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Gids voor studentenkunst

Boats

Naam Klas Datum

Donald Mcintyre, Boats, Ysbyty Gwynedd. Reproduceerd ter referentie; alle rechten voorbehouden aan de auteursrechthebbende. Bekijk dit doek onder bewegend licht: de tekening, de ware kleur onder de vernis, het pure pigment

De feiten

Kunstenaar
Donald Mcintyre topimpressionists.com/nl/artists/donald-mcintyre/
Geboortedatum en -overlijden kunstenaar
1923 – 2009
Afmetingen origineel werk
35 x 50 cm
Gehouden in
Ysbyty Gwynedd topimpressionists.com/nl/museums/ysbyty-gwynedd-bangor/

In context

Boats — Donald Mcintyre

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 35 × 50 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer zou dit geschilderd kunnen zijn?

  1. 1920
  2. 1930
  3. 1940
  4. 1950
  5. 1960
  6. 1970
  7. 1980
  8. 1990
  9. 2000

Bovenste rij: de jaren. Onderste rij: de leeftijd van de kunstenaar aan het begin en het einde van elke periode — 0 bij de geboorte, 86 bij het overlijden.

Shaded: het leven van Donald Mcintyre (1923–2009) elk gedateerd schilderij, decennium voor decennium

Voor deze opname is geen exacte datum bekend — uitgaande van de levensloop van de artiest en de stijl van het werk, in welk decennium zou u dit plaatsen?

Vergelijkbare werken

  • Llanllechid, 1950 topimpressionists.com/nl/art/donald-mcintyre-llanllechid-AQVDDP-en/
  • Reading by Lamplight topimpressionists.com/nl/art/donald-mcintyre-reading-by-lamplight-AQVDEP-en/
  • Crail, Fife topimpressionists.com/nl/art/donald-mcintyre-crail-fife-AQVDF7-en/

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: topimpressionists.com/nl/art/similar/donald-mcintyre-boats-AQVDEV-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Putty #c6d0d9

    Gecatalogiseerd palet

    • #C6D0D9
    • #BE7968
    • #329ED7
    • #62422F

    Deze kleuren binnen het volledige palet van de kunstenaar Vind andere schilderijen op kleur

    Palet
    Earthy De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Putty
    Intensiteit
    Vivid De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Bold De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Discordant Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Brilliant Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Balanced Soft Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Waar ter wereld wordt naar dit schilderij gekeken?

    • minder dan 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% en meer
    Dit schilderij alleen heeft te weinig geregistreerde bezoekers om in kaart te brengen, dus de plaat toont elk werk van Donald Mcintyre over de afgelopen twaalf maanden — in totaal 2 landen. Waar deze cijfers vandaan komen

    De tien belangrijkste landen

    1. 1 China 85,7%
    2. 2 België 14,3%

    Zoek de drie donkerste landen op de kaart. Bevindt het museum waar dit schilderij wordt bewaard zich in een van deze landen? Noteer één reden waarom mensen van ver zouden kunnen komen om het te bekijken.

    De 9 meest bekeken werken van Donald Mcintyre

    1. 1 Anglesey Road 22,2%
    2. 2 Sunlight on Hill, Abereiddy, 1997 11,1%
    3. 3 Washing, Gairloch 11,1%
    4. 4 Boats on the Grass, Portnahaven 11,1%
    5. 5 Cottage Anglesey 11,1%
    6. 6 Untitled Seascape 11,1%
    7. 7 Cottage above Deiniolen 11,1%
    8. 8 Seascape 11,1%
    9. Boats dit schilderij 0,0%

    Samen maken deze werken 99,9% uit van alle aandacht die de schilderijen van deze kunstenaar in de afgelopen twaalf maanden hebben gekregen. De catalogus bevat 29 werken van deze kunstenaar, waarvan 8 minstens één keer zijn bekeken. Dit schilderij is in die periode nog niet bekeken — het sluit de lijst af zonder rangorde. Hetzelfde geldt voor elke maand

    Staven meten aandacht, niet kwaliteit. Kies het werk bovenaan en dit werk: noem één ding dat een schilderij beroemd zou kunnen maken, los van hoe goed het geschilderd is.

    Kunstenaar en museum

    Kunstenaar

    Donald Mcintyre

    Donald McIntyre: Weaver of Welsh Light

    Donald McIntyre (1923-2009) wasn’t a name instantly recognized by the public, yet his canvases hold a profound and enduring appeal. A Scottish painter who ultimately found his artistic home in North Wales, McIntyre possessed an extraordinary gift for capturing the ephemeral beauty of the landscape – the shifting light on water, the muted tones of coastal cliffs, and the quiet dignity of rural life. His work isn’t about dramatic spectacle; rather, it's a deeply felt meditation on atmosphere, color, and the subtle poetry of everyday existence. He eschewed grand narratives in favor of intimate observations, creating paintings that invite contemplation and a sense of serene connection to the natural world.

    Born in Leeds, Yorkshire, into Scottish parents, McIntyre’s early life was shaped by his family's move to the west of Scotland. This formative period instilled within him a deep appreciation for the rugged beauty of the Highlands and Islands – landscapes that would profoundly influence his artistic vision. Initially pursuing a career in dentistry, he found himself drawn back to art through evening classes at Glasgow School of Art under the tutelage of James Wright RSW, a respected watercolorist. Wright’s emphasis on direct observation and capturing the essence of light proved pivotal, shaping McIntyre's approach to painting. He deliberately chose to leave his profession at 40, dedicating himself fully to his artistic pursuits – a decision that speaks volumes about his commitment to his craft.

    The Welsh Landscape: A Second Home

    In the late 1950s, McIntyre relocated to North Wales, establishing a long-lasting connection with the region and its art community. This move proved transformative, providing him with an endless source of inspiration – the dramatic coastline of Anglesey, the serene waters of Llyn Idwal, and the rolling hills of Snowdonia. He became a regular exhibitor at prominent galleries in Cardiff, including Howard Roberts Gallery and the Albany Gallery, showcasing his evolving style. His paintings began to reflect the unique character of North Wales: the interplay of light on water, the weathered textures of stone cliffs, and the subtle shifts in color that defined the Welsh landscape.

    McIntyre’s artistic development was characterized by a gradual refinement of his technique. Initially influenced by the Impressionist movement, particularly the work of Turner and Constable, he developed a distinctive style – one that retained a sense of directness and spontaneity while embracing a more nuanced understanding of color and light. He eschewed sharp outlines and precise details, preferring to suggest forms through washes of color and subtle tonal variations. His brushwork was often loose and expressive, conveying the feeling of movement and atmosphere rather than meticulously rendering every detail.

    Technique and Style

    McIntyre’s palette was remarkably restrained, dominated by muted blues, greens, browns, and greys – colors that perfectly captured the subtle hues of the Welsh landscape. He masterfully employed atmospheric perspective, creating a sense of depth and distance through variations in color and tone. His paintings are often described as “atmospheric,” reflecting his ability to evoke mood and feeling rather than simply depicting visual reality. He was particularly adept at capturing the effects of light – the way it shifted across water, illuminating cliffs, and casting shadows on fields.

    His compositions were typically centered around a single point of view, drawing the viewer into the scene and inviting them to share in his experience. He frequently depicted coastal scenes, but also painted landscapes of rolling hills, meadows, and woodlands. He was equally comfortable painting en plein air (outdoors) or working from memory, demonstrating a deep understanding of color theory and composition. His work is often characterized by a quiet dignity and a sense of timelessness – qualities that contribute to its enduring appeal.

    Legacy and Recognition

    Donald McIntyre’s paintings are held in numerous public collections across Wales and beyond, including the National Library of Wales, Newport Art Gallery, Kirkaldy Museum and Art Gallery, and the Royal Scottish Academy. He was a member of several prestigious art organizations, including the Pastel Society, the Royal Institute of Painters in Watercolour, and the Royal Cambrian Academy. His retrospective at Oriel Ynys Mon in 1996 provided a comprehensive overview of his career, solidifying his place as one of Wales’s most important landscape painters.

    While he may not have achieved widespread fame during his lifetime, Donald McIntyre's work continues to resonate with viewers who appreciate its quiet beauty and profound sense of connection to the natural world. His paintings are a testament to the power of observation, the importance of color, and the enduring appeal of the Welsh landscape – a legacy that will undoubtedly endure for generations to come.

    Museum

    Ysbyty Gwynedd

    Te zien in Bangor, United Kingdom

    Where Healing Meets the Canvas: The Soul of Ysbyty Gwynedd

    In the heart of Bangor, Wales, lies an institution that defies the traditional boundaries between clinical precision and creative expression.

    Ysbyty Gwynedd

    is far more than a teaching hospital; it is a sanctuary where the sterile environment of modern medicine meets the vibrant, breathing pulse of Welsh artistry. To step into its halls is to experience a profound dialogue between the necessity of healthcare and the restorative power of beauty. Originally established as the Gwynedd Museum & Art Gallery, this unique space has evolved into a living gallery that breathes alongside the hospital, fostering an atmosphere where artistic contemplation and compassionate care exist in a delicate, symbiotic dance.

    The architecture of the experience is defined by its unconventional setting. Unlike the silent, detached halls of a metropolitan museum, the art here is woven into the very fabric of a functioning medical center. This creates a sensory landscape unlike any other, where the sight of a sweeping landscape or an evocative portrait can offer a moment of respite for a patient, a spark of inspiration for a weary clinician, or a moment of quiet reflection for a visitor. It is a place where the visual arts are not merely observed but are actively utilized as a therapeutic presence, bridging the gap between the physical needs of the body and the emotional needs of the spirit.

    A Celebration of Welsh Identity and Resilience

    The collection itself serves as a profound celebration of Welsh identity and local resilience. Visitors can wander through works that capture the rugged, windswept essence of the Welsh landscape, featuring pieces by celebrated artists such as

    Margaret Hall

    and

    Molly Molyneux

    . One cannot discuss this collection without mentioning the evocative paintings of

    Brenda Chamberlain

    ; her depictions of Bardsey Island serve as a cornerstone of the museum’s narrative, conveying a deep, spiritual connection to the land and its cultural heritage. These masterworks are uniquely paired with the creative output of NHS staff, whose artworks offer an intimate glimpse into the imaginative spirit that flourishes even within the demanding rigors of medical service.

    For the art lover, the collector, or the interior designer seeking a narrative of depth and purpose, Ysbyty Gwynedd offers a rare glimpse into the intersection of creativity and wellness. The museum’s mission extends beyond simple exhibition; it investigates the historical role of art in healing traditions, making every visit an exploration of how visual culture has shaped human resilience throughout time. It is a testament to the belief that beauty is not a luxury, but a vital component of the human experience—a light that illuminates even the most challenging circumstances.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Boats

    topimpressionists.com/nl/art/download/donald-mcintyre-boats-AQVDEV-en/

    Bronvermelding voor dit kunstwerk

    MLA
    Mcintyre, Donald. Boats. n.d., Ysbyty Gwynedd. https://topimpressionists.com/nl/art/donald-mcintyre-boats-AQVDEV-en/
    APA
    Mcintyre, Donald (n.d.). Boats [Painting]. Ysbyty Gwynedd. https://topimpressionists.com/nl/art/donald-mcintyre-boats-AQVDEV-en/
    Chicago
    Donald Mcintyre. Boats. n.d. Ysbyty Gwynedd. https://topimpressionists.com/nl/art/donald-mcintyre-boats-AQVDEV-en/
    Harvard
    Mcintyre, Donald (n.d.) Boats. Ysbyty Gwynedd. Available at: https://topimpressionists.com/nl/art/donald-mcintyre-boats-AQVDEV-en/

    Bekijk het van dichtbij

    Boats — Donald Mcintyre

    Kijk eens goed

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Kijk nog eens naar Llanllechid (1950), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    4. Wat zou de kunstenaar u willen laten voelen?
    5. Als u de kunstenaar één vraag over dit werk zou kunnen stellen, wat zou dat dan zijn?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Vragen & Antwoorden

    Wat is de luminantie van "Boats" door Donald Mcintyre?

    De kleuren van "Boats" vertonen een luminantie van Gentle Luminance.

    Wat is de dominante kleur van "Boats" door Donald Mcintyre?

    "Boats" neigt naar een Warm Sunset Tones tint.

    Waar kan ik statistieken vinden over "Boats" door Donald Mcintyre?

    De Statistieken-pagina van "Boats" door Donald Mcintyre presenteert statistieken over publieksbezoeken: de maandelijkse bezoeken aan dit kunstwerk, een vergelijking met de meest bekeken werken van de kunstenaar en de herkomst van de bezoekers.