Atelier — Gratis verzending wereldwijd — Levertijd 2–6 weken
      Richard Brompton, 1734 – 1783

      De 16 beroemdste schilderijen van Richard Brompton, gerangschikt

      Het meest geliefde schilderij van Richard Brompton is Portrait of Catherine II (1782), dat hangt in het Hermitage Museum, Sint-Petersburg. Edward, Duke of York (1739-67) with his friends in Venice (1764) en Portrait of Admiral Sir Charles Saunders (1772) volgen daarna in de lijst met doeken die lezers het beste kennen. Onze catalogus bevat 22 werken van Richard Brompton: hier zijn de 16 bekendste, elk met het jaartal, het museum en wat het werk zo bijzonder maakt.

      Gerangschikt op basis van onze populariteitsscore, die de zoekopdrachten, bezoeken en bestellingen voor elk werk combineert. Bijgewerkt in oktober 2026. Elk schilderij op deze pagina kan worden besteld als een handgeschilderde oliereductie op linnen canvas, of als een fine art print, uitgevoerd in de door u gekozen afmeting.

      Portret van Richard Brompton
      Richard Brompton · 1734 – 1783
      Geboren · overleden
      1734 – 1783, Great Britain
      Werken in onze catalogus
      22
      Meest bekend
      Portrait of Catherine II (1782)
      Meeste werken in
      Hermitage Museum

      Top 10 schilderijen van Richard Brompton: de doeken die iedereen kent

      Portrait of Catherine II (1782) door Richard Brompton
      1

      Portrait of Catherine II

      1782 · Oil On Canvas · Hermitage Museum, Sint-Petersburg

      The Portrait of Catherine II is an oil on canvas work by the British artist Richard Brompton. Executed in 1782, this portrait captures Catherine II, the Empress of Russia, at the age of 53. The painting measures 83 x 69 cm and is currently held within the collection of The Hermitage Museum in St. Petersburg, Russia.

      Hand-painted oil reproduction from $178 29 × 35 cm Same size as the original $322 69 × 83 cm Order at original size →

      Meer canvassen van Richard Brompton, van 11 tot 16

      Wat Richard Brompton het meest schilderde

      De vier onderwerpen die het meest voorkomen op deze doeken, elk met zijn meest geliefde voorbeeld.

      Waar de doeken van Richard Brompton hangen

      De 4 musea met de meeste schilderijen op deze pagina.

      Museum Stad Werken van Richard Brompton Schilderijen uit deze lijst
      Hermitage Museum, Sint-PetersburgHermitage Museum Sint-Petersburg 2 Portrait of Catherine II, Portrait Of Grand Dukes Alexander Pavlovich And Konstantin Pavlovich
      Royal Collection, LondenRoyal Collection Londen 1 Edward, Duke of York (1739-67) with his friends in Venice
      National Maritime Museum, GreenwichNational Maritime Museum Greenwich 1 Portrait of Admiral Sir Charles Saunders
      Penmaenmawr Museum 1 The Family Of Henry Dawkins

      De meest geliefde canvas van Richard Brompton uit elk decennium

      1. 1760s
      2. 1770s
      3. 1780s
        Portrait of Catherine II (1782) door Richard Brompton
        1 van 16

        Portrait of Catherine II

        Leeftijd 46 – 49 · Hermitage Museum

        The Portrait of Catherine II is an oil on canvas work by the British artist Richard Brompton. Executed in 1782, this portrait captures Catherine II, the Empress of…

      Over de doeken van Richard Brompton: uw vragen beantwoord

      Wat is het bekendste schilderij van Richard Brompton?Lees het antwoord

      Portrait of Catherine II (1782), Hermitage Museum, Sint-Petersburg. Edward, Duke of York (1739-67) with his friends in Venice (1764) en Portrait of Admiral Sir Charles Saunders (1772) volgen.

      Hoe oud was Richard Brompton toen Portrait of Catherine II werd geschilderd?Lees het antwoord

      Richard Brompton, geboren in 1734, was 48 jaar oud: Portrait of Catherine II dateert uit 1782.

      Wat zijn de 10 bekendste schilderijen van Richard Brompton?Lees het antwoord

      Portrait of Catherine II, Edward, Duke of York (1739-67) with his friends in Venice, Portrait of Admiral Sir Charles Saunders, Portrait Of Aleksandra Branicka, William Pitt, 1st Earl Of Chatham, The Family Of Henry Dawkins, Susannah Lady Isham, Robert Walpole, Grand Duke Constantine Pavlovich of Russia en John Horne Tooke. Elk canvas in de bovenstaande ranglijst is voorzien van het jaartal en het museum.

      Hoeveel werken heeft Richard Brompton in totaal geschilderd?Lees het antwoord

      22 werken van Richard Brompton zijn opgenomen in onze catalogus, gedateerd van 1764 tot 1782.

      Waar kan ik de beroemdste doeken van Richard Brompton bekijken?Lees het antwoord

      Voornamelijk in Hermitage Museum (Sint-Petersburg), Royal Collection (Londen) en National Maritime Museum (Greenwich); de bovenstaande lijst vermeldt elk museum en de bijbehorende doeken.

      Wat zijn de vroegste en laatste beroemde doeken van Richard Brompton?Lees het antwoord

      Het oudste canvas hier is Edward, Duke of York (1739-67) with his friends in Venice (1764); het nieuwste is Portrait of Catherine II (1782).

      Wat schilderde Richard Brompton het vaakst?Lees het antwoord

      Portraits (6), Famous people (2) en Portrait (2), verspreid over de 16 werken op deze pagina.

      Welke doeken van Richard Brompton hangen in het Hermitage Museum?Lees het antwoord

      Het Hermitage Museum, Sint-Petersburg herbergt 2 van de werken op deze pagina, waaronder Portrait of Catherine II en Portrait Of Grand Dukes Alexander Pavlovich And Konstantin Pavlovich.

      Kan ik een reproductie van een Richard Brompton canvas kopen?Lees het antwoord

      Ja. Elk schilderij op deze pagina kan via de eigen pagina worden besteld als een handgeschilderd olieverfreproductie, of als een fine art print, in de door u gekozen afmeting.

      Richard Brompton: een leven in verf

      A Brush with Nobility: The Life and Art of Richard Brompton

      Richard Brompton, born in 1734 in the United Kingdom, emerged as a significant figure within the vibrant landscape of 18th-century British portraiture. While biographical details remain somewhat elusive, his artistic legacy speaks volumes – a testament to his skill in capturing not merely likenesses, but the very essence of an aristocratic society on the cusp of change. Brompton’s career flourished during the Georgian era, a period defined by refined elegance, burgeoning empire, and a growing fascination with classical ideals. He wasn't simply *a* portrait painter; he was a chronicler of his time, immortalizing the faces that shaped its political and cultural narrative. His canvases offer a fascinating glimpse into the world of nobility, military heroes, and even royalty, establishing him as a sought-after artist amongst the elite.

      Early Training and Artistic Development

      The specifics of Brompton’s early artistic training are largely undocumented, a common occurrence for artists of his period who often learned through apprenticeships or private instruction. However, the influence of prominent portraitists like Thomas Hudson and Joshua Reynolds is readily apparent in his work. Like his contemporaries, Brompton embraced the Grand Manner style – an approach that elevated portraiture beyond mere representation to emulate the scale and dignity of historical painting. This meant a focus on composition, dramatic lighting, and carefully constructed poses designed to convey status, power, and moral virtue. His early works demonstrate a meticulous attention to detail, particularly in rendering fabrics and textures, suggesting a solid foundation in technical skill. He quickly moved beyond imitation, developing a distinctive style characterized by a subtle yet compelling psychological depth in his subjects’ expressions.

      Patronage and Major Achievements

      Brompton's success was inextricably linked to the patronage of influential figures. His ability to portray individuals with both accuracy and flattery secured him commissions from members of the British aristocracy, naval officers, and even European royalty. Among his most celebrated achievements are portraits of Catherine II of Russia (Catherine the Great), a testament to his international reputation, and Admiral Edward Hawke, Lord Hawke – a hero of the Seven Years’ War. The portrait of Admiral Saunders is another notable example, showcasing Brompton's skill in depicting military prowess and authority. These works weren’t simply exercises in artistic technique; they were statements of power, prestige, and national pride. Brompton excelled at capturing the character of his sitters, imbuing them with a sense of dignity and gravitas that resonated with their social standing. His portraits often served as diplomatic gifts or symbols of allegiance, further solidifying his position within the upper echelons of society.

      Style and Technique: A Master of Refinement

      Brompton’s artistic style is defined by a refined elegance and subtle realism. He favored a relatively restrained palette, employing rich, warm tones to create a sense of depth and luminosity. His brushwork is smooth and polished, avoiding overt displays of virtuosity in favor of meticulous detail and accurate representation. He was particularly adept at capturing the textures of silk, velvet, and lace, adding to the overall impression of opulence and refinement. Unlike some of his more flamboyant contemporaries, Brompton’s compositions are typically balanced and harmonious, focusing attention on the sitter's face and expression. He skillfully used light and shadow to sculpt forms and create a sense of volume, enhancing the three-dimensionality of his portraits. His ability to convey personality through subtle nuances in pose and facial expression set him apart as a master portraitist.

      Historical Significance and Legacy

      Richard Brompton died in 1783, leaving behind a body of work that provides invaluable insights into the social and political landscape of 18th-century Britain. His portraits offer a visual record of the individuals who shaped the era – from naval heroes to powerful aristocrats and even European royalty. While he may not be as widely recognized as some of his more famous contemporaries, Brompton’s contribution to British portraiture is significant.
      • His paintings are prized for their accuracy, elegance, and psychological depth.
      • He successfully captured the spirit of the Georgian era, immortalizing its values and ideals.
      • His portraits serve as important historical documents, providing a glimpse into the lives of the elite.
      Today, his works are held in prominent collections around the world, continuing to captivate audiences with their timeless beauty and enduring appeal. Brompton’s legacy lies not only in his technical skill but also in his ability to create portraits that transcend mere representation, offering a compelling window into the past.