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      Gerd Meyer, 1894 – 1987

      Gerd Meyer: 1 žymiausi paveiksliai

      Iš visų Gerd Meyer paveikslų, Abstract Composition No. 5 (1926) yra garsiausias. Iš 1 Gerd Meyer kūrinių mūsų kataloge šie 1 yra garsiausi – kiekvienas su datą, muziejų ir istoriją nurodančia informacija.

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      Gerd Meyer portretas
      Gerd Meyer · 1894 – 1987
      Gedė · mirė
      1894 – 1987, Oldenburg
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      Abstract Composition No. 5 (1926)

      10 garsiausių Gerd Meyer paveikslų

      Metai po metų: garsiausi Gerd Meyer płótnai

      Vienas metai – 1926 – apima visus šioje puslapyje esamus Gerd Meyer datuotus plėtninius: štai jie, pirmiausia patikimiausi.

      1. 1926

      Atsakimai į jūsų klausimus apie Gerd Meyer paveikslus

      Kuri yra garsiausia Gerd Meyer tapioja?Perskaitykite atsakymą

      Abstract Composition No. 5 (1926)

      Kiek metų buvo Gerd Meyer, kai buvo sukurtas Abstract Composition No. 5?Perskaitykite atsakymą

      Gerd Meyer, gimęs 1894, buvo 32 metų amžiaus: Abstract Composition No. 5 datuojamas 1926 m.

      Kiek žinoma Gerd Meyer paveikslų?Perskaitykite atsakymą

      Kataloge yra 1 darbų autoriaus Gerd Meyer.

      Gerd Meyer: paveikslastotojo istorija

      A Life of Dual Pursuits

      Born in Oldenburg, Germany, Gerd Meyer led a life defined by both professional administration and artistic exploration. After completing his schooling, he initially trained with the railway administration in Osnabrück before transitioning to the financial administration. His career in the civil service saw him rise to the position of senior tax auditor, serving in Bremen, Cuxhaven, and Delmenhorst, where he also held the role of deputy office manager. Following his retirement as a tax official in 1952, he continued his professional life as a tax consultant.

      Parallel to his administrative career, Meyer pursued formal artistic training, beginning with drawing lessons under Richard tom Dieck in 1914. During the First World War, he served as a soldier on the Eastern Front, where he produced fine drawings. His formal art education continued at the Bremen School of Applied Arts, where he lived from 1920.

      Artistic Evolution and Style

      Meyer's artistic output was characterized by a significant shift in style. In the early 1920s, he was among the few artists from Oldenburg to embrace abstraction and non-objectivity. His work during this period can be categorized into several distinct groups:

      After 1930, his subject matter moved toward more realistic motifs in both his paintings and drawings. His work has been held in collections such as the Bremer Kunsthalle, the Museum Folkwang in Essen, and the Landesmuseum Oldenburg.