Portrait of a Man (1525) – tai tapinys, dėl kurio labiausiai žinomas Jan van Scorel; jis priklauso muziejui Staatliche Museen zu Berlin, miestui Berlinas. Portrait of a Man of Thirty-Two Years (1521) ir Pilgrim (1535) užbaia labiausiai mylimų plėtojamų paveikslų trio. Mūsų kataloge yra 68 darbų autoriaus Jan van Scorel. Štai 68 garsiausiųjų: su metais, muziejumi ir kiekvieno płatinio pasakojimu.
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The year is 1433. Bruges, a burgeoning center of commerce and art in the Low Countries, hums with activity – the clang of blacksmiths' hammers, the chatter of merchants, and the meticulous brushstrokes of artists striving to capture the essence of their subjects. Within this vibrant scene, Jan van Eyck, one of the most innovative painters of his time, embarked on a remarkably intimate undertaking: a self-portrait, now known as…
Jan van Scorel's "Portrait of a Man of Thirty-Two Years," painted in 1521, is more than just a likeness; it’s a carefully constructed meditation on status, intellect, and the quiet dignity of Renaissance man. Emerging from the shadows of early Netherlandish painting, this half-length portrait captures a figure poised between youthful promise and seasoned wisdom – a testament to van Scorel's skill in rendering both physical detail and psychological depth.…
A dignified man emerges from an arched frame, his presence defined by the heavy textures of a fur collar and a dark, structured hat. He holds a wooden staff, a tool of the traveler, while his gaze remains steady and composed. The composition uses a medium close-up perspective, positioning the subject against a muted, teal-grey sky. In the distance, the soft silhouette of a fortification or castle sits upon a…
The scene unfolds within a quiet, sacred geometry. A central group of figures gathers, anchored by the deep blue of the Virgin Mary’s robe. She holds the Christ child, whose soft skin catches a pale, naturalistic light. Kneeling before them, a magus is draped in a cloak of heavy gold, the metallic sheen of the embroidery catching the eye against the muted tones of the surroundings. To the left, a…
The Portrait of Agatha van Schoonhoven is a painting by the Dutch artist Jan van Scorel. This work identifies its subject, Agatha van Schoonhoven, through a specific inscription located on the panel. The artist's hand is confirmed by the presence of a signature and date in the lower right corner of the composition.
The artwork titled Portrait of a Venetian Man is a painting by the artist Jan van Scorel. This work is categorized among Renaissance paintings and depicts a male portrait, though the specific identity of the subject remains unidentified. The piece is dated about 1520.
A young woman meets the viewer's eyes with a steady, unblinking gaze that pierces through the shadows of the past. She sits in a quiet, half-length pose, her body turned slightly away while her face remains fixed upon us, creating an immediate sense of intimacy. The light falls softly from the upper left, tracing the delicate contours of her face and the smooth, porcelain quality of her skin. She wears…
A Quiet Encounter The gaze of the young girl meets yours with an unexpected stillness. In this close-up bust view, the composition pulls us into her immediate presence, positioning her slightly off-center to create a sense of natural, unposed intimacy. There is a profound softness to the way the light falls from the upper left, brushing against her forehead and cheeks before receding into gentle shadows on the right side…
The scene unfolds within The Baptism of Christ, a work that captures a profound moment of spiritual transition. Jan van Scorel brings this biblical event to life, freezing the instant of divine encounter between the earthly and the celestial. The painting exists today within the halls of the Rijksmuseum in Amsterdam, where it remains a significant presence of the Northern Renaissance.
The Portrait of Anna of Lorraine, Consort of René de Chalon, Prince of Orange, Jan van Scorel (possibly copy after), after 1542 is an oil painting on panel attributed to Jan van Scorel. Dated 1542, the work captures the likeness of Anne, daughter of the Duke of Lorraine. She was the spouse of René II, Prince of Chalon, following their marriage on 20 August 1540.
Step closer to observe the quiet gravity of this scene from 1524. Within the architectural confines of the temple, a profound moment of transition unfolds. The composition brings…
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This portrait depicts Johannes Mellinchus, a figure captured with a quiet, steady presence. Attributed to the Dutch painter Jan van Scorel, the work offers a direct encounter with…
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In this 1526 oil painting, we find ourselves in the presence of a profound intimacy. The Virgin Mary is positioned to the left, her gaze lifted upward as…
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To gaze upon this exquisite panel by Jan van Scorel is to step directly into the devotional heart of the early Netherlandish Renaissance. The Madonna of the Daffodils…
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In the vast, sweeping expanse of Jan van Scorel’s Landscape with Tobias and the Angel, we are invited into a world where the boundaries between the earthly and…
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In the quietude of this 1528 masterpiece, we encounter a moment of profound spiritual introspection that transcends the centuries. Jan van Scorel, a master who brilliantly bridged the…
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In the quiet intensity of Jan van Scorel’s Portrait of a Man, we are invited into a profound encounter with the past. Painted around 1520, this masterpiece serves…
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is a work by the Dutch artist Jan van Scorel. Born in 1495 in Schoorl, near Alkmaar, in the Habsburg Netherlands, Scorel became a significant figure in the…
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In the quiet, somber depths of Jan van Scorel’s 1535 masterpiece, Lucretia, viewers are invited into a profound contemplation of honor and the devastating weight of betrayal. This…
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This painting by Jan van Scorel depicts Bathsheba in her bath on the left and King David in his palace on the right, two scenes from the Old…
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The sitter is shown bust-length, strongly silhouetted against a reddish-brown background. He wears a black tabbaard gown with a brown fur lining that is also visible at the…
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Standing before a neutral grey background and portrayed half-length, Reinoud III van Brederode assumes a commanding pose with his left arm akimbo. His proper right hand most likely…
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According to the inscription on its frame, this bust-length portrait shows the Prince of Orange and Count of Nassau, René de Chalon at the age of 23. He…
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The painting Virgin and Child by Jan Van Scorel is a masterpiece of the Northern Renaissance period. Created in 1525, this oil on panel piece measures 66 x…
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The sitter in this unusual oblong painting can be identified by the inscription on the frame as Joris van Egmond, Bishop of Utrecht from 1534 to 1559. He…
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The painting depicts the Queen of Sheba’s meeting with Solomon, King of Israel, which is described in 1 Kings 10:1-10 and mentioned briefly in Matthew 12:42 and Luke…
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Portrayed half-length, Willem van Lokhorst, Lord of Lokhorst, stands before a greenish-grey background, wearing a black baret and cloak over a black garment whose appearance is somewhat difficult…
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It is the asp, coiled around the figure’s right hand and biting her breast, that identifies this female nude as Cleopatra, the last pharaoh of ancient Egypt. By…
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The Portrait of David Joris is a significant painting by the Dutch artist Jan van Scorel. This work captures the likeness of David Joris, a figure who lived…
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Long regarded one of the Rijksmuseum’s masterpieces, the Mary Magdalen shows the saint half-length, seated before a broad, luminous landscape. She sits on a narrow plateau which is…
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8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Jan van Scorel darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Rijksmuseum |
Amsterdamas | 9 | The Baptism of Christ, Mary Magdalen, Landscape with Bathsheba, Jan van Scorel, c. 1540 - c. 1545 |
 Centraal Museum |
Utrecht | 8 | The Virgin with wild roses, The crucifixion, Madonna and Child |
 Gemäldegalerie |
Berlynas | 3 | Virgin and Child, Portrait of Cornelis Aerentsz. van der Dussen, secretary of Delft as of 1536, Baptism of Christ |
 Museum Catharijneconvent |
Utrechtas | 3 | The bearing of the cross (interior left wing), the crucifixion (centre panel), the resurrection (interior right wing); portrait of the donor (exterior left wing), portrait of the donatric (exterior right wing), Portrait of a donor, St. Paul |
 Staatliche Museen zu Berlin |
Berlinas | 2 | Portrait of a Man, Lucretia |
 Art Institute of Chicago |
Čikagos | 2 | Adoration of the Magi, Landscape with Tournament and Hunters |
 Kunsthistorisches Museum |
Viena | 2 | Girl's Head, Presentation of Jesus in the Temple |
 Museum Boijmans Van Beuningen |
Roterdamas | 2 | Virgin and Child, Portrait of a Schoolboy |
The scene unfolds within a quiet, sacred geometry. A central group of figures gathers, anchored by the deep blue of the Virgin Mary’s robe. She holds the Christ…
The year is 1433. Bruges, a burgeoning center of commerce and art in the Low Countries, hums with activity – the clang of blacksmiths' hammers, the chatter of…
A dignified man emerges from an arched frame, his presence defined by the heavy textures of a fur collar and a dark, structured hat. He holds a wooden…
The Portrait of Anna of Lorraine, Consort of René de Chalon, Prince of Orange, Jan van Scorel (possibly copy after), after 1542 is an oil painting on panel…
Portrait of a Man (1525), Staatliche Museen zu Berlin, Berlinas. Sekia Portrait of a Man of Thirty-Two Years (1521) ir Pilgrim (1535).
Jan van Scorel, gimęs 1495, buvo 30 metų amžiaus: Portrait of a Man datuojamas 1525 m.
Portrait of a Man, Portrait of a Man of Thirty-Two Years, Pilgrim, Adoration of the Magi, Portrait of Agatha van Schoonhoven, Portrait of a Venetian Man, Portrait of a Lady, Girl's Head, The Baptism of Christ ir Portrait of Anna of Lorraine, Consort of René de Chalon, Prince of Orange, Jan van Scorel (possibly copy after), after 1542. Kiekvienas viršuje esančiame reitinge nurodytas platinas yra su nurodyta gamybos metų ir muziejaus informacija.
Mūsų kataloge yra 68 Jan van Scorel darbų, datuoti nuo 1519 iki 1555.
Daugiausia – Rijksmuseum (Amsterdamas), Centraal Museum (Utrecht) ir Gemäldegalerie (Berlynas); viršuje esančiame sąraše nurodytas kiekvienas muziejus ir jo plėtojimo darbai.
1530s laikotarpiu, kurio metu buvo pateikta 25 iš 68 šioje pusėje esančių darbų, tarp jų buvo Pilgrim.
Čia esamasis plėslas yra Adoration of the Magi (1519), o vėliausias – Cartouche with inscription and the motto of Johannes de Visscher van der Gheer: reeds that bend but do not break in the waves; the coats of arms De Visscher, bastard branch Culenborg and Van de Leck (1555).
Landscape (9), Man (7) ir Woman (6) iš 68 šioje pusėje esamų darbų.
Oil On Panel, naudojamas 11 iš 68 šioje pusėje esančių darbų.
Northern renaissance ir Renaissance, kaip tai rodo šio puslapio plėtočiai.
Rijksmuseum, Amsterdamas kolekcijoje yra 9 šioje pusėje esančių veikalų, iš jų – The Baptism of Christ, Mary Magdalen ir Landscape with Bathsheba, Jan van Scorel, c. 1540 - c. 1545.
Taip. Kiekvieną šioje pusėje esantį paveikslą galite užsakyti iš jo individualios puslapio versijos kaip ranku dažytą aliejinį reprodukciją arba kaip aukščiausios kokybės spausdinį pasirinktuoju dydžiu.
