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Happy Painters

Naam Klas Datum

Olaf Breuning, Happy Painters (2018), THAT'S CONTEMPORARY. Reproduceerd ter referentie; alle rechten voorbehouden aan de auteursrechthebbende. Bekijk dit doek onder bewegend licht: de tekening, de ware kleur onder de vernis, het pure pigment

De feiten

Kunstenaar
Olaf Breuning topimpressionists.com/nl/artists/olaf-breuning/
Geboortedatum en -overlijden kunstenaar
1970 –
Geschilderd
2018
Afmetingen origineel werk
122 x 155 cm
Gehouden in
THAT'S CONTEMPORARY topimpressionists.com/nl/museums/that-s-contemporary-milan/

In context

Happy Painters — Olaf Breuning

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 122 × 155 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer is dit geschilderd?

  1. 1970
  2. 1980
  3. 1990
  4. 2000
  5. 2010

Bovenste rij: de jaren. Onderste rij: de leeftijd van de kunstenaar aan het begin en het einde van elke periode, waarbij de geboorte als jaar 0 wordt geteld.

Geschilderd toen de kunstenaar 48 jaar oud was. 3 van de 10 gedateerde werken van deze kunstenaar in onze catalogus zijn eerder gemaakt.

▲ dit werk, 2018 elk gedateerd schilderij, decennium voor decennium

Vergelijkbare werken

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: topimpressionists.com/nl/art/similar/olaf-breuning-happy-painters-D73VK6-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Black #1a120f

    Gecatalogiseerd palet

    • #1A120F
    • #94583D
    • #A69A97
    • #464242

    Deze kleuren binnen het volledige palet van de kunstenaar Vind andere schilderijen op kleur

    Palet
    Earthy De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Black
    Intensiteit
    Monochromatic De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Bold De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Discordant Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Deep_shadow Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Subtle Color Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Waar ter wereld wordt naar dit schilderij gekeken?

    • minder dan 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% en meer
    Dit schilderij alleen heeft te weinig geregistreerde bezoekers om in kaart te brengen, dus de plaat toont elk werk van Olaf Breuning over de afgelopen twaalf maanden — in totaal 1 landen. Waar deze cijfers vandaan komen

    De tien belangrijkste landen

    1. 1 China 100,0%

    Zoek de drie donkerste landen op de kaart. Bevindt het museum waar dit schilderij wordt bewaard zich in een van deze landen? Noteer één reden waarom mensen van ver zouden kunnen komen om het te bekijken.

    De 3 meest bekeken werken van Olaf Breuning

    1. 1 Napoleon, 2018 66,7%
    2. 2 Bully, 2015 33,3%
    3. Happy Painters, 2018 dit schilderij 0,0%

    Samen maken deze werken 100,0% uit van alle aandacht die de schilderijen van deze kunstenaar in de afgelopen twaalf maanden hebben gekregen. De catalogus bevat 10 werken van deze kunstenaar, waarvan 2 minstens één keer zijn bekeken. Dit schilderij is in die periode nog niet bekeken — het sluit de lijst af zonder rangorde. Hetzelfde geldt voor elke maand

    Staven meten aandacht, niet kwaliteit. Kies het werk bovenaan en dit werk: noem één ding dat een schilderij beroemd zou kunnen maken, los van hoe goed het geschilderd is.

    Kunstenaar en museum

    Kunstenaar

    Olaf Breuning

    Geboren in Schaffhausen, Switzerland

    The Satirical Lens of Olaf Breuning

    Born in the quiet Swiss town of Schaffhausen in 1970, Olaf Breuning has emerged as a captivating enfant terrible within the contemporary art landscape. His artistic journey is defined by a profound, often disillusioned, gaze upon the world—a perspective that does not merely observe but actively deconstructs the absurdities of modern existence. Now residing in Upstate New York, Breuning carries with him a distinctly Swiss sensibility: a meticulous, thoughtful approach to observation paired with an irrepressible urge for experimental play. His work serves as a personal diary, fueled by the rhythms of everyday life and rendered through a lens of biting satire and deceptive simplicity.

    Breuning’s practice is remarkably multifaceted, refusing to be tethered to a single medium. He moves fluidly between photography, film, ceramics, engraving, and drawing, creating a body of work that feels both direct and deliberately regressive. In recent years, he has expanded his repertoire to include painting, utilizing naïve, almost childlike forms and colors applied via woodcut stamps made from solid wooden blocks. This tactile, rhythmic method of creation adds a layer of raw, physical presence to his explorations of contemporary reality. Whether through the stillness of a photograph or the three-dimensionality of a sculpture, Breunding’s art seeks to undermine simple readings of our surroundings, forcing the viewer to confront the complexities hidden beneath the surface of the mundane.

    Conceptual Roots and Artistic Evolution

    The intellectual architecture of Breuning’s work is deeply rooted in the traditions of conceptualism. Drawing inspiration from pioneers such as Marcel Duchamp and Joseph Kosuth, he operates within a lineage that prioritizes the potency of the idea over traditional aesthetic perfection. This influence is evident in his use of found objects and unconventional materials to create pieces that are as conceptually dense as they are visually arresting. By juxtaposing disparate elements, Breuning mirrors the fragmented and often contradictory nature of navigating modern life, using irony and humor to interrogate societal norms rather than simply depicting them.

    As his career has progressed, a recurring concern for the relationship between humanity and the natural world has become increasingly prominent. His recent series of paintings, for instance, playfully yet poignantly address pressing global issues such as climate change. This evolution demonstrates an artist who is not content to remain static; instead, he adapts his techniques—from the satirical caricatures of his early years to more profound environmental commentaries—to reflect the shifting anxieties of the global community. His work remains a constant dialogue between the whimsical and the weighty, using wit to navigate the heavy themes of identity, vulnerability, and ecological impact.

    Global Recognition and Legacy

    Breuning’s ascent within the international art scene has been marked by prestigious solo exhibitions and participation in some of the world's most significant contemporary art forums. His work has been showcased in renowned institutions such as:

    Palais de Tokyo in Paris, a testament to his influence in the European avant-garde.

    The Whitney Biennial in New York, marking his arrival on the pinnacle of the American art stage.

    The Museum of Modern Art (MoMA), New York, placing his satirical visions within the canon of modern greatness.

    The Pompidou Center in Paris and the Chisenhale Gallery in London, highlighting his widespread critical acclaim.

    The Paul Klee Museum in Bern, connecting his contemporary practice back to his Swiss origins.

    Through these milestones, Breuning has secured a position as a vital voice in postmodern art. His ability to blend high-concept intellectualism with a sense of play and accessibility ensures that his work resonates far beyond the gallery walls. By utilizing humor as a tool for critique, he invites the audience into a shared space of reflection, making the profound accessible through the absurd. His ongoing commitment to creation—a manifesto to continue until his final breath—promises a legacy of art that will continue to challenge, provoke, and delight for generations to come.

    Museum

    THAT'S CONTEMPORARY

    Te zien in Milan, Italy

    THAT'S CONTEMPORARY: A Milanese Hub for Contemporary Art

    Milan, Italy – THAT’S CONTEMPORARY stands as a singular testament to the evolving landscape of Italian art. Founded in 2011, this innovative cultural platform isn’t merely documenting contemporary artistic endeavors; it actively cultivates an independent network connecting artists, galleries, and audiences—a deliberate departure from traditional museum models. Its mission is simple yet profound: to illuminate Milan's dynamic creative spirit and foster a deeper appreciation for modern art forms.

    Mapping the Scene:

    Launched as a response to the need for centralized artistic mapping, THAT’S CONTEMPORARY swiftly established itself as the go-to resource for discovering exhibitions and emerging talent within Milan.

    Bridging Connections:

    Unlike conventional institutions focused on preservation, THIS platform prioritizes engagement—facilitating dialogues between artists and collectors alike.

    Collection Highlights & Artistic Explorations

    While lacking a permanent collection in the traditional sense, THAT’S CONTEMPORARY offers visitors an immersive journey into Milanese contemporary art. The platform champions exhibitions showcasing diverse mediums—photography, sculpture, installation art—often featuring groundbreaking perspectives on societal issues and artistic experimentation. Notably, explorations of architectural spaces like Viafarini contribute to this experience, highlighting innovative approaches to gallery design and fostering stimulating conversations about artistic presentation.

    Featured Works:

    Among the showcased pieces are captivating artworks such as Gerhard Richter’s ‘Domplatz, Mailand,’ a masterful black & white photograph capturing Milanese grandeur—a testament to realism infused with aged aesthetic qualities.

    Fashion Forward Inspiration:

    Águeda Isabel Ruiz de la Prada’s ‘Dress with Synthetic-Suede Squares,’ presented during Milan Fashion Week, exemplifies the platform's commitment to showcasing artistic collaborations and pushing creative boundaries.

    Notable Artists & Creative Voices

    THAT’S CONTEMPORARY spotlights Italian artists who are shaping the future of art. Massimo Kaufmann, renowned for his expansive paintings, embodies the spirit of Milanese artistic tradition while simultaneously embracing innovation. Similarly, elisabetta gut's sculptures and installations delve into themes of confinement and fragility—reflecting a thoughtful engagement with contemporary concerns. Daniele Innamorato’s collaborative work as founder of Kings Collective underscores the platform’s dedication to fostering collective creativity and pushing artistic boundaries.

    Viafarini: An Architectural Canvas

    The Viafarini gallery complex serves as an integral part of THAT’S CONTEMPORARY's narrative. Designed by architect Marco Zanuso Jr., this building embodies Milanese architectural modernity—a space deliberately conceived to stimulate artistic dialogue and showcase experimental exhibitions. Its expansive layout encourages exploration and contemplation, mirroring the platform’s ethos of fostering engagement with cutting-edge art.

    A Unique Perspective on Contemporary Art

    THAT'S CONTEMPORARY distinguishes itself from conventional museums by prioritizing active participation and disseminating knowledge beyond physical walls. It operates as a dynamic online resource—a vibrant hub for artistic discovery—solidifying its position as an indispensable guide for anyone wishing to experience Milan’s flourishing contemporary art scene.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Happy Painters

    topimpressionists.com/nl/art/download/olaf-breuning-happy-painters-D73VK6-en/

    Bronvermelding voor dit kunstwerk

    MLA
    Breuning, Olaf. Happy Painters. 2018, THAT'S CONTEMPORARY. https://topimpressionists.com/nl/art/olaf-breuning-happy-painters-D73VK6-en/
    APA
    Breuning, Olaf (2018). Happy Painters [Painting]. THAT'S CONTEMPORARY. https://topimpressionists.com/nl/art/olaf-breuning-happy-painters-D73VK6-en/
    Chicago
    Olaf Breuning. Happy Painters. 2018. THAT'S CONTEMPORARY. https://topimpressionists.com/nl/art/olaf-breuning-happy-painters-D73VK6-en/
    Harvard
    Breuning, Olaf (2018) Happy Painters. THAT'S CONTEMPORARY. Available at: https://topimpressionists.com/nl/art/olaf-breuning-happy-painters-D73VK6-en/

    Bekijk het van dichtbij

    Happy Painters — Olaf Breuning

    Kijk eens goed

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Kijk nog eens naar You Can (2018), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    4. Olaf Breuning was ongeveer 48 toen dit werd gemaakt. Wat in het werk doet denken aan de stijl van een kunstenaar in die levensfase?
    5. Wat zou de kunstenaar u willen laten voelen?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Vragen & Antwoorden

    Wat is de dominante kleur van "Happy Painters" door Olaf Breuning?

    De dominante kleur van "Happy Painters" door Olaf Breuning is Amber to Saffron. Deze kleur vormt de onderliggende toon van het palet.

    Hoe licht is "Happy Painters" in zijn geheel?

    De waargenomen helderheid van "Happy Painters" door Olaf Breuning is deep_shadow. Deze kan worden afgestemd op het licht in de beoogde ruimte.

    Zijn er werken die lijken op "Happy Painters"?

    De pagina Vergelijkbare werken van "Happy Painters" door Olaf Breuning presenteert gerelateerde kunstwerken.