Atelier — Gratis verzending wereldwijd — Levertijd 2–6 weken
      Constantino Brumidi, 1805 – 1880

      De 5 beroemdste schilderijen van Constantino Brumidi, gerangschikt

      Het meest geliefde schilderij van Constantino Brumidi is Study for the Apotheosis of Washington in the Rotunda of the United States Capitol Building (1862), dat hangt in het Smithsonian American Art Museum, Washington, D.C.. Susan Pickering Bemis (1852) en William Pitt Fessenden (1860) volgen daarna in de lijst met doeken die lezers het beste kennen. Onze catalogus bevat 5 werken van Constantino Brumidi: hier zijn de 5 bekendste, elk met het jaartal, het museum en wat het werk zo bijzonder maakt.

      Gerangschikt op basis van onze populariteitsscore, die de zoekopdrachten, bezoeken en bestellingen voor elk werk combineert. Bijgewerkt in oktober 2026. Elk schilderij op deze pagina kan worden besteld als een handgeschilderde oliereductie op linnen canvas, of als een fine art print, uitgevoerd in de door u gekozen afmeting.

      Portret van Constantino Brumidi
      Constantino Brumidi · 1805 – 1880
      Geboren · overleden
      1805 – 1880, Rome
      Werken in onze catalogus
      5
      Meest bekend
      Study for the Apotheosis of Washington in the Rotunda of the United States Capitol Building (1862)
      Meeste werken in
      Smithsonian American Art Museum

      Top 10 schilderijen van Constantino Brumidi: de doeken die iedereen kent

      Study for the Apotheosis of Washington in the Rotunda of the United States Capitol Building (1862) door Constantino Brumidi
      1

      Study for the Apotheosis of Washington in the Rotunda of the United States Capitol Building

      1862 · Fresco · Smithsonian American Art Museum, Washington, D.C.

      The Study for the Apotheosis of Washington in the Rotunda of the United States Capitol Building is a painting created in 1862. This composition serves as a preparatory vision for the monumental fresco located in the U.S. Capitol. The artwork portrays George Washington ascending to divine status, a celestial transition that elevates the American icon to the level of the eternal.

      Waar de doeken van Constantino Brumidi hangen

      De 3 musea met de meeste schilderijen op deze pagina.

      Museum Stad Werken van Constantino Brumidi Schilderijen uit deze lijst
      Smithsonian American Art Museum, Washington, D.C.Smithsonian American Art Museum Washington, D.C. 3 Study for the Apotheosis of Washington in the Rotunda of the United States Capitol Building, Susan Pickering Bemis, Emery Bemis
      National Portrait Gallery, Washington, D.C.National Portrait Gallery Washington, D.C. 1 William Pitt Fessenden
      Harvard Art Museums, CambridgeHarvard Art Museums Cambridge 1 George Washington (1732-1799), after Rembrandt Peale (1778-1860)

      De meest geliefde doeken van Constantino Brumidi, jaar voor jaar

      Ongeveer tien jaar aan schilderijen, van 1852 tot 1862, zijn te vinden in de gedateerde doeken van Constantino Brumidi op deze pagina: loop jaar voor jaar door hun oeuvre.

      1. 1852
      2. 1852
        Emery Bemis (1852) door Constantino Brumidi
        Canvas 5 van 5

        Emery Bemis

        Leeftijd 47 · Smithsonian American Art Museum
      3. 1860
      4. 1860
      5. 1862

      Over de doeken van Constantino Brumidi: uw vragen beantwoord

      Wat is het bekendste schilderij van Constantino Brumidi?Lees het antwoord

      Study for the Apotheosis of Washington in the Rotunda of the United States Capitol Building (1862), Smithsonian American Art Museum, Washington, D.C.. Susan Pickering Bemis (1852) en William Pitt Fessenden (1860) volgen.

      Hoe oud was Constantino Brumidi toen Study for the Apotheosis of Washington in the Rotunda of the United States Capitol Building werd geschilderd?Lees het antwoord

      Constantino Brumidi, geboren in 1805, was 57 jaar oud: Study for the Apotheosis of Washington in the Rotunda of the United States Capitol Building dateert uit 1862.

      Hoeveel werken heeft Constantino Brumidi in totaal geschilderd?Lees het antwoord

      5 werken van Constantino Brumidi zijn opgenomen in onze catalogus, gedateerd van 1852 tot 1862.

      Waar kan ik de beroemdste doeken van Constantino Brumidi bekijken?Lees het antwoord

      Voornamelijk in Smithsonian American Art Museum (Washington, D.C.), National Portrait Gallery (Washington, D.C.) en Harvard Art Museums (Cambridge); de bovenstaande lijst vermeldt elk museum en de bijbehorende doeken.

      Wanneer schilderde Constantino Brumidi deze geliefde doeken?Lees het antwoord

      In 1852, die 2 van de 5 werken op deze pagina vertegenwoordigt, waaronder Susan Pickering Bemis.

      Wat zijn de vroegste en laatste beroemde doeken van Constantino Brumidi?Lees het antwoord

      Het oudste canvas hier is Susan Pickering Bemis (1852); het nieuwste is Study for the Apotheosis of Washington in the Rotunda of the United States Capitol Building (1862).

      Welke doeken van Constantino Brumidi hangen in het Smithsonian American Art Museum?Lees het antwoord

      Het Smithsonian American Art Museum, Washington, D.C. herbergt 3 van de werken op deze pagina, waaronder Study for the Apotheosis of Washington in the Rotunda of the United States Capitol Building, Susan Pickering Bemis en Emery Bemis.

      Kan ik een reproductie van een Constantino Brumidi canvas kopen?Lees het antwoord

      Ja. Elk schilderij op deze pagina kan via de eigen pagina worden besteld als een handgeschilderd olieverfreproductie, of als een fine art print, in de door u gekozen afmeting.

      Constantino Brumidi: een leven in verf

      The Painter of Washington’s Glory

      Constantino Brumidi stands as a singular figure in American art history—a Greek-Italian immigrant who irrevocably shaped the visual landscape of Washington, D.C., and cemented his legacy as one of the foremost fresco painters of his era. Born in Rome in 1805 to a Greek father from Messenia and an Italian mother, Brumidi’s early artistic inclinations were nurtured within the prestigious Roman artistic tradition. His formative years were defined by a profound appreciation for neoclassical aesthetics and meticulous craftsmanship, qualities that would later define his distinctive style throughout a prolific career that bridged the Old World and the New.

      Brumidi’s formal training was as diverse as his heritage, encompassing both sculpture and painting. This dual education afforded him invaluable insight into anatomical precision and sculptural form, allowing him to approach a flat canvas with a three-dimensional sensibility. He honed his skills at the Academy in Rome, absorbing the techniques of legendary masters such as Bertel Thorvaldsen, Antonio Canova, and Baron Vincenzo Camuccini. Perhaps most significantly, his early career was marked by prestigious commissions within the Vatican walls under the patronage of Pope Gregory XVI. These experiences exposed him to the grandeur of papal splendor and solidified his mastery of monumental fresco painting, a technique requiring immense physical stamina and technical precision.

      From Roman Palaces to American Democracy

      Before his arrival in the United States, Brumidi had already established himself as a respected artist within the European aristocracy, decorating various Roman palaces, including those of Prince Torlonia. However, it was his migration to America that would allow him to translate the classical grandeur of Rome into the burgeoning visual language of a young republic. Upon arriving in the United States, Brumidi brought with him a repertoire of techniques that were virtually unknown in the American landscape at the time, specifically the difficult and prestigious art of true fresco.

      His early American works demonstrated a remarkable versatility. In Maryland, he undertook the ambitious task of decorating St. Stephen’s Church in Baltimore, where his monumental fresco depicting the martyrdom of Saint Stephen became a cornerstone of American religious art. His ability to blend poignant narrative with classical beauty was further evidenced in his work at Taylor's Chapel. These early commissions served as a prelude to his most enduring contribution: the transformation of the United States Capitol Building into a sanctuary of historical and allegorical storytelling.

      The Apotheosis of an American Icon

      The pinnacle of Brumidi’s career—and indeed, his greatest gift to the American people—is found within the Rotunda of the U.S. Capitol. It was here that he executed his most famous masterpiece, the Apotheosis of Washington. This breathtaking fresco portrays George Washington ascending to divine status, surrounded by a celestial assembly of allegorical figures representing Liberty, Victory, and various aspects of American progress. Through this work, Brumidi did more than merely decorate a ceiling; he created a visual mythology for a nation, using the language of Neoclassicism to elevate American ideals to the level of the eternal.

      Beyond the Rotunda, his influence permeates the very corridors of power through what are now known as the Brumidi Corridors. These vaulted, ornately decorated passages on the first floor of the Senate wing serve as a testament to his vision and tireless labor. His work in these corridors, characterized by intricate designs and historical motifs, continues to inspire awe in visitors today. Through his brush, the marble and stone of the Capitol were imbued with life, history, and a sense of destiny, ensuring that Constantino Brumidi would forever be remembered as the architect of American grandeur.