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Gids voor studentenkunst

Corner Table

Naam Groep Datum

John Maxwell, Corner Table, The Fleming Collection. Reproduceerd ter referentie; alle rechten voorbehouden aan de auteursrechthebbende. Bekijk dit doek onder bewegend licht: de tekening, de ware kleur onder de vernis, het pure pigment

Kerngegevens

Kunstenaar
John Maxwell topimpressionists.com/nl/artists/john-maxwell/
Levensdata kunstenaar
1947 – 1962
Afmetingen origineel werk
61 x 46 cm
Gehouden in
The Fleming Collection topimpressionists.com/nl/museums/the-fleming-collection-london/

In context

Corner Table — John Maxwell

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 61 × 46 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer zou dit geschilderd kunnen zijn?

  1. 1940
  2. 1950
  3. 1960

Bovenste rij: de jaren. Onderste rij: de leeftijd van de kunstenaar aan het begin en het einde van elke periode — 0 bij de geboorte, 15 bij het overlijden.

Shaded: het leven van John Maxwell (1947–1962) elk gedateerd schilderij, decennium voor decennium

Voor deze opname is geen exacte datum bekend — uitgaande van de levensloop van de artiest en de stijl van het werk, in welk decennium zou u dit plaatsen?

Vergelijk met

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: topimpressionists.com/nl/art/similar/john-maxwell-corner-table-AQUFJL-en/

Kleuren

Gemeten op basis van de afbeelding

    Hoofdkleur

    Driftwood #849b4b

    Gecatalogiseerd palet

    • #849B4B
    • #132B1A
    • #1B663B
    • #585E15

    Deze kleuren binnen het volledige palet van de kunstenaar Zoek andere schilderijen op kleur

    Palet
    Dark De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Driftwood
    Intensiteit
    Vivid De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Gentle De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Balanced Harmony De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Shadow Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Clear Color Presence Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Waar ter wereld wordt naar dit schilderij gekeken?

    • minder dan 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% en meer
    Dit schilderij alleen heeft te weinig geregistreerde bezoekers om in kaart te brengen, dus de plaat toont elk werk van John Maxwell over de afgelopen twaalf maanden — in totaal 2 landen. Bron van deze cijfers

    De tien belangrijkste landen

    1. 1 China 66,7%
    2. 2 Verenigd Koninkrijk 33,3%

    Zoek de drie donkerste landen op de kaart. Bevindt het museum waar dit schilderij wordt bewaard zich in een van deze landen? Noteer één reden waarom mensen van ver zouden kunnen komen om het te bekijken.

    De 4 meest bekeken werken van John Maxwell

    1. 1 Falling Vase, 1941 33,3%
    2. 2 Harbour with Three Boats, 1934 33,3%
    3. 3 Landscape with Houses and Ancient Bridge, 1934 33,3%
    4. — Corner Table dit schilderij 0,0%

    Samen maken deze werken 99,9% uit van alle aandacht die de schilderijen van deze kunstenaar in de afgelopen twaalf maanden hebben gekregen. De catalogus bevat 15 werken van deze kunstenaar, waarvan 3 minstens één keer zijn bekeken. Dit schilderij heeft in die periode nog geen weergaven — het sluit de lijst af zonder rangorde. Hetzelfde geldt voor elke maand

    Staven meten aandacht, niet kwaliteit. Kies het werk bovenaan en dit werk: noem één ding dat een schilderij beroemd zou kunnen maken, los van hoe goed het geschilderd is.

    Kunstenaar en museum

    Kunstenaar

    John Maxwell

    John Maxwell: A Visionary of Colour and Form

    The artistic legacy of John Maxwell (1905-1962) is a profound testament to the power of light, texture, and emotional resonance. Born in the rugged, spiritual landscape of Roanoke, Virginia, Maxwell’s early life was deeply influenced by his father, Reverend John Maxwell Sr., a clergyman whose presence instilled in the young artist an appreciation for both the beauty of the natural world and the solemnity of contemplative thought. This duality—the ability to see the divine within the mundane—would become the cornerstone of his creative vision. After honing his technical skills at the prestigious Corcoran School and the Art Students League, Maxwell embarked on a career that would bridge the gap between commercial illustration and fine art, capturing the literary essence of giants such as Pearl Buck, Edna Ferber, and John Steinbeck with unparalleled sensitivity.

    As his career matured, Maxwell found himself at the heart of a transformative era in modern art. His journey became inextricably linked with the burgeoning Edinburgh School movement, a collective that sought to redefine Scottish painting through bold experimentation. Influenced by the vibrant palettes of Oskar Kokoschka and the raw, expressive energy of German Expressionists like Ernst Ludwig Kirchner and Emil Nolde, Maxwell developed a style that was both structurally sound and emotionally fluid. He did not merely imitate these masters; rather, he synthesized their lessons into a unique aesthetic language. His work began to dance between the boundaries of reality and abstraction, drawing inspiration from the dreamlike imagery of Marc Chagall and the geometric precision of Paul Klee.

    The Lyrical Language of Stillness and Light

    Maxwell’s oeuvre is most celebrated for its intimate exploration of still lifes and landscapes, works that serve as lyrical meditations on the passage of time. In his still lifes, one finds a meticulous arrangement of flora, fruit, and drapery, all seemingly suspended in a moment of eternal grace. He possessed a rare ability to use glazing techniques to create luminous, translucent surfaces that appear to glow from within, much like the innovations seen in the works of Fernand Léger or Piet Mondrian. These compositions are rarely static; instead, they are imbued with a sense of movement through the play of diffused sunlight and the subtle interplay of shadow.

    His landscapes and interiors further reflect this mastery of atmosphere. By incorporating stylized trees and abstracted geometric shapes, Maxwell subtly echoed the principles of Constructivism and Cubism, lending his natural scenes a structured, almost architectural quality. This marriage of organic form and geometric abstraction allowed him to depict the world not just as it appears to the eye, but as it is felt by the soul. His paintings often evoke a sense of profound tranquility, inviting the viewer into a space where the boundaries between the physical environment and the internal psyche begin to dissolve.

    Historical Significance and Artistic Legacy

    The significance of John Maxwell lies in his ability to navigate the complex currents of 20th-century modernism while maintaining a deeply personal, emotive core. He stood at a crossroads where the traditions of representational painting met the radical shifts of the avant-garde. Through his work, the heavy textures of Expressionism and the structural rigor of abstraction were softened by a uniquely Scottish sensibility—one that prioritized light, color, and a quiet, observant beauty.

    Today, Maxwell is remembered as a pivotal figure whose works continue to resonate with collectors and scholars alike. His contributions to the Edinburgh School helped cement a period of immense creativity in British art, leaving behind a body of work that remains:

    A masterclass in color theory, utilizing vibrant hues to evoke complex emotional states.

    An exploration of light, where sunlight acts as a transformative element within the composition.

    A bridge between eras, connecting the illustrative traditions of the early century with the abstract movements that followed.

    His canvases remain windows into a world of quiet wonder, reminding us that even the simplest subject, when viewed through the lens of a master, can reveal the infinite.

    Museum

    The Fleming Collection

    Te zien in London, United Kingdom

    A Legacy of Scottish Spirit: The Fleming Collection

    In the bustling heart of London, far removed from the traditional confines of brick-and-mortar institutions, exists a masterpiece of curation known as

    The Fleming Collection

    . It is not merely a repository of objects, but a living, breathing celebration of Scotland’s profound artistic heritage. This extraordinary assembly of over 600 works serves as a bridge between the rugged landscapes of the north and the cosmopolitan energy of the capital. What began in 1968 as a corporate endeavor to adorn the walls of the Dundee-founded banking firm, Robert Fleming & Co., has blossomed into a "museum without walls." Through a strategic model of touring exhibitions and prestigious loans across the United Kingdom and Europe, the collection defies geographical boundaries, ensuring that the vibrant pulse of Scottish creativity reaches an international audience.

    The soul of the collection is rooted in a singular, visionary mandate established by David Donald, the bank's first Director of Art Acquisitions. His guiding principle was as poetic as it was precise: every acquisition must either be created by a Scottish artist or depict a scene of Scotland, regardless of the painter's origin. This focus allowed for the amassing of a breathtaking breadth of history, ranging from the refined 18th-century portraiture of

    Allan Ramsay

    and

    Henry Raeburn

    to the revolutionary energy of the 20th century. For collectors and interior designers alike, the collection offers an unparalleled study in texture and light, where the somber dignity of classical masters meets the radical, sun-drenched palettes of the modern era.

    From Corporate Walls to Global Stages

    The history of The Fleming Collection is a narrative of preservation and passion. Following the unexpected passing of David Donald in 1985, the stewardship of this artistic treasure fell to Robert Fleming and Bill Smith, who deepened the collection's focus on living Scottish artists. A pivotal moment arrived in 2000 with the establishment of The Fleming-Wyfold Art Foundation, a move that secured the collection’s future and allowed it to transition from a private corporate asset into a public cultural beacon. While the beloved Berkeley Street Gallery served as its London home for many years, the collection has since embraced a more dynamic existence, traveling through prestigious galleries and international institutions to foster a deeper global appreciation for British art history.

    To wander through the thematic landscapes of the collection is to witness the evolution of Scottish identity. One might find themselves captivated by the

    Glasgow Boys

    —artists such as

    Arthur Melville

    and

    James Guthrie

    —whose bold experimentation broke the shackles of tradition. This spirit of rebellion flows seamlessly into the works of the

    Scottish Colourists

    , including the legendary

    Samuel John Peploe

    and

    Francis Campbell Boileau Cadell

    , whose vibrant, almost impressionistic use of color continues to inspire contemporary aesthetics. The collection’s reach even extends into the contemporary wing, where the works of

    Joan Eardley

    and

    Elizabeth Blackadder

    push the boundaries of expression, proving that the Scottish artistic narrative is far from a closed chapter.

    An Inspiration for the Modern Eye

    For the discerning eye of an interior designer or the passionate heart of an art lover, The Fleming Collection offers more than just historical insight; it offers a masterclass in atmosphere. The collection’s ability to blend the monumental with the intimate—exemplified by standout pieces like Helen Flockhart’s

    “Lemons Dripping”

    —provides endless inspiration for creating spaces that feel both storied and fresh. It is this unique duality, the marriage of deep-rooted tradition with a forward-looking, nomadic spirit, that makes The Fleming Collection a singular force in the art world. It remains a testament to the idea that art is not something to be kept behind closed doors, but something to be shared, moved, and experienced across the horizons of the modern world.

    Waar u meer kunt lezen

    Online te vinden

    QR-code die linkt naar de downloadpagina van Corner Table

    topimpressionists.com/nl/art/download/john-maxwell-corner-table-AQUFJL-en/

    Citeer dit kunstwerk

    MLA
    Maxwell, John. Corner Table. n.d., The Fleming Collection. https://topimpressionists.com/nl/art/john-maxwell-corner-table-AQUFJL-en/
    APA
    Maxwell, John (n.d.). Corner Table [Painting]. The Fleming Collection. https://topimpressionists.com/nl/art/john-maxwell-corner-table-AQUFJL-en/
    Chicago
    John Maxwell. Corner Table. n.d. The Fleming Collection. https://topimpressionists.com/nl/art/john-maxwell-corner-table-AQUFJL-en/
    Harvard
    Maxwell, John (n.d.) Corner Table. The Fleming Collection. Available at: https://topimpressionists.com/nl/art/john-maxwell-corner-table-AQUFJL-en/

    Bekijk het van dichtbij

    Corner Table — John Maxwell

    Kijk eens goed naar de details

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Kijk nog eens naar Red Ballet (1938), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    4. Wat zou de kunstenaar u willen laten voelen?
    5. Als u de kunstenaar één vraag over dit werk zou kunnen stellen, wat zou dat dan zijn?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Veelgestelde vragen

    Welke kleur valt het meest op in "Corner Table"?

    De dominante kleur van "Corner Table" door John Maxwell is Driftwood (#849b4b).

    Wat zijn de verhoudingen van "Corner Table" door John Maxwell en wat zijn de afmetingen?

    Het formaat van "Corner Table" is Portrait en het origineel heeft de afmetingen 61 x 46 cm. Beide zijn nuttig bij het plannen van een reproductie.

    Kan "Corner Table" door John Maxwell, onderdeel van de collectie van The Fleming Collection, op legale wijze worden gereproduceerd?

    "Corner Table" door John Maxwell, onderdeel van de collectie van The Fleming Collection, is nog steeds auteursrechtelijk beschermd. Deze status bepaalt of er reproducties van de afbeelding mogen worden gemaakt.