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Gids voor studentenkunst

Nude (verso)

Naam Klas Datum

Harry Weinberger, Nude (verso) (1950), Herbert Art Gallery - Museum. Reproduceerd ter referentie; alle rechten voorbehouden aan de auteursrechthebbende. Bekijk dit doek onder bewegend licht: de tekening, de ware kleur onder de vernis, het pure pigment

De feiten

Kunstenaar
Harry Weinberger topimpressionists.com/nl/artists/harry-weinberger/
Geboortedatum en -overlijden kunstenaar
1924 – 2009
Geschilderd
1950
Afmetingen origineel werk
77 x 64 cm
Gehouden in
Herbert Art Gallery - Museum topimpressionists.com/nl/museums/herbert-art-gallery-museum-coventry/

In context

Nude (verso) — Harry Weinberger

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 77 × 64 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer is dit geschilderd?

  1. 1920
  2. 1930
  3. 1940
  4. 1950
  5. 1960
  6. 1970
  7. 1980
  8. 1990
  9. 2000

Bovenste rij: de jaren. Onderste rij: de leeftijd van de kunstenaar aan het begin en het einde van elke periode — 0 bij de geboorte, 85 bij het overlijden.

Geschilderd toen de kunstenaar 26 jaar oud was. De kunstenaar werd 85 jaar oud. 0 van de 2 gedateerde werken van deze kunstenaar in onze catalogus zijn eerder gemaakt.

Shaded: het leven van Harry Weinberger (1924–2009) ▲ dit werk, 1950 elk gedateerd schilderij, decennium voor decennium

Vergelijkbare werken

  • 'Studio 1' topimpressionists.com/nl/art/harry-weinberger-studio-1-ARD8AR-en/
  • In Berlin (Bundestratsufer) topimpressionists.com/nl/art/harry-weinberger-in-berlin-bundestratsufer-ARD8AT-en/
  • Black Snow, 2000 topimpressionists.com/nl/art/harry-weinberger-black-snow-ARD8AP-en/

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: topimpressionists.com/nl/art/similar/harry-weinberger-nude-verso-ARD8AM-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Walnut #663527

    Gecatalogiseerd palet

    • #663527
    • #14121B
    • #95674A
    • #C8996F

    Deze kleuren binnen het volledige palet van de kunstenaar Vind andere schilderijen op kleur

    Palet
    Earthy De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Walnut
    Intensiteit
    Balanced De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Bold De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Strong Color Unity De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Deep_shadow Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Balanced Soft Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Waar ter wereld wordt naar dit schilderij gekeken?

    • minder dan 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% en meer
    Dit schilderij alleen heeft te weinig geregistreerde bezoekers om in kaart te brengen, dus de plaat toont elk werk van Harry Weinberger over de afgelopen twaalf maanden — in totaal 1 landen. Waar deze cijfers vandaan komen

    De tien belangrijkste landen

    1. 1 China 100,0%

    Zoek de drie donkerste landen op de kaart. Bevindt het museum waar dit schilderij wordt bewaard zich in een van deze landen? Noteer één reden waarom mensen van ver zouden kunnen komen om het te bekijken.

    De 2 meest bekeken werken van Harry Weinberger

    1. 1 In Berlin (Bundestratsufer) 100,0%
    2. — Nude (verso), 1950 dit schilderij 0,0%

    Samen maken deze werken 100,0% uit van alle aandacht die de schilderijen van deze kunstenaar in de afgelopen twaalf maanden hebben gekregen. De catalogus bevat 4 werken van deze kunstenaar, waarvan 1 minstens één keer zijn bekeken. Dit schilderij is in die periode nog niet bekeken — het sluit de lijst af zonder rangorde. Hetzelfde geldt voor elke maand

    Staven meten aandacht, niet kwaliteit. Kies het werk bovenaan en dit werk: noem één ding dat een schilderij beroemd zou kunnen maken, los van hoe goed het geschilderd is.

    Kunstenaar en museum

    Kunstenaar

    Harry Weinberger

    Harry Weinberger: A Life Painted in Colour and Memory

    Harry Weinberger (1924-2009) wasn’t merely an artist; he was a translator of experience, a meticulous observer who imbued the everyday with a profound sense of melancholy and a vibrant, almost defiant, love for colour. His work, often characterized as ‘trenchant,’ fiercely defended traditional painting techniques against the prevailing trends of his time, yet it simultaneously embraced influences from Matisse, Van Gogh, and even the haunting beauty of Russian icons – a testament to a life shaped by displacement, loss, and an unwavering dedication to his craft.

    Born in Berlin on April 7th, 1924, into a wealthy Jewish family, Weinberger’s early years were steeped in art. His father, a successful industrialist, amassed a significant collection, exposing young Harry to the works of masters and fostering an immediate appreciation for visual beauty. This privileged upbringing was abruptly shattered by the rise of Nazism. In 1933, his family fled Germany, seeking refuge in Czechoslovakia – a temporary haven before the escalating tensions of World War II forced them to embark on one of history’s most harrowing journeys: the Kindertransport.

    On July 20th, 1939, at just fifteen years old, Harry and his sister Ina found themselves aboard the final Kindertransport train heading for England. This traumatic experience – a desperate flight from persecution – became a foundational element of Weinberger’s artistic vision. The memory of this escape, coupled with witnessing acts of political violence in Berlin before the move, fueled a persistent undercurrent of anxiety and displacement within his work. He famously described watching boats on the River Spree from his family's balcony—a seemingly simple scene that held profound symbolic weight for him, representing both a lost home and an enduring yearning for escape.

    Early life in England was marked by a pragmatic blend of practicality and artistic exploration. He initially worked as a toolmaker’s apprentice, gaining valuable skills while simultaneously pursuing his passion through private lessons. His cousin, Heinz Koppel – also an artist who had relocated to Czechoslovakia and then Britain – provided crucial connections within the art world early in Weinberger's career. This network proved invaluable as he navigated the challenges of establishing himself as a professional painter.

    The Influence of Colour and Technique

    Weinberger’s artistic style evolved significantly over his long career, but certain key elements remained constant: an intense engagement with colour and a deliberate rejection of photographic realism. He was deeply influenced by Matisse's use of bold, non-naturalistic hues and Van Gogh’s expressive brushstrokes – artists who prioritized emotional impact over strict representation. However, Weinberger’s approach went beyond mere imitation; he developed a unique system for layering colours, often applying them in pure blocks of unmodulated pigment. This technique created a sense of dynamism and movement within his paintings, as if the surfaces themselves were vibrating with energy.

    His early works frequently depicted interiors – rooms filled with familiar objects rendered in a fragmented, almost abstract manner. These weren’t portraits of spaces; they were explorations of atmosphere and emotion. He rarely painted figures directly, preferring to focus on the relationships between objects within a room—a chair, a table, a window—creating a sense of contained drama and psychological depth. The use of linear perspective was often deliberately distorted, contributing to the overall feeling of unease and disorientation.

    A Teacher’s Eye: Lanchester Polytechnic and Beyond

    Weinberger's career extended beyond his role as a painter; he became a highly respected art teacher, shaping generations of young artists at institutions like Lanchester Polytechnic (now Coventry University). His approach to teaching was rooted in a deep appreciation for traditional techniques but also embraced experimentation. He encouraged students to explore the expressive potential of colour and texture, while simultaneously upholding the importance of careful observation and technical skill.

    During his time at Lanchester Polytechnic, Weinberger faced considerable challenges as he championed a more traditional approach within a department increasingly focused on conceptual art. His commitment to painting—to the physicality of pigment and brushstroke—stood in stark contrast to the prevailing trends, yet he remained steadfast in his belief that painting could still offer profound insights into the human condition.

    Themes of Displacement and Memory

    Throughout his oeuvre, Weinberger grappled with themes of displacement, memory, and loss. The trauma of the Kindertransport profoundly shaped his artistic vision, informing his use of colour, composition, and subject matter. His paintings often evoke a sense of melancholy and longing—a yearning for a lost home or a disrupted past.

    The recurring motif of boats – particularly those seen on the River Spree before the family’s departure from Berlin – served as a potent symbol of escape and transition. These images, rendered in muted tones and fragmented forms, represent both the allure of new beginnings and the lingering pain of separation. His later works, such as “Welsh Village,” demonstrate this continued exploration of memory and connection, using simple, evocative imagery to convey complex emotional states.

    Legacy and Recognition

    Harry Weinberger died on September 10th, 2009, in Leamington Spa, England. His work gained increasing recognition throughout his career, culminating in major retrospectives at institutions like the Pump Rooms in Leamington Spa and Duncan Campbell Fine Art. His paintings are now held in public collections across the UK, including the Ben Uri Collection, the Government Art Collection, Manchester Metropolitan University, and the National Museum of Wales. Weinberger’s legacy extends beyond his individual artworks; he remains a significant figure in British art history—a ‘trenchant defender of traditional painting’ who dared to express profound emotions through colour and form.

    Museum

    Herbert Art Gallery - Museum

    Te zien in Coventry, United Kingdom

    A Cultural Tapestry: Unveiling the Herbert Art Gallery & Museum

    Nestled in the heart of Coventry, a city steeped in legend and industrial heritage, lies the Herbert Art Gallery & Museum – a vibrant testament to the region’s rich tapestry of art, history, and community spirit. More than just a repository of artifacts, the Herbert is an immersive experience, seamlessly blending fine art with local narratives, offering visitors a profound connection to Coventry's past and present. Founded in 1960 as a gift from Sir Alfred Herbert, a prominent local industrialist, the museum has evolved dramatically over the decades, culminating in its stunning 2008 refurbishment – a modern architectural marvel that complements its historic surroundings while providing unparalleled access to its diverse collections.

    The heart of the Herbert’s appeal lies in its remarkably comprehensive collection. Fine art enthusiasts will be captivated by works such as Luca Giordano's dramatic depictions, showcasing a dynamic range of styles and periods – a testament to the museum’s commitment to presenting a broad spectrum of artistic expression. Beyond paintings, the museum boasts an impressive historical artifacts section, revealing layers of Coventry’s story from its Roman roots through medieval marvels and Victorian industrial achievements. Don’t miss the ceramics collection, a vibrant reflection of both local craftsmanship and international influences, each piece whispering tales of trade, artistry, and cultural exchange. Furthermore, the extensive archives and local history resources offer an unparalleled opportunity to delve into Coventry's evolution, uncovering historical documents, photographs, and maps that paint a vivid picture of the city’s journey.

    The Legend Lives On: Lady Godiva and Coventry’s Folklore

    No exploration of the Herbert would be complete without acknowledging its prominent celebration of Coventry’s most enduring legend – Lady Godiva. The museum dedicates significant space to this captivating tale, exploring its origins, variations, and lasting impact on the city's identity. Exhibits delve into the historical context surrounding the story, examining the social and political landscape of 12th-century England and questioning the veracity of the legend while acknowledging its powerful symbolism. The Herbert doesn’t simply present the story; it invites visitors to contemplate its meaning – a potent reminder of civic duty, generosity, and the enduring power of folklore.

    A Building That Tells a Story: Architecture and History

    The Herbert's architecture is as compelling as its collections. Designed to harmoniously blend with Coventry’s historic landscape, the building itself is a significant landmark. The modern structure, completed in 2008, features a striking glass-covered court – a dynamic space that invites exploration and interaction. Named after Alfred Herbert, the museum's benefactor, it stands as a symbol of his vision for a thriving cultural center. Its history is equally fascinating; originally conceived during wartime, construction was interrupted by the Blitz before finally opening its doors in 1960. The subsequent refurbishment in 2008 not only modernized the building but also expanded its capacity and enhanced visitor experience.

    More Than Just a Museum: Community Engagement and Creative Experiences

    What truly distinguishes the Herbert is its commitment to community engagement. It’s far more than just a place to view art; it's a dynamic hub for learning, creativity, and social interaction. Interactive displays, workshops, and events cater to visitors of all ages, fostering a sense of connection and shared experience. The museum actively partners with local schools, organizations, and artists, creating opportunities for collaboration and cultural exchange. Family-friendly initiatives abound, ensuring that the Herbert is an accessible and welcoming destination for everyone. From sensory materials to hands-on activities, there’s something here to spark curiosity and ignite imaginations – a true testament to its role as a vital cultural resource for Coventry and beyond.

    A Destination for All: Collections Highlights

    Fine Art Collection:

    Explore works by renowned artists, including Luca Giordano, showcasing diverse styles and periods.

    Historical Artifacts:

    Discover a fascinating array of historical artifacts that tell the story of Coventry’s past, including Roman treasures and medieval marvels.

    Ceramics Collection:

    Admire a vibrant collection of ceramics, reflecting both local craftsmanship and international influences.

    Archives & Local History Resources:

    Delve into Coventry’s archives to uncover historical documents, photographs, and maps that provide insights into the city's evolution.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Nude (verso)

    topimpressionists.com/nl/art/download/harry-weinberger-nude-verso-ARD8AM-en/

    Bronvermelding voor dit kunstwerk

    MLA
    Weinberger, Harry. Nude (verso). 1950, Herbert Art Gallery - Museum. https://topimpressionists.com/nl/art/harry-weinberger-nude-verso-ARD8AM-en/
    APA
    Weinberger, Harry (1950). Nude (verso) [Painting]. Herbert Art Gallery - Museum. https://topimpressionists.com/nl/art/harry-weinberger-nude-verso-ARD8AM-en/
    Chicago
    Harry Weinberger. Nude (verso). 1950. Herbert Art Gallery - Museum. https://topimpressionists.com/nl/art/harry-weinberger-nude-verso-ARD8AM-en/
    Harvard
    Weinberger, Harry (1950) Nude (verso). Herbert Art Gallery - Museum. Available at: https://topimpressionists.com/nl/art/harry-weinberger-nude-verso-ARD8AM-en/

    Bekijk het van dichtbij

    Nude (verso) — Harry Weinberger

    Kijk eens goed

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Kijk nog eens naar 'Studio 1', eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    4. Harry Weinberger was ongeveer 26 toen dit werd gemaakt. Wat in het werk doet denken aan de stijl van een kunstenaar in die levensfase?
    5. Wat zou de kunstenaar u willen laten voelen?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Vragen & Antwoorden

    Hoe intens zijn de kleuren van "Nude (verso)"?

    De kleur van "Nude (verso)" heeft een verzadiging van Balanced Soft en een intensiteit van Balanced.

    Kan ik een olieverfreproductie van "Nude (verso)" bestellen?

    U kunt een met de hand geschilderde reproductie van "Nude (verso)" door Harry Weinberger rechtstreeks bestellen op de Met de hand geschilderde reproductie pagina: een met de hand geschilderde olieverfreproductie op linnen canvas, op bestelling vervaardigd.

    Wat zijn de afmetingen van het originele "Nude (verso)"?

    De vastgestelde afmetingen van "Nude (verso)" door Harry Weinberger zijn 77 x 64 cm. Reproducties kunnen in andere formaten worden besteld met behoud van dezelfde verhoudingen.