of a Young Woman (1804) aut. Adèle Romany
      3

      Portrait of a Young Woman

      1804 · Oil On Canvas · Musée Marmottan Monet, Paryžius

      The artwork titled Portrait of a Young Woman is a portrait painted by Adèle Romany. Created in 1804, this oil on canvas work belongs to the genre of portraiture. The subject of the painting is a single young woman, depicted in a full-length vertical composition.

      Ranku tapytos aliejaus reprodukcija nuo $178 29 × 35 cm Pusė kaip originalo $242 51 × 61 cm Užsakyti originalaus dydžio →
      Portrait of Julie Candeille (1791) aut. Adèle Romany
      4

      Portrait of Julie Candeille

      1791 · Oil On Canvas

      In Portrait of Julie Candeille, Adèle Romany employs a formal, neoclassical arrangement to present the subject in a medium close-up. The figure is contained within an oval vignette, a choice that creates a sense of depth and focuses the viewer's attention on the sitter. This geometric structure provides a controlled boundary against a soft, atmospheric background of dark greenery. The composition balances the organic fluidity of the subject with this…

      Ranku tapytos aliejaus reprodukcija nuo $178 29 × 34 cm
      Portrait of a Young Harpist (1795) aut. Adèle Romany
      5

      Portrait of a Young Harpist

      1795 · Oil On Canvas · Palais des Beaux-Arts de Lille, Lilas

      The air in the room feels heavy with the scent of old wood and the quiet anticipation of a single note. A young woman sits poised, her body angled toward the left as her fingers prepare to brush against the vertical strings of a harp. The warm, reddish-brown wood of the instrument catches the light, creating a soft glow that contrasts against the deep, muted teal of the background. She…

      Ranku tapytos aliejaus reprodukcija nuo $178 28 × 35 cm Pusė kaip originalo $351 73 × 92 cm Užsakyti originalaus dydžio →
      Portrait of a woman (1795) aut. Adèle Romany
      6

      Portrait of a woman

      1795 · Oil On Canvas · Musée Jacquemart-André, Paris

      The Portrait of a woman by Adèle Romany captures a single, quiet moment from 1795. This bust-length composition is set within an oval format, focusing the viewer's attention on the presence of the sitter. The subject is an elegant and intimate young woman, her likeness emerging from a dark, muted background that recedes into shadow.

      Ranku tapytos aliejaus reprodukcija nuo $178 29 × 35 cm Pusė kaip originalo $291 62 × 76 cm Užsakyti originalaus dydžio →
      Portrait of Amélie-Justine Pontois (1795) aut. Adèle Romany
      7

      Portrait of Amélie-Justine Pontois

      1795 · Oil

      In this oval-format portrait, we encounter Amélie-Justine Pontois in a moment of quiet poise. The composition, captured in a three-quarter view, positions her with a gentle sense of movement that avoids the stiffness often found in formal commissions of the era. She is rendered with a soft, luminous quality, her skin tones warming against a background of atmospheric greys and deep, nebulous shadows. There is a certain stillness here, a…

      Ranku tapytos aliejaus reprodukcija nuo $178 28 × 36 cm Pusė kaip originalo $240 49 × 61 cm Užsakyti originalaus dydžio →
      Charles-Antoine d'Artenay (1792) aut. Adèle Romany
      8

      Charles-Antoine d'Artenay

      1792 · Oil On Canvas · Château de Versailles, Versalio

      The man sits in a quiet, oval frame, caught in a moment of stillness. He is a figure of the late eighteenth century, draped in the heavy, tactile weight of a dark coat. A crisp white cravat provides a sharp, bright break against the warmth of his skin and the earthy tones of his attire. Light falls from the upper left, carving the geometry of his face with a gentle…

      Ranku tapytos aliejaus reprodukcija nuo $178 29 × 35 cm Pusė kaip originalo $253 53 × 65 cm Užsakyti originalaus dydžio →

      Adèle Romany: plėtojos nuo 11 iki 37 reitingo vietos

      Adèle Romany plėstiniai, pagal laikotarpį

      Daugiausiai paveikęs Adèle Romany

      Ketverios dažniausiai pasitaikančios šių plėstinių temos, kiekvienos su geriausiu pavyzdžiu.

      Kur kabinami Adèle Romany plėtoiniai

      8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.

      Muzejaus Miestas Adèle Romany darbai Šiojo sąrašo paveikslai
      Library-museum of the Comédie-Française Paris 5 Portrait of Emilie Leverd, Mlle Raucourt as Agrippine, Portrait of Fleury
      Château de Versailles, VersalioChâteau de Versailles Versalio 2 Charles-Antoine d'Artenay, The Marquis de Romance Mesmon's snack
      Museum of Fine Arts, BostonasMuseum of Fine Arts Bostonas 2 Portrait of a Lady at a Pianoforte, Joseph-Dominique Fabry Garat Playing a Lyre Guitar
      National Museum of Women in the Arts, Vašingtonas, D.C.National Museum of Women in the Arts Vašingtonas, D.C. 1 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou
      Nationalmuseum, StokholmasNationalmuseum Stokholmas 1 Madame Coury, Duhamel Widow
      Musée Marmottan Monet, ParyžiusMusée Marmottan Monet Paryžius 1 Portrait of a Young Woman
      Palais des Beaux-Arts de Lille, LilasPalais des Beaux-Arts de Lille Lilas 1 Portrait of a Young Harpist
      Musée Jacquemart-André, ParisMusée Jacquemart-André Paris 1 Portrait of a woman

      enkliausias Adèle Romany paveikslas, dešimtmetį po dešimties

      1. 1790s
      2. 1800s
        Portrait of a Young Woman (1804) aut. Adèle Romany
        3 iš 37

        Portrait of a Young Woman

        Amžius 31 – 40 · Musée Marmottan Monet

        The artwork titled Portrait of a Young Woman is a portrait painted by Adèle Romany. Created in 1804, this oil on canvas work belongs to the genre of…

      3. 1810s
        Madame Coury, Duhamel Widow (1811) aut. Adèle Romany
        Lėno drobė 2 iš 37

        Madame Coury, Duhamel Widow

        Amžius 41 – 50 · Nationalmuseum

        In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence…

      4. 1830s

      Adèle Romany drobės, atsakymas į kiekvieną klausimą

      Kuo labiausiai žinomas Adèle Romany plėslas?Perskaitykite atsakymą

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), National Museum of Women in the Arts, Vašingtonas, D.C.. Sekia Madame Coury, Duhamel Widow (1811) ir Portrait of a Young Woman (1804).

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou: kiek metų buvo Adèle Romany, kai šis darbas buvo sukurtas?Perskaitykite atsakymą

      Adèle Romany, gimęs 1769, buvo 26 metų amžiaus: Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou datuojamas 1795 m.

      Kokie yra 10 garsiausių mokslų Adèle Romany paveikslų?Perskaitykite atsakymą

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, Madame Coury, Duhamel Widow, Portrait of a Young Woman, Portrait of Julie Candeille, Portrait of a Young Harpist, Portrait of a woman, Portrait of Amélie-Justine Pontois, Charles-Antoine d'Artenay, Portrait of Amélie-Justine and Charles-Édouard Pontois ir A young person hesitating to play the piano in front of her family. Kiekvienas viršuje esančiame reitinge nurodytas platinas yra su nurodyta gamybos metų ir muziejaus informacija.

      Kiek paveikslų sukūrė Adèle Romany?Perskaitykite atsakymą

      Mūsų kataloge yra 39 Adèle Romany darbų, datuoti nuo 1791 iki 1836.

      Kur šiandien eksponuojami garsiausi Adèle Romany plėtoiniai?Perskaitykite atsakymą

      Daugiausia – Library-museum of the Comédie-Française (Paris), Château de Versailles (Versalio) ir Museum of Fine Arts (Bostonas); viršuje esančiame sąraše nurodytas kiekvienas muziejus ir jo plėtojimo darbai.

      Kada Adèle Romany namai dažniausiai tapo savo garsiausiais paveiksliais?Perskaitykite atsakymą

      1800s laikotarpiu, kurio metu buvo pateikta 13 iš 37 šioje pusėje esančių darbų, tarp jų buvo Portrait of a Young Woman.

      Kuris garsus Adèle Romany plėtinis buvo sukurtas pirmiausia, o kuris – paskutinis?Perskaitykite atsakymą

      Čia esamasis plėslas yra Portrait of Julie Candeille (1791), o vėliausias – Portrait of Voltaire (1836).

      Kurią temą Adèle Romany tapė dažniausiai?Perskaitykite atsakymą

      Woman (8), Dark background (3) ir White dress (2) iš 37 šioje pusėje esamų darbų.

      Kuri technika dažniausiai pasitaiko Adèle Romany paveiksluose?Perskaitykite atsakymą

      Oil On Canvas, naudojamas 7 iš 37 šioje pusėje esančių darbų.

      Su kokiu kierliu siejama Adèle Romany?Perskaitykite atsakymą

      Neoclassicism, kaip tai rodo šio puslapio plėtočiai.

      Kurių Adèle Romany paveikslų kolekcijoje turi Library-museum of the Comédie-Française?Perskaitykite atsakymą

      Library-museum of the Comédie-Française, Paris kolekcijoje yra 5 šioje pusėje esančių veikalų, iš jų – Portrait of Emilie Leverd, Mlle Raucourt as Agrippine ir Portrait of Fleury.

      Kur galiu įsigyti Adèle Romany paveikslą-reprodukciją?Perskaitykite atsakymą

      Taip. Kiekvieną šioje pusėje esantį paveikslą galite užsakyti iš jo individualios puslapio versijos kaip ranku dažytą aliejinį reprodukciją arba kaip aukščiausios kokybės spausdinį pasirinktuoju dydžiu.

      Susipažinkite su paveikslastoviu: Adèle Romany

      Adèle de Romance (Adèle Romanée): A Life in Miniature and Portraiture

      Adèle de Romance, also known as Adèle Romany or Adèle Romanée (December 7, 1769 – June 6, 1846), was a highly regarded French painter specializing in miniatures and portraits. Her career spanned several decades of significant social and political change in France, and she successfully navigated the art world while adapting her name and artistic presentation to reflect evolving circumstances.

      Early Life and Artistic Training

      • Birth and Legitimation: Born Jeanne Marie Mercier in Paris, Adèle was initially recognized as an illegitimate child. In 1778, at age eight, she was legitimized by her father, Godefroy V, Marquis de Romance, brother of the writer Germain-Hyacinthe de Romance, from this point adopting the name Adèle de Romance.
      • Formal Education: She received formal artistic training under Jean-Baptiste Regnault, a prominent French history painter and academician. This foundational education provided her with a strong understanding of drawing, composition, and color theory – essential skills for both miniature painting and portraiture.
      • Marriage to François Antoine Romany: In 1790, Adèle married fellow miniature painter François Antoine Romany. While their marriage eventually ended in divorce, it significantly influenced her early career as she often exhibited under his surname, "Romany."

      Artistic Style and Notable Works

      • Specialization: Adèle de Romance’s artistic focus centered on miniatures and portraits, particularly those depicting individuals involved in the performing arts. This niche allowed her to cultivate a clientele within Parisian theatrical and musical circles.
      • Exhibitions at the Paris Salon: From 1793 to 1808, she exhibited her works under the name "Romany," and subsequently from 1808 to 1833 as “Romanée.” She presented a substantial body of work over forty years, demonstrating consistent artistic output.
      • Notable Works:
        • Portrait of Auguste Vestris: This piece, housed at the Rhode Island School of Design Museum of Art, exemplifies her skill in capturing likeness and character.
        • Self-portrait with her children (1800): A poignant depiction showcasing both artistic talent and familial life.
        • Portraits of Mlle Raucourt and Mlle Emilie Leverd: These portraits, exhibited at various Salons, further solidified her reputation for capturing the essence of theatrical personalities.
      • Artistic Characteristics: Her miniatures are known for their delicate detail, refined color palettes, and ability to convey a sense of personality within a small format. Her larger portraits demonstrate a similar attention to detail and an understanding of light and shadow.

      Recognition and Historical Significance

      • Gold Medal of the Jury (1808): This prestigious award recognized her artistic merit and contributed to her standing within the French art establishment.
      • Influence on Other Artists: While not a revolutionary figure, Adèle de Romance’s consistent production of high-quality miniatures and portraits helped maintain the popularity of these genres during a period when larger historical paintings were gaining prominence.
      • Representation of Performing Arts: Her focus on portraying actors, actresses, and musicians provides valuable visual documentation of Parisian theatrical life in the late 18th and early 19th centuries. The Comédie-Française holds a significant collection of her works due to this specialization.
      • Financial Acumen: Beyond her artistic pursuits, Adèle demonstrated business savvy through financial speculations during periods of political upheaval, showcasing an entrepreneurial spirit uncommon for women artists of the time.

      Legacy and Rediscovery

      Adèle de Romance’s work received limited critical attention after her death in 1846. However, recent scholarship and a retrospective exhibition at the Jean-Honoré-Fragonard Museum in Grasse (scheduled for 2025) are contributing to a renewed appreciation of her artistic contributions. Her legacy lies not only in her skillful execution but also in her ability to capture the spirit of a vibrant cultural scene and navigate a complex historical landscape as a successful female artist.