The Last Supper (1593) – tai tapinys, dėl kurio labiausiai žinomas Agostino Carracci; jis priklauso muziejui Museo del Prado, miestui Madridas. Titian (1587) ir Venus and Amor with a Satyr (1598) užbaia labiausiai mylimų plėtojamų paveikslų trio. Mūsų kataloge yra 38 darbų autoriaus Agostino Carracci. Štai 38 garsiausiųjų: su metais, muziejumi ir kiekvieno płatinio pasakojimu.
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A long table, draped in white cloth, anchors the composition. Around it, a group of men is caught in a state of agitation and contemplation. The scene captures the biblical institution of the Eucharist, a moment defined by tension and spiritual gravity. Light emanates from an unseen source above the left, casting deep shadows that define the anatomical forms and the heavy folds of drapery. This directional lighting creates a…
To stand before this masterful engraving is to encounter a moment suspended in the amber glow of the late sixteenth century. This portrait, executed with the meticulous precision characteristic of printmaking from the era, draws us intimately close to the subject—a man whose bearing speaks volumes without uttering a single word. The composition centers him formally, yet his slight turn of the head injects a subtle, captivating dynamism into what…
In Venus and Amor with a Satyr by Agostino Carracci, the composition is dominated by the reclining figure of Venus. Set within an intimate environment, the scene brings together the goddess, Cupid (Amor), and a Satyr. The arrangement utilizes a close-up, shallow depth view that pulls the viewer into the immediate space of the figures. This proximity emphasizes the interaction between the divine presence of Venus and Cupid and the…
The painting titled The Ecstasy of Saint Catherine of Siena was executed by the artist Agostino Carracci in 1590. This religious work depicts a significant episode from the life of Saint Catherine of Siena, a member of the Dominican order. The composition focuses on the saint during a moment of spiritual experience, specifically referencing the sacred stigmata she is said to have received in 1375.
St. Catherine, from the episode "Holy Women" is an engraving by Agostino Carracci. Created in 1578, the work belongs to a period when the artist was establishing his presence within the Italian art scene. Carracci was born in 1557 in Bologna, Italy.
In this "Male Portrait" by Agostino Carracci, dating from about 1589, we are presented with a single male figure captured in a close-up, three-quarter view. The subject is positioned slightly off-center, creating a subtle tension within the frame. He meets the viewer at eye-level, his piercing gaze establishing an immediate and intimate connection. There is a profound sense of psychological presence in his expression, one that suggests a moment of…
A single light source spills from the upper left, carving the anatomy of two figures out of a heavy, dark interior. The man and woman are locked in a seated embrace, their limbs intertwining to form a singular, organic shape. Warm, earthy tones define the skin, while deep purples and blues anchor the composition through the heavy folds of drapery and bedding. Every curve of muscle and every soft contour…
Nuditet med mand og kvinde is an oil painting created by the artist Agostino Carracci. The work dates to 1587. This piece depicts a nude man and woman positioned in an erotic embrace upon a bed.
is an oil painting by the Italian artist Agostino Carracci. The work dates to 1587. This piece depicts the biblical Crucifixion, focusing on the central figure of Jesus Christ upon the cross. The subject matter is presented through a somber and dramatic lens, utilizing a composition that places the crucified figure at the apex of a pyramidal arrangement.
The composition is split between two distinct realms. On the right, the earthly plane is occupied by the Virgin Mary, her figure draped in a heavy, deep blue mantle. To the left and above, the heavenly sphere erupts in a dynamic, upward-reaching movement. Clouds and a host of cherubs fill the upper atmosphere, creating a sense of divine presence that descends toward the terrestrial scene. The Archangel Gabriel is captured…
Portrait of a Lutenist (Portrait of the musician Orazio Bassani) is a work by Agostino Carracci. Dated 1586, the painting captures a gentleman in a moment of quietude.…
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A muscular, dark-toned figure dominates this circular composition, seated amidst swirling, voluminous clouds. This is Pluto, the Roman deity of the underworld, rendered with a heavy, physical presence.…
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Agostino Carracci produced this oil on canvas in 1600. The work belongs to the artist's period of activity in Italy, following his training in Bologna and his travels…
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The oil painting titled Allegory of Abundance and Peace was executed by the artist Agostino Carracci. This work dates to 1602. The composition features two female figures positioned…
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In Agostino Carracci’s Venus and Mars, the composition centers on the mythological union of the goddess of love and the god of war. The figures are positioned prominently…
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In this chalk drawing from 1597, we encounter a woman whose presence is defined by a profound sense of composure. Agostino Carracci moves away from the stylized distortions…
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Agostino Carracci's 1599 portrait of Giovanni Gabrielli, known as “Il Sivello,” is more than a simple likeness; it’s a vibrant snapshot of Venetian theatrical life and a testament…
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Agostino Carracci's “Hairy Harry, Mad Peter and Tiny Amon” isn’t merely a painting; it’s a captivating glimpse into the opulent and delightfully peculiar world of Cardinal Odoardo Farnese…
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Agostino Carracci's "Head of a Faun in a Concave (Roundel)," painted around 1595, is more than just a portrait; it’s a meticulously crafted window into the burgeoning artistic…
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In the heart of Parma’s historic grandeur lies a masterpiece that transcends the boundaries of mere decoration, inviting the viewer into a divine realm of myth and emotion.…
The work titled Stigmatization of Saint Francis of Assisi is a creation of Agostino Carracci. This Italian Baroque Era Painter lived from 1557 to 1602. His hand shaped…
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Agostino Carracci's "The Holy Family with Sts. Anthony Abbot, Catherine and the Infant St. John," painted in 1582, isn’t merely a depiction of a sacred scene; it’s a…
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The Three Graces emerges from the shadows of history as a profound engraving by Agostino Carracci. This print captures a moment of classical grace, where the figures of…
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In this 1598 oil on canvas, we find ourselves looking into the private, somewhat eccentric world of the Farnese household in Rome. The composition brings together three distinct…
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Study of a Spaniel’s Head by Agostino Carracci Surely one of the most stunning drawings of a dog in the history of art, this study of a spaniel’s…
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Vault, eastern square. The Hall of Loves of Jupiter, whose name identifies the subject represented in the varoius painted scenes, the love presented in different type (OMNIA VINCET…
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The air in the room feels heavy, thick with the scent of iron and the quiet tension of a moment frozen in time. A woman dominates the space,…
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8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Agostino Carracci darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Statens Museum For Kunst |
Kopenhaga | 3 | Nuditet med mand og kvinde, Nuditet med mand og kvinde, Christ on the Cross |
 Kunsthistorisches Museum |
Viena | 2 | Venus and Amor with a Satyr, Stigmatization of Saint Francis of Assisi |
 Korero muziejus |
Venecija | 2 | The Holy Family with Sts Anthony Abbot, Catherine and the Infant St John, The Holy Family with Sts. Anthony Abbot, Catherine and the Infant St. John |
 Museo di Capodimonte |
Neapolis | 2 | Hairy Harry, Mad Peter and Tiny Amon (detail), Hairy Harry, Mad Peter and Tiny Amon |
 Palazzo Ducale del Giardino |
Parma | 2 | Jupiter, Jupiter |
 Museo del Prado |
Madridas | 1 | The Last Supper |
 Staatliche Museen zu Berlin |
Berlinas | 1 | Titian |
 Galleria Borghese |
Roma | 1 | The Ecstasy of Saint Catherine of Siena |
St. Catherine, from the episode "Holy Women" is an engraving by Agostino Carracci. Created in 1578, the work belongs to a period when the artist was establishing his…
To stand before this masterful engraving is to encounter a moment suspended in the amber glow of the late sixteenth century. This portrait, executed with the meticulous precision…
A long table, draped in white cloth, anchors the composition. Around it, a group of men is caught in a state of agitation and contemplation. The scene captures…
Agostino Carracci produced this oil on canvas in 1600. The work belongs to the artist's period of activity in Italy, following his training in Bologna and his travels…
The Last Supper (1593), Museo del Prado, Madridas. Sekia Titian (1587) ir Venus and Amor with a Satyr (1598).
Agostino Carracci, gimęs 1557, buvo 36 metų amžiaus: The Last Supper datuojamas 1593 m.
The Last Supper, Titian, Venus and Amor with a Satyr, The Ecstasy of Saint Catherine of Siena, St. Catherine, from the episode "Holy Women", Male Portrait, Nuditet med mand og kvinde, Nuditet med mand og kvinde, Christ on the Cross ir Annunciation. Kiekvienas viršuje esančiame reitinge nurodytas platinas yra su nurodyta gamybos metų ir muziejaus informacija.
Mūsų kataloge yra 38 Agostino Carracci darbų, datuoti nuo 1578 iki 1602.
Daugiausia – Statens Museum For Kunst (Kopenhaga), Kunsthistorisches Museum (Viena) ir Korero muziejus (Venecija); viršuje esančiame sąraše nurodytas kiekvienas muziejus ir jo plėtojimo darbai.
1590s laikotarpiu, kurio metu buvo pateikta 11 iš 38 šioje pusėje esančių darbų, tarp jų buvo The Last Supper.
Čia esamasis plėslas yra St. Catherine, from the episode "Holy Women" (1578), o vėliausias – Allegory of Abundance and Peace (1602).
Woman (9), Drapery (7) ir Man (7) iš 38 šioje pusėje esamų darbų.
Oil On Canvas, naudojamas 12 iš 38 šioje pusėje esančių darbų.
Baroque, kaip tai rodo šio puslapio plėtočiai.
Statens Museum For Kunst, Kopenhaga kolekcijoje yra 3 šioje pusėje esančių veikalų, iš jų – Nuditet med mand og kvinde, Nuditet med mand og kvinde ir Christ on the Cross.
Taip. Kiekvieną šioje pusėje esantį paveikslą galite užsakyti iš jo individualios puslapio versijos kaip ranku dažytą aliejinį reprodukciją arba kaip aukščiausios kokybės spausdinį pasirinktuoju dydžiu.
