Iš visų Raúl Lozza paveikslų garsiausias yra Work 171 (1948); jis eksponuojamas Buenos Aires modernio meno muziejus, Buenos Aires. Iš 1 Raúl Lozza kūrinių mūsų kataloge šie 1 yra garsiausi – kiekvienas su datą, muziejų ir istoriją nurodančia informacija.
Rango vieta nulegiama pagal mūsų populiarumumo balas, kurią sudaro kiekvieno kūrinio paieškos, apsilankėjimai ir užsakėjimai. Atnaujinta lapkritis 2026.
In the vast landscape of mid-century abstraction, few works capture the rhythmic precision and vibrant energy of Argentine Concrete Art quite like Work 171. Created in 1948 by the visionary Elbio Raúl Lozza, this masterpiece serves as a window into a period of profound geometric experimentation. The canvas is an orchestrated dance of color and form, where a deep, verdant green background provides a lush stage for a constellation of…
1 muziejai, kuriuose saugoma daugiausia šioje puslapyje esamų paveikslų.
| Muzejaus | Miestas | Raúl Lozza darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Buenos Aires modernio meno muziejus |
Buenos Aires | 1 | Work 171 |
Vienas metai – 1948 – apima visus šioje puslapyje esamus Raúl Lozza datuotus plėtninius: štai jie, pirmiausia patikimiausi.
In the vast landscape of mid-century abstraction, few works capture the rhythmic precision and vibrant energy of Argentine Concrete Art quite like Work 171. Created in 1948 by…
Work 171 (1948)
Raúl Lozza, gimęs 1911, buvo 37 metų amžiaus: Work 171 datuojamas 1948 m.
Kataloge yra 1 darbų autoriaus Raúl Lozza.
Daugiausia – Buenos Aires modernio meno muziejus (Buenos Aires); viršuje esančiame sąraše nurodytas kiekvienas muziejus ir jo plėtojimo darbai.
Elbio Raúl Lozza stands as a monumental figure in the landscape of mid-century abstraction, a visionary whose life and work were inextricably linked to the evolution of Argentine Concrete Art. Born in Alberti, Argentina, Lozza’s journey was one of profound resilience and intellectual rigor. His early years were marked by significant personal hardship, yet these challenges seemed to forge the disciplined spirit required for his later contributions to art theory and practice. As a painter, draughtsman, designer, journalist, and theorist, he did not merely create images; he constructed new visual languages that sought to strip art of all decorative illusions, returning it to its fundamental, structural truths.
His artistic identity was deeply rooted in the pursuit of an autonomous aesthetic. Lozza became a pivotal member of the Asociación Arte Concreto-Invención, joining in 1945, and later founded the Perceptivist group. His work was heavily influenced by the radical principles of European masters such as Piet Mondrian, Theo van Doesburg, and Max Bill. Following the tenets of Art Concret, Lozza championed a style composed purely of plastic elements—lines, planes, surfaces, and colors—devoid of any reference to nature, symbolism, or the unconscious. This commitment to mathematical beauty and geometric precision allowed him to explore the inherent tension between shapes, creating works that felt both structurally sound and vibrantly alive.
The essence of Lozza’s mastery lies in his ability to orchestrate a dance of color and form that transcends the flat surface of the canvas. In his celebrated compositions, such as Work 171, one finds a rhythmic precision where sharp, intersecting triangles and geometric shapes create an illusion of depth and perpetual motion. He utilized a palette of striking hues—crimson, azure, sun-drenched yellow, and royal purple—often set against deep, verdant backgrounds to produce a hypnotic, optical experience. His technique reflected a profound understanding of the Madí and Concrete art movements, where the interplay of angles and bold pigments suggests an architectural blueprint that remains fluid and organic.
Beyond the visual impact, Lozza’s work carries immense historical weight. Emerging from the intellectual ferment of post-war Argentina, his practice was part of a larger movement seeking to establish a universal language through order, clarity, and balance. His contributions were not limited to the brush; as a theorist, he helped define the very boundaries of what modern art could achieve in South America. This dedication to the structural truth of art earned him significant recognition, including the prestigious Platinum Konex Award in Visual Arts from Argentina.
The legacy of Elbio Raúl Lozza continues to resonate through the halls of major institutions, such as the Museum of Modern Art (MoMA), where his "Inventions" serve as vital links between Concretism, Neo-Concretism, and Conceptual art. His life’s work remains a testament to the power of geometric experimentation and the enduring strength of the abstract spirit.
