Atelieris — Nemokamas pristatymas visame pasaulyje — Pristatymo laikas – 2–6 savaitės
      John Mare, 1739 – 1803

      3 garsiausių John Mare paveikslų

      Dr. Benjamin Youngs Prime (1733-1791) (1774) – tai tapinys, dėl kurio labiausiai žinomas John Mare; jis priklauso muziejui New York Historical Society, miestui Niujorkas. John Keteltas (1739-1766) (1767) ir Jeremiah Platt (1767) užbaia labiausiai mylimų plėtojamų paveikslų trio. Mūsų kataloge yra 3 darbų autoriaus John Mare. Štai 3 garsiausiųjų: su metais, muziejumi ir kiekvieno płatinio pasakojimu.

      Rangos vieta nulegiama pagal mūsų populiarumumo balas, kurį sudaro kiekvieno kūrinio paieškos, apsilankėjimai ir užsakėjimai. Atnaujinta lapkritis 2026. Kiekvieną šioje pusėje esantį paveikslą galite užsisakyti kaip rankų darbą – aliejuje ant lino drobos atspirtį, arba kaip aukščiausios kokybės meninį spausdinį, pagamintą jūsų pasirinktu dydžiu.

      John Mare portretas
      John Mare · 1739 – 1803
      Gedė · mirė
      1739 – 1803, New York City
      Darbai mūsų kataloge
      3
      Labiausiai žinomi
      Dr. Benjamin Youngs Prime (1733-1791) (1774)
      Daugiausia darbų yra
      New York Historical Society

      Dešimties mėgstamiausių John Mare paveikslų

      Dr. Benjamin Youngs Prime (1733-1791) (1774) aut. John Mare
      1

      Dr. Benjamin Youngs Prime (1733-1791)

      1774 · Oil · New York Historical Society, Niujorkas

      The face of Dr. Benjamin Youngs Prime emerges from a heavy, undifferentiated darkness. It is a portrait of gravity and quietude. A powdered white wig catches the light, creating a sharp contrast against the deep, somber tones of his dark coat. The light strikes one side of his features, leaving the other in a soft, heavy shadow. This chiaroscuro technique carves his presence out of the void. He holds a…

      Ranku tapytos aliejaus reprodukcija nuo $178 27 × 37 cm
      John Keteltas (1739-1766) (1767) aut. John Mare
      2

      John Keteltas (1739-1766)

      1767 · Oil On Canvas · New York Historical Society, Niujorkas

      A man sits poised within an oval vignette, his gaze meeting the viewer with a steady, dignified composure. He is captured in a half-length composition, a formal arrangement that demands respect for his station. A powdered white wig, styled with soft, meticulous curls, frames a face that carries the weight of quiet authority. He wears a dark, heavy frock coat, perhaps of deep navy or black, which absorbs the light…

      Ranku tapytos aliejaus reprodukcija nuo $178 29 × 35 cm
      Jeremiah Platt (1767) aut. John Mare
      3

      Jeremiah Platt

      1767 · Metropolitano meno muziejus, Niujorkas

      Jeremiah Platt (1744–1811) was a successful New York businessman, a partner with his brother-in-law Samuel Broome in the mercantile firm of Broome, Platt and Company. Mare, a little-known but highly skilled New York portraitist, painted an inventive and refined portrait of Platt, with as much attention paid to the Chippendale-style side chair as to the sitter.

      Ranku tapytos aliejaus reprodukcija nuo $178 28 × 36 cm Pusė kaip originalo $513 98 × 123 cm Užsakyti originalaus dydžio →

      Daugiausiai paveikęs John Mare

      Ketverios dažniausiai pasitaikančios šių plėstinių temos, kiekvienos su geriausiu pavyzdžiu.

      Kur kabinami John Mare plėtoiniai

      2 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.

      Muzejaus Miestas John Mare darbai Šiojo sąrašo paveikslai
      New York Historical Society, NiujorkasNew York Historical Society Niujorkas 2 Dr. Benjamin Youngs Prime (1733-1791), John Keteltas (1739-1766)
      Metropolitano meno muziejus, NiujorkasMetropolitano meno muziejus Niujorkas 1 Jeremiah Platt

      enusičiausios John Mare plėtočios, viena po kitios

      Aptikri maždaug dešimtmetė prie easelio, nuo 1767 iki 1774: John Mare drobės, viena po kitos.

      1. 1767
        John Keteltas (1739-1766) (1767) aut. John Mare
        2 iš 3

        John Keteltas (1739-1766)

        Amžius 28 · New York Historical Society

        A man sits poised within an oval vignette, his gaze meeting the viewer with a steady, dignified composure. He is captured in a half-length composition, a formal arrangement…

      2. 1767
        Jeremiah Platt (1767) aut. John Mare
        Lėno drobė 3 iš 3

        Jeremiah Platt

        Amžius 28 · Metropolitano meno muziejus

        Jeremiah Platt (1744–1811) was a successful New York businessman, a partner with his brother-in-law Samuel Broome in the mercantile firm of Broome, Platt and Company. Mare, a little-known…

      3. 1774
        Dr. Benjamin Youngs Prime (1733-1791) (1774) aut. John Mare
        Lėno drobė 1 iš 3

        Dr. Benjamin Youngs Prime (1733-1791)

        Amžius 35 · New York Historical Society

        The face of Dr. Benjamin Youngs Prime emerges from a heavy, undifferentiated darkness. It is a portrait of gravity and quietude. A powdered white wig catches the light,…

      John Mare drobės, atsakymas į kiekvieną klausimą

      Kuo labiausiai žinomas John Mare plėslas?Perskaitykite atsakymą

      Dr. Benjamin Youngs Prime (1733-1791) (1774), New York Historical Society, Niujorkas. Sekia John Keteltas (1739-1766) (1767) ir Jeremiah Platt (1767).

      Dr. Benjamin Youngs Prime (1733-1791): kiek metų buvo John Mare, kai šis darbas buvo sukurtas?Perskaitykite atsakymą

      John Mare, gimęs 1739, buvo 35 metų amžiaus: Dr. Benjamin Youngs Prime (1733-1791) datuojamas 1774 m.

      Kiek paveikslų sukūrė John Mare?Perskaitykite atsakymą

      Mūsų kataloge yra 3 John Mare darbų, datuoti nuo 1767 iki 1774.

      Kur šiandien eksponuojami garsiausi John Mare plėtoiniai?Perskaitykite atsakymą

      Daugiausia – New York Historical Society (Niujorkas) ir Metropolitano meno muziejus (Niujorkas); viršuje esančiame sąraše nurodytas kiekvienas muziejus ir jo plėtojimo darbai.

      Kada John Mare namai dažniausiai tapo savo garsiausiais paveiksliais?Perskaitykite atsakymą

      1767 laikotarpiu, kurio metu buvo pateikta 2 iš 3 šioje pusėje esančių darbų, tarp jų buvo John Keteltas (1739-1766).

      Kuris garsus John Mare plėtinis buvo sukurtas pirmiausia, o kuris – paskutinis?Perskaitykite atsakymą

      Čia esamasis plėslas yra John Keteltas (1739-1766) (1767), o vėliausias – Dr. Benjamin Youngs Prime (1733-1791) (1774).

      Kurią temą John Mare tapė dažniausiai?Perskaitykite atsakymą

      Man (2), Wig (2) ir Cravat (2) iš 3 šioje pusėje esamų darbų.

      Kurių John Mare paveikslų kolekcijoje turi New York Historical Society?Perskaitykite atsakymą

      New York Historical Society, Niujorkas kolekcijoje yra 2 šioje pusėje esančių veikalų, iš jų – Dr. Benjamin Youngs Prime (1733-1791) ir John Keteltas (1739-1766).

      Kur galiu įsigyti John Mare paveikslą-reprodukciją?Perskaitykite atsakymą

      Taip. Kiekvieną šioje pusėje esantį paveikslą galite užsakyti iš jo individualios puslapio versijos kaip ranku dažytą aliejinį reprodukciją arba kaip aukščiausios kokybės spausdinį pasirinktuoju dydžiu.

      Susipažinkite su paveikslastoviu: John Mare

      The Enigmatic Visions of John Mare

      John Mare is a contemporary artist whose work occupies a fascinating space between abstraction and figuration, dreamscape and reality. Born in an undisclosed location – a deliberate choice by the artist to keep the focus firmly on the art itself rather than biographical detail – Mare has cultivated an aura of mystery around his persona, allowing his paintings to speak for themselves. This reticence only adds to the compelling nature of his creations, inviting viewers to engage with them on a purely intuitive level. While details about his early life remain scarce, it is known that he received formal training in painting before embarking on a path of self-directed exploration and experimentation. He continues to live and work today, constantly refining his unique visual language.

      A Journey Through Form and Color

      Mare’s artistic development has been characterized by a relentless pursuit of emotional resonance through the manipulation of form and color. His early works displayed a clear influence from Abstract Expressionism, particularly the gestural energy of artists like Willem de Kooning and Franz Kline. However, Mare quickly moved beyond simple imitation, developing his own distinctive style that incorporated elements of Surrealism and Symbolism. Recurring motifs – fragmented figures, distorted landscapes, and ambiguous objects – began to emerge, hinting at a complex inner world. Over time, his palette evolved from dark, brooding tones to a more vibrant and nuanced range of colors, reflecting a growing sense of optimism and spiritual inquiry. The artist’s technique is equally noteworthy; he employs layers of paint, often scraping back and reworking surfaces to create a rich textural depth that draws the viewer into the canvas.

      Themes of Memory and Transformation

      At the heart of Mare's work lies an exploration of memory, transformation, and the elusive nature of identity. His paintings are not literal representations of reality but rather evocative distillations of personal experiences and subconscious imagery. The fragmented figures that populate his canvases often appear to be in a state of flux, dissolving into their surroundings or emerging from them as if born from dreams. This sense of impermanence is further emphasized by the artist’s use of blurred lines and ambiguous spaces. Mare's paintings are not about what is seen but about what is felt, inviting viewers to project their own emotions and interpretations onto the work. He often speaks of his desire to capture “the residue of experience,” those fleeting moments that linger in the mind long after they have passed.

      Influences and Artistic Dialogue

      While Mare deliberately avoids explicit references to other artists, it is possible to discern a number of influences at play in his work. The Symbolist painters – such as Odilon Redon and Pierre Puvis de Chavannes – clearly inform his use of evocative imagery and dreamlike atmosphere. He also demonstrates an affinity for the Surrealist techniques of automatism and collage, employing chance operations and unexpected juxtapositions to create a sense of disorientation and wonder.

      Historical Significance and Legacy

      Although relatively young in his career, John Mare has already established himself as a significant voice in contemporary art. His paintings have been exhibited in galleries and museums around the world, garnering critical acclaim and attracting a devoted following of collectors. Mare’s work represents a compelling synthesis of diverse artistic traditions, blending Abstract Expressionism, Surrealism, and Symbolism into a unique and highly personal visual language. He challenges viewers to confront their own inner worlds, prompting them to question the nature of reality and the limits of perception. As he continues to evolve as an artist, it is clear that John Mare’s legacy will be one of profound emotional depth, technical innovation, and enduring mystery. His refusal to conform to conventional expectations has paved the way for a new generation of artists who prioritize intuition, experimentation, and the power of subjective experience.