Papierformaat

Gids voor studentenkunst

Bird

Naam Klas Datum

ian howard, Bird (1991). Reproduceerd ter referentie; alle rechten voorbehouden aan de auteursrechthebbende.

De feiten

Kunstenaar
ian howard topimpressionists.com/nl/artists/ian-howard/
Geboortedatum en -overlijden kunstenaar
1952 – ?
Geschilderd
1991
Afmetingen origineel werk
136 x 101 cm

In context

Bird — ian howard

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 136 × 101 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer is dit geschilderd?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990

Shaded: het leven van ian howard (1952–?) ▲ dit werk, 1991

Vergelijkbare werken

  • Symmetry (diptych), 1998 topimpressionists.com/nl/art/ian-howard-symmetry-diptych-AR2BXG-en/
  • Untitled topimpressionists.com/nl/art/ian-howard-untitled-AR2BXL-en/
  • Martyrs II topimpressionists.com/nl/art/ian-howard-martyrs-ii-AR2BXS-en/

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: topimpressionists.com/nl/art/similar/ian-howard-bird-AR2BXE-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Gray #818885

    Gecatalogiseerd palet

    • #818885
    • #215288
    • #C2BCAC
    • #373432
    Palet
    Earthy De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Gray
    Intensiteit
    Balanced De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Statement De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Discordant Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Bright Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Muted Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Kunstenaar en museum

    Kunstenaar

    ian howard

    Ian Howard: Architect of Surreal Symmetry

    Ian Howard, born in Aberdeen, Scotland, in 1952, isn’t merely a painter; he's an architect of perception, meticulously constructing worlds where the familiar bends and distorts. His art, characterized by intricate symmetry, unsettling narratives, and a deep engagement with alchemical symbolism and hermeticism, has established him as one of Scotland’s most distinctive contemporary artists. Howard’s work isn’t about straightforward representation; it's an exploration of visual connections, inviting the viewer into a labyrinthine space where logic yields to intuition and the rational gives way to the enigmatic.

    Howard’s artistic journey began with formal training at Edinburgh College of Art (1970-1975), followed by a travelling scholarship to Italy in 1976. This formative period exposed him to Renaissance art, sparking an enduring fascination with its complex iconography and symbolic language. He later honed his skills as Head of Painting at Duncan of Jordanstone College of Art, Dundee, from 1984-1987, a role that allowed him to nurture the next generation of artists while simultaneously developing his own unique visual vocabulary. His career trajectory included significant roles within Scottish Arts Council and as Director of Dundee Contemporary Arts, demonstrating a commitment to both artistic creation and institutional leadership.

    The Alchemy of Form

    Howard’s artistic practice is deeply rooted in the principles of alchemy – not as a literal pursuit of turning lead into gold, but as a metaphor for transformation and the exploration of hidden connections. He draws heavily on alchemical illustrations from the 17th century, particularly those produced by Heinrich Khunrath and John Dee, finding within them a rich source of symbolic imagery and a framework for understanding the creative process. His paintings are often described as “heretical diagrams,” reflecting his deliberate subversion of traditional artistic conventions and his willingness to embrace ambiguity and contradiction.

    A key element of Howard’s work is the manipulation of symmetry – not in a simple, decorative sense, but as a tool for creating unsettling juxtapositions and revealing hidden structures. He frequently employs repeating patterns and mirrored forms, generating a sense of disorientation and inviting the viewer to question their own perceptions. This meticulous attention to detail, combined with his exploration of symbolic imagery, results in paintings that are both visually arresting and intellectually stimulating.

    Notable Works & Techniques

    Several of Howard’s works stand out as particularly compelling examples of his distinctive style. “Symmetry (diptych)” (2018) exemplifies his mastery of intricate patterns and unsettling juxtapositions, while "Bruno Consigned to the Flames" (1987) showcases his ability to evoke powerful emotions through carefully constructed imagery. His series of “Untitled” works, particularly those created in the late 1980s and early 1990s, are characterized by their enigmatic symbolism and exploration of psychological themes. Howard’s use of color is often muted and restrained, allowing the intricate patterns and symbolic imagery to take center stage.

    Beyond painting, Howard has also explored printmaking and drawing, further expanding his artistic repertoire. His prints, like “Rolling” (1988), demonstrate a similar commitment to meticulous detail and complex symbolism. He frequently incorporates elements of collage and assemblage into his work, creating layered surfaces that invite close examination.

    Influence & Legacy

    Ian Howard’s influence extends far beyond the confines of Scotland. His work has been exhibited internationally and is held in prominent collections around the world. He's a respected figure within the contemporary art scene, known for his intellectual rigor, artistic innovation, and unwavering commitment to exploring the boundaries of perception. Howard’s legacy lies not only in his individual artworks but also in his contribution to the development of contemporary Scottish art – he has inspired countless artists with his willingness to challenge conventions and embrace ambiguity.

    His academician status within the Royal Scottish Academy of Art and Architecture underscores his recognition as a leading figure in the field. Howard’s work continues to resonate with viewers today, prompting reflection on the nature of perception, symbolism, and the enduring power of art to transform our understanding of the world.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Bird

    topimpressionists.com/nl/art/download/ian-howard-bird-AR2BXE-en/

    Bronvermelding voor dit kunstwerk

    MLA
    howard, ian. Bird. 1991, https://topimpressionists.com/nl/art/ian-howard-bird-AR2BXE-en/
    APA
    howard, ian (1991). Bird [Painting]. https://topimpressionists.com/nl/art/ian-howard-bird-AR2BXE-en/
    Chicago
    ian howard. Bird. 1991. https://topimpressionists.com/nl/art/ian-howard-bird-AR2BXE-en/
    Harvard
    howard, ian (1991) Bird. Available at: https://topimpressionists.com/nl/art/ian-howard-bird-AR2BXE-en/

    Bekijk het van dichtbij

    Bird — ian howard

    Kijk eens goed

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Kijk nog eens naar Symmetry (diptych) (1998), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    4. ian howard was ongeveer 39 toen dit werd gemaakt. Wat in het werk doet denken aan de stijl van een kunstenaar in die levensfase?
    5. Wat zou de kunstenaar u willen laten voelen?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.