Gids voor studentenkunst
Copyright Dit werk bevindt zich in het publiek domein. Guy Rose overleed in 1925; het auteursrecht blijft 70 jaar na de dood van de kunstenaar van kracht, waardoor dit in 1995 is verlopen.
In context
Point lobos trees, (1919) — Guy Rose
Row above: the year. Row below: the artist's age in that year.
Shaded: het leven van Guy Rose (1867–1925)
Voor deze opname is geen exacte datum bekend — uitgaande van de levensloop van de artiest en de stijl van het werk, in welk decennium zou u dit plaatsen?
Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.
Meer werken om naast dit werk te plaatsen: topimpressionists.com/nl/art/similar/guy-rose-point-lobos-trees-1919-A269M5-en/
Gemeten op basis van de afbeelding
Hoofdkleur
Phthalo Green #2a2833
Gecatalogiseerd palet
The ten leading countries
Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.
Together these works take 99,3% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 125 works by this artist, of which 19 were looked at at least once. This painting ranks 8 of them, with 3,8% of that attention.
Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.
Kunstenaar en museum
Birth & Family: Guy Orlando Rose was born on March 3, 1867, in San Gabriel, California, the seventh child of Leonard John Rose, a prominent California senator, and Amanda Jones Rose. The family resided on an expansive ranch and vineyard in the San Gabriel Valley – the town of Rosemead bears their name.
Early Trauma & Artistic Beginnings: At age nine, Guy was accidentally shot in the face during a hunting trip. During his convalescence, he began to sketch with watercolors and oils, discovering an early passion for art.
Formal Training: He graduated from Los Angeles High School in 1884 before moving to San Francisco to study at the California School of Design (San Francisco Art Association) from 1885-1888. His instructors included Virgil Williams, Warren E. Rollins, and Emil Carlsen. He received accolades for his work during this period, including the Avery Gold Medal in oil painting.
Parisian Studies: In September 1888, Rose enrolled at the Académie Julian in Paris, studying under Benjamin-Constant, Jules Lefebvre, Lucien Doucet, and Jean-Paul Laurens. He also attended the Académie Delacluse on scholarship, exhibiting work at the Paris Salons in 1890, 1891, 1894, 1900, and 1909.
Early Style: Rose’s early work demonstrated a strong foundation in academic painting techniques honed during his training.
Impressionist Turn: His move to Giverny, France, in 1899 marked a turning point. Living near Claude Monet, he became deeply influenced by Impressionism, adopting its emphasis on light, color, and plein air painting.
Monet’s Mentorship: Rose developed a close friendship with Monet, who served as a mentor, further solidifying his commitment to the Impressionist style. His works from this period clearly reflect Monet's influence in their luminous quality and focus on atmospheric effects.
Other Influences: He also maintained lifelong friendships with fellow artists Frank Vincent DuMond and Frederick Melville, exchanging ideas and artistic approaches.
Early Career (1890s): Rose worked as an illustrator for publications like Harper's, Scribner’s, and Century in New York City.
Giverny Period (1904-1912): This was a highly productive period, with Rose creating many of his most celebrated Impressionist landscapes.
California Return & Teaching: Due to health issues (lead poisoning), Rose and his wife returned to Los Angeles in 1914. He became Director of the Stickney Memorial School of Art in Pasadena, sharing his knowledge with aspiring artists.
Carmel-by-the-Sea (1918-1920): Rose was an active member of the Carmel art colony, exhibiting his work and contributing to the local artistic community.
Notable Works: Some of his most recognized paintings include “Point Lobos,” “The Saine Valley, Giverny”, "Oak Grove, Carmel", and numerous landscapes capturing the beauty of California and France.
American Impressionism: Guy Rose is considered a significant figure in American Impressionism, bridging European techniques with Californian landscapes.
California Art Scene: He played an important role in developing the California art scene, both as an artist and educator.
Lasting Influence: His paintings continue to be admired for their delicate handling of light, vibrant colors, and evocative depictions of nature.
Posthumous Recognition: A memorial exhibition was held at the Stendahl Gallery in 1926 following his death on November 17, 1925, in Pasadena, California.
topimpressionists.com/nl/art/download/guy-rose-point-lobos-trees-1919-A269M5-en/
Bekijk het van dichtbij
Point lobos trees, (1919) — Guy Rose
Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.
Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.
"Point lobos trees, (1919)" wordt toegeschreven aan Guy Rose.
Het kleurenpalet van "Point lobos trees, (1919)" heeft een verzadiging van Balanced Soft.
De Röntgenanalyse-pagina van "Point lobos trees, (1919)" door Guy Rose is een interactieve viewer waarmee u door elf optische lagen van de afbeelding van het kunstwerk kunt glijden, inclusief een weergave in röntgenstijl.
De afbeelding van "Point lobos trees, (1919)" door Guy Rose kan worden gedownload via de Downloaden pagina van het kunstwerk: een download van een digitale afbeelding in hoge resolutie.
"Point lobos trees, (1919)" is verkrijgbaar als een fine art print op katoenen canvas of archiefwaardig canvaspapier. Bestellingen kunnen worden geplaatst via deze pagina, in de door u gewenste afmeting.
"Point lobos trees, (1919)" is verkrijgbaar als een met de hand geschilderde olieverfreproductie op linnen canvas. De bestelling kan worden geplaatst via deze pagina, met een keuze uit verschillende formaten.
De dominante kleur van "Point lobos trees, (1919)" door Guy Rose is Phthalo Green (#2a2833).