Terezin: People waiting for the soup (1943) – tai tapinys, dėl kurio labiausiai žinomas Norbertas Trolleris; jis priklauso muziejui Leo Baeck Institute, miestui Niujorkas. Terezin, Latrines (1942) ir Terezin: Yard (1943) užbaia labiausiai mylimų plėtojamų paveikslų trio. Mūsų kataloge yra 17 darbų autoriaus Norbertas Trolleris. Štai 17 garsiausiųjų: su metais, muziejumi ir kiekvieno płatinio pasakojimu.
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In the hauntingly delicate lines of "Terezin: People waiting for the soup," we encounter more than just a drawing; we enter a profound moment of human endurance captured by the hand of Norbert Troller. Created in 1943, amidst the unimaginable darkness of the Theresienstadt concentration camp, this work serves as a poignant window into a period of immense suffering and quiet resilience. The piece captures a scene that, on the…
In the hauntingly sparse lines of "Terezin, Latrines," we encounter more than just a drawing; we enter a visceral moment of survival captured by the hand of Norbert Troller. Created in 1942, during the harrowing period of his interment in the Theresienstadt concentration camp, this work serves as a profound piece of visual testimony. The scene unfolds within a subterranean or basement-like space, where a group of individuals gathers on…
In the hauntingly delicate lines of "Terezin: Yard," we encounter more than just a sketch; we enter a window into a profound moment of human endurance. Created in 1943 by the Czech-American artist Norbert Troller, this black and white drawing serves as a poignant fragment of a much larger, darker narrative. The scene depicts a streetscape that, at first glance, might resemble any old European town, yet it is imbued…
In the quiet, shadowed corners of art history, few works possess the profound emotional weight found in Terezin: Still-life. Painted in 1942 by the Czech-American artist Norbert Troller, this intimate composition serves as much more than a mere study of objects; it is a hauntingly beautiful testament to the human spirit amidst the darkness of the Theresienstadt concentration camp. At first glance, the viewer is met with a collection of…
In the delicate, monochromatic lines of Street Scene, Paris, we are transported to a moment frozen in time, captured by the masterful hand of Norbert Troller in 1948. This etching serves as more than just a topographical record of a French boulevard; it is a soulful meditation on the enduring rhythm of urban life. Through the intricate interplay of light and shadow, Troller invites the viewer to wander through a…
In the quietude of 1940, amidst a world teetering on the brink of profound historical shifts, Norbert Troller captured a fragment of timeless peace in his etching, Waterside, Maine. This exquisite black and white work invites the viewer into a coastal sanctuary, where the rhythmic pulse of the Atlantic meets the stillness of a summer afternoon. The composition centers upon a weathered pier, a structural anchor that extends into the…
In the hauntingly quiet lines of "Terezin: Yard," we are transported back to 1943, a period defined by profound darkness and the indomitable strength of the human spirit. Created by the Czech-American artist Norbert Troller during his harrowing imprisonment in the Theresienstadt concentration camp, this drawing serves as much more than a mere visual record; it is a poignant window into a stolen moment of communal existence. The scene captures…
In the hauntingly quiet depths of Norbert Troller’s 1943 drawing, Junk Furniture, Terezin, we are invited into a space that transcends mere clutter to become a profound meditation on loss and survival. Created during one of the darkest chapters of the twentieth century, this work serves as a visceral window into the Theresienstadt concentration camp. The scene, rendered with a stark, monochromatic precision, depicts a courtyard or room overwhelmed by…
In the hauntingly quiet corners of history, certain artworks emerge not merely as aesthetic objects, but as profound testimonies to the human spirit. "Terezin: On a supervised outing," a delicate watercolor created in 1942 by the Czech-American artist Norbert Troller, serves as one such window into a world of unimaginable hardship. At first glance, the painting captures a scene of deceptive simplicity: a group of children gathered around a small…
In the delicate, monochromatic strokes of Norbert Troller’s 1940 etching, Ile St. Louis, we are transported to a bygone era of Parisian elegance. This masterful work captures the…
Ketverios dažniausiai pasitaikančios šių plėstinių temos, kiekvienos su geriausiu pavyzdžiu.
1 muziejai, kuriuose saugoma daugiausia šioje puslapyje esamų paveikslų.
| Muzejaus | Miestas | Norbertas Trolleris darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Leo Baeck Institute |
Niujorkas | 17 | Terezin: People waiting for the soup, Terezin, Latrines, Terezin: Yard |
Aptikri maždaug dešimtmetė prie easelio, nuo 1940 iki 1950: Norbertas Trolleris drobės, viena po kitos.
In the quietude of 1940, amidst a world teetering on the brink of profound historical shifts, Norbert Troller captured a fragment of timeless peace in his etching, Waterside,…
In the delicate, monochromatic strokes of Norbert Troller’s 1940 etching, Ile St. Louis, we are transported to a bygone era of Parisian elegance. This masterful work captures the…
In the hauntingly sparse lines of "Terezin, Latrines," we encounter more than just a drawing; we enter a visceral moment of survival captured by the hand of Norbert…
In the quiet, shadowed corners of art history, few works possess the profound emotional weight found in Terezin: Still-life. Painted in 1942 by the Czech-American artist Norbert Troller,…
In the hauntingly quiet corners of history, certain artworks emerge not merely as aesthetic objects, but as profound testimonies to the human spirit. "Terezin: On a supervised outing,"…
In the hauntingly delicate lines of "Terezin: People waiting for the soup," we encounter more than just a drawing; we enter a profound moment of human endurance captured…
In the hauntingly delicate lines of "Terezin: Yard," we encounter more than just a sketch; we enter a window into a profound moment of human endurance. Created in…
In the hauntingly quiet lines of "Terezin: Yard," we are transported back to 1943, a period defined by profound darkness and the indomitable strength of the human spirit.…
In the hauntingly quiet depths of Norbert Troller’s 1943 drawing, Junk Furniture, Terezin, we are invited into a space that transcends mere clutter to become a profound meditation…
In the delicate, monochromatic lines of Street Scene, Paris, we are transported to a moment frozen in time, captured by the masterful hand of Norbert Troller in 1948.…
Terezin: People waiting for the soup (1943), Leo Baeck Institute, Niujorkas. Sekia Terezin, Latrines (1942) ir Terezin: Yard (1943).
Norbertas Trolleris, gimęs 1896, buvo 47 metų amžiaus: Terezin: People waiting for the soup datuojamas 1943 m.
Terezin: People waiting for the soup, Terezin, Latrines, Terezin: Yard, Terezin: Still-life., Street Scene, Paris, Waterside, Maine, Terezin: Yard, Junk Furniture, Terezin, Terezin: On a supervised outing ir Piazza, Italy. Kiekvienas viršuje esančiame reitinge nurodytas platinas yra su nurodyta gamybos metų ir muziejaus informacija.
Mūsų kataloge yra 17 Norbertas Trolleris darbų, datuoti nuo 1940 iki 1950.
Daugiausia – Leo Baeck Institute (Niujorkas); viršuje esančiame sąraše nurodytas kiekvienas muziejus ir jo plėtojimo darbai.
1940 laikotarpiu, kurio metu buvo pateikta 8 iš 17 šioje pusėje esančių darbų, tarp jų buvo Waterside, Maine.
Čia esamasis plėslas yra Waterside, Maine (1940), o vėliausias – New York City (1950).
Black and white (7), Theresienstadt (4) ir Concentration camp (4) iš 17 šioje pusėje esamų darbų.
Drawing, naudojamas 5 iš 17 šioje pusėje esančių darbų.
Contemporary realism, kaip tai rodo šio puslapio plėtočiai.
Leo Baeck Institute, Niujorkas kolekcijoje yra 17 šioje pusėje esančių veikalų, iš jų – Terezin: People waiting for the soup, Terezin, Latrines ir Terezin: Yard.
