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The Watermill

Naam Groep Datum

Nadežda Petrović, The Watermill (1901), Museums of Serbia. Publiek domein Bekijk dit doek onder bewegend licht: de tekening, de ware kleur onder de vernis, het pure pigment

Kerngegevens

Kunstenaar
Nadežda Petrović topimpressionists.com/nl/artists/nadezda-petrovic/
Levensdata kunstenaar
1873 – 1915
Geschilderd
1901
Medium
Oil
Beweging
Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.
Periode
19th Century
Gehouden in
Museums of Serbia topimpressionists.com/nl/museums/museums-of-serbia-belgrade/
Artistic style
Munich period landscape
Notable elements
Watermill, bridge, boat, and figures
Subject or theme
Bavarian landscape

In context

The Watermill — Nadežda Petrović

Wanneer is dit geschilderd?

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910

Bovenste rij: de jaren. Onderste rij: de leeftijd van de kunstenaar aan het begin en het einde van elke periode — 0 bij de geboorte, 42 bij het overlijden.

Geschilderd toen de kunstenaar 28 jaar oud was. De kunstenaar werd 42 jaar oud. 1 van de 6 gedateerde werken van deze kunstenaar in onze catalogus zijn eerder gemaakt.

Shaded: het leven van Nadežda Petrović (1873–1915) ▲ dit werk, 1901 elk gedateerd schilderij, decennium voor decennium

Vergelijk met

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: topimpressionists.com/nl/art/similar/nadezda-petrovic-the-watermill-D98UX4-en/

Kleuren

Gemeten op basis van de afbeelding

    Hoofdkleur

    Driftwood #af9d5f

    Gecatalogiseerd palet

    • #AF9D5F
    • #DCC68E
    • #272620
    • #655F36

    Deze kleuren binnen het volledige palet van de kunstenaar Zoek andere schilderijen op kleur

    Naam hoofdkleur
    Driftwood
    Intensiteit
    Balanced De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Statement De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Strong Color Unity De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Shadow Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Subtle Color Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Waar ter wereld wordt naar dit schilderij gekeken?

    • minder dan 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% en meer
    Dit schilderij alleen heeft te weinig geregistreerde bezoekers om in kaart te brengen, dus de plaat toont elk werk van Nadežda Petrović over de afgelopen twaalf maanden — in totaal 2 landen. Bron van deze cijfers

    De tien belangrijkste landen

    1. 1 China 66,7%
    2. 2 Servië 33,3%

    Zoek de drie donkerste landen op de kaart. Bevindt het museum waar dit schilderij wordt bewaard zich in een van deze landen? Noteer één reden waarom mensen van ver zouden kunnen komen om het te bekijken.

    De 4 meest bekeken werken van Nadežda Petrović

    1. 1 Gračanica Monastery, 1913 33,3%
    2. 2 Sea, GNP, 1910 33,3%
    3. 3 Bird, GNP, 1987 33,3%
    4. — The Watermill, 1901 dit schilderij 0,0%

    Samen maken deze werken 99,9% uit van alle aandacht die de schilderijen van deze kunstenaar in de afgelopen twaalf maanden hebben gekregen. De catalogus bevat 7 werken van deze kunstenaar, waarvan 3 minstens één keer zijn bekeken. Dit schilderij heeft in die periode nog geen weergaven — het sluit de lijst af zonder rangorde. Hetzelfde geldt voor elke maand

    Staven meten aandacht, niet kwaliteit. Kies het werk bovenaan en dit werk: noem één ding dat een schilderij beroemd zou kunnen maken, los van hoe goed het geschilderd is.

    Over dit kunstwerk

    The Watermill — Nadežda Petrović

    The painting of the Bavarian landscape belongs to the Munich period of Nadežda

    Kunstenaar en museum

    Kunstenaar

    Nadežda Petrović

    Geboren in Cacak, Serbia

    Nadežda Petrović (1873–1915): Serbia’s Expressionist Visionary

    Nadežda Petrović (Serbian Cyrillic: Надежда Петровић; 11/12 October 1873 – 3 April 1915) was a Serbian painter and one of the women war photography pioneers in the region. Considered Serbia’s most famous expressionist and fauvist, she was the most important Serbian female painter of the period. Born in Čačak, Serbia, Petrović moved to Belgrade in her youth and attended the women's school of higher education there. Graduating in 1891, she taught there for a period beginning in 1893 before moving to Munich to study with Slovenian artist Anton Ažbe. Between 1901 and 1912, she exhibited her work in many cities throughout Europe. Her artistic journey culminated in a tragically premature death during World War I, leaving behind an indelible mark on Serbian art history.

    Early Life and Education

    Nadežda Petrović was born into a family of intellectuals—her father Dimitrije Petrović was a professor of mathematics and her mother Mileva Petrović was a teacher—providing her with a privileged upbringing steeped in culture and artistic appreciation. Growing up in Čačak, she experienced the hardships of Serbian life under Austro-Hungarian rule, fostering resilience and shaping her worldview. Recognizing her talent for art early on, her parents encouraged her pursuit of education beyond the conventional roles expected of women at the time. She excelled academically, earning a degree from Belgrade’s Women's School of Higher Education in 1891, marking a pivotal moment in her life and establishing her foundation for artistic endeavors. Her subsequent teaching position allowed her to nurture young minds and disseminate knowledge—a testament to her dedication and commitment to education.

    Munich and Artistic Influences

    Petrović’s relocation to Munich in 1901 proved transformative, exposing her to the burgeoning avant-garde movements of Expressionism and Fauvism. Studying under Anton Ažbe, a Slovenian artist who championed innovative techniques and stylistic experimentation, she absorbed influences from artists like Edvard Munch and Henri Matisse. These encounters ignited her creative spirit and propelled her artistic style toward bold color palettes, distorted forms, and emotionally charged compositions—characteristics that would define her oeuvre. The Munich environment fostered intellectual discourse and challenged established artistic conventions, encouraging Petrović to forge her own distinctive path as an artist.

    Artistic Style and Notable Works

    Petrović’s artistic style is characterized by Expressionism and Fauvism, movements that prioritized emotional intensity over realistic representation. Her paintings frequently employed vibrant hues—particularly crimson—and exaggerated brushstrokes to convey profound feelings and capture the essence of her subjects. Among her most celebrated works are “Ksenija Atanasijević,” a portrait imbued with melancholic beauty and psychological depth, and “Gračanica Monastery,” which exemplifies her masterful use of color and texture to depict Serbian Orthodox spirituality. These paintings stand as enduring symbols of Serbian artistic heritage and continue to inspire admiration for Petrović’s visionary approach to art. Furthermore, she contributed significantly to the preservation of Serbian cultural identity through her depictions of sacred sites and historical narratives.

    War Photography and Humanitarian Service

    Beyond her painting achievements, Nadežda Petrović demonstrated remarkable courage and compassion by volunteering as a nurse during the Balkan Wars (1912–1913) and subsequently during World War I. Driven by an unwavering commitment to humanitarian service, she tirelessly cared for wounded soldiers—often under perilous conditions—risking her own safety for the benefit of others. Her dedication earned her recognition from Serbian authorities and cemented her reputation as a selfless advocate for human dignity. Petrović’s bravery was honored with a Medal for Bravery and an Order of the Red Cross, acknowledging her extraordinary contribution to alleviating suffering during wartime.

    Legacy and Recognition

    Nadežda Petrović's legacy extends beyond her artistic output; she remains a symbol of Serbian resilience, creativity, and humanitarian spirit. Her paintings are housed in prominent museums across Serbia, including the National Museum of Serbia and the Pavle Beljanski Memorial Collection, ensuring that her artistic vision continues to resonate with audiences today. Moreover, her work is available for purchase as prints or hand-painted replicas on AllPaintingsStore.com, allowing enthusiasts worldwide to experience the beauty and emotional power of her masterpieces. Petrović’s pioneering role as a woman artist in Serbia—and as a war photographer—serves as an inspiration for future generations striving to honor artistic excellence alongside social responsibility.

    Museum

    Museums of Serbia

    Te zien in Belgrade, Serbia

    A Journey Through Serbian History and Culture: Exploring the Museums of Serbia

    The Museums of Serbia stand as a testament to Serbia’s enduring legacy—a captivating blend of archaeological discoveries, artistic brilliance, and pioneering achievements in aviation. Located in Belgrade, this singular institution offers visitors an unparalleled opportunity to immerse themselves in the nation's multifaceted past and present.

    Archaeological Treasures:

    Begin your exploration at Lepenski Vir, a UNESCO World Heritage Site housing remarkable sculptures and tools dating back to Neolithic times. These artifacts illuminate the earliest chapters of European civilization, presenting intricate depictions of ritualistic practices and offering invaluable insights into the beliefs and daily life of our ancestors.

    Artistic Heritage:

    Serbia’s artistic heritage spans millennia, reflected in a diverse collection encompassing paintings, sculptures, ceramics, and textiles. From Byzantine icons to Serbian Romanticism, each piece narrates a story—a chronicle of cultural evolution shaped by influences from across Europe and beyond.

    The National Museum, housed within an architectural marvel declared Monument of Culture of Great Importance in 1979, embodies the spirit of Serbian intellectual tradition. Originally conceived as the Uprava Fondova’s headquarters, its subsequent reconstruction during the 1930s solidified its role as Serbia's premier cultural institution. The building itself—a harmonious blend of neoclassical and Art Deco styles—serves as a poignant reminder of Belgrade’s grandeur in the early 20th century.

    Collection Highlights:

    Prepare to be mesmerized by ‘Return of the Peasants,’ a monumental Baroque landscape executed by Peter Paul Rubens. This masterpiece exemplifies Flemish artistic prowess, characterized by its dynamic composition and serene portrayal of Serbian rural life—a scene brimming with symbolic richness and conveying profound humanist ideals.

    Aeronautical Museum Belgrade:

    Adjacent to the National Museum stands the Aeronautical Museum Belgrade, a beacon of Serbian technological innovation. Designed by architect Ivan Štraus, its geodesic glass building houses an impressive assemblage of aircraft—ranging from vintage biplanes to sophisticated jet fighters—representing Serbia’s contribution to aviation history.

    Notable Exhibitions and Unique Perspectives

    Among the museum's most compelling offerings is the poignant display commemorating the NATO bombing campaign of Yugoslavia in 1999. Featuring wreckage from downed USAF F-117 Nighthawk and F-16 Fighting Falcon aircraft, this exhibit serves as a sobering reminder of Serbia’s turbulent recent history—a testament to resilience and a reflection on the complexities of geopolitical conflict.

    Aviation Legacy:

    The Aeronautical Museum doesn't merely showcase machines; it delves into their technological advancements, historical context, and impact on Serbian society. Interactive exhibits illuminate the ingenuity of Serbian engineers and pilots throughout the decades, fostering an appreciation for Serbia’s role in shaping global aviation.

    Why Visit Museums of Serbia?

    Ultimately, Museums of Serbia provide more than just visual stimulation; they offer a profound encounter with Serbian identity—a journey through time that illuminates the nation's artistic achievements, scientific breakthroughs, and historical narratives. Whether you are an art enthusiast seeking inspiration or a collector pursuing rare treasures, Belgrade’s Museums await to captivate your imagination and enrich your understanding of Serbia’s enduring cultural heritage.

    Waar u meer kunt lezen

    Online te vinden

    QR-code die linkt naar de downloadpagina van The Watermill

    topimpressionists.com/nl/art/download/nadezda-petrovic-the-watermill-D98UX4-en/

    Citeer dit kunstwerk

    MLA
    Petrović, Nadežda. The Watermill. 1901, Museums of Serbia. https://topimpressionists.com/nl/art/nadezda-petrovic-the-watermill-D98UX4-en/
    APA
    Petrović, Nadežda (1901). The Watermill [Painting]. Museums of Serbia. https://topimpressionists.com/nl/art/nadezda-petrovic-the-watermill-D98UX4-en/
    Chicago
    Nadežda Petrović. The Watermill. 1901. Museums of Serbia. https://topimpressionists.com/nl/art/nadezda-petrovic-the-watermill-D98UX4-en/
    Harvard
    Petrović, Nadežda (1901) The Watermill. Museums of Serbia. Available at: https://topimpressionists.com/nl/art/nadezda-petrovic-the-watermill-D98UX4-en/

    Bekijk het van dichtbij

    The Watermill — Nadežda Petrović

    Kijk eens goed naar de details

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. In onze catalogus is dit werk geclassificeerd onder: watermill, bavarian landscape, nature. Bent u het hiermee eens? Wat zou u toevoegen of weglaten?
    4. Kijk nog eens naar Gračanica Monastery (1913), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    5. Expressionism: Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness. Waar is dat in dit werk te zien?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Veelgestelde vragen

    Uit welke materialen bestaat "The Watermill" en in welke stijl is het uitgevoerd?

    "The Watermill" door Nadežda Petrović combineert de Oil-techniek met de Expressionism-stijl. Techniek en stroming beschrijven de vervaardiging en de stijl van het werk.

    Waar wordt het Landscape-formaat van "The Watermill" aanbevolen te tonen?

    Het Landscape-formaat van "The Watermill" door Nadežda Petrović wordt aanbevolen voor een Hotel Room. Formaat en ruimte samen bepalen de ideale plaatsing van een reproductie.

    Geeft het auteursrecht van "The Watermill" door Nadežda Petrović toestemming voor reproducties?

    Het originele "The Watermill" bevindt zich in Museums of Serbia en het werk is bevindt zich in het publiek domein - de auteursrechten zijn verlopen.