Populiariausias Perudžinas paveikslas yra Marriage of the Virgin (1500), kuris eksponuojamas Musée des Beaux-Arts, Caen. Pietà (1494) ir Portrait of Baldassare Vallombrosano (1500) yra kitos populiariausios tapetų, kuriuos skaitytojai pažįsta labiausiai. Mūsų kataloge yra 483 darbų autoriaus Perudžinas: štai 100 garsiausių iš jų – kiekvienas su nurodytu metais, muziejumi ir unikaliu aprašymu.
Rangos vieta nulegiama pagal mūsų populiarumumo balas, kurį sudaro kiekvieno kūrinio paieškos, apsilankėjimai ir užsakėjimai. Atnaujinta spalis 2026. Kiekvieną šioje pusėje esantį paveikslą galite užsisakyti kaip rankų darbą – aliejuje ant lino drobos atspirtį, arba kaip aukščiausios kokybės meninį spausdinį, pagamintą jūsų pasirinktu dydžiu.
In the serene landscape of the Italian Renaissance, few moments resonate with as much spiritual gravity and aesthetic grace as the Marriage of the Virgin by the master Pietro Vannucci, known affectionately as Le Perugino. This monumental work, dating to approximately 1500, serves as a breathtaking window into a sacred era. The painting captures the pivotal moment when Mary and Joseph are united in holy matrimony, set against a backdrop…
To stand before this magnificent Pietà is to be enveloped in an atmosphere of sublime grief and transcendent beauty. This 1494 masterpiece by Pietro Vannucci, known affectionately as Le Perugino, does not merely depict a scene; it captures the very moment where divine suffering meets profound human sorrow. The composition centers on Mary cradling the lifeless body of Jesus, a tableau so emotionally charged that it has resonated with viewers…
Pietro Vannucci, universally recognized as Le Perugino—a moniker derived from his Umbrian hometown—stands as a cornerstone of the Florentine Renaissance, securing his place among Italy’s most revered painters. Born circa 1446 in Perugia, he ascended to artistic prominence swiftly, establishing himself as a prolific artist whose tranquil portrayals of Mary and Jesus resonated profoundly across Europe.
To stand before this magnificent depiction of The Madonna between St John the Baptist and St Sebastian is to step directly into the luminous heart of the Italian Renaissance. It is a composition that transcends mere portraiture; it is a profound meditation on divinity, human connection, and spiritual guardianship. Pietro Vannucci, known to history as Le Perugino, masterfully captures a moment of sublime grace. At its core lies Mary, cradling…
In the quiet, luminous moments captured within The Baptism of Christ, we are transported back to the dawn of the sixteenth century, a period where the spiritual and the earthly converged through the brushstrokes of masters. Painted around 1510 by the esteemed Vannucci Pietro, known affectionately as Le Perugino, this masterpiece serves as a profound window into the soul of the Florentine Renaissance. The scene depicts the pivotal theological moment…
To gaze upon this detail from the Madonna with Child and the Infant St John is to step directly into the hushed, luminous world of the Early Italian Renaissance. It is an encounter with idealized beauty, a moment suspended in time where spiritual contemplation meets breathtaking artistry. The composition centers on a young woman whose presence radiates a profound, almost palpable serenity. Her long, flowing red hair seems less like…
To gaze upon this detail from Vannucci Pietro's masterpiece, Christ Handing the Keys to St Peter, is to step directly into the hallowed atmosphere of the Sistine Chapel itself. This work, executed in 1481, transcends mere depiction; it captures a pivotal moment of divine mandate—the symbolic transfer of ultimate spiritual authority. The scene resonates with an almost palpable gravity, inviting the viewer not just to observe art, but to contemplate…
To gaze upon this detail from The Madonna between St John the Baptist and St Sebastian is to step directly into the luminous heart of the Italian Renaissance. It is more than just paint on canvas; it is a captured moment of profound spiritual connection, rendered with an almost breathtaking tenderness. Pietro Vannucci, known to history as Le Perugino, masterfully composed this scene, creating an atmosphere that feels both sacredly…
In the quiet, luminous atmosphere of the High Renaissance, few works capture the sacred solemnity of devotion as gracefully as Pietro Perugino’s Marriage of the Virgin. Painted in 1504, this monumental panel serves as a window into a world where the earthly and the divine intersect with profound harmony. The scene unfolds within an expansive, classical architectural setting—a majestic pavilion that evokes the grandeur of ancient Rome while maintaining the…
To stand before this monumental fresco is to step directly into the heart of Christian doctrine and artistic genius. Vannucci Pietro, known to history as Le Perugin, captured…
To stand before The Galitzin Triptych is to be enveloped in a moment of profound, enduring human drama. This magnificent work does not merely depict an event; it…
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To gaze upon this depiction of the Nativity is to step across the threshold of time into a moment suspended in divine grace. Pietro Vannucci, known to history…
Užsisakykite šį plėtmenį →![The Madonna between St. John the Baptist and St. Sebastian [detail] (1493) aut. Perudžinas](/media/artworks/images-thumb/f0/3a/f03a20887bc1e56ffa9a705ad2276cb8.jpg)
To stand before this masterpiece by Vannucci Pietro, known to us as Le Perugin, is to step directly into the luminous heart of the Italian Renaissance. Painted in…
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In this fresco, we witness a moment of profound spiritual transition. The Virgin Mary is depicted in the midst of her ascent, lifted toward the heavens by a…
To gaze upon this masterpiece by Pietro Vannucci, known to us as Le Perugino, is to step directly into the luminous heart of the early Italian Renaissance. This…
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Pietro Vannucci – Maestro iš Florencijos Madonos Vaizduojimo Švietimo Pietro Vannucci, plačiau žinomas kaip Le Perugino – vardas kilęs iš jo gimtosios Perugia miesto – buvo nepaprastas žmogus…
In the quietude of the High Renaissance, few works capture the essence of spiritual tranquility as profoundly as Vannucci Pietro’s Madonna with Child. Created in 1501, this masterpiece…
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To gaze upon this masterpiece by Pietro Perugino is to step into an atmosphere of profound, luminous calm. The scene unfolds with breathtaking grace, presenting Mary cradling the…
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To gaze upon Vannucci Pietro's masterpiece, Madonna with Child and Little St. John, is to step directly into the luminous heart of the High Renaissance. This painting, executed…
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The scene rests under a heavy canopy, a shelter carved from shadow and soft light. At the center, the infant Jesus lies within the quietude of the manger.…
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The painting Madonna with Child and Little St John is a stunning example of Renaissance art, created by the renowned Italian artist Vannucci Pietro (Le Perugin) in 1505.…
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To stand before this detail from the 1481 fresco is to witness a quiet, heavy exchange within the hallowed walls of the Sistine Chapel. The scene captures the…
In the hallowed stillness of the Sistine Chapel, amidst the grandeur of the Vatican, lies one of the most profound visual testimonies of the Italian Renaissance: Pietro Vannucci’s…
In the quiet, hallowed halls of the Musée du Louvre, there exists a window into the soul of the Italian Renaissance through Vannucci Pietro’s 1495 masterpiece, St. Sebastian.…
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In the hallowed halls of the Galleria degli Uffizi in Florence, there exists a profound encounter with the divine through Pietro Vannucci’s Pietà. Completed around 1494, this monumental…
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Christ Handing the Keys to St Peter (detail) is a fresco by the Italian Renaissance artist Pietro Perugino. Created about 1481, this work represents a significant contribution to…
To stand before The Vision of St Bernard is to step across the threshold of time and into an atmosphere of profound, luminous contemplation. This masterpiece by Pietro…
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The Crucifixion by Pietro Perugino is a fresco executed in 1496. This work is situated within the Chapter House of the Benedictine convent located at Borgo Pinti, 58,…
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In the hallowed atmosphere of the Cappella Sistina, within the heart of Vatican City, lies a fragment of a much larger, breathtaking narrative. This exquisite detail from Pietro…
Pietro Vannucci, more commonly known as Le Perugino, gifted the world with an extraordinary vision of divine grace in his “Virgin and Child Enthroned with Angels and Saints,”…
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In the quiet intimacy of this oil on panel masterpiece, we encounter a moment of profound spiritual reflection that transcends the centuries. St. Mary Magdalene, painted around 1500…
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In the quietude of the Italian Renaissance, few images capture the essence of divine serenity as profoundly as The Virgin and Child Surrounded by Two Angels, St. Rose,…
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Šventosios Apaštalo Petro Švėcų Įdovanojimas Kristui – Italijos Renesanso Šedevras Šventosios Apaštalo Petro Švėcų Įdovanojimas Kristui yra įvykis, kuriame išnagrinėjome vieną iš Italijos Renesanso meistro Vannucci Pietro (Le…
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Pietro Vannucci, universally recognized as Le Perugino—a moniker derived from his birthplace—stands as an undisputed titan of Florentine Renaissance painting. Born around 1446 in Perugia, Umbria, he ascended…
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Pietro Vannucci – Šventosios Apaštalo Petro Rankomis Užtikrinamas Kristaus Žinios Švietimas Štai vienas iš Renesanso Italijos žymiausių meistrų, Pietro Vannucci (Le Perugino) kūrinių – „Kristus Užtikrina Šventąją Apąšalpą…
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The painting The Madonna between St. John the Baptist and St. Sebastian is a remarkable work of art created by Vannucci Pietro (Le Perugin) in 1493. This oil…
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In this sacred assembly, Madonna in Glory with the Child and Saints emerges from the quietude of the late fifteenth century. Painted by Pietro Perugino about 1495, the…
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The air within the frame feels heavy with a quiet, holy stillness. At the center of this vision, the Virgin Mary cradles the Christ Child, their forms nestled…
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In the delicate dance of light and shadow that defines the High Renaissance, Pietro Perugino’s Apollo and Marsyas emerges as a profound meditation on the tension between divine…
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In the quiet, meticulous strokes of Socrates, we encounter more than just a drawing; we enter a profound dialogue with antiquity. Created in 1497 by the master Pietro…
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The composition centers on the Virgin Mary, draped in a red garment and a green cloak, cradling the infant Jesus. The child reaches toward his mother's face, a…
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In the breathtaking detail of Combat of Love and Chastity, created around 1505 by the master Pietro Vannucci, known as Le Perugino, we are transported into a realm…
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In the delicate brushstrokes of Moses's Journey into Egypt and the Circumcision of His Son Eliezer (detail), we find ourselves transported to the heart of the Italian Renaissance.…
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In this exquisite detail from Moses's Journey into Egypt and the Circumcision of His Son Eliezer, the master Pietro Vannucci, known as Le Perugino, invites us into a…
The painting titled Noli Me Tangere is a work by the artist Pietro Perugino. Created about 1506, this piece captures a singular moment of divine recognition. It depicts…
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Portrait of Francesco delle Opere: A Masterpiece of Umbrian Renaissance The Portrait of Francesco delle Opere stands as a testament to Pietro Perugino’s unparalleled skill in capturing the…
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In the quiet, commanding presence of Pericles, we encounter a window into the soul of the Renaissance. Created in 1497 by the master Vannucci Pietro, also known as…
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The sacred scene of LA VIERGE ET L'ENFANT ENTOURES DE SAINT JEAN BAPTISTE ( ) ET DE SAINTE CATHERINE unfolds before us, a profound vision of devotion by…
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In the quiet intimacy of Don Baldassare di Antonio di Angelo, we are invited to step across the threshold of time and encounter a man preserved in the…
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In the heart of the Florentine Renaissance, an era defined by the harmonious tension between human potential and divine devotion, Pietro Vannucci—known affectionately to history as Le Perugino—crafted…
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In the painting Mary with Child with Saint John the Baptist and Jerome by Pietro Perugino, the figures are organized in a classic pyramidal arrangement. The Virgin Mary…
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In this intimate scene, we find the Holy Family gathered in a space that feels remarkably human. The composition is densely packed, drawing the viewer into a shallow,…
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The artwork titled Resurrection of Christ is a tempera on panel painting created by the artist Pietro Perugino. This specific work dates to about 1484. The composition focuses…
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The painting titled Baptism of Christ by the artist Pietro Perugino depicts a specific biblical scene. This work dates to about 1484. The central focus of the composition…
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In Saint Jerome in Penitence, Pietro Perugino presents an elderly man positioned slightly off-center within a rugged, rocky landscape. The subject kneels inside a cavernous setting, his body…
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In this tender scene, titled Madonna with Children and St.John, the artist Pietro Perugino invites us into a moment of profound spiritual intimacy. Created about 1485, the work…
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In the quiet, contemplative realm of the early Renaissance, few works capture the essence of spiritual gravity as intimately as Don Biagio Milanesi. Painted in 1499 by the…
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The Lamentation over the Dead Christ is a painting by the artist Pietro Perugino. Executed in 1495, this work was commissioned by the Poor Clares of the convent…
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This Renaissance portrait, dating to 1500, presents a solemn and powerful depiction of Saint Jerome. The composition is vertically oriented, capturing a full-length figure of an elderly man…
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The adorazione del bambino is a serene High Renaissance altarpiece painted by Pietro Perugino. Created about 1500, the work captures a quiet moment of devotion centered upon the…
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The composition rests within a tondo, a circular frame that pulls the eye toward a central, quiet intimacy. Within this soft geometry, the Virgin Mary sits as the…
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The artwork titled The Virgin Adoring the Child with John the Baptist as a Child and two Angels is a religious and devotional painting by the artist Pietro…
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The composition centers on the pale, sculptural form of Christ emerging from the darkness of a tomb. A muted palette of deep browns and blacks defines the void,…
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In "The church father Augustine in glory with two angels and the saints Benedict and Bernhard (reliquary)" by Pietro Perugino, we encounter a highly structured devotional arrangement. Created…
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The ink meets the paper in a dance of precise, dark strokes. This drawing from 1500 captures a moment of quiet mythological gravity. Venus dominates the frame, her…
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The artwork titled Cumaean Sibyl is a work by the artist Pietro Perugino. This piece is dated about 1500. The subject of the work is a priestess who…
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The portrait depicts a monk rendered in oil on canvas, positioned centrally against a deep blue background. He is shown from the chest up, his body oriented toward…
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A young Franciscan monk occupies the center of the frame, his body turned slightly toward the viewer in a gesture of profound stillness. He exists in a space…
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The View of the Sala di Udienza is a fresco cycle located within the Collegio del Cambio in Perugia, Italy. Created between 1496 and 1500, the work covers…
The fresco Famous Men of Antiquity (detail) (9) by Pietro Perugino emerges from the plaster of the Sala delle Udienze del Collegio Cambio. This specific detail, dating to…
The oil painting presents a seated Virgin Mary positioned centrally within a stable pyramidal arrangement. She holds the Christ Child upon her lap, her form draped in a…
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In Christ and the Woman of Samaria, Pietro Perugino organizes the biblical scene through a structured, symmetrical arrangement. The composition centers on a stone well, which acts as…
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The Nativity with Saint Bridget by Pietro Perugino presents a horizontal and balanced arrangement of figures within a stable setting. The composition utilizes a shallow depth of field…
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We find ourselves before The Presentation in the Temple, a work executed by Pietro Perugino. This piece, dating to about 1510, captures a significant biblical scene through a…
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The air within the scene feels heavy with a sudden, holy stillness. On the left, the Archangel Gabriel descends, wings unfurled in a gesture of celestial arrival. Clad…
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Madonna of Mercy with the saints and Stephen Jerome, also known as Madonna della Misericordia with Saints Stephen and Jerome and the patrons, is a work by the…
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In this serene oil painting, we find ourselves drawn into a tranquil landscape where the Madonna and Child are positioned with a graceful, pyramidal stability. The composition centers…
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The scene unfolds in a quiet, sacred moment within The Nativity: The Virgin, Saint Joseph and the Shepherds Adoring the Infant Christ. Painted by Pietro Perugino in 1522,…
The fresco titled Trinity and Six Saints is a significant work by the Italian Renaissance painter Pietro Perugino. Commissioned by Bishop Troilo Baglioni, this large-scale work was completed…
The Madonna delle Grazie is a Renaissance-era painting from 1522 that depicts the Virgin Mary as the central figure. She is positioned within an arched architectural frame, characterized…
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The Holy Family is a painting by Pietro Perugino, executed in 1494. This work belongs to the High Renaissance, a period marked by a focus on harmony and…
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In the quiet, luminous realm of the Early Renaissance, few works capture the ethereal intersection of the earthly and the divine as tenderly as The Vision of St…
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#7 Christ Handing the Keys to St Peter (detail)
#22 Madonna with Child and Little St John
#32 Virgin and Child Enthroned with Angels and Saints
#34 The Virgin and Child Surrounded by Two Angels, St. Rose, and St. Catherine
#46 Moses's Journey into Egypt and the Circumcision of His Son Eliezer (detail)
Ketverios dažniausiai pasitaikančios šių plėstinių temos, kiekvienos su geriausiu pavyzdžiu.
8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Perudžinas darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Galleria degli Uffizi |
Florencija | 22 | Pietà, Portrait of Baldassare Vallombrosano, The Madonna between St John the Baptist and St Sebastian |
 Sistinos kapelica |
Vaticano miestas | 20 | Christ Handing the Keys to St Peter (detail), Christ Handing the Keys to St. Peter, Mošejo kelionė į Egipto žemę ir Jo sūna Eliėjo priščiurkimas |
 Liuvro muziejus |
Paryžius | 18 | Virgin and Child between Sts John the Baptist and Catherine, St Sebastian, Virgin and Child Enthroned with Angels and Saints |
 Bavarijos valstybinės paveikslų kolekcijos |
Miunchas | 5 | Mary with Child with Saint John the Baptist and Jerome, Holy Family, Resurrection of Christ |
 National Gallery |
Londonas | 14 | Madonna with Child and the Infant St John (detail), Madonna with Child and Little St John, The Virgin and Child in a Mandorla with Cherubim |
 Gemäldegalerie |
Berlynas | 5 | The Virgin and Child with two Angels, The Virgin Adoring the Child with John the Baptist as a Child and two Angels, Christ in the tomb |
 Galleria Nazionale dell'Umbria |
Perudžija | 26 | The Baptism of Christ, Nativity (Il Presepio), Altarpiece of St. Augustine - Scene Baptism of Christ |
 Manchester Art Gallery |
Mančesteris | 3 | The Nativity with Saint Bridget, The Presentation in the Temple, The Annunciation |
To gaze upon this detail from Vannucci Pietro's masterpiece, Christ Handing the Keys to St Peter, is to step directly into the hallowed atmosphere of the Sistine Chapel…
To stand before this magnificent Pietà is to be enveloped in an atmosphere of sublime grief and transcendent beauty. This 1494 masterpiece by Pietro Vannucci, known affectionately as…
In the serene landscape of the Italian Renaissance, few moments resonate with as much spiritual gravity and aesthetic grace as the Marriage of the Virgin by the master…
In the quiet, luminous moments captured within The Baptism of Christ, we are transported back to the dawn of the sixteenth century, a period where the spiritual and…
In this serene oil painting, we find ourselves drawn into a tranquil landscape where the Madonna and Child are positioned with a graceful, pyramidal stability. The composition centers…
Marriage of the Virgin (1500), Musée des Beaux-Arts, Caen. Sekia Pietà (1494) ir Portrait of Baldassare Vallombrosano (1500).
Perudžinas, gimęs 1448, buvo 52 metų amžiaus: Marriage of the Virgin datuojamas 1500 m.
Marriage of the Virgin, Pietà, Portrait of Baldassare Vallombrosano, The Madonna between St John the Baptist and St Sebastian, The Baptism of Christ, Madonna with Child and the Infant St John (detail), Christ Handing the Keys to St Peter (detail), The Madonna between St John the Baptist and St Sebastian (detail), Marriage of the Virgin ir Assumption of the Virgin with Four Saints (detail). Kiekvienas viršuje esančiame reitinge nurodytas platinas yra su nurodyta gamybos metų ir muziejaus informacija.
Mūsų kataloge yra 483 Perudžinas darbų, datuoti nuo 1481 iki 1522.
Daugiausia – Galleria degli Uffizi (Florencija), Sistinos kapelica (Vaticano miestas) ir Liuvro muziejus (Paryžius); viršuje esančiame sąraše nurodytas kiekvienas muziejus ir jo plėtojimo darbai.
1490s laikotarpiu, kurio metu buvo pateikta 32 iš 100 šioje pusėje esančių darbų, tarp jų buvo Pietà.
Čia esamasis plėslas yra Christ Handing the Keys to St Peter (detail) (1481), o vėliausias – The Nativity: The Virgin, Saint Joseph and the Shepherds Adoring the Infant Christ (1522).
Woman (21), Child (19) ir Religious art (16) iš 100 šioje pusėje esamų darbų.
Oil On Panel, naudojamas 28 iš 100 šioje pusėje esančių darbų.
High renaissance, kaip tai rodo šio puslapio plėtočiai.
Galleria degli Uffizi, Florencija kolekcijoje yra 13 šioje pusėje esančių veikalų, iš jų – Pietà, Portrait of Baldassare Vallombrosano ir The Madonna between St John the Baptist and St Sebastian.
Taip. Kiekvieną šioje pusėje esantį paveikslą galite užsakyti iš jo individualios puslapio versijos kaip ranku dažytą aliejinį reprodukciją arba kaip aukščiausios kokybės spausdinį pasirinktuoju dydžiu.
