Bush landscape with rocks (1952) – tai tapinys, dėl kurio labiausiai žinomas Jean Appleton; jis priklauso muziejui Art Gallery of New South Wales, miestui Sidnėjus. Landscape ir Red house, Cowan (1945) užbaia labiausiai mylimų plėtojamų paveikslų trio. Mūsų kataloge yra 7 darbų autoriaus Jean Appleton. Štai 6 garsiausiųjų: su metais, muziejumi ir kiekvieno płatinio pasakojimu.
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1 muziejai, kuriuose yra daugiausia šioje puslapyje esamų paveikslų.
| Muzejaus | Miestas | Jean Appleton darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
| Sidnėjus | 6 | Bush landscape with rocks, Landscape, Red house, Cowan |
Aptikri maždaug dešimtmetė prie easelio, nuo 1945 iki 1953: Jean Appleton drobės, viena po kitos.
Bush landscape with rocks (1952), Art Gallery of New South Wales, Sidnėjus. Sekia Landscape ir Red house, Cowan (1945).
Jean Appleton, gimęs 1911, buvo 41 metų amžiaus: Bush landscape with rocks datuojamas 1952 m.
Mūsų kataloge yra 7 Jean Appleton darbų, datuoti nuo 1945 iki 1953.
Daugiausia – Art Gallery of New South Wales (Sidnėjus); viršuje esančiame sąraše nurodytas kiekvienas muziejus ir jo plėtojimo darbai.
Čia esamasis plėslas yra Red house, Cowan (1945), o vėliausias – Hillside (1953).
Art Gallery of New South Wales, Sidnėjus kolekcijoje yra 6 šioje pusėje esančių veikalų, iš jų – Bush landscape with rocks, Landscape ir Red house, Cowan.
Born in the Sydney suburb of Ashfield, Jean Appleton was a painter, art teacher, and printmaker who demonstrated a lifelong passion for the arts. After earning an intermediate certificate in arts in 1928, she enrolled in a five-year diploma course in drawing and illustration at the East Sydney Technical College. Her formal education continued in England at the Westminster School of Art, where she studied under Bernard Meninsky and Mark Gertler. During her time in London, she produced Australia's two earliest cubist paintings, titled Still Life 1937 and Painting IX 1937.
Appleton's technical repertoire was diverse, as she worked with a variety of media including:
Throughout her career, Appleton's work evolved from the rounded geometric forms she learned in London toward an increasingly decorative and schematic cubist style characterized by a lighter colour scheme. She often found inspiration in subjects such as bottles, describing painting as a "love affair." Her professional achievements were marked by several prestigious accolades, including:
In addition to her painting, she became interested in printmaking, which she practiced until 1980. Her life and work were celebrated through various solo exhibitions and a retrospective held at the Campbelltown City Bicentennial Art Gallery.