Albrecht Dürer, 1471 – 1528
Albrecht Dürer: The 100 Best-Known Paintings
Of all Albrecht Dürer's paintings, Knight, Death, and the Devil (1513) is the most famous. Close behind come Jaunas Zuikis (1502) and Savęs portretas jaunesiam žmogui (1493). Among the 1,220 works by Albrecht Dürer in our catalogue, these 100 are the most celebrated, each shown with its date, its museum and its story.
Rangos vieta nulegiama pagal mūsų populiarumumo balas, kurį sudaro kiekvieno kūrinio paieškos, apsilankėjimai ir užsakėjimai. Atnaujinta spalis 2026. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.
- Gedė · mirė
- 1471 – 1528, Niurnbergas
- Judėjimas
- Šiaurės renesansas
- Darbai mūsų kataloge
- 1.220
- Labiausiai žinomi
- Knight, Death, and the Devil (1513)
- Daugiausia darbų yra
- Metropolitano meno muziejus
Albrecht Dürer's 10 most celebrated paintings
2
Jaunas Zuikis
Jaunas zuikis: Albrecht Dürerio gamtos studija Albrecht Dürerio „Jaunas zuikis“ (Vokietijoje – *Feldhase*) – tai 1502 metų akvarelė, kuri neatsiejamai susijusi su Šiaurės Renesanso meistriškumu ir natūralizmo idealais. Tai ne tik gyvūno portretas; tai gilus gamtos studija, atspindinti Dürerio nepriekaištingą stebėjimo gebėjimą ir įgūdžius perteikti subtilią šviesos ir šešėlio žaidimą. Šis kūrinys, saugomas Albertinos muziejuje Vienoje, yra nepralenkiamas pavyzdys detalumo ir emocinio poveikio sintezės mene. Žiūrint į tai gamtos stebuklą,…
3
Savęs portretas jaunesiam žmogui
Albrecht Dürer’s “Self-portrait at 22”: A Window into Renaissance Soul Albrecht Dürer's "Self-portrait at 22," executed in 1493, stands as a cornerstone of Northern Renaissance art—a meticulously crafted depiction that transcends mere likeness to embody the intellectual and spiritual currents of its time. Painted on vellum transferred to canvas, this artwork resides within the Louvre’s collection, offering visitors an unparalleled glimpse into the formative years of one of Europe's most…
4
Feast Of The Rose Garlands
Albrecht Dürer’s “Feast Of The Rose Garlands,” completed in 1506, stands as an emblem of the High German Renaissance—a testament to meticulous observation and profound symbolic representation. More than just a depiction of biblical narrative, it embodies the humanist spirit that characterized the era, prioritizing human dignity and intellectual contemplation alongside artistic excellence.
5
Svajūnė
Albrecht Dürer's ‘Self-Portrait,’ completed in 1498, stands as an unparalleled achievement of Northern Renaissance art—a testament to meticulous observation and profound psychological insight. More than just a likeness of the artist himself, it embodies the intellectual fervor and humanist ideals that characterized this transformative period in European culture.
6
Šventosios Moters Šventoje Gimimo Adoracija
Albrecht Dürer ir Šventosios Motinos Marijos Padovanų Aukso Šlovė Šventoji Motina Marija ir Žemiečioje gimęs Kristus – vienas iš žymiausių religinių paveikslų ciklus Renesanso metais. Štai kaip šis kūrinys išliko įvykis istorijoje ir kaip jis įkvėpė pasaulio meno meistrus. Šventosios Motinos Marijos Padovanų Aukso Šlovė yra vienas iš Albrechto Dürerio žymiausių darbų, kuriuos jis sukūrė 1504 metais Niurnberge. Šis paveikslo ciklas buvo įvykis Renesanso estetikoje ir simboliškai reikšmės šaltiniu. Paveikslą…
7
Self-portrait at 22,1493, louvre
A Glimpse into Artistic Maturity: Dürer’s Self-Portrait at 22 This striking self-portrait, created in 1500 by the masterful Albrecht Dürer, is far more than a simple likeness; it's a bold statement of artistic identity and a pivotal work within the Northern Renaissance. Painted when he was just twenty-eight years old (though misdated as 1493), this piece resides in the Louvre Museum and showcases Dürer’s remarkable skill and evolving style. He…
8
Trinitė garbėjimas (Landau altorius)
The Adoration of the Trinity (Landauer Altar) emerges from the brush of Albrecht Dürer, a presence that commands the viewer's attention through its sheer scale and spiritual weight. Created in 1511, this monumental work captures a moment of celestial convergence. It exists as a profound visual hymn, where the divine and the earthly meet in a single, unified act of reverence. The air seems to thicken with the weight of…
9
Jaunos Venecijietės Moters Portretas
Albrecht Dürerio „Jaunos Venecijietės Portretas“ – tai neatskiriama dalis Renesanso meno palikimo, atspindintis menininko kelionę į Italiją ir jo susidūrimą su naujomis dailės formomis. Sukurtas 1505 metais, šis kūrinys yra tarsi langas į XVI amžiaus Venecijos moters pasaulį, užfiksuotas vokiečių meistro žvilgsniu. Düreris, garsėjantis savo išskirtiniais medžio pjūviais ir graviūromis, čia demonstruoja naujai atrastą aliejaus dažų techniką ant beržo plokštelės, kuri leidžia sukurti švelnesnius tonus ir subtilesnius šešėlius nei anksčiau…
10
Albrecht Dürer A Life Forged in Nuremberg: The Early Years and ApprenticeshipAlbrecht Dürer, a name synonymous with the German Renaissance, emerged from the bustling artisan city of Nuremberg in 1471. His father, Albrecht Dürer the Elder, was a successfu
Albrecht Dürerio paveikslas „Kristus Tarp Mokytojų“ (1506 m.) – tai ne tik religinis motyvas, bet ir intelektualinė diskusija, įamžinta aliejumi ant medinės lentos. Šis kūrinys kviečia stebėtoją įsigilinti į Lukos evangelijoje aprašytą sceną Jeruzalės šventykloje, kur jaunas Jėzus diskutuoja su išsilavinusiais mokytojais. Dürerio meistriškumas leidžia mums pajusti tą pačią įtampą ir intelektualinę energiją, kuri vyravo toje istorinėje akimirką.
Albrecht Dürer paintings ranked 11 to 100
#11
Rose garlands šventė (detale)
Stovėti prieš Albrechto Diurerio Rose girlienų šventę – tai tarsi būti perkeltam į patį Vokiškojo Renesanso širdį, į laikotarpį, kuriame humanistinis intelektualizmas ir gilus religinis atsidavimas švietė tobuloje…
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#12
Rožių Girliandų Altarpedinis Darbas
Albrechto Diurerio (1471–1528) „Rožių Girliandos Altarpedinis Darbas“, sukurtas 1506 metais, yra neatsiejamas nuo Šiaurės Renesanso meno palikimo. Tai daugiau nei tik paveikslas; tai istorijos, religinio atsidavimo ir meniškos…
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#13
Autoportretas, veido detalė
Tema ir dėmesio centras Šis meistriškas portretas įamžina intymią žmogaus veido artumą, pabrėždamas žmogaus emocijų gębę ir sudėtingumą. Ramus, tačiau intensyvus subjekto išraiška kviečia žiūrovą į tylios introspekcijos…
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#14
Portret Jaunodos Venecijiečių Moters
Pasaulio Genijaus – Albrechts Diurerio „Jaunos Venecijos Merginos“ Portreto Aprašas Šis portretas, sukurtas 1505 metais Albrechts Dürerio rankomis, yra ne tik dailės kūrinys, bet ir gyvai įvykusių laikų…
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#15
Self-Portrait at the Age of Twenty Eight
To gaze upon Albrecht Dürer’s Self-Portrait at the Age of Twenty Eight is to encounter more than just a painted likeness; it is to witness a profound moment…
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#16
The Four Apostles
In the quiet, hallowed halls of the Alte Pinakothek in Munich, there exists a masterpiece that does more than merely occupy space; it commands a profound silence. Albrecht…
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#17
Knight, Death and the Devil
In the annals of the Northern Renaissance, few works command the same visceral intensity as Albrecht Dürer’s 1513 masterpiece, Knight, Death and the Devil. This monumental engraving is…
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#18
The Knight Death and The Devil
In the profound stillness of 1513, Albrecht Dürer captured a moment of intense spiritual confrontation in his masterful engraving, Knight, Death, and the Devil. This work, one of…
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#19
The Men's Bath
The Men's Bath is a woodcut created by Albrecht Dürer in 1497. The image captures a group of nude men gathered within a bathhouse. They occupy a space…
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#20
St Jerome in the Wilderness
In the quiet, shadowed corners of the Northern Renaissance, few works capture the profound essence of human devotion as poignantly as Albrecht Dürer’s St Jerome in the Wilderness.…
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#21
The Sea Monster
In the annals of the Northern Renaissance, few images possess the haunting, visceral magnetism of Albrecht Dürer’s “The Sea Monster.” Created around 1498, this extraordinary engraving serves as…
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#22
Žiūra į Arco kalnią Tyrole
Albrecht Dürer's “View of the Arco Valley in the Tyrol,” painted in 1495, stands as a cornerstone of Northern Renaissance art—a testament to meticulous observation and innovative technique.…
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#23
Crucifixion
The scene unfolds in a moment of profound stillness and heavy sorrow. In this depiction of the Crucifixion of Jesus Christ, the weight of the event hangs in…
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#24
The Seven Sorrows of the Virgin
In the quiet, contemplative depths of Albrecht Dürer’s "The Seven Sorrows of the Virgin," created in 1496, we encounter more than a mere religious relic; we enter a…
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#25
St Jerome Penitent in the Wilderness
In the quiet, shadowed corners of the Northern Renaissance, few works capture the profound essence of human devotion as poignantly as Albrecht Dürer’s St Jerome Penitent in the…
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#26
Harrowing of Hell or, Christ in Limbo (No. 14)
In the quiet, shadowed corridors of art history, few works command the visceral intensity of Albrecht Dürer’s Harrowing of Hell, also known as Christ in Limbo. Created between…
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#27
Life of the Virgin: 18. The Coronation of the Virgin
The monochrome print depicts a celestial event centered on the Virgin Mary. She sits upon a throne decorated with floral patterns. Christ, acting as King of Heaven, places…
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#28
Kaišlys
Ramus kario žvilgsnis: Albrechto Dürerio „Hase“ Vienos iš garsiausių galerijų, Vienos Albertina muziejaus, kolekcijoje saugoma viena apgaubiančios paprastybės ir gilaus rezonanso Renesanso kūrybos: 1502 metais sukurtas Albrechto Dürerio…
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#29
Small Passion: 2. Expulsion from the Paradise
Albrecht Dürer's "Small Passion: 2. Expulsion from Paradise," created in 1510, stands as a cornerstone of Northern Renaissance art—a testament to meticulous observation and profound symbolic representation. More…
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#30
Self-Portrait in a Fur-Collared Robe
Albrecht Dürer's ‘Self-Portrait in a Fur-Collared Robe,’ painted circa 1500, stands as an unparalleled testament to the artistic fervor of the German Renaissance. More than just a depiction…
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#31
Agony in the Garden
In the quiet, shadowed corridors of the Northern Renaissance, few works capture the raw, trembling essence of human vulnerability as masterfully as Albrecht Dürer’s Agony in the Garden.…
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#32
The Temptation of the Idler or The Dream of the Doctor
Albrecht Dürer's "The Temptation of the Idler," completed around 1498, stands as a cornerstone of Northern Renaissance printmaking—a masterful distillation of humanist thought and allegorical representation. More than…
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#33
Hands of an Apostle
The drawing, titled Hands of an Apostle, is a detailed study rendered in pen and ink on blue colored paper. The composition focuses exclusively on a pair of…
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#34
St Peter and St John Healing the Cripple (No. 16)
In the quiet, profound depths of Albrecht Dürer’s 1513 engraving, St Peter and St John Healing the Cripple (No. 16), we encounter a moment where the earthly and…
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#35
Saint Eustace
The forest holds its breath as a sudden, divine light pierces the dense canopy. Within this shadowed woodland, a Roman general named Placidus halts his pursuit, frozen by…
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#36
Courtyard of the Former Castle in Innsbruck with Clouds
Albrecht Dürer’s “Courtyard of the Former Castle in Innsbruck with Clouds,” completed in 1494, transcends mere depiction; it embodies the very essence of Northern Renaissance artistic ambition. More…
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#37
The Bagpiper
Albrecht Dürer’s “The Bagpiper,” created in 1514, transcends mere visual representation; it embodies the spirit of the German Renaissance—a period defined by humanist ideals and an unwavering fascination…
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#38
The Harrowing of Hell or Christ in Limbo, from The Large Passion
Albrecht Dürer's "The Harrowing of Hell," or Christ in Limbo, from his monumental “Large Passion,” is not merely a depiction of biblical narrative; it’s a profound exploration of…
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#39
Sudarium Displayed by Two Angels
In the quiet, meticulous world of Northern Renaissance printmaking, few works command as much reverence as Albrecht Dürer’s 1513 masterpiece, Sudarium Displayed by Two Angels. This profound engraving…
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#40
Silvaikiai vyrai su heraldiškomis skaldelėmis
Vaizdas išvaizduoja du vyenius, įklvėtus vidutiniuose broniuose, kiekvienas laikantis šildų, apdanguotų heraldiški simboliais. Vyras kairėje pusėje stovi prie mieklo, o tas dešinėje pusėje taip pat laiko šildą. Fone…
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#41
The Virgin Mary in Prayer
Albrecht Dürer's “The Virgin Mary in Prayer,” painted in 1518, isn’t merely a depiction of the biblical figure; it’s an intensely personal meditation rendered in oil on panel.…
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#42
Pattern from the Series of Six Knots 3
In the annals of the German Renaissance, few names command as much reverence as Albrecht Dürer, a master who possessed the rare ability to marry scientific precision with…
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#43
Šv. Eustacijus
St Eustace: A Detailed Exploration of Dürer's Masterpiece Subject Matter: Šiuolaikinė graviūra vaizduoja Šv. Eustacijų, taip pat Šv. Hubertą, Romos legionierių, kuris po susitikimo su elniais, kuriame tarp…
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#44
Dešimt tūkstančių iškilimų Šventųjų
Albrecht Dürerio „Šventųjų iškilimų“ paveikslas yra galingas ir jaudinantis alievinis kūrinys, į whichį įlipta visa Šiaurės Renesanso esmė. Sukurtas 1508 metais, šis šedevras yra Dürerio meistriškumo, kaip både…
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#45
St Jerome in his Study
Albrecht Dürer's "St Jerome in His Study" is a remarkable black and white engraving that transports viewers to the private world of a Christian scholar and hermit. Completed…
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#46
St Christopher
Step closer to the print and observe how the ink settles into the paper. In this 1511 woodcut, we find St. Christopher navigating the currents of a river,…
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#47
Upper Body of Christ
This detailed black and white drawing, executed in pen and ink on paper, presents a study of human anatomy focusing on the upper body of a male figure.…
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#48
Portrait of William Pirckheimer
This black and white drawing is a detailed portrait of Willibald Pirckheimer, created by Albrecht Dürer. The composition is a study in profile, focusing on the subject's face…
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#49
Portrait of Erasmus
This monochrome drawing, executed in 1520, presents a bust-length view of Erasmus, depicted from the chest upward. The subject is positioned centrally, with his head slightly tilted to…
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#50
Adam
The Breath of Creation: A Vision of Adam In the quiet shadows of the Museo del Prado, Albrecht Dürer’s Adam stands as a monumental testament to the dawn…
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#51
93 metų senolio studija
1521 metais sukurta Albrechto Diurerio „93 metų senolio studija“ nėra tiesiog portretas; tai gili meditacija apie laiką, mirtį ir tylią senėjimo orumą. Šis kūrinys, iškeltas svariausio Renesanso Vokietijos…
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#52
Erasmus of Rotterdam
The German artist Albrecht Dürer captures the essence of a profound intellect in his 1526 portrait, Erasmus of Rotterdam. This work emerges from a personal connection between the…
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#53
The Emperors Charlemagne and Sigismund
The Emperors Charlemagne and Sigismund: A Nuremberg Commission Reflects Renaissance Ideals This drawing by Albrecht Dürer represents more than just a portrait; it embodies the aspirations of a…
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#54
Jabach Altar: Saints Simeon and Lazarus
The artwork titled Jabach Altar: Saints Simeon and Lazarus is a religious art piece created by the artist Albrecht Dürer. This specific panel constitutes the right wing inside…
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#55
Wing of a Blue Roller
Wing of a Blue Roller, also known as Wing of a European Roller, is a nature study watercolor by the German artist Albrecht Dürer. Completed in 1512, the…
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#56
The Small Courier
The Small Courier is a black and white engraving from 1496. The image depicts a dynamic scene of a man on horseback riding through a forest. The composition…
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#57
Self-Portrait at 26
A Window Into Renaissance Identity: Examining Albrecht Dürer’s Self-Portrait at 26 The painting “Self-Portrait at 26,” executed by Albrecht Dürer in 1498, transcends mere representation; it embodies the…
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#58
Virgin and child with a pear
In the quietude of Albrecht Dürer’s “Virgin and Child with a Pear,” we are invited into a sacred space that transcends the boundaries of time. Completed in 1512,…
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#59
Crowning with Thorns
In the quiet intensity of Albrecht Dürer’s Crowning with Thorns, we are invited into a moment of profound spiritual gravity. Created in 1504, during the height of the…
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#60
Small Passion: 9. Christ Washing Peter's Feet
In this woodcut from 1511, we find ourselves drawn into a quiet, intimate corner of a room where a profound act of service is unfolding. The scene captures…
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#61
Head of an Angel
In the quietude of Albrecht Dürer’s “Head of an Angel,” completed in 1506, one encounters more than a mere portrait; one enters a meditative space where the boundaries…
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#62
Portrait Of A Woman With Her Hair Down
In the quiet, hallowed halls of the Gemäldegalerie Alte Meister in Frankfurt, there exists a window into a vanished world, a moment of profound intimacy captured by the…
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#63
Eve
Albrecht Dürer’s “Eve,” completed in 1507, stands as a monumental achievement within the artistic landscape of the German Renaissance. Currently residing at the Museo del Prado in Madrid,…
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#64
Way to Calvary
In the annals of the German Renaissance, few names command as much reverence as Albrecht Dürer. Emerging from the industrious, artisan-driven atmosphere of Nuremberg in 1471, Dürer was…
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#65
Traumgesicht. Dürer dokumentiert einen seiner Albträume
A Dreamscape of Anxiety: Decoding Dürer’s Traumgesicht Albrecht Dürer's *Traumgesicht* (Dream Face), created in 1525, isn’t merely a depiction of a landscape; it’s an unsettling meditation on fear…
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#66
Jabach Altar: Saints Joseph and Joachim
Two elderly figures, Joseph and Joachim, occupy the foreground in a formal, iconographic arrangement. On the left, a man in a green mantle and pink tunic holds a…
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#67
Adoration of the Magi
In the quiet stillness of 1504, Albrecht Dürer captured a moment that would transcend time, weaving together the earthly and the divine in his masterpiece, Adoration of the…
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#68
Virgin and Child
The air feels still around the Virgin Mary as she cradles the Christ Child in a quiet, intimate embrace. A soft light descends from the upper left, brushing…
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#69
The Southern Hemisphere of the Celestial Globe
In the quiet intersection of scientific inquiry and artistic mastery, Albrecht Dürer’s “The Southern Hemisphere of the Celestial Globe” emerges as a breathtaking window into the Renaissance mind.…
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#70
Martyrdom of the Ten Thousand
In the Martyrdom of the Ten Thousand, Albrecht Dürer presents an arresting testament to the artistic fervor and moral contemplation characteristic of the German Renaissance. This monumental work…
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#71
Satyr Family
In the quiet, meticulous world of the German Renaissance, few works capture the unsettling intersection of the carnal and the supernatural as profoundly as Albrecht Dürer’s Satyr Family.…
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#72
Study of Hands
Albrecht Dürer's "Study of Hands," created in 1506, is far more than a simple depiction of two hands grasping a hat; it’s a profound meditation on human skill,…
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#73
Triumphal Arch (detail)
In the annals of the Northern Renaissance, few works command as much reverence for their technical complexity and symbolic depth as Albrecht Dürer’s "Triumphal Arch." Created in 1515,…
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#74
Life of the Virgin: 6. Marriage of the Virgin
Albrecht Dürer's "Life of the Virgin: 6. Marriage of the Virgin," executed in 1504, stands as a testament to the artistic fervor of the German Renaissance—a period defined…
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#75
Study of a Man with a Drill
In the year 1496, within the vibrant, industrious atmosphere of Nuremberg, Germany, a young Albrecht Dürer captured a moment that would transcend the boundaries of mere sketchwork to…
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#76
Small Passion: 32. Christ and the Disciples at Emmaus
In the quiet, shadowed corridors of the Northern Renaissance, few moments capture the intersection of the human and the divine as poignantly as Albrecht Dürer’s Small Passion: 32.…
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#77
Illustration to Revelationes Sancte Birgitte
In the quiet, profound depths of the Northern Renaissance, few artists possessed the ability to bridge the gap between the earthly and the divine as masterfully as Albrecht…
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#78
Self-Portrait at 26 (detail)
A Window into Renaissance Self-Reflection: Examining Albrecht Dürer’s “Self-Portrait at 26” The Museo del Prado in Madrid houses a masterpiece that transcends mere portraiture—Albrecht Dürer's "Self-Portrait at 26,"…
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#79
The Cook And His Wife
The artwork is a detailed black and white engraving depicting two figures, a man and a woman, seemingly engaged in conversation. The composition is vertically oriented with the…
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#80
The Flagellation
The image is a monochromatic woodcut characterized by intricate linework and high contrast. The composition is dense with figures and architectural elements, creating a sense of dramatic tension.…
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#81
Man Of Sorrows With Hands Raised
The engraving, titled Man Of Sorrows With Hands Raised, presents a central figure, presumably Christ, depicted in a state of suffering. The figure stands with arms raised, positioned…
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#82
Prudentia
In the quiet, meticulous lines of Albrecht Dürer’s Prudentia, we encounter more than just a portrait; we enter a profound meditation on the human intellect and the virtue…
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#84
Christ on the Cross with the Virgin and St John
Albrecht Dürer's woodcut, "Christ on the Cross with the Virgin and St John," stands as a profoundly moving testament to the artist’s mastery of German Expressionism and his…
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#86
The Seven Trumpets Are Given to the Angels
The artwork is a detailed black and white woodcut depicting a celestial scene with angels playing musical instruments. The image is vertically oriented, densely populated with figures and…
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#87
The Battle of the Angels
The artwork is a detailed black and white engraving depicting a chaotic battle scene between angels. The composition is vertically oriented and densely populated with figures engaged in…
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#89
Christ before Caiaphas (No. 4)
A Moment Frozen in Ink: The Tension of the Northern Renaissance Christ before Caiaphas (No. 4) is not merely an engraving; it is a profound psychological drama captured…
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#90
Jakob Fugger The Rich
In the heart of the German Renaissance, where the scent of heated metal and the precision of goldsmithing once defined the streets of Nuremberg, there emerged a portrait…
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#91
The Annunciation
This artwork is a detailed black and white woodcut depicting two figures in conversation. The composition is centered around the two figures, positioned on either side of the…
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#92
The coat of arms with the skull
A skull rests upon a draped cloth in the foreground, its hollow sockets staring from a position of quiet prominence. Beside this symbol of mortality, a crowned woman…
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#94
St Simon
In the quiet, meticulous world of the German Renaissance, few hands could command the copper plate with as much spiritual authority as Albrecht Dürer. His 1523 engraving, Saint…
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#95
Paskutinė Vokryčia
Albrechto Dürerio 1511 metais sukurtas darbas, "Paskutinė Vokršė", – ne tik religinio įvykio atvaizdavimas, bet ir reljefinės graviravimo meno puikus pavyzdys. Tai neatsilaičiamas elementas Nyderlandų renesanso meno palėpos,…
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#96
Peasant Couple Dancing
In the quiet intimacy of a single copperplate engraving, Albrecht Dürer managed to capture the thunderous pulse of human existence. Peasant Couple Dancing, executed in 1514, is far…
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#97
Studies on the Proportions of the Female Body
In the quiet intersection of art and science lies Albrecht Dürer’s Studies on the Proportions of the Female Body, a profound window into the intellectual fervor of the…
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#98
The Revelation of St John: 11. St Michael Fighting the Dragon
In the annals of the German Renaissance, few images possess the raw, kinetic energy found in Albrecht Dürer’s St Michael Fighting the Dragon. Created around 1498, this masterpiece…
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Albrecht Dürer's canvases, period by period
Early Renaissance
1493 – 1498 · 3 darbai šiame sąrašeEarly Period
1494 – 1501 · 4 darbai šiame sąrašeBrandus laikotarpis
1499 – 1511 · 5 darbai šiame sąraše
Mature Period
1493 – 1528 · 72 darbai šiame sąraše
Mature
1498 – 1526 · 4 darbai šiame sąrašeWhat Albrecht Dürer painted most
The four subjects that return most often on these canvases, each with its best-loved example.
Renaissance 29 darbai
Renaissance art 26 darbai
#3 Savęs portretas jaunesiam žmogui
#5 Svajūnė
#10 Albrecht Dürer
A Life Forged in Nuremberg: The Early Years and ApprenticeshipAlbrecht Dürer, a name synonymous with the German Renaissance, emerged from the bustling artisan city of Nuremberg in 1471. His father, Albrecht Dürer the Elder, was a successfu
#19 The Men's Bath
Engraving 11 darbai
Where Albrecht Dürer's canvases hang
8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Albrecht Dürer darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Metropolitano meno muziejus |
Niujorkas | 52 | The Sea Monster, Crucifixion, St Jerome Penitent in the Wilderness |
 Graphische Sammlung Albertina |
Višina | 51 | Life of the Virgin: 18. The Coronation of the Virgin, Courtyard of the Former Castle in Innsbruck with Clouds, 93 metų senolio studija |
 British Museum |
Londonas | 67 | The Men's Bath, Small Passion: 2. Expulsion from the Paradise, Pattern from the Series of Six Knots 3 |
 Kunsthistorisches Museum |
Viena | 30 | Trinitė garbėjimas (Landau altorius), Jaunos Venecijietės Moters Portretas, Portret Jaunodos Venecijiečių Moters |
 Museo del Prado |
Madridas | 9 | Svajūnė, Adam, Self-Portrait at 26 |
 Bavarijos valstybinės paveikslų kolekcijos |
Miunchas | 10 | Self-Portrait at the Age of Twenty Eight, The Four Apostles, Jabach Altar: Saints Simeon and Lazarus |
 Alte Pinakothek |
Miunchenas | 26 | The Seven Sorrows of the Virgin, Self-Portrait in a Fur-Collared Robe, Silvaikiai vyrai su heraldiškomis skaldelėmis |
 Albertina |
Viena | 19 | Jaunas Zuikis, Kaišlys, The Harrowing of Hell or Christ in Limbo, from The Large Passion |
Decade by decade: Albrecht Dürer's most celebrated canvas
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1490s
3 of 100
Savęs portretas jaunesiam žmogui
Albrecht Dürer’s “Self-portrait at 22”: A Window into Renaissance Soul Albrecht Dürer's "Self-portrait at 22," executed in 1493, stands as a cornerstone of Northern Renaissance art—a meticulously crafted…
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1500s
Canvas 2 of 100Jaunas Zuikis
Jaunas zuikis: Albrecht Dürerio gamtos studija Albrecht Dürerio „Jaunas zuikis“ (Vokietijoje – *Feldhase*) – tai 1502 metų akvarelė, kuri neatsiejamai susijusi su Šiaurės Renesanso meistriškumu ir natūralizmo idealais.…
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1510s
Canvas 1 of 100Knight, Death, and the Devil
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1520s
Canvas 16 of 100
The Four Apostles
In the quiet, hallowed halls of the Alte Pinakothek in Munich, there exists a masterpiece that does more than merely occupy space; it commands a profound silence. Albrecht…
Your questions on Albrecht Dürer's paintings, answered
Which is the most celebrated painting by Albrecht Dürer?Read the answer
Knight, Death, and the Devil (1513), followed by Jaunas Zuikis (1502) and Savęs portretas jaunesiam žmogui (1493).
How old was Albrecht Dürer at the time of Knight, Death, and the Devil?Read the answer
Albrecht Dürer, born in 1471, was 42 years old: Knight, Death, and the Devil dates from 1513.
Which ten paintings is Albrecht Dürer most famous for?Read the answer
Knight, Death, and the Devil, Jaunas Zuikis, Savęs portretas jaunesiam žmogui, Feast Of The Rose Garlands, Svajūnė, Šventosios Moters Šventoje Gimimo Adoracija, Self-portrait at 22,1493, louvre, Trinitė garbėjimas (Landau altorius), Jaunos Venecijietės Moters Portretas ir Albrecht Dürer A Life Forged in Nuremberg: The Early Years and ApprenticeshipAlbrecht Dürer, a name synonymous with the German Renaissance, emerged from the bustling artisan city of Nuremberg in 1471. His father, Albrecht Dürer the Elder, was a successfu. Each canvas in the ranking above comes with its year and its museum.
How many paintings by Albrecht Dürer are known?Read the answer
1,220 works by Albrecht Dürer are in our catalogue, dated 1493 to 1528.
Which museums hold Albrecht Dürer's best-known canvases?Read the answer
Mostly in Metropolitano meno muziejus (Niujorkas), Graphische Sammlung Albertina (Višina) ir British Museum (Londonas); the list above names each museum and its canvases.
In which years did Albrecht Dürer paint the most celebrated canvases?Read the answer
In 1500s, which gave 33 of the 100 works on this page, Jaunas Zuikis among them.
What are the first and the last of Albrecht Dürer's famous canvases?Read the answer
The earliest canvas here is Savęs portretas jaunesiam žmogui (1493); the latest is Studies on the Proportions of the Female Body (1528).
Which subjects return most often in Albrecht Dürer's paintings?Read the answer
Renaissance (29), Renaissance art (26) ir Engraving (11), across the 100 works on this page.
What did Albrecht Dürer usually paint with?Read the answer
Engraving, used in 23 of the 100 works on this page.
To which art movement does Albrecht Dürer belong?Read the answer
Šiaurės renesansas, as the canvases on this page show.
What can I see by Albrecht Dürer at the Metropolitano meno muziejus?Read the answer
The Metropolitano meno muziejus, Niujorkas holds 14 of the works on this page, among them The Sea Monster, Crucifixion ir St Jerome Penitent in the Wilderness.
Can I order a hand-painted copy of a painting by Albrecht Dürer?Read the answer
Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.
Albrecht Dürer: the painter's story
Albrecht Diurerio: Renesanso Genijaus Pasaulis
Albrechtas Diureris, vardu žinomas visame pasaulyje, – neatsiejamas nuo Vokietijos renesanso. Gimė 1471 metų gegužę Nyurnbergo mieste, kuriuo tuo metu valdė amatininkų ir prekybininkų dvasia. Jo tėvas, Albrechtas Diureris vyresnysis, buvo sėkmingas auksakalys, atvykęs iš Vengrijos, o motina Barbara Holper – vietinė nyurnbergietė. Jaunystėje Albrechts pasižymėjo neeiliniu talentu piešti, ir jau būdamas paauglys sukūrė autoportretą, kuriame matyti jo įžeminimas menui. Šis ankstyvas darbas bylojo apie didelį potencialą, kuris vėliau išaugo į pasaulinę šlovę. Ankstyvieji metai Nyurnberge buvo formavimo laikotarpis – mokymai pas Michaelio Folgemuto dirbtuvėje suteikė jam ne tik techninių įgūdžių, bet ir pažinimo apie graviūros meno galimybes. Ši patirtis tapo pagrindu jo vėlesniems inovacijoms ir eksperimentams su skirtingais menų būdais.Kelionės ir Italijos Įtaka: Meninės Virsmo Metai
1494 metais, troškdamas tobulumo ir norėdamas pažinti italų dailininkų meistriškumą, Albrechtas Diureris išvyko į kelionę po Italiją. Ši kelionė tapo lūtimi jo meninėje evoliucijoje. Susidūręs su tokiomis figūromis kaip Rafaelis, Giovanni Bellini ir Leonardo da Vinci, jis ne tik studijavo jų kūrybą, bet ir įsisavino naujas perspektyvos, proporcijų ir spalvų supratimo niuanses. Italijos renesanso atmosfera padarė didelę įtaką Diurerio stiliui, tačiau jis niekada neprarado savo šiaurės Europos atitikmens – preciziškumo ir simbolizmo gylio. Antroji kelionė į Italiją tarp 1505 ir 1507 metų dar labiau sustūmėjo jo supratimą apie žmogaus kūno anatomiją ir senovės Romos architektūrą, suteikdama jam naujų įkvėpimo šaltinių. Šis sintezas – šiaurietiškos precizijos ir italų harmonijos – tapo Diurerio unikalios meninės tapatybės pagrindu.Graviūra, Tapyba ir Inovacijų Siela: Meninio Įvaldymo Simfonija
Albrechtas Diureris buvo neeilinis meistras įvaldęs daugybę menų – tapybą, graviūrą ir medienagravirę. Nors jo tapybos kūrinių skaičius yra mažesnis nei graviūrų, jie atskleidžia išskirtinį aliejaus dažų valdymą ir gebėjimą užfiksuoti ne tik fizinę panašumą, bet ir psichologinį gilumį. Pavyzdžiui, *Rožių vainiko šventė* (Feast of the Rose Garlands) atskleidžia ryškų spalvų paletę, įkvėptą Venecijos tapybos tradicijų. Tačiau būtent graviūroje ir medienagravirėje Diureris išties revoliucijoavo meninę praktiką, pakeldamas šias technikas nuo paprastų reprodukcijų iki savarankiškų meno formų, galinčių perteikti sudėtingas istorijas ir gilias emocijas. *Apokalipsės* serija (1498), susidedanti iš keturiolikos medienagravirų, iliustruojančių Apreiškimo knygą, parodė jo meistriškumą netgi ribotose šio būdo galimybėse. Vėlesnės graviūros, tokios kaip *Melancholija I* (1514) ir *Šv. Jurgis studijoje* (1514), yra liudijimai apie jo neprilygiamą įgūdžių lygį – sudėtingos kompozicijos, kupinos simbolinio reikšmingumo ir atliktos kvapą atimančiu tikslumu.Teoretikas ir Mokslo Entuziastas: Palikimas, Ištveriantis Amžius
Albrechtas Diureris nebuvo vien tik dailininkas; jis buvo mokslinis tyrinėtojas, teoretikas ir inovatorius, siekęs suprasti meninės kūrimo pagrindus. Jis tikėjo matematikos fundamentais mene ir skyrė save į mokslinį požiūrį atvaizdavimui. Jo traktatai apie geometriją, proporcijas ir žmogaus anatomiją – ypač *Keturios knygos apie žmogaus proporcijas* (1528) – buvo revoliuciniai savo laiku, rodantys jo įsipareigojimą atidžiam stebėjimui ir racionaliai analizei. Šie raštai nebuvo tik akademinės pratybos; jie turėjo užtikrinti menininkų statusą nuo paprastų amatininkų iki intelektualinių praktikų. Diurerio palikimas tęsiasi toli už jo individualių kūrinių. Jis sujungė šiaurietiškas tradicijas ir italų renesanso idealus, įnešdamas klasikinės motyvai į šiaurės Europos meną, išlaikant jo savitą charakterį. Jo teoriniai indėliai padėjo nustatyti naują meno praktikos sistemą, įkvėpdami kartas menininkų su savo techniniu meistriškumu, inovatoriumi dvasia ir gilia vizija.Įtaka ir Palikimas: Echos Per Istoriją
- Michaelis Folgemutas: Diurerio pirmasis mokytojas, suteikęs pagrindinius įgūdžius piešimui, tapybai ir medienagravirėms.
- Leonardo da Vinci: Įkviepė Diurerį tyrinėti anatomiją, perspektyvą ir sfumato – subtilių tonų derinimo būdą.
- Rafaelis: Paveikė Diurerio kompozicinę harmoniją ir idealizuotas formas.
- Giovanni Bellini: Padėjo Diureriui suprasti spalvas ir Venecijos tapybos tradicijas.