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      Pieter Codde, 1599 – 1678

      74 garsiausių Pieter Codde paveikių reitingas

      Populiariausias Pieter Codde paveikslas yra Double Portrait of a Married Couple (1634), kuris eksponuojamas Mauritshuis Royal Picture Gallery, Haga. Venus Mourning over Adonis (1650) ir Family Group (1642) yra kitos populiariausios tapetų, kuriuos skaitytojai pažįsta labiausiai. Mūsų kataloge yra 82 darbų autoriaus Pieter Codde: štai 74 garsiausių iš jų – kiekvienas su nurodytu metais, muziejumi ir unikaliu aprašymu.

      Rangos vieta nulegiama pagal mūsų populiarumumo balas, kurį sudaro kiekvieno kūrinio paieškos, apsilankėjimai ir užsakėjimai. Atnaujinta lapkritis 2026. Kiekvieną šioje pusėje esantį paveikslą galite užsisakyti kaip rankų darbą – aliejuje ant lino drobos atspirtį, arba kaip aukščiausios kokybės meninį spausdinį, pagamintą jūsų pasirinktu dydžiu.

      Pieter Codde portretas
      Pieter Codde · 1599 – 1678
      Gedė · mirė
      1599 – 1678, Amsterdamas
      Judėjimas
      Dutch golden age
      Darbai mūsų kataloge
      82
      Labiausiai žinomi
      Double Portrait of a Married Couple (1634)
      Daugiausia darbų yra
      Rijksmuseum

      Top 10 Pieter Codde paveikslai: drobės, kurias žino visi

      Double Portrait of a Married Couple (1634) aut. Pieter Codde
      1

      Double Portrait of a Married Couple

      1634 · Oil On Panel · Mauritshuis Royal Picture Gallery, Haga

      Pieter Codde executed the Double Portrait of a Married Couple in 1634. This oil on panel work presents two figures positioned side by side. The subjects are dressed in formal, high-status attire, characterized by ruffled collars and white cravats. They are situated before a doorway, a setting that provides a structured architectural backdrop to the pair.

      Ranku tapytos aliejaus reprodukcija nuo $178 28 × 35 cm Pusė kaip originalo $194 35 × 43 cm Užsakyti originalaus dydžio →
      Venus Mourning over Adonis (1650) aut. Pieter Codde
      2

      Venus Mourning over Adonis

      1650 · Oil On Panel · Ermitažas, Šv. Peterburgas

      In this oil painting on panel, a group of figures is arranged in a dense, pyramidal structure. At the center of the composition, the pale skin of a lifeless male figure, Adonis, is positioned against a dark, shadowed background. Venus leans over his body, her form integrated into the central mass of the mourning group. Surrounding the central pair, several female attendants are depicted in various states of grief. Their…

      Ranku tapytos aliejaus reprodukcija nuo $278 31 × 32 cm Pusė kaip originalo $278 32 × 32 cm Užsakyti originalaus dydžio →
      Family Group (1642) aut. Pieter Codde
      3

      Family Group

      1642 · Oil On Canvas · Rijksmuseum, Amsterdamas

      Family Group (Moore) – A Window Into Domestic Tranquility The sculpture “Family Group” by Henry Moore, created in 1950, stands as a testament to the enduring fascination with familial bonds and the exploration of human form through abstraction. Unlike traditional portraiture, Moore eschewed meticulous detail, opting instead for a simplified representation that prioritizes gesture and emotional resonance—a deliberate departure from the conventions of his time. The piece’s impact transcends mere…

      Ranku tapytos aliejaus reprodukcija nuo $278 37 × 27 cm
      Departure with Two Soldiers and a Woman (1632) aut. Pieter Codde
      4

      Departure with Two Soldiers and a Woman

      1632 · Oil On Panel · Rijksmuseum Twenthe, Enschede

      Departure with Two Soldiers and a Woman is a genre painting executed by the Dutch artist Pieter Codde. Created in 1632, this work belongs to the era of the Dutch Golden Age, a period when the Netherlands saw a significant flourishing of domestic and social scenes. The painting captures a specific, quiet moment of interaction, rendered with the technical precision characteristic of the seventeenth-century tradition.

      Ranku tapytos aliejaus reprodukcija nuo $228 36 × 28 cm Pusė kaip originalo $239 42 × 32 cm Užsakyti originalaus dydžio →
      A Prisoner Kneels Before an Officer (1624) aut. Pieter Codde
      5

      A Prisoner Kneels Before an Officer

      1624 · Oil On Panel

      The tension of a sudden confrontation unfolds in A Prisoner Kneels Before an Officer, a work by the Dutch painter Pieter Codde. This scene captures a moment of high drama, known also by the title Travellers interrogated by an officer. The narrative weight of the piece shifts depending on the language used to describe it, appearing in other records as Verhaftete Reisende vor einem Offizier (Der Überfall).

      Ranku tapytos aliejaus reprodukcija nuo $228 34 × 30 cm Pusė kaip originalo $263 55 × 39 cm Užsakyti originalaus dydžio →
      Interior with Figures (1630) aut. Pieter Codde
      6

      Interior with Figures

      1630 · Oil · National Gallery of Ireland, Dublin

      A man bows deeply toward a group of women, his back turned to the viewer, creating a central axis of movement within a quiet Dutch interior. To the left, three women gather around a table draped in white linen, their postures suggesting a moment of social interaction or perhaps a formal greeting. A woman stands to the right, positioned near the heavy folds of a large, draped four-poster bed. The…

      Ranku tapytos aliejaus reprodukcija nuo $253 36 × 28 cm Pusė kaip originalo $263 41 × 32 cm Užsakyti originalaus dydžio →
      Company of Music-Makers (1633) aut. Pieter Codde
      7

      Company of Music-Makers

      1633 · Oil · Städel Museum, Frankfurtas

      The painting titled Company of Music-Makers is a work by the Dutch artist Pieter Codde. Created about 1633, it captures a specific moment of domestic harmony. The artist, a specialist in genre works, guardroom scenes, and portraits, focuses here on the rhythmic life of a musical gathering.

      Ranku tapytos aliejaus reprodukcija nuo $278 35 × 28 cm Pusė kaip originalo $289 41 × 33 cm Užsakyti originalaus dydžio →
      Portrait of a Man with a Watch (1630) aut. Pieter Codde
      8

      Portrait of a Man with a Watch

      1630 · Oil · Gemäldegalerie, Berlynas

      In this portrait, Portrait of a Man with a Watch by Pieter Codde, we encounter a middle-aged man presented within an oval composition. He is depicted from the chest up, his gaze directed slightly toward the viewer with a focused, steady expression. The subject wears a large, dark, wide-brimmed hat that frames his face, while a black doublet with subtle textures suggests the weight of heavy fabric. A prominent white…

      Ranku tapytos aliejaus reprodukcija nuo $178 29 × 35 cm Pusė kaip originalo $246 51 × 63 cm Užsakyti originalaus dydžio →
      The Guardroom (1630) aut. Pieter Codde
      9

      The Guardroom

      1630 · Oil On Canvas · Staatliche Kunsthalle Karlsruhe, Karlsruhe

      The air in the guardroom hangs thick with the scent of stale ale and damp wood. Shadows cling to the corners of the room, swallowing the back wall and leaving only a sliver of light to dance across the scene. A central wooden table anchors the composition, its surface worn by the weight of heavy mugs and the restless movements of men. One figure lies slumped upon the floor, a…

      Ranku tapytos aliejaus reprodukcija nuo $228 38 × 27 cm Pusė kaip originalo $271 59 × 41 cm Užsakyti originalaus dydžio →
      Portrait of Joan van Werkhoven ( -1665) (1635) aut. Pieter Codde
      10

      Portrait of Joan van Werkhoven ( -1665)

      1635 · Oil · Centraal Museum, Utrecht

      In the Portrait of Joan van Werkhoven ( -1665) by Pieter Codde, a single figure occupies the vertical space, positioned slightly off-center against a dark and atmospheric background. The subject meets the viewer at eye-level, creating an immediate sense of presence. This person is dressed in an elaborate period costume, featuring a wide-brimmed hat and a large, ruffled lace collar that catches the light. A voluminous doublet or cloak adds…

      Ranku tapytos aliejaus reprodukcija nuo $178 29 × 35 cm Pusė kaip originalo $198 37 × 45 cm Užsakyti originalaus dydžio →

      Daugiau mokslas Pieter Codde plėstinių, nuo 11 iki 74

      Merry Company (1633) aut. Pieter Codde
      #44

      Merry Company

      1633 · Vienos dailės akademija

      In the heart of the seventeenth century, amidst the burgeoning prosperity of the Dutch Golden Age, Pieter Jacobsz Codde captured a moment of timeless conviviality in his masterpiece,…

      Užsisakykite šį plėtmenį nuo $178 →

      Pieter Codde plėstiniai, pagal laikotarpį

      Daugiausiai paveikęs Pieter Codde

      Ketverios dažniausiai pasitaikančios šių plėstinių temos, kiekvienos su geriausiu pavyzdžiu.

      Kur kabinami Pieter Codde plėtoiniai

      8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.

      Muzejaus Miestas Pieter Codde darbai Šiojo sąrašo paveikslai
      Rijksmuseum, AmsterdamasRijksmuseum Amsterdamas 4 Family Group, Gallant Company, The Meagre Company
      Nationalmuseum, StokholmasNationalmuseum Stokholmas 3 A Conversation, Company Making Music, Portrait of a Family
      Bavarijos valstybinės paveikslų kolekcijos, MiunchasBavarijos valstybinės paveikslų kolekcijos Miunchas 3 Conversation Piece, musical company, Portrait Of A Child
      Mauritshuis Royal Picture Gallery, HagaMauritshuis Royal Picture Gallery Haga 2 Double Portrait of a Married Couple, Merry Company with Masked Dancers
      Ermitažas, Šv. PeterburgasErmitažas Šv. Peterburgas 2 Venus Mourning over Adonis, An Artist in Front of the Easel
      Museum of Fine Arts Ghent (MSK), GentasMuseum of Fine Arts Ghent (MSK) Gentas 2 Company playing backgammon in an interior, Portrait of a Man
      Liuvro muziejus, ParyžiusLiuvro muziejus Paryžius 2 DAME A SA TOILETTE, The Dancing Lesson
      National Gallery, LondonasNational Gallery Londonas 2 A Woman holding a Mirror, Portrait of a Man, a Woman and a Boy in a Room

      populiariausias Pieter Codde plėtendinių kiekvieno dešimtoletio paveikslas

      1. 1620s
        A Prisoner Kneels Before an Officer (1624) aut. Pieter Codde
        Lėno drobė 5 iš 74

        A Prisoner Kneels Before an Officer

        Amžius 21 – 30

        The tension of a sudden confrontation unfolds in A Prisoner Kneels Before an Officer, a work by the Dutch painter Pieter Codde. This scene captures a moment of…

      2. 1630s
        Double Portrait of a Married Couple (1634) aut. Pieter Codde
        1 vieta iš 74

        Double Portrait of a Married Couple

        Amžius 31 – 40 · Mauritshuis Royal Picture Gallery

        Pieter Codde executed the Double Portrait of a Married Couple in 1634. This oil on panel work presents two figures positioned side by side. The subjects are dressed…

      3. 1640s
        Family Group (1642) aut. Pieter Codde
        3 vieta iš 74

        Family Group

        Amžius 41 – 50 · Rijksmuseum

        Family Group (Moore) – A Window Into Domestic Tranquility The sculpture “Family Group” by Henry Moore, created in 1950, stands as a testament to the enduring fascination with…

      4. 1650s
        Venus Mourning over Adonis (1650) aut. Pieter Codde
        2 iš 74

        Venus Mourning over Adonis

        Amžius 51 – 60 · Ermitažas

        In this oil painting on panel, a group of figures is arranged in a dense, pyramidal structure. At the center of the composition, the pale skin of a…

      5. 1660s
        Portrait of a Family (1661) aut. Pieter Codde
        Lėno drobė 24 iš 74

        Portrait of a Family

        Amžius 61 – 70 · Nationalmuseum

        The Portrait of a Family by Pieter Codde captures a quiet moment of domesticity from the Dutch Golden Age. Painted about 1661, this formal and somber group portrait…

      6. 1670s

      Apie Pieter Codde plėminus: atsakimai į jūsų klausimus

      Koks yra žymiausias Pieter Codde paveikslas?Perskaitykite atsakymą

      Double Portrait of a Married Couple (1634), Mauritshuis Royal Picture Gallery, Haga. Sekia Venus Mourning over Adonis (1650) ir Family Group (1642).

      Kokia buvo Pieter Codde amžius, kai buvo nupieštas Double Portrait of a Married Couple?Perskaitykite atsakymą

      Pieter Codde, gimęs 1599, buvo 35 metų amžiaus: Double Portrait of a Married Couple datuojamas 1634 m.

      Kokie yra 10 garsiausių Pieter Codde paveikslų?Perskaitykite atsakymą

      Double Portrait of a Married Couple, Venus Mourning over Adonis, Family Group, Departure with Two Soldiers and a Woman, A Prisoner Kneels Before an Officer, Interior with Figures, Company of Music-Makers, Portrait of a Man with a Watch, The Guardroom ir Portrait of Joan van Werkhoven ( -1665). Kiekvienas viršuje esančiame reitinge nurodytas platinas yra su nurodyta gamybos metų ir muziejaus informacija.

      Kiek viso paveikslų nupiešė Pieter Codde?Perskaitykite atsakymą

      Mūsų kataloge yra 82 Pieter Codde darbų, datuoti nuo 1624 iki 1670.

      Kur galiu pamatyti garsiausius Pieter Codde plėtojusius paveikslius?Perskaitykite atsakymą

      Daugiausia – Rijksmuseum (Amsterdamas), Nationalmuseum (Stokholmas) ir Bavarijos valstybinės paveikslų kolekcijos (Miunchas); viršuje esančiame sąraše nurodytas kiekvienas muziejus ir jo plėtojimo darbai.

      Kada Pieter Codde nupiešė savo populiariausius paveikslius?Perskaitykite atsakymą

      1630s laikotarpiu, kurio metu buvo pateikta 25 iš 74 šioje pusėje esančių darbų, tarp jų buvo Double Portrait of a Married Couple.

      Kokie yra ankstyviausi ir vėliausi garsieji Pieter Codde paveikslai?Perskaitykite atsakymą

      Čia esamasis plėslas yra A Prisoner Kneels Before an Officer (1624), o vėliausias – The Judgement of Mida with Apollo and Pan (Ovidius, Metamorphosis II:146-193) (1670).

      Ką dažniausiai tapė Pieter Codde?Perskaitykite atsakymą

      Man (21), People (19) ir Table (19) iš 74 šioje pusėje esamų darbų.

      Kurią techniką Pieter Codde naudojo dažniausiai?Perskaitykite atsakymą

      Oil, naudojamas 23 iš 74 šioje pusėje esančių darbų.

      Kelią meno kryptį priklauso Pieter Codde paveikslas?Perskaitykite atsakymą

      Dutch golden age ir Baroque, kaip tai rodo šio puslapio plėtočiai.

      Kurių Pieter Codde plėtojos rodomos Rijksmuseum?Perskaitykite atsakymą

      Rijksmuseum, Amsterdamas kolekcijoje yra 4 šioje pusėje esančių veikalų, iš jų – Family Group, Gallant Company ir The Meagre Company.

      Ar galiu įsigyti Pieter Codde plėtoje reprodukciją?Perskaitykite atsakymą

      Taip. Kiekvieną šioje pusėje esantį paveikslą galite užsakyti iš jo individualios puslapio versijos kaip ranku dažytą aliejinį reprodukciją arba kaip aukščiausios kokybės spausdinį pasirinktuoju dydžiu.

      Pieter Codde: gyvenimas spalvomis

      The Silvery Light of the Dutch Golden Age

      Pieter Jacobsz Codde, a name synonymous with the refined elegance of the seventeenth-century Dutch Golden Age, lived a life as textured and layered as the canvases he produced. Born in Amsterdam in 1599 to a family of modest means—his father serving as a city official responsible for port fees—Codde emerged from an environment steeped in the maritime commerce and burgeoning prosperity of the Netherlands. While historical records regarding his early training remain somewhat enigmatic, whispers of an apprenticeship under the legendary Frans Hals have long circulated among art historians. However, more recent scholarship suggests he may have refined his technical prowess under Barent van Someren or Cornelis van der Voort. Regardless of his specific master, Codde’s development was marked by a profound ability to capture the quiet, often silvery-gray tonalities that would become his aesthetic signature.

      His early years were not merely defined by the brush, but also by a literary sensibility that added depth to his visual narratives. In the early decades of the 1600s, Codde was known to engage with the poetic and dramatic arts, appearing in publications such as Hollande Nachtegaelken. This intersection of word and image allowed him to approach genre painting not just as a recorder of reality, but as a storyteller capable of weaving classical and amorous themes into the fabric of everyday life. His move to the fashionable Sint Antoniesbreestraat in Amsterdam placed him at the very heart of the artistic community, surrounded by the vibrant energy of a city defining its cultural identity.

      Mastery of the Genre and the Guardroom

      As his career matured, Codde became a master of several distinct genres, most notably the guardroom scene, the musical company, and the intimate portrait. His work is celebrated for its meticulous attention to detail and a sophisticated use of chiaroscibility—the dramatic interplay of light and shadow that breathes life into inanimate objects and human subjects alike. In his guardroom paintings, he captured the rugged, often tense atmosphere of military life, yet he infused these scenes with a technical grace that elevated them beyond mere reportage. His ability to render the cold glint of steel, the heavy texture of fabric, and the soft glow of candlelight created an immersive experience for the viewer.

      Beyond the martial themes, Codde found immense success in depicting the social harmonies of his era. His musical compositions are particularly evocative, capturing moments of shared leisure and artistic devotion. In works such as Dancing Lesson and The Lute Player, one can sense the rhythmic pulse of the music through his precise brushwork. These paintings often feature a delicate, silvery palette that lends a dreamlike, nostalgic quality to the scenes, making them feel both immediate and timeless. Through these small-scale masterpieces, Codde invited the viewer into the private, harmonious corners of Dutch domesticity, where melody and movement converged.

      A Legacy Etched in Light and Shadow

      The life of Pieter Codde was not without its shadows, mirroring the darker tones found in his more somber compositions. His personal history was marked by turbulence, including a high-profile legal accusation and a divorce that saw his wife move into the home of the painter Paulus Potter. Yet, even amidst personal upheaval, his professional trajectory remained one of significant achievement. By 1657, he had secured a prestigious residence on the Keizersgracht, a testament to the stability and success his talent had afforded him. His later years were spent in the very heart of Amsterdam's grandeur, continuing to refine the techniques that would influence generations of Dutch painters.

      The historical significance of Codde lies in his role as a bridge between the raw naturalism of the early Golden Age and the more refined, polished aesthetics of the mid-seventeenth century. His contributions to the development of genre painting provided a blueprint for how light could be used to sculpt emotion and atmosphere. Today, his works reside in some of the world's most esteemed institutions, including:

      Ultimately, Pieter Jacobsz Codde remains a vital figure in the canon of Western art, remembered not just for his technical skill, but for his ability to capture the fleeting, luminous essence of human connection and the quiet dignity of everyday existence.