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Gids voor studentenkunst

Procession

Naam Klas Datum

Egon Schiele, Procession (1911). Publiek domein

De feiten

Kunstenaar
Egon Schiele topimpressionists.com/nl/artists/egon-schiele_nl/
Geboortedatum en -overlijden kunstenaar
1890 – 1918
Geschilderd
1911
Techniek
Oil On Canvas
Afmetingen origineel werk
100 x 100 cm
Beweging
Expressionist Painting
Periode
Modern
Artistic style
Emotional Expression
Influences
Avant-garde Movements
Notable elements or techniques
Bold lines, Vibrant colors
Subject or theme
Human Interaction

In context

Procession — Egon Schiele

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 100 × 100 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer is dit geschilderd?

  1. 1890
  2. 1900
  3. 1910

Shaded: het leven van Egon Schiele (1890–1918) ▲ dit werk, 1911

Vergelijkbare werken

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: topimpressionists.com/nl/art/similar/egon-schiele-procession-6WHKK6-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Phthalo Green #221316

    Gecatalogiseerd palet

    • #221316
    • #482D27
    • #704832
    • #AB6E3F
    Palet
    Earthy De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Phthalo Green
    Intensiteit
    Balanced De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Gentle De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Strong Color Unity De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Deep_shadow Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Balanced Soft Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Over dit kunstwerk

    Procession — Egon Schiele

    An Unsettling Dance of Life and Mortality

    In the hauntingly beautiful masterpiece "Procession," created in 1911, Egon Schiele invites us into a psychological landscape where the boundaries between reality and inner turmoil dissolve. This seminal work of Expressionism serves as much more than a mere depiction of a group of figures; it is an immersive descent into the anxieties of the early twentieth century. As we gaze upon the canvas, we are immediately struck by the tension held within the composition. Schiele masterfully positions two women in the foreground, their presence anchoring an otherwise fragmented and surreal environment. One woman cradles a sleeping infant, a tender moment of maternal instinct that feels strangely fragile against the backdrop of unsettling, skeletal forms and heavy, somber tones. The painting captures a profound sense of human interaction, yet it is an interaction steeped in a quiet, existential dread.

    The emotional weight of the piece is amplified by Schiele’s revolutionary use of line and form. Eschewing the polished perfection of traditional realism, he employs bold, angular, and often jagged lines that seem to vibrate with nervous energy. The figures are characterized by elongated limbs and distorted proportions, a hallmark of the Expressionist style designed to communicate raw, unadulterated feeling rather than anatomical accuracy. Through these deliberate distortions, Schiele creates a sense of instability, mirroring the psychological fragmentation of his subjects. The color palette, dominated by muted ochres, deep browns, and earthy tones, wraps the scene in a melancholic shroud, ensuring that every brushstroke contributes to the overarching atmosphere of somber reflection.

    Symbolism and the Cycle of Existence

    Beyond its striking visual impact, "Procession" is a profound meditation on the stages of human life and the inevitability of fate. Scholars often interpret the figures within the work as symbolic representations of existence itself. The presence of the infant suggests the beginning of life, while the more emaciated, weathered faces of the older figures hint at the progression toward decay. Some even see a deeply personal narrative woven into the paint—a reflection of Schiele’s own family history, where the figures might represent his father and mother, caught in an eternal, ghostly parade. This layer of symbolism transforms the painting from a historical snapshot into a timeless allegory of mortality, making it a piece that resonates deeply with anyone who has contemplated the fleeting nature of time.

    For the discerning collector or interior designer, "Procession" offers a unique opportunity to introduce a conversation piece of immense intellectual and aesthetic depth into a space. A high-quality reproduction of this work does not merely decorate a wall; it commands attention, providing a focal point that invites contemplation and evokes a sense of historical gravity. Whether placed in a contemporary gallery setting or a classic study, the painting’s ability to balance raw emotion with sophisticated technique makes it an enduring choice for those who appreciate art that challenges the soul and enriches the environment with its complex, haunting beauty.

    Kunstenaar en museum

    Kunstenaar

    Egon Schiele

    Geboren in Wenen, Oostenrijk

    A Life Forged in Expression

    Egon Schiele’s life, a turbulent and intensely personal journey, unfolded from 1890 to 1918 within the vibrant yet often unsettling landscape of Vienna. Born in Tulln an der Donau, Austria, his early years were shadowed by profound loss – the death of his father due to syphilis at just fourteen, followed tragically by the demise of his sister Elvira. Raised initially by his mother and later under the watchful eye of his uncle Leopold Czihaczek, Schiele’s childhood lacked the stability common to many, fostering within him a remarkable independence and an acute sensitivity. From a young age, he displayed a deep fascination with trains – a motif that would subtly reappear throughout his work, symbolizing both movement and perhaps, the relentless passage of time. Though initially discouraged by his father for pursuing drawing as a distraction from more “practical” endeavors, Schiele’s innate talent blossomed, laying the foundation for his future artistic expression. These formative experiences—illness, loss, and an unconventional upbringing—instilled within him a profound awareness of mortality and the fragility of human existence, themes that would become central to his art.

    The Crucible of Vienna: Artistic Development

    Schiele’s formal artistic training began at the Kunstgewerbeschule in Vienna, but he quickly found himself stifled by its conservative approach. Seeking a more expressive outlet, he transferred to the Akademie der bildenden Künste, only to discover that even this institution's academic traditions felt restrictive. Dissatisfied with the rigid constraints of traditional art education, Schiele deliberately chose to forge his own path, rejecting formal training altogether – a bold decision reflecting his unwavering artistic conviction. Crucially, he found inspiration in the work of Gustav Klimt, deeply admiring Klimt’s decorative style and exploration of symbolism. Klimt's influence was significant, yet Schiele ultimately diverged from his mentor’s aesthetic, developing a distinctly individual voice characterized by stark honesty and psychological intensity. He became a founding member of the Neues Wiener Kunstgruppe (New Viennese Art Group) in 1909, alongside other progressive artists who challenged the prevailing artistic norms of the time. His early works—often unsettling portraits and self-portraits—began to emerge as powerful statements of emotional turmoil, featuring distorted figures and a palpable sense of vulnerability. These paintings weren’t merely representations of physical form; they were explorations of the inner landscape – the anxieties, desires, and fears that haunted the human psyche. He sought to depict not what he saw, but what he felt.

    Raw Emotion and Unflinching Truth

    Egon Schiele's art is immediately recognizable for its raw honesty and psychological depth. He fearlessly confronted themes often considered taboo – sexuality, death, anxiety, isolation – with an unflinching gaze. His distinctive style features elongated figures, contorted poses, and expressive lines that convey a sense of unease and emotional intensity. The human form, particularly the nude, became his primary subject, not as an object of idealized beauty but as a vessel for exploring the complexities of human experience. Self-portraits constitute a significant portion of his oeuvre, offering intimate glimpses into his inner world—a world often marked by loneliness and self-doubt. He didn’t shy away from depicting himself in unflattering or vulnerable poses, revealing a profound level of self-awareness and introspection. Beyond self-portraiture, Schiele created numerous portraits of others, capturing their likenesses with an unsettling realism that seemed to penetrate beneath the surface. Recurring motifs like the Physalis plant – symbolizing death and transience with its delicate, papery husk – further underscore this preoccupation with mortality. His use of line is particularly striking; it’s not merely a tool for defining shape but an expressive force that conveys emotion and psychological tension.

    A Legacy Cut Short: Achievements & Significance

    Despite facing censorship and legal challenges—including a brief imprisonment for allegedly corrupting minors with his art—Schiele gained recognition within Vienna’s avant-garde circles. His work challenged the conventions of the time, provoking both admiration and outrage. By the time of his untimely death during the Spanish flu pandemic in 1918 at the age of twenty-eight, he had established himself as a leading figure in Austrian Expressionism. Significant works such as Self-Portrait with Physalis, Couple Embracing, and Field Landscape (Kreuzberg near Krumau) stand as testaments to his artistic genius. His influence on subsequent generations of artists is undeniable, particularly those interested in exploring psychological themes and challenging conventional artistic norms. Schiele’s bold approach to form and subject matter continues to resonate with audiences today, making him one of the most important and influential figures in early 20th-century art. His paintings are now held in major museum collections worldwide, including the Leopold Museum in Vienna and the Egon Schiele Art Centrum in Český Krumlov, ensuring his artistic legacy endures. He left behind a body of work that is not merely aesthetically compelling but profoundly human—a testament to the power of art to confront the complexities of existence with honesty, courage, and unwavering vision.

    Key Themes: Mortality, sexuality, isolation, psychological turmoil.

    Influences: Gustav Klimt, Viennese Secession, personal trauma.

    Style Characteristics: Elongated figures, contorted poses, expressive lines, raw emotion.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Procession

    topimpressionists.com/nl/art/download/egon-schiele-procession-6WHKK6-en/

    Bronvermelding voor dit kunstwerk

    MLA
    Schiele, Egon. Procession. 1911, https://topimpressionists.com/nl/art/egon-schiele-procession-6WHKK6-en/
    APA
    Schiele, Egon (1911). Procession [Painting]. https://topimpressionists.com/nl/art/egon-schiele-procession-6WHKK6-en/
    Chicago
    Egon Schiele. Procession. 1911. https://topimpressionists.com/nl/art/egon-schiele-procession-6WHKK6-en/
    Harvard
    Schiele, Egon (1911) Procession. Available at: https://topimpressionists.com/nl/art/egon-schiele-procession-6WHKK6-en/

    Kijk goed naar

    Procession — Egon Schiele

    Kijk goed naar

    Beantwoord in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. In onze catalogus is dit werk geclassificeerd onder: human emotion, female figures, symbolism. Bent u het hiermee eens? Wat zou u toevoegen of weglaten?
    4. Kijk nog eens naar De Zelf-Zeurders II (Dood en Man) (1911), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    5. Egon Schiele was ongeveer 21 toen dit werd gemaakt. Wat in het werk doet denken aan de stijl van een kunstenaar in die levensfase?

    Uw reactie

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