Papierformaat

Gids voor studentenkunst

Landscape with Cows

Naam Klas Datum

James Peel, Landscape with Cows, Darlington Library. Publiek domein Bekijk dit doek onder bewegend licht: de tekening, de ware kleur onder de vernis, het pure pigment

De feiten

Kunstenaar
James Peel topimpressionists.com/nl/artists/james-peel/
Geboortedatum en -overlijden kunstenaar
1811 – 1906
Afmetingen origineel werk
39 x 65 cm
Beweging
Romanticism Art that puts feeling, wildness and the power of nature above calm order and rules.
Gehouden in
Darlington Library topimpressionists.com/nl/museums/darlington-library-darlington/

In context

Landscape with Cows — James Peel

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 39 × 65 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer zou dit geschilderd kunnen zijn?

  1. 1810
  2. 1820
  3. 1830
  4. 1840
  5. 1850
  6. 1860
  7. 1870
  8. 1880
  9. 1890
  10. 1900

Bovenste rij: de jaren. Onderste rij: de leeftijd van de kunstenaar aan het begin en het einde van elke periode — 0 bij de geboorte, 95 bij het overlijden.

Shaded: het leven van James Peel (1811–1906) elk gedateerd schilderij, decennium voor decennium

Eerste werken: tot 1865 Belangrijkste werkjaren: 1865–1877 Late werken: vanaf 1877

Deze drie periodes verdelen de werken in deze catalogus in een eerste kwart, een middelste helft en een laatste kwart. Ze vormen niet het volledige oeuvre van de kunstenaar: een dunne periode kan duiden op een hiaat in de verslaglegging in plaats van op een rustige fase. Dezelfde jaren, waarin het leven van de kunstenaar is verweven

Voor deze opname is geen exacte datum bekend — uitgaande van de levensloop van de artiest en de stijl van het werk, in welk decennium zou u dit plaatsen?

Vergelijkbare werken

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: topimpressionists.com/nl/art/similar/james-peel-landscape-with-cows-AQTS4A-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Gray #877357

    Gecatalogiseerd palet

    • #877357
    • #B1A49F
    • #D9E5F5
    • #594A3C

    Deze kleuren binnen het volledige palet van de kunstenaar Vind andere schilderijen op kleur

    Palet
    Neutrals De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Gray
    Intensiteit
    Balanced De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Statement De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Discordant Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Brilliant Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Subtle Color Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Waar ter wereld wordt naar dit schilderij gekeken?

    • minder dan 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% en meer
    Dit schilderij alleen heeft te weinig geregistreerde bezoekers om in kaart te brengen, dus de plaat toont elk werk van James Peel over de afgelopen twaalf maanden — in totaal 2 landen. Waar deze cijfers vandaan komen

    De tien belangrijkste landen

    1. 1 China 90,9%
    2. 2 Verenigd Koninkrijk 9,1%

    Zoek de drie donkerste landen op de kaart. Bevindt het museum waar dit schilderij wordt bewaard zich in een van deze landen? Noteer één reden waarom mensen van ver zouden kunnen komen om het te bekijken.

    De 10 meest bekeken werken van James Peel

    1. 1 Roke Farm, Witley, Surrey 16,7%
    2. 2 Borrowdale, Cumbria 16,7%
    3. 3 Church Field at Edmonton, 1869 8,3%
    4. 4 Landscape with a River, 1877 8,3%
    5. 5 Totteridge, near Hampstead, 1900 8,3%
    6. 6 Near Rosthwaite 8,3%
    7. 7 The Head of Loch Lomond 8,3%
    8. 8 The Reaper 8,3%
    9. 9 Cotherstone, Yorkshire 8,3%
    10. 10 Landscape with Cows dit schilderij 8,3%

    Samen maken deze werken 99,8% uit van alle aandacht die de schilderijen van deze kunstenaar in de afgelopen twaalf maanden hebben gekregen. De catalogus bevat 41 werken van deze kunstenaar, waarvan 10 minstens één keer zijn bekeken. Dit schilderij staat op de 10 plaats, met 8,3% van die aandacht. Hetzelfde geldt voor elke maand

    Staven meten aandacht, niet kwaliteit. Kies het werk bovenaan en dit werk: noem één ding dat een schilderij beroemd zou kunnen maken, los van hoe goed het geschilderd is.

    Kunstenaar en museum

    Kunstenaar

    James Peel

    James Peel: A Painter of Northern Light

    Born in Newcastle upon Tyne in 1811, James Peel’s life and artistic journey were inextricably linked to the rugged beauty of northern England – specifically, Northumberland, Yorkshire, and Wales. His early years, steeped in the industrial heritage of his father's woollen drapery business, provided a grounding in observation and an appreciation for the changing landscapes around him. Unlike many artists of his era who sought grand, idealized vistas, Peel’s work possessed a remarkable intimacy, capturing not just the scenery but also the subtle textures, atmospheric conditions, and quiet rhythms of rural life. His artistic development was nurtured by Alexander Dalziel, a skilled wood engraver, who recognized Peel's innate talent for drawing and encouraged his pursuit of painting.

    Peel’s formal training began at Bruce’s School in Newcastle, where he honed his skills alongside notable figures like Sir Charles Mark Palmer and John Collingwood Bruce. However, it was a move to London in 1840 that truly propelled his career forward. Initially drawn to portraiture – producing striking copies of works by Wilkie Collins, including ‘Blind Fiddler’ and ‘The Village Festival,’ both housed within the National Gallery – Peel soon gravitated towards landscape painting. This shift reflected a deeper connection with the natural world, an impulse he would consistently pursue throughout his career.

    A Palette of Northern Moods

    Peel's artistic style is characterized by a remarkable sensitivity to light and atmosphere. He wasn’t interested in dramatic sunsets or sweeping vistas; instead, he meticulously rendered the subtle shifts in color and tone that defined the northern skies – the bruised purples of impending rain, the hazy greys of misty mornings, and the golden hues of late afternoon. His brushwork was precise yet fluid, conveying a sense of immediacy and spontaneity. He frequently depicted scenes of everyday rural life: shepherds tending their flocks, farmers working in their fields, and villagers engaged in their routines. These weren’t romanticized depictions; they were honest portrayals of a hardworking people living in harmony with the land.

    A key element of Peel's technique was his masterful rendering of trees – an obsession that became almost synonymous with his name. He possessed an extraordinary ability to capture their intricate forms, the play of light and shadow on their bark, and the way they stood sentinel against the sky. Works like ‘A Lane in Berwickshire’ and ‘Cotherstone, Yorkshire,’ now residing in the Laing Art Gallery in Newcastle, exemplify this skill, showcasing a deep understanding of tree structure and an almost tactile quality to his brushstrokes.

    Royal Recognition and Artistic Circles

    Peel's dedication and talent quickly gained him recognition within the established art world. He began exhibiting at the Royal Academy in 1843 and subsequently joined the Royal Society of British Artists, a prestigious organization that championed English landscape painting. His work was consistently praised for its sincerity, technical skill, and evocative portrayal of northern landscapes. He wasn’t merely documenting scenery; he was conveying a feeling – a sense of quiet contemplation, rustic charm, and deep connection to the land.

    Peel's artistic circle extended beyond the Royal Academy. He actively participated in “free” exhibitions organized by figures like Ford Madox Brown and William Bell Scott, challenging the established norms of the art market and advocating for greater accessibility to art. These initiatives demonstrated his commitment to fostering a vibrant and inclusive artistic community.

    Legacy and Enduring Appeal

    James Peel died in Reading in 1906, leaving behind a substantial body of work that continues to resonate with viewers today. His paintings are not grand statements but intimate glimpses into the heart of northern England – a region he loved deeply and captured with remarkable honesty and skill. His influence can be seen in subsequent generations of landscape artists who sought to emulate his sensitivity to light, his meticulous technique, and his profound appreciation for the beauty of the natural world.

    Peel’s legacy extends beyond his artistic achievements. He represents a pivotal moment in British art history – a time when landscape painting moved away from idealized representations and embraced a more direct and personal approach. His work serves as a reminder that true artistry lies not just in technical skill but also in the ability to capture the essence of a place and its people.

    Museum

    Darlington Library

    Te zien in Darlington, United Kingdom

    A Tapestry of Industry and Art: Unveiling Darlington Library

    Nestled within the heart of County Durham, Darlington Library stands as a remarkably singular institution – a vibrant confluence of public library services, an engaging art gallery, and a meticulously curated local studies center. More than simply a repository for books, it’s a living testament to Darlington's rich industrial heritage and its enduring commitment to cultural preservation. The building itself, a Grade II listed Victorian structure, whispers tales of the town’s pivotal role in the rise of railways, while within its walls, an impressive collection of art, historical documents, and local treasures awaits discovery. The library’s unique integration of these elements creates a dynamic space where visitors can trace the evolution of a community, appreciate artistic expression across generations, and connect with their local roots.

    At the heart of Darlington Library lies its remarkable focus on railway history – a legacy inextricably linked to the town's identity. The ‘Whistle Stop’ exhibition is a must-see, offering a captivating journey through the lives and innovations that shaped this vital industry. Here, meticulously preserved artifacts—from original blueprints and locomotive components to passenger tickets and personal accounts—paint a vivid picture of Darlington’s role as a crucial hub in the burgeoning railway network. Beyond the locomotives themselves, the exhibition delves into the social impact of the railways, showcasing how they transformed travel, trade, and daily life for generations. Alongside this industrial narrative, the library boasts an impressive collection of portraits, many capturing notable figures from local history – industrialists, politicians, artists, and everyday citizens who shaped Darlington’s character. These paintings offer intimate glimpses into the personalities and aspirations of a bygone era.

    The Artistic Legacy of Frances Darlington

    A particularly noteworthy aspect of Darlington Library's art collection is its celebration of Frances Darlington (1865-1947), a prominent local artist whose work has been largely overlooked for far too long. Darlington, her birthplace, provided the inspiration for many of her pieces, which often depicted the rolling landscapes and charming villages of County Durham. Her sculptures, particularly those adorning public spaces within the library itself, are characterized by their elegant lines and a subtle grace that reflects the artistic sensibilities of the late Victorian and early Edwardian periods. Furthermore, Darlington’s decorative panels – intricate mosaics and painted murals – add a unique dimension to the library's interior design, transforming ordinary walls into captivating works of art. These pieces offer a rare opportunity to witness the creative spirit of a local talent whose contributions deserve greater recognition.

    A Building Steeped in History

    Darlington Library’s architectural significance is as compelling as its artistic holdings. Constructed during the Victorian era, the building stands as a proud symbol of Darlington's growth and prosperity. Its design reflects the prevailing aesthetic trends of the time – ornate detailing, soaring ceilings, and generous windows that flood the interior with natural light. The library has served as a vital community resource for over a century, adapting to changing needs while retaining its historical integrity. The careful preservation of the building’s original features—including intricate plasterwork, mahogany paneling, and stained-glass windows—provides a tangible connection to Darlington's past. A visit to the library is therefore not just an exploration of art and history; it’s also a journey through time.

    Beyond the Books: Local Studies and Community Engagement

    What truly distinguishes Darlington Library from other institutions is its seamless integration of diverse functions. The local studies center provides invaluable resources for researchers, genealogists, and anyone interested in tracing their family history or delving into the region’s past. Extensive archives, maps, photographs, and oral histories offer a rich tapestry of information about County Durham and its surrounding areas. Moreover, Darlington Library actively fosters community engagement through a range of programs and events—lectures, workshops, exhibitions, and children's activities—that cater to diverse interests and age groups. It’s a place where people can learn, connect, and celebrate their shared heritage.

    A Unique Destination

    Darlington Library is more than just a building filled with books; it’s a vibrant center for learning, discovery, and community life. Its unique combination of library services, an art gallery showcasing local talent, and a comprehensive local studies center makes it a truly exceptional destination. Whether you're a railway enthusiast, an art lover, a history buff, or simply seeking a welcoming space to explore and connect with your community, Darlington Library offers something for everyone. A visit is guaranteed to be both enlightening and inspiring.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Landscape with Cows

    topimpressionists.com/nl/art/download/james-peel-landscape-with-cows-AQTS4A-en/

    Bronvermelding voor dit kunstwerk

    MLA
    Peel, James. Landscape with Cows. n.d., Darlington Library. https://topimpressionists.com/nl/art/james-peel-landscape-with-cows-AQTS4A-en/
    APA
    Peel, James (n.d.). Landscape with Cows [Painting]. Darlington Library. https://topimpressionists.com/nl/art/james-peel-landscape-with-cows-AQTS4A-en/
    Chicago
    James Peel. Landscape with Cows. n.d. Darlington Library. https://topimpressionists.com/nl/art/james-peel-landscape-with-cows-AQTS4A-en/
    Harvard
    Peel, James (n.d.) Landscape with Cows. Darlington Library. Available at: https://topimpressionists.com/nl/art/james-peel-landscape-with-cows-AQTS4A-en/

    Bekijk het van dichtbij

    Landscape with Cows — James Peel

    Kijk eens goed

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Hoeveel gezichten kun je vinden? ____ (onze catalogus telt 3 — ben je het ermee eens?)
    4. In onze catalogus is dit werk geclassificeerd onder: landscape painting, rural scene artwork, cow herd imagery. Bent u het hiermee eens? Wat zou u toevoegen of weglaten?
    5. Kijk nog eens naar Moel Siabod, North Wales (1870), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Vragen & Antwoorden

    Hoe komen stroming en tijdperk samen in "Landscape with Cows" door James Peel?

    "Landscape with Cows" behoort tot de Romanticism-stroming en de maker ervan was werkzaam in het 19th Century-tijdperk.

    Waar komen de bezoekers van "Landscape with Cows" door James Peel vandaan?

    De Statistieken-pagina van "Landscape with Cows" door James Peel presenteert statistieken over publieksbezoeken: de maandelijkse bezoeken aan dit kunstwerk, een vergelijking met de meest bekeken werken van de kunstenaar en de herkomst van de bezoekers.

    Hoe kan ik de afbeelding van "Landscape with Cows" door James Peel downloaden?

    De afbeelding van "Landscape with Cows" door James Peel kan worden gedownload via de Downloaden pagina van het kunstwerk: een download van een digitale afbeelding in hoge resolutie.