Papier

Gids voor studentenkunst

After the Storm

Naam Groep Datum

John H (Jock) Wilson, After the Storm (1800), Folkestone Library – History Resource Centre. Publiek domein Bekijk dit doek onder bewegend licht: de tekening, de ware kleur onder de vernis, het pure pigment

Kerngegevens

Kunstenaar
John H (Jock) Wilson topimpressionists.com/nl/artists/john-h-jock-wilson/
Levensdata kunstenaar
1774 – 1855
Geschilderd
1800
Afmetingen origineel werk
48 x 63 cm
Gehouden in
Folkestone Library – History Resource Centre topimpressionists.com/nl/museums/folkestone-library-history-resource-centre-folkestone/

In context

After the Storm — John H (Jock) Wilson

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 48 × 63 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer is dit geschilderd?

  1. 1770
  2. 1780
  3. 1790
  4. 1800
  5. 1810
  6. 1820
  7. 1830
  8. 1840
  9. 1850

Bovenste rij: de jaren. Onderste rij: de leeftijd van de kunstenaar aan het begin en het einde van elke periode — 0 bij de geboorte, 81 bij het overlijden.

Geschilderd toen de kunstenaar 26 jaar oud was. De kunstenaar werd 81 jaar oud. 0 van de 5 gedateerde werken van deze kunstenaar in onze catalogus zijn eerder gemaakt.

Shaded: het leven van John H (Jock) Wilson (1774–1855) ▲ dit werk, 1800 elk gedateerd schilderij, decennium voor decennium

Vergelijk met

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: topimpressionists.com/nl/art/similar/john-h-jock-wilson-after-the-storm-AS7RVP-en/

Kleuren

Gemeten op basis van de afbeelding

    Hoofdkleur

    Espresso #33403f

    Gecatalogiseerd palet

    • #33403F
    • #5C6159
    • #C1B7A8
    • #8C8271

    Deze kleuren binnen het volledige palet van de kunstenaar Zoek andere schilderijen op kleur

    Naam hoofdkleur
    Espresso
    Intensiteit
    Monochromatic De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Balanced De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Softly Mixed Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Balanced Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Muted Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Waar ter wereld wordt naar dit schilderij gekeken?

    • minder dan 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% en meer
    Dit schilderij alleen heeft te weinig geregistreerde bezoekers om in kaart te brengen, dus de plaat toont elk werk van John H (Jock) Wilson over de afgelopen twaalf maanden — in totaal 1 landen. Bron van deze cijfers

    De tien belangrijkste landen

    1. 1 China 100,0%

    Zoek de drie donkerste landen op de kaart. Bevindt het museum waar dit schilderij wordt bewaard zich in een van deze landen? Noteer één reden waarom mensen van ver zouden kunnen komen om het te bekijken.

    De 8 meest bekeken werken van John H (Jock) Wilson

    1. 1 A Coastal Scene Between Nieuport and Ostend, 1816 14,3%
    2. 2 St Mary Redcliffe from the Floating Harbour 14,3%
    3. 3 Approaching Storm, Entrance to the Firth of Forth 14,3%
    4. 4 Port Scene, 1855 14,3%
    5. 5 Shipping off the Coast 14,3%
    6. 6 Coast Scene, Stormy Effect 14,3%
    7. 7 On the Scheldt 14,3%
    8. — After the Storm, 1800 dit schilderij 0,0%

    Samen maken deze werken 100,0% uit van alle aandacht die de schilderijen van deze kunstenaar in de afgelopen twaalf maanden hebben gekregen. De catalogus bevat 20 werken van deze kunstenaar, waarvan 7 minstens één keer zijn bekeken. Dit schilderij heeft in die periode nog geen weergaven — het sluit de lijst af zonder rangorde. Hetzelfde geldt voor elke maand

    Staven meten aandacht, niet kwaliteit. Kies het werk bovenaan en dit werk: noem één ding dat een schilderij beroemd zou kunnen maken, los van hoe goed het geschilderd is.

    Kunstenaar en museum

    Kunstenaar

    John H (Jock) Wilson

    Early Life and Artistic Beginnings

    John H. “Old Jock” Wilson, born in Ayr, Scotland, in 1774, emerged from a background steeped in the practicalities of maritime life—his father was a merchant sea captain. This early connection to the ocean would profoundly shape his artistic trajectory, imbuing his later works with an authenticity and emotional resonance rarely found in purely academic landscapes. Initially destined for a trade, Wilson’s path took an unexpected turn when he apprenticed as a house painter in Edinburgh at the young age of thirteen. However, it was under the tutelage of Alexander Nasmyth, a prominent Scottish landscape artist, that his true vocation began to blossom. For two years, Wilson honed his skills in Montrose, painting evocative scenes and sharing his burgeoning talent by teaching drawing—a testament to his natural inclination for both creation and instruction.

    London and the Rise to Prominence

    The allure of London beckoned in 1798, a city brimming with artistic opportunity. Wilson initially found work as a scenery painter for Astley’s Amphitheatre and other theatres, a demanding role that nevertheless sharpened his observational skills and mastery of atmospheric perspective. This period proved crucial in developing his ability to capture dramatic light and movement—qualities that would become hallmarks of his mature style. From 1807 onwards, Wilson consistently exhibited at the Royal Academy, showcasing seventy-six paintings over the course of four decades. He also maintained a prolific presence at the British Institution between 1813 and 1854 with an impressive one hundred and forty-four exhibits. His dedication to exhibiting established him within the London art world, garnering recognition for his increasingly sophisticated depictions of coastal scenes and landscapes.

    A Master of Marine Painting

    Wilson’s artistic focus centered on the raw beauty and untamed power of the sea. He wasn't merely documenting coastlines; he was capturing a feeling—the chill spray of waves, the brooding presence of storm clouds, the delicate interplay of light on water. His paintings often featured small ships battling choppy seas, evoking both the vulnerability and resilience of human endeavor against the forces of nature. This realism, combined with a romantic sensibility, resonated deeply with audiences. In 1825, he received a prestigious premium from the British Institution for The Battle of Trafalgar, a work that was subsequently acquired by Lord Northwick—a clear indication of his growing reputation and artistic merit. The painting’s eventual allocation to East Ayrshire Council in 2010 ensured its continued public accessibility, allowing future generations to appreciate Wilson's skill.

    Founding the Society of British Artists

    Wilson wasn’t content simply to exhibit within established institutions; he actively sought to create new avenues for artistic expression. He was a founding member of the Society of British Artists in 1823, an organization dedicated to promoting the work of British artists independent of the Royal Academy's often-conservative standards. His commitment to this society culminated in his presidency in 1827—a testament to his leadership and influence within the artistic community. Simultaneously, he was elected as an honorary member of the Scottish Academy, further solidifying his position as a respected figure on both sides of the border.

    A Legacy Continued Through Generations

    John Wilson’s impact extended beyond his own prolific output; he fostered a family tradition of artistic excellence. His son, John James Wilson (known as “Young Jock”), followed in his father's footsteps and became a painter himself. Even further down the line, his grandson, William John Wilson, continued the lineage as a theatre scene painter and manager—a direct continuation of the profession that had launched his grandfather’s career. This multi-generational dedication speaks volumes about Wilson’s enduring influence and the profound impact he had on those around him. His works continue to captivate viewers with their evocative power, offering a glimpse into the beauty and drama of 19th-century coastal life—a legacy that endures through time.

    Museum

    Folkestone Library – History Resource Centre

    Te zien in Folkestone, United Kingdom

    A Coastal Tapestry of Time and Tide

    Nestled along the rugged Kentish coastline, where the English Channel meets the enduring cliffs, the Folkestone Library – History Resource Centre serves as much more than a mere repository of local lore; it is a profound portal into the very soul of a town shaped by the rhythmic pulse of the sea. To enter this space is to embark on a sensory journey through centuries of maritime adventure and Victorian refinement. The museum breathes with the echoes of seafaring legends, capturing the essence of Folkestone’s evolution from a modest settlement into a bustling, fashionable port. Here, the history of trade, migration, and even the shadows of invasion are woven into a narrative as complex and layered as the coastal landscape itself.

    The museum beautifully captures this maritime heritage, showcasing artifacts that speak to the town's role as a vital shipping hub. Visitors may find themselves captivated by meticulously crafted models of historic vessels, which stand as silent sentinels of an era when the harbour was a gateway between Britain and the continent. This duality—the pull of the sea and the grounding presence of the cliffs—is palpable throughout the collection, fostering a profound appreciation for the town's multifaceted heritage.

    Victorian Splendor and the Romantic Eye

    The architectural presence of the centre, characterized by its elegant

    Neo-Georgian

    symmetry, mirrors the grandeur of the nineteenth century when Folkestone blossomed into a premier seaside retreat. This period of prosperity is vividly reflected in the museum’s curated vistas, particularly through its celebrated collection of landscape paintings. These works, often featured in notable exhibitions such as

    “Kentish Landscapes,”

    offer a window into the Romantic sensibility that once captivated the English aristocracy. For the discerning collector or interior designer, these canvases provide more than just historical insight; they offer a breathtaking visual connection to the dramatic cliffs and turbulent waters of the Kent coast, where light and shadow dance across the painted shoreline.

    Beyond the canvas, the museum vividly recreates the golden age of the Victorian era, offering glimpses into the daily lives, customs, and aspirations of those who flocked to its shores. Imagine strolling through a space that evokes the atmosphere of elegant promenades and lavish social gatherings, where period furnishings and captivating narratives bring the past to life. It is a place where the history of a fashionable resort meets the intimate details of local life, creating an immersive experience that transcends simple observation.

    The Silent Witnesses of Prehistoric Worlds

    Beyond the human chronicles of maritime trade and social ascent lies a deeper, more ancient story etched into the very bedrock of the region. One of the most remarkable treasures housed within the centre is undoubtedly the

    Samuel Joseph Mackie Fossil Collection

    . This assembly of ammonites and belemnites serves as a magnificent window into a world lost to time, offering compelling evidence of the prehistoric life that once thrived in this region long before human presence. These specimens are not presented merely as isolated scientific curiosities; rather, they are contextualized within their environment, allowing visitors to appreciate the intricate web of life that existed in the deep geological past.

    This collection, a testament to Folkestone’s immense geological significance, sparks a sense of wonder and curiosity. By examining these ancient remains alongside detailed maps illustrating prehistoric shoreline positions, one gains a profound understanding of the deep time that underpins our modern world. The Folkestone Library – History Resource Centre stands as a living hub for discovery, where the echoes of the sea, the grandeur of Victorian art, and the whispers of prehistoric life converge to create an unforgettable cultural experience.

    Waar u meer kunt lezen

    Online te vinden

    QR-code die linkt naar de downloadpagina van After the Storm

    topimpressionists.com/nl/art/download/john-h-jock-wilson-after-the-storm-AS7RVP-en/

    Citeer dit kunstwerk

    MLA
    Wilson, John H (Jock). After the Storm. 1800, Folkestone Library – History Resource Centre. https://topimpressionists.com/nl/art/john-h-jock-wilson-after-the-storm-AS7RVP-en/
    APA
    Wilson, John H (Jock) (1800). After the Storm [Painting]. Folkestone Library – History Resource Centre. https://topimpressionists.com/nl/art/john-h-jock-wilson-after-the-storm-AS7RVP-en/
    Chicago
    John H (Jock) Wilson. After the Storm. 1800. Folkestone Library – History Resource Centre. https://topimpressionists.com/nl/art/john-h-jock-wilson-after-the-storm-AS7RVP-en/
    Harvard
    Wilson, John H (Jock) (1800) After the Storm. Folkestone Library – History Resource Centre. Available at: https://topimpressionists.com/nl/art/john-h-jock-wilson-after-the-storm-AS7RVP-en/

    Bekijk het van dichtbij

    After the Storm — John H (Jock) Wilson

    Kijk eens goed naar de details

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Kijk nog eens naar Fair on the Town Moor, Newcastle (1810), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    4. John H (Jock) Wilson was ongeveer 26 toen dit werd gemaakt. Wat in het werk doet denken aan de stijl van een kunstenaar in die levensfase?
    5. Wat zou de kunstenaar u willen laten voelen?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

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    "After the Storm" door John H (Jock) Wilson heeft een Muted verzadiging.

    Behoort "After the Storm" van John H (Jock) Wilson tot het publiek domein, en zo ja, waarom?

    "After the Storm" van John H (Jock) Wilson is bevindt zich in het publiek domein - de auteursrechten zijn verlopen. De auteursrechten worden berekend vanaf het jaar van overlijden van de kunstenaar; John H (Jock) Wilson is overleden in 1855.