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Radiance II

Naam Groep Datum

John Copnall, Radiance II (1994), Chelsea And Westminster Hospital. Reproduceerd ter referentie; alle rechten voorbehouden aan de auteursrechthebbende. Bekijk dit doek onder bewegend licht: de tekening, de ware kleur onder de vernis, het pure pigment

Kerngegevens

Kunstenaar
John Copnall topimpressionists.com/nl/artists/john-copnall/
Levensdata kunstenaar
1928 – 2007
Geschilderd
1994
Afmetingen origineel werk
173 x 259 cm
Gehouden in
Chelsea And Westminster Hospital topimpressionists.com/nl/museums/chelsea-and-westminster-hospital-london/

In context

Radiance II — John Copnall

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 173 × 259 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte. Het is te groot om op schaal weer te geven op deze pagina.

Wanneer is dit geschilderd?

  1. 1920
  2. 1930
  3. 1940
  4. 1950
  5. 1960
  6. 1970
  7. 1980
  8. 1990
  9. 2000

Bovenste rij: de jaren. Onderste rij: de leeftijd van de kunstenaar aan het begin en het einde van elke periode — 0 bij de geboorte, 79 bij het overlijden.

Geschilderd toen de kunstenaar 66 jaar oud was. De kunstenaar werd 79 jaar oud. 0 van de 1 gedateerde werken van deze kunstenaar in onze catalogus zijn eerder gemaakt.

Shaded: het leven van John Copnall (1928–2007) ▲ dit werk, 1994 elk gedateerd schilderij, decennium voor decennium

Vergelijk met

  • Spiral on Red topimpressionists.com/nl/art/john-copnall-spiral-on-red-AQZRRM-en/
  • Spanish Village topimpressionists.com/nl/art/john-copnall-spanish-village-AQZRRT-en/
  • Pale Blue Abstract 1 topimpressionists.com/nl/art/john-copnall-pale-blue-abstract-1-AQZRRR-en/

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: topimpressionists.com/nl/art/similar/john-copnall-radiance-ii-AQZRRK-en/

Kleuren

Gemeten op basis van de afbeelding

    Hoofdkleur

    Sea Green #346e54

    Gecatalogiseerd palet

    • #346E54
    • #547EB3
    • #D2D4CC
    • #AA6B21

    Deze kleuren binnen het volledige palet van de kunstenaar Zoek andere schilderijen op kleur

    Palet
    Earthy De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Sea Green
    Intensiteit
    Vivid De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Bold De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Discordant Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Brilliant Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Clear Color Presence Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Waar ter wereld wordt naar dit schilderij gekeken?

    • minder dan 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% en meer
    Dit schilderij alleen heeft te weinig geregistreerde bezoekers om in kaart te brengen, dus de plaat toont elk werk van John Copnall over de afgelopen twaalf maanden — in totaal 1 landen. Bron van deze cijfers

    De tien belangrijkste landen

    1. 1 China 100,0%

    Zoek de drie donkerste landen op de kaart. Bevindt het museum waar dit schilderij wordt bewaard zich in een van deze landen? Noteer één reden waarom mensen van ver zouden kunnen komen om het te bekijken.

    De 2 meest bekeken werken van John Copnall

    1. 1 Spanish Village 100,0%
    2. — Radiance II, 1994 dit schilderij 0,0%

    Samen maken deze werken 100,0% uit van alle aandacht die de schilderijen van deze kunstenaar in de afgelopen twaalf maanden hebben gekregen. De catalogus bevat 5 werken van deze kunstenaar, waarvan 1 minstens één keer zijn bekeken. Dit schilderij heeft in die periode nog geen weergaven — het sluit de lijst af zonder rangorde. Hetzelfde geldt voor elke maand

    Staven meten aandacht, niet kwaliteit. Kies het werk bovenaan en dit werk: noem één ding dat een schilderij beroemd zou kunnen maken, los van hoe goed het geschilderd is.

    Kunstenaar en museum

    Kunstenaar

    John Copnall

    Geboren in Slindon, United Kingdom

    The Vibrant Legacy of John Copnall

    Born into a lineage deeply rooted in the creative arts, John Bainbridge Copnall was destined to navigate the profound intersections of form and color. Raised in the picturesque village of Slindon, near Horsham, his upbringing was steeped in an atmosphere of artistic excellence; his father, the eminent sculptor Edward Bainbridge Copnall, and a wide circle of talented relatives provided a rich tapestry of aesthetic influence. While his early academic pursuits at the Architectural Association in London suggested a path toward structural precision, it was his innate talent for draughtsmanship and a burgeoning passion for the canvas that ultimately redirected his destiny. After honing his skills under the guidance of his father at the Sir John Cass School of Art and later under Sir Henry Rushbury at the Royal Academy School, Copnall emerged as a formidable talent, earning the prestigious Turner Gold Medal for landscape painting in 1954.

    The trajectory of Copnall’s career underwent a transformative metamorphosis following a pivotal journey to Spain. What was intended to be a brief excursion became a lifelong romance with the Iberian light and the rugged, sun-drenched landscapes of the Mediterranean. For fourteen years, the intense clarity of the Spanish atmosphere served as his primary muse, fundamentally altering his approach to subject matter. This period of residency, which included time on the island of Ibiza, allowed him to move away from purely figurative traditions toward a more profound exploration of Abstract Expressionism. His work began to pulse with a stylized realism, where the essence of a landscape was captured not through mere topographical accuracy, but through a masterful application of richly coloured, emotive strokes that celebrated the very soul of the terrain.

    Technique and Artistic Evolution

    Copnall’s mature style is characterized by a breathtaking synthesis of structural integrity and expressive freedom. His early training as a draughtsman remained the silent backbone of his compositions, ensuring that even his most abstract endeavors possessed an underlying sense of balance and weight. He became renowned for his ability to work on a grand scale, utilizing large canvases to create immersive environments of color field painting and textured abstraction. His palette was often bold and unapologetic, using vibrant hues to evoke the heat of the Spanish sun or the deep shadows of mountain haciendas. This approach allowed him to bridge the gap between the tangible world and the emotional resonance of pure color.

    Beyond his personal studio practice, Copnall played a vital role in the academic development of future generations. For twenty years, he served as an influential teacher at the Central School of Art and Design in London, where his deep understanding of both classical technique and modern abstraction helped shape the pedagogical landscape of British art education. His ability to communicate the complexities of light, form, and movement made him a cornerstone of the mid-20th-century London art scene.

    Historical Significance and Artistic Impact

    The significance of John Copnall lies in his unique ability to translate the physical experience of landscape into a language of abstract emotion. He did not merely paint what he saw; he painted how the light felt upon the skin and how the earth appeared under the weight of the midday sun. His work stands as a testament to the power of stylized realism, a movement that sought to find the extraordinary within the recognizable.

    Today, his legacy is preserved through:

    The fusion of disciplines: Bringing the precision of architectural drawing into the fluid realm of abstract expressionism.

    Cultural synthesis: Merging British academic traditions with the vibrant, light-filled sensibilities of Spanish landscape art.

    Educational influence: Leaving an indelible mark on the London art community through his long tenure as a mentor and educator.

    Through his sweeping canvases and his command over color, Copnall remains a vital figure in the history of modern British painting, reminding us that the most profound truths are often found in the interplay between light and shadow.

    Museum

    Chelsea And Westminster Hospital

    Te zien in London, United Kingdom

    A Sanctuary of Healing: The Artistry of Chelsea and Westminster Hospital

    In the bustling heart of London, where the clinical precision of modern medicine meets the profound necessity of human connection, lies an extraordinary intersection of science and soul. The

    Chelsea and Westminster Hospital

    is far more than a landmark of healthcare excellence; it is a living gallery, a testament to the belief that beauty possesses a restorative power as vital as any pharmaceutical intervention. Through its

    CW+ initiative

    , the hospital has curated an environment where the sterile edges of a medical facility are softened by the evocative presence of contemporary art, creating a sanctuary designed to stimulate the senses and foster mental clarity for patients, staff, and visitors alike.

    The collection itself is a masterfully considered tapestry of human expression, eschewing mere decoration in favor of deep emotional resonance. It features a diverse array of sculptures, paintings, and immersive installations that prioritize themes of resilience, compassion, and intellectual curiosity. One cannot wander through these halls without feeling the presence of artists like

    Henry Tonks

    , whose legacy bridges the gap between the surgical and the sublime. A British surgeon who pursued fine art with equal passion, Tonks’ evocative figure studies and intimate interiors mirror the hospital’s own mission: to find the essence of human experience within the most vulnerable of settings. This dialogue between the clinical and the creative is further enriched by rotating exhibitions that bring both established masters and emerging talents into the light of the hospital's atrium.

    Architectural Harmony and Environmental Serenity

    The architectural canvas provided by

    Sheppard Robson

    plays an indispensable role in this artistic narrative. The hospital’s design is a triumph of light and landscape, characterized by expansive atriums that are flooded with natural radiance and tranquil, landscaped courtyards that offer a breath of serenity amidst the intensity of medical care. These spaces are not merely functional corridors but are deliberate architectural elements designed to promote healing through environmental harmony. The way light dances across contemporary sculptures or illuminates a vibrant canvas creates a visual rhythm that complements the hospital’s core mission, ensuring that every corner of the facility serves as an opportunity for quiet contemplation and peace.

    Rooted in a rich heritage that dates back to its origins as

    St George’s Union Infirmary in 1878

    , the institution has evolved into a global powerhouse of medical research and education through its affiliation with

    Imperial College London

    . This deep historical foundation provides a sense of continuity and strength, grounding its cutting-edge innovations in a legacy of service. For art lovers, collectors, and interior designers, Chelsea and Westminster Hospital offers a unique case study in how curated aesthetics can transform a functional space into an emotional landscape. It stands as a profound reminder that when we surround ourselves with art, we do not just decorate our surroundings; we nourish our very capacity to heal.

    Waar u meer kunt lezen

    Online te vinden

    QR-code die linkt naar de downloadpagina van Radiance II

    topimpressionists.com/nl/art/download/john-copnall-radiance-ii-AQZRRK-en/

    Citeer dit kunstwerk

    MLA
    Copnall, John. Radiance II. 1994, Chelsea And Westminster Hospital. https://topimpressionists.com/nl/art/john-copnall-radiance-ii-AQZRRK-en/
    APA
    Copnall, John (1994). Radiance II [Painting]. Chelsea And Westminster Hospital. https://topimpressionists.com/nl/art/john-copnall-radiance-ii-AQZRRK-en/
    Chicago
    John Copnall. Radiance II. 1994. Chelsea And Westminster Hospital. https://topimpressionists.com/nl/art/john-copnall-radiance-ii-AQZRRK-en/
    Harvard
    Copnall, John (1994) Radiance II. Chelsea And Westminster Hospital. Available at: https://topimpressionists.com/nl/art/john-copnall-radiance-ii-AQZRRK-en/

    Bekijk het van dichtbij

    Radiance II — John Copnall

    Kijk eens goed naar de details

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Kijk nog eens naar Spiral on Red, eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    4. John Copnall was ongeveer 66 toen dit werd gemaakt. Wat in het werk doet denken aan de stijl van een kunstenaar in die levensfase?
    5. Wat zou de kunstenaar u willen laten voelen?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Veelgestelde vragen

    Is "Radiance II" verkrijgbaar als fine art print?

    Een print van "Radiance II" door John Copnall kan rechtstreeks worden besteld op de Fine Art Print-pagina: een fine art print op katoenen canvas of archiefwaardig canvaspapier.

    Waar kan ik een digitale afbeelding van "Radiance II" door John Copnall kopen?

    "Radiance II" is beschikbaar als een digitale afbeelding in hoge resolutie om te downloaden, direct te verkrijgen op de Digitale afbeelding pagina.

    Behoort "Radiance II" door John Copnall tot het publiek domein?

    Wat betreft het auteursrecht valt "Radiance II" onder nog steeds auteursrechtelijk beschermd.