Of all Marcelo Grassmann's paintings, Cavalo morto (1944) is the most famous; it hangs in the Centro Cultural São Paulo, S Paulo. Close behind come Figure of woman and dwarf and Cavalos (1944). Among the 7 works by Marcelo Grassmann in our catalogue, these 7 are the most celebrated, each shown with its date, its museum and its story.
Rangos vieta nulegiama pagal mūsų populiarumumo balas, kurį sudaro kiekvieno kūrinio paieškos, apsilankėjimai ir užsakėjimai. Atnaujinta spalis 2026.
In the hauntingly beautiful drawing Cavalo morto, created in 1944, the Brazilian master Marcelo Grassmann de Oliveira invites us into a profound meditation on the cycle of life and the inevitability of decay. This striking black and white work captures a lifeless horse resting upon the earth, its emaciated form rendered with a precision that transcends mere anatomical study. The composition is anchored by the heavy, stillness of the subject,…
Marcelo Grassmann de Oliveira’s “Cavalos” (1944) stands as a testament to Brazilian Expressionism, capturing not merely an image of a horse in motion but a visceral embodiment of energy, struggle, and primal instinct. Executed in monochrome ink or charcoal on paper—a deliberate choice that amplifies the artwork's textural qualities—the drawing immediately draws the viewer into its turbulent landscape.
In the evocative realm of Marcelo Grassmann de Oliveira, the boundaries between reality and dream dissolve into a singular, striking vision. Blue Warrior and Spear serves as a profound testament to the artist's ability to conjure mythic figures from the depths of the subconscious. The painting presents a solitary figure, draped in shades of cerule respect and deep azure, poised with a spear that acts as both a weapon and…
The four subjects that return most often on these canvases, each with its best-loved example.
2 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Marcelo Grassmann darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Brasilijos centrinio banko vertybių muziejus |
Brasília | 4 | Figure of woman and dwarf, Horses, Blue warrior and spear |
 Centro Cultural São Paulo |
S Paulo | 3 | Cavalo morto, Cavalos, Cavalos |
From 1944 to 1954, about a decade of light and colour: Marcelo Grassmann's dated canvases, followed year by year.
In the hauntingly beautiful drawing Cavalo morto, created in 1944, the Brazilian master Marcelo Grassmann de Oliveira invites us into a profound meditation on the cycle of life…
Marcelo Grassmann de Oliveira’s “Cavalos” (1944) stands as a testament to Brazilian Expressionism, capturing not merely an image of a horse in motion but a visceral embodiment of…
Cavalo morto (1944), Centro Cultural São Paulo, S Paulo. Figure of woman and dwarf and Cavalos (1944) follow.
Marcelo Grassmann, born in 1925, was 19 years old: Cavalo morto dates from 1944.
7 works by Marcelo Grassmann are in our catalogue, dated 1944 to 1954.
Mostly in Brasilijos centrinio banko vertybių muziejus (Brasília) ir Centro Cultural São Paulo (S Paulo); the list above names each museum and its canvases.
In 1944, which gave 3 of the 7 works on this page, Cavalo morto among them.
The earliest canvas here is Cavalo morto (1944); the latest is Horses (1954).
Dreamlike (4) ir Horses (2), across the 7 works on this page.
Drawing, used in 3 of the 7 works on this page.
Surrealism, as the canvases on this page show.
The Brasilijos centrinio banko vertybių muziejus, Brasília holds 4 of the works on this page, among them Figure of woman and dwarf, Horses ir Blue warrior and spear.
