Papier

Gids voor studentenkunst

Untitled 13

Naam Groep Datum

Jackson Pollock, Untitled 13. Publiek domein Bekijk dit doek onder bewegend licht: de tekening, de ware kleur onder de vernis, het pure pigment

Kerngegevens

Kunstenaar
Jackson Pollock topimpressionists.com/nl/artists/jackson-pollock_nl/
Levensdata kunstenaar
1912 – 1956
Medium
Painting
Beweging
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.
Periode
Modern
Artistic style
Monochromatic
Influences
Regionalism
Notable elements or techniques
Drip painting
Subject or theme
Abstraction

In context

Untitled 13 — Jackson Pollock

Wanneer zou dit geschilderd kunnen zijn?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950

Bovenste rij: de jaren. Onderste rij: de leeftijd van de kunstenaar aan het begin en het einde van elke periode — 0 bij de geboorte, 44 bij het overlijden.

Shaded: het leven van Jackson Pollock (1912–1956) elk gedateerd schilderij, decennium voor decennium

Eerste werken: tot 1941 Belangrijkste werkjaren: 1941–1948 Late werken: vanaf 1948

Deze drie periodes verdelen de werken waarvoor in deze catalogus een datum bekend is in een eerste kwart, een middelste helft en een laatste kwart. Ze vormen niet het volledige oeuvre van de kunstenaar: een dunne periode kan duiden op een hiaat in de verslaglegging in plaats van op een rustige fase. Dezelfde jaren, waarin het leven van de kunstenaar is verweven

Voor deze opname is geen exacte datum bekend — uitgaande van de levensloop van de artiest en de stijl van het werk, in welk decennium zou u dit plaatsen?

Vergelijk met

  • Nummer 1, 1949, 1950 topimpressionists.com/nl/art/jackson-pollock-nummer-1-1949-8EWJX6-nl/
  • Herfstritm No. 30 topimpressionists.com/nl/art/jackson-pollock-herfstritm-no-30-8EWJW5-nl/
  • Convergentie topimpressionists.com/nl/art/jackson-pollock-convergentie-8EWJWJ-nl/

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: topimpressionists.com/nl/art/similar/paul-jackson-pollock-untitled-13-8EWJYZ-en/

Kleuren

Gemeten op basis van de afbeelding

    Hoofdkleur

    Celadon #c1c1c1

    Gecatalogiseerd palet

    • #C1C1C1
    • #070707
    • #515151
    • #929292

    Deze kleuren binnen het volledige palet van de kunstenaar Zoek andere schilderijen op kleur

    Naam hoofdkleur
    Celadon
    Intensiteit
    Monochromatic De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Statement De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Unified Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Balanced Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Muted Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Waar ter wereld wordt naar dit schilderij gekeken?

    • minder dan 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% en meer
    Dit schilderij alleen heeft te weinig geregistreerde bezoekers om in kaart te brengen, dus de plaat toont elk werk van Jackson Pollock over de afgelopen twaalf maanden — in totaal 69 landen. Bron van deze cijfers

    De tien belangrijkste landen

    1. 1 China 19,1%
    2. 2 Frankrijk 8,2%
    3. 3 Verenigde Staten van Amerika 7,4%
    4. 4 Duitsland 7,1%
    5. 5 Japan 5,8%
    6. 6 Spanje 5,6%
    7. 7 Italië 5,3%
    8. 8 Brazilië 3,2%
    9. 9 Singapore 2,7%
    10. 10 Mexico 2,6%
    11. · 59 overige landen 33,0%

    Zoek de drie donkerste landen op de kaart. Bevindt het museum waar dit schilderij wordt bewaard zich in een van deze landen? Noteer één reden waarom mensen van ver zouden kunnen komen om het te bekijken.

    De 20 meest bekeken werken van Jackson Pollock

    1. 1 Nummer 1, 1949, 1950 36,2%
    2. 2 Herfstritm No. 30 7,1%
    3. 3 One. Number 31, 1950 5,9%
    4. 4 Convergentie 5,2%
    5. 5 Number 5, 1948 3,1%
    6. 6 Wit Licht, 1954 2,3%
    7. 7 Number 5, 1948 2,0%
    8. 8 Nummer 1A 1,8%
    9. 9 Number 10, 1949 1,8%
    10. 10 Number 3, 1948 1,6%
    11. 11 Number 1, 1948 1,3%
    12. 12 Number 6, 1949 1,3%
    13. 13 Number 3, 1949 1,2%
    14. 14 Number 8 1,0%
    15. 15 Number 2, 1951 0,9%
    16. 16 Saint 0,9%
    17. 17 Out of the Web. Number 7 0,8%
    18. 18 Cathedral 0,8%
    19. 19 Lavender Mist_Number 1 0,7%
    20. 123 Untitled 13 dit schilderij 0,1%

    Samen maken deze werken 76,0% uit van alle aandacht die de schilderijen van deze kunstenaar in de afgelopen twaalf maanden hebben gekregen. De catalogus bevat 176 werken van deze kunstenaar, waarvan 124 minstens één keer zijn bekeken. Dit schilderij staat op de 123 plaats, met 0,1% van die aandacht. Hetzelfde geldt voor elke maand

    Staven meten aandacht, niet kwaliteit. Kies het werk bovenaan en dit werk: noem één ding dat een schilderij beroemd zou kunnen maken, los van hoe goed het geschilderd is.

    Over dit kunstwerk

    Untitled 13 — Jackson Pollock

    A Symphony of Chaos: The Raw Energy of Untitled 13

    In the pantheon of twentieth-century art, few names command as much visceral respect and intrigue as Jackson Pollock. His work Untitled 13 serves as a profound testament to the era of Abstract Expressionism, acting not merely as a painting, but as a recorded performance of movement and instinct. Created during the transformative period between 1948 and 1950, this monochrome masterpiece eschews the traditional boundaries of subject matter. There is no horizon to ground the eye, no figure to anchor the soul; instead, the viewer is met with an immersive, all-over composition that demands a complete surrender to its rhythmic complexity. It is a work that does not ask to be looked at, but rather to be experienced, pulling the observer into a swirling vortex of black and white energy.

    The brilliance of Untitled 13 lies in its radical departure from the brush. Pollock famously abandoned the easel, opting instead to lay his canvas directly onto the floor—a method that allowed him to approach the work from all sides, literally entering the space of the creation. Through his legendary drip technique, he utilized sticks, knives, and even the direct pouring of enamel to fling pigment across the surface. This process, often referred to as action painting, transformed the canvas into a topographical map of his own physical gestures. Every splatter, every thin trail of ink, and every dense cluster of pigment represents a moment in time, a frozen heartbeat of spontaneous motion that creates a textured, granular landscape of pure emotion.

    The Poetics of Monochrome and Motion

    While many associate Pollock with vibrant, chaotic color, the stark, monochromatic palette of Untitled 13 offers a different kind of intensity. By stripping away the distraction of hue, Pollock forces us to confront the raw materiality of the paint itself. The high contrast between the dark, sweeping arcs and the lighter background emphasizes the structural tension within the work. It creates a sense of depth that is paradoxically flat; while there is no traditional perspective, the overlapping layers of drips create a labyrinthine web that feels infinitely deep. This lack of a focal point ensures that the eye never rests, constantly dancing across the canvas in search of an end to the movement, much like the restless spirit of the artist himself.

    For the discerning collector or interior designer, this piece offers a sophisticated anchor for modern spaces. Its ability to evoke both tension and tranquility makes it a versatile centerpiece for high-end environments seeking a touch of avant-garde prestige. The artwork carries an inherent emotional weight—it can mirror the frenetic energy of a contemporary urban loft or provide a contemplative, monochromatic focal point in a minimalist gallery setting. To possess a reproduction of Untitled 13 is to invite the spirit of mid-century rebellion and the profound beauty of controlled chaos into one's personal sanctuary, celebrating a moment in history when art broke free from the constraints of representation to find truth in the very act of creation.

    Kunstenaar en museum

    Kunstenaar

    Jackson Pollock

    Geboren in Cody, Verenigde Staten van Amerika

    Early Life and the Seeds of Innovation

    Paul Jackson Pollock, born in Cody, Wyoming, in 1912, was a restless spirit from the outset. His early life was marked by frequent relocation as his father, LeRoy Pollock, pursued work as a land surveyor across the vast landscapes of the American West. This itinerant existence instilled in young Pollock a deep connection to the natural world and an exposure to diverse cultures, particularly through encounters with Native American art during those surveying trips – impressions that would subtly permeate his artistic vision later in life. Though he never explicitly imitated Indigenous styles, the raw energy and spiritual resonance of these early experiences undoubtedly left their mark. He was the fifth and youngest son in a struggling farming family, and his mother fostered artistic potential in each of her children.

    Pollock’s formal artistic training began at the Manual Arts High School in Los Angeles, followed by studies at the Art Students League of New York under the tutelage of Thomas Hart Benton. Benton, a prominent figure in the Regionalist movement, emphasized rhythmic composition and narrative themes rooted in American life. While Pollock initially absorbed these lessons, his inherent inclination leaned toward more abstract explorations. He was also profoundly impacted by Mexican muralists like José Clemente Orozco, whose powerful depictions of social struggle resonated deeply with him. These early influences laid a foundation, but it was the burgeoning world of Surrealism that truly unlocked Pollock’s artistic potential.

    The Birth of Action Painting and a Revolutionary Technique

    The 1930s saw Pollock experimenting with various techniques, seeking alternatives to traditional brushwork. He began pouring paint, exploring its fluidity and unpredictable nature. However, it was around 1947 that his artistic trajectory underwent a radical transformation. Abandoning the easel altogether, Pollock laid canvases directly on the floor, initiating what would become known as his “drip technique.” He then proceeded to drip, splash, and fling paint onto the canvas from above, orchestrating a dynamic dance between artist, medium, and surface.

    This wasn’t merely about applying paint; it was about embodying the act of creation itself. Pollock's canvases became arenas for physical expression, capturing the immediacy of his gestures and emotions. The resulting paintings are characterized by their “all-over” composition – a lack of central focus that invites the viewer to explore the entire surface as a unified field of energy. Intricate networks of lines and colors intertwine, creating a visual complexity that is both captivating and challenging. He employed unconventional tools—sticks, knives, even syringes—to manipulate the paint in unpredictable ways, further emphasizing the spontaneous nature of his process.

    Pollock’s marriage to fellow artist Lee Krasner was also pivotal; she provided unwavering emotional support and actively encouraged his artistic development, recognizing the groundbreaking nature of his work. She became a crucial collaborator, not just as a wife but as an intellectual partner who understood and championed his vision.

    Iconic Works and Lasting Legacy

    Pollock’s most celebrated works—such as Number 1, 1950 (Lavender Mist), One: Number 31, 1950, Blue Poles: Number 11, 1952, and Convergence—are testaments to his revolutionary technique. These paintings are not simply images; they are records of a performance, imbued with the artist’s physical presence and emotional intensity. The dynamic energy that emanates from these canvases is palpable, drawing viewers into a world of pure abstraction.

    The influence of Surrealism is evident in the dreamlike quality of many of his works, while simultaneously rejecting traditional representational forms. Pollock sought to capture not just what he saw, but what he felt – the underlying currents of emotion and subconscious experience that shaped his perception of the world. His work can be seen as a visual embodiment of the anxieties and uncertainties of the post-war era.

    His style transcends mere aesthetics; it's an exploration of process over product. Pollock sought to capture the immediacy of his actions and emotions on canvas, rejecting traditional notions of composition and representation. He delved into Jungian psychology, exploring archetypes and the subconscious in his art, seeking to tap into universal symbols and primal energies.

    Historical Significance

    Pollock’s impact on the history of art is immeasurable. He fundamentally altered the way artists approached painting, breaking free from easel-based methods and embracing a more performative approach. His work helped solidify New York City's position as a global center for modern art, shifting the focus away from European dominance. He was initially met with skepticism and criticism, but his influence grew steadily after his untimely death in 1956 at the age of 44. Today, he is universally recognized as one of the most important and influential artists of the 20th century, a visionary who dared to challenge conventions and redefine the boundaries of artistic expression. His innovative techniques and expressive style continue to inspire and provoke, ensuring his enduring legacy for generations to come.

    Waar u meer kunt lezen

    Online te vinden

    QR-code die linkt naar de downloadpagina van Untitled 13

    topimpressionists.com/nl/art/download/paul-jackson-pollock-untitled-13-8EWJYZ-en/

    Citeer dit kunstwerk

    MLA
    Pollock, Jackson. Untitled 13. n.d., https://topimpressionists.com/nl/art/paul-jackson-pollock-untitled-13-8EWJYZ-en/
    APA
    Pollock, Jackson (n.d.). Untitled 13 [Painting]. https://topimpressionists.com/nl/art/paul-jackson-pollock-untitled-13-8EWJYZ-en/
    Chicago
    Jackson Pollock. Untitled 13. n.d. https://topimpressionists.com/nl/art/paul-jackson-pollock-untitled-13-8EWJYZ-en/
    Harvard
    Pollock, Jackson (n.d.) Untitled 13. Available at: https://topimpressionists.com/nl/art/paul-jackson-pollock-untitled-13-8EWJYZ-en/

    Bekijk het van dichtbij

    Untitled 13 — Jackson Pollock

    Kijk eens goed naar de details

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. In onze catalogus is dit werk geclassificeerd onder: drip painting, pollock style, monochrome palette. Bent u het hiermee eens? Wat zou u toevoegen of weglaten?
    4. Kijk nog eens naar Nummer 1, 1949 (1950), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    5. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Waar is dat in dit werk te zien?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Veelgestelde vragen

    Voor wie is "Untitled 13" een aanrader als cadeau, en voor welk gebruik?

    "Untitled 13" is een aanrader als cadeau voor Corporate Gift, met Accent in gedachten.

    Uit welke historische periode stamt "Untitled 13" door Jackson Pollock?

    "Untitled 13" door Jackson Pollock dateert uit de Modern-periode. Deze periode biedt de historische context van het werk.

    Kan ik "Untitled 13" door Jackson Pollock op mijn eigen muur bekijken voordat ik het koop?

    De AR-weergave-pagina van "Untitled 13" door Jackson Pollock maakt gebruik van augmented reality om het kunstwerk op een compatibel apparaat in uw eigen ruimte te tonen.