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Dead Mother

Naam Klas Datum

Egon Schiele, Dead Mother (1910). Publiek domein Bekijk dit doek onder bewegend licht: de tekening, de ware kleur onder de vernis, het pure pigment

De feiten

Kunstenaar
Egon Schiele topimpressionists.com/nl/artists/egon-schiele_nl/
Geboortedatum en -overlijden kunstenaar
1890 – 1918
Geschilderd
1910
Beweging
Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.
Periode
Modern
Artistic style
Distorted forms
Influences
Gustav Klimt, Vincent van Gogh
Notable elements or techniques
Blood, Embrace
Subject or theme
Motherhood

In context

Dead Mother — Egon Schiele

Wanneer is dit geschilderd?

  1. 1890
  2. 1900
  3. 1910

Bovenste rij: de jaren. Onderste rij: de leeftijd van de kunstenaar aan het begin en het einde van elke periode — 0 bij de geboorte, 28 bij het overlijden.

Geschilderd toen de kunstenaar 20 jaar oud was. De kunstenaar werd 28 jaar oud. 41 van de 327 gedateerde werken van deze kunstenaar in onze catalogus zijn eerder gemaakt.

Shaded: het leven van Egon Schiele (1890–1918) ▲ dit werk, 1910 elk gedateerd schilderij, decennium voor decennium

Vergelijkbare werken

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: topimpressionists.com/nl/art/similar/egon-schiele-dead-mother-6WHKFV-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Phthalo Green #301c17

    Gecatalogiseerd palet

    • #301C17
    • #AF7544
    • #53382E
    • #D5B679

    Deze kleuren binnen het volledige palet van de kunstenaar Vind andere schilderijen op kleur

    Palet
    Earthy De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Phthalo Green
    Intensiteit
    Balanced De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Statement De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Balanced Harmony De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Deep_shadow Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Balanced Soft Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Waar ter wereld wordt naar dit schilderij gekeken?

    • minder dan 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% en meer
    Dit schilderij alleen heeft te weinig geregistreerde bezoekers om in kaart te brengen, dus de plaat toont elk werk van Egon Schiele over de afgelopen twaalf maanden — in totaal 61 landen. Waar deze cijfers vandaan komen

    De tien belangrijkste landen

    1. 1 China 45,1%
    2. 2 Verenigde Staten van Amerika 7,8%
    3. 3 Hongkong 6,6%
    4. 4 Singapore 5,5%
    5. 5 Rusland 3,8%
    6. 6 Italië 2,7%
    7. 7 Spanje 2,6%
    8. 8 Litouwen 2,3%
    9. 9 Duitsland 2,3%
    10. 10 Frankrijk 2,3%
    11. · 51 andere landen 19,0%

    Zoek de drie donkerste landen op de kaart. Bevindt het museum waar dit schilderij wordt bewaard zich in een van deze landen? Noteer één reden waarom mensen van ver zouden kunnen komen om het te bekijken.

    De 20 meest bekeken werken van Egon Schiele

    1. 1 De Zelf-Zeurders II (Dood en Man), 1911 5,6%
    2. 2 De Familie, 1917 3,6%
    3. 3 Moeder met twee kinderen, 1917 2,8%
    4. 4 Portret van Wally, 1912 2,2%
    5. 5 Huis aan de Rivier (ook bekend als Oude Hoeve I), 1915 1,7%
    6. 6 Gerti Schiele 1,4%
    7. 7 Dood en het meisje, 1915 1,2%
    8. 8 Black-Haired Girl with Lifted Skirt, 1911 1,2%
    9. 9 Autumn Trees, 1911 1,1%
    10. 10 Moa, 1911 1,1%
    11. 11 Self-Portrait in Yellow Vest, 1914, 1914 1,1%
    12. 12 Lovemaking, 1915 1,1%
    13. 13 Zelfportret als Sint Sebastiaan (poster), 1914 1,0%
    14. 14 Sunflower, 1909 1,0%
    15. 15 Crouching Woman with Green Headscarf, 1914 1,0%
    16. 16 Two Women Embracing, 1915 1,0%
    17. 17 Self Portrait, 1912 0,9%
    18. 18 Schiele's Room in Neulengbach, 1911 0,9%
    19. 19 Kneeling Female in Orange-Red Dress, 1910 0,9%
    20. 85 Dead Mother, 1910 dit schilderij 0,3%

    Samen maken deze werken 31,1% uit van alle aandacht die de schilderijen van deze kunstenaar in de afgelopen twaalf maanden hebben gekregen. De catalogus bevat 635 werken van deze kunstenaar, waarvan 439 minstens één keer zijn bekeken. Dit schilderij staat op de 85 plaats, met 0,3% van die aandacht. Hetzelfde geldt voor elke maand

    Staven meten aandacht, niet kwaliteit. Kies het werk bovenaan en dit werk: noem één ding dat een schilderij beroemd zou kunnen maken, los van hoe goed het geschilderd is.

    Over dit kunstwerk

    Dead Mother — Egon Schiele

    Dead Mother

    Egon Schiele, an Austrian Expressionist painter, stands as one of the most unsettling figures in early 20th century art. His oeuvre is marked by visceral emotion and psychological depth—a stark contrast to the polished surfaces of Impressionism and Post-Impressionism that dominated the era. Among his most iconic works is Dead Mother (1910), an oil on panel painting that continues to fascinate and disturb viewers today. This piece encapsulates Schiele’s singular artistic vision—a fusion of Expressionist principles with a profound preoccupation with the human condition.

    The Painting: A Symbolic Representation

    “Cite>Dead Mother” immediately confronts the viewer with its stark visual language. The composition depicts two figures intertwined, their faces pressed together in an embrace that borders on intimacy and despair. This intimate gesture is juxtaposed against the gruesome reality of blood emanating from both mouths—a deliberate shock to the senses designed to provoke contemplation about mortality and vulnerability. The dark sky serves as a backdrop, amplifying the painting’s oppressive atmosphere and mirroring the emotional turmoil depicted within. Schiele's masterful use of perspective emphasizes the figures' precarious position; they appear to be clinging desperately to each other, suggesting an overwhelming force—perhaps death itself—threatening to separate them. This dynamic arrangement underscores the painting’s thematic core: the struggle for connection amidst inevitable decay. The blood motif is not merely a gruesome detail but a potent symbol representing life force and vitality—a poignant reminder of what is being lost in this embrace.

    Artistic Style and Influence

    Schiele's artistic style owes considerable debt to Gustav Klimt, whose decorative motifs and shimmering surfaces influenced Schiele’s early explorations of color and texture. However, Schiele swiftly forged his own distinctive path, rejecting Klimt’s opulent aesthetic for a more austere and emotionally charged approach. He was also profoundly impacted by the works of Vincent van Gogh and Edvard Munch—artists who similarly prioritized expressive distortion over realistic representation. Like these masters, Schiele employed bold lines and flattened planes to convey psychological intensity, prioritizing emotional impact over visual accuracy. The painting’s unsettling beauty resides precisely in its refusal to offer easy answers or comforting illusions—a characteristic hallmark of Expressionism as a whole.

    Historical Context

    The early 20th century witnessed an explosion of artistic experimentation, fueled by anxieties surrounding rapid industrialization and societal upheaval. Artists like Schiele sought to grapple with these turbulent times through art that confronted uncomfortable truths about human existence. Schiele’s work emerged during the height of Expressionism—a movement characterized by a fervent belief in the power of art to express inner feelings and psychological states. The painting reflects this broader artistic impulse, capturing the pervasive sense of dread and vulnerability that permeated European culture at the time. To appreciate Schiele's contribution to modern art history, consider visiting the Österreichische Galerie Belvedere in Vienna—a museum housing a comprehensive collection of Austrian art spanning centuries.

    Conclusion

    “Cite>Dead Mother” by Egon Schiele remains a haunting testament to Expressionist artistry—a masterpiece that compels viewers to confront profound questions about life, death, and human relationships. For those seeking inspiration or contemplating acquiring a high-quality reproduction, Egon Schiele: Dead Mother offers an unparalleled opportunity to engage with one of the most emotionally resonant images of the 20th century. To delve deeper into the history of painting and its evolution over time, explore The History of Painting. And for insights into how artists utilize light to convey mood and emotion, peruse Light in Painting. At AllPaintingsStore.com, we pride ourselves on crafting meticulously reproduced versions of celebrated artworks like Schiele’s—bringing the power of art into your home.

    Kunstenaar en museum

    Kunstenaar

    Egon Schiele

    Geboren in Wenen, Oostenrijk

    A Life Forged in Expression

    Egon Schiele’s life, a turbulent and intensely personal journey, unfolded from 1890 to 1918 within the vibrant yet often unsettling landscape of Vienna. Born in Tulln an der Donau, Austria, his early years were shadowed by profound loss – the death of his father due to syphilis at just fourteen, followed tragically by the demise of his sister Elvira. Raised initially by his mother and later under the watchful eye of his uncle Leopold Czihaczek, Schiele’s childhood lacked the stability common to many, fostering within him a remarkable independence and an acute sensitivity. From a young age, he displayed a deep fascination with trains – a motif that would subtly reappear throughout his work, symbolizing both movement and perhaps, the relentless passage of time. Though initially discouraged by his father for pursuing drawing as a distraction from more “practical” endeavors, Schiele’s innate talent blossomed, laying the foundation for his future artistic expression. These formative experiences—illness, loss, and an unconventional upbringing—instilled within him a profound awareness of mortality and the fragility of human existence, themes that would become central to his art.

    The Crucible of Vienna: Artistic Development

    Schiele’s formal artistic training began at the Kunstgewerbeschule in Vienna, but he quickly found himself stifled by its conservative approach. Seeking a more expressive outlet, he transferred to the Akademie der bildenden Künste, only to discover that even this institution's academic traditions felt restrictive. Dissatisfied with the rigid constraints of traditional art education, Schiele deliberately chose to forge his own path, rejecting formal training altogether – a bold decision reflecting his unwavering artistic conviction. Crucially, he found inspiration in the work of Gustav Klimt, deeply admiring Klimt’s decorative style and exploration of symbolism. Klimt's influence was significant, yet Schiele ultimately diverged from his mentor’s aesthetic, developing a distinctly individual voice characterized by stark honesty and psychological intensity. He became a founding member of the Neues Wiener Kunstgruppe (New Viennese Art Group) in 1909, alongside other progressive artists who challenged the prevailing artistic norms of the time. His early works—often unsettling portraits and self-portraits—began to emerge as powerful statements of emotional turmoil, featuring distorted figures and a palpable sense of vulnerability. These paintings weren’t merely representations of physical form; they were explorations of the inner landscape – the anxieties, desires, and fears that haunted the human psyche. He sought to depict not what he saw, but what he felt.

    Raw Emotion and Unflinching Truth

    Egon Schiele's art is immediately recognizable for its raw honesty and psychological depth. He fearlessly confronted themes often considered taboo – sexuality, death, anxiety, isolation – with an unflinching gaze. His distinctive style features elongated figures, contorted poses, and expressive lines that convey a sense of unease and emotional intensity. The human form, particularly the nude, became his primary subject, not as an object of idealized beauty but as a vessel for exploring the complexities of human experience. Self-portraits constitute a significant portion of his oeuvre, offering intimate glimpses into his inner world—a world often marked by loneliness and self-doubt. He didn’t shy away from depicting himself in unflattering or vulnerable poses, revealing a profound level of self-awareness and introspection. Beyond self-portraiture, Schiele created numerous portraits of others, capturing their likenesses with an unsettling realism that seemed to penetrate beneath the surface. Recurring motifs like the Physalis plant – symbolizing death and transience with its delicate, papery husk – further underscore this preoccupation with mortality. His use of line is particularly striking; it’s not merely a tool for defining shape but an expressive force that conveys emotion and psychological tension.

    A Legacy Cut Short: Achievements & Significance

    Despite facing censorship and legal challenges—including a brief imprisonment for allegedly corrupting minors with his art—Schiele gained recognition within Vienna’s avant-garde circles. His work challenged the conventions of the time, provoking both admiration and outrage. By the time of his untimely death during the Spanish flu pandemic in 1918 at the age of twenty-eight, he had established himself as a leading figure in Austrian Expressionism. Significant works such as Self-Portrait with Physalis, Couple Embracing, and Field Landscape (Kreuzberg near Krumau) stand as testaments to his artistic genius. His influence on subsequent generations of artists is undeniable, particularly those interested in exploring psychological themes and challenging conventional artistic norms. Schiele’s bold approach to form and subject matter continues to resonate with audiences today, making him one of the most important and influential figures in early 20th-century art. His paintings are now held in major museum collections worldwide, including the Leopold Museum in Vienna and the Egon Schiele Art Centrum in Český Krumlov, ensuring his artistic legacy endures. He left behind a body of work that is not merely aesthetically compelling but profoundly human—a testament to the power of art to confront the complexities of existence with honesty, courage, and unwavering vision.

    Key Themes: Mortality, sexuality, isolation, psychological turmoil.

    Influences: Gustav Klimt, Viennese Secession, personal trauma.

    Style Characteristics: Elongated figures, contorted poses, expressive lines, raw emotion.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Dead Mother

    topimpressionists.com/nl/art/download/egon-schiele-dead-mother-6WHKFV-en/

    Bronvermelding voor dit kunstwerk

    MLA
    Schiele, Egon. Dead Mother. 1910, https://topimpressionists.com/nl/art/egon-schiele-dead-mother-6WHKFV-en/
    APA
    Schiele, Egon (1910). Dead Mother [Painting]. https://topimpressionists.com/nl/art/egon-schiele-dead-mother-6WHKFV-en/
    Chicago
    Egon Schiele. Dead Mother. 1910. https://topimpressionists.com/nl/art/egon-schiele-dead-mother-6WHKFV-en/
    Harvard
    Schiele, Egon (1910) Dead Mother. Available at: https://topimpressionists.com/nl/art/egon-schiele-dead-mother-6WHKFV-en/

    Bekijk het van dichtbij

    Dead Mother — Egon Schiele

    Kijk eens goed

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. In onze catalogus is dit werk geclassificeerd onder: motherhood, death, embrace. Bent u het hiermee eens? Wat zou u toevoegen of weglaten?
    4. Kijk nog eens naar De Zelf-Zeurders II (Dood en Man) (1911), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    5. Expressionism: Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness. Waar is dat in dit werk te zien?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Kunstquiz

    Dead Mother — Egon Schiele

    Hoe goed kent u dit kunstwerk?

    Selecteer één antwoord voor elk van de 5 onderstaande vragen. Elk heeft precies één juist antwoord.

    1. 1. What artistic movement is Egon Schiele’s ‘Dead Mother’ primarily associated with?

      • A Cubism
      • B Impressionism
      • C Expressionism
    2. 2. The painting depicts two figures embracing, what is a prominent symbol used in the artwork?

      • A A golden halo
      • B Blood emanating from their mouths
      • C Geometric shapes
    3. 3. What was Schiele’s mentor's influence on his artistic style?

      • A Vincent van Gogh
      • B Pablo Picasso
      • C Gustav Klimt
    4. 4. In what century was ‘Dead Mother’ created?

      • A 17th Century
      • B 18th Century
      • C 20th Century
    5. 5. Where can visitors see Schiele's artwork?

      • A Louvre Museum
      • B Musée d’Orsay
      • C Österreichische Galerie Belvedere

    Mijn score: ____ van de 5

    Antwoordsleutel — voor de docent

    Dit wordt op een nieuwe pagina afgedrukt, waardoor het eenvoudig uit de kopieën weggelaten kan worden.

    1C · 2B · 3C · 4C · 5C

    Controleer elk antwoord met de catalogusgegevens van dit schilderij

    Vragen & Antwoorden

    Hoe oud was Egon Schiele bij het creëren van "Dead Mother" in 1910?

    Toen "Dead Mother" werd gemaakt in 1910, was Egon Schiele - geboren in 1890 - 20 jaar oud.

    Kan ik een olieverfreproductie van "Dead Mother" bestellen?

    U kunt een met de hand geschilderde reproductie van "Dead Mother" door Egon Schiele rechtstreeks bestellen op de Met de hand geschilderde reproductie pagina: een met de hand geschilderde olieverfreproductie op linnen canvas, op bestelling vervaardigd.

    Zijn de kleuren van "Dead Mother" door Egon Schiele levendig of gedempt?

    "Dead Mother" door Egon Schiele is vastgelegd met een Balanced Soft verzadiging en een Balanced intensiteit.