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Untitled 25

Naam Klas Datum

Jackson Pollock, Untitled 25. Publiek domein Bekijk dit doek onder bewegend licht: de tekening, de ware kleur onder de vernis, het pure pigment

De feiten

Kunstenaar
Jackson Pollock topimpressionists.com/nl/artists/jackson-pollock_nl/
Geboortedatum en -overlijden kunstenaar
1912 – 1956
Beweging
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.
Artistic style
Action Painting
Influences
Regionalism
Notable elements or techniques
Drip painting; Chaotic splatters
Subject or theme
Social Gathering

In context

Untitled 25 — Jackson Pollock

Wanneer zou dit geschilderd kunnen zijn?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950

Bovenste rij: de jaren. Onderste rij: de leeftijd van de kunstenaar aan het begin en het einde van elke periode — 0 bij de geboorte, 44 bij het overlijden.

Shaded: het leven van Jackson Pollock (1912–1956) elk gedateerd schilderij, decennium voor decennium

Eerste werken: tot 1941 Belangrijkste werkjaren: 1941–1948 Late werken: vanaf 1948

Deze drie periodes verdelen de werken in deze catalogus in een eerste kwart, een middelste helft en een laatste kwart. Ze vormen niet het volledige oeuvre van de kunstenaar: een dunne periode kan duiden op een hiaat in de verslaglegging in plaats van op een rustige fase. Dezelfde jaren, waarin het leven van de kunstenaar is verweven

Voor deze opname is geen exacte datum bekend — uitgaande van de levensloop van de artiest en de stijl van het werk, in welk decennium zou u dit plaatsen?

Vergelijkbare werken

  • Nummer 1, 1949, 1950 topimpressionists.com/nl/art/jackson-pollock-nummer-1-1949-8EWJX6-nl/
  • Herfstritm No. 30 topimpressionists.com/nl/art/jackson-pollock-herfstritm-no-30-8EWJW5-nl/
  • Convergentie topimpressionists.com/nl/art/jackson-pollock-convergentie-8EWJWJ-nl/

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: topimpressionists.com/nl/art/similar/paul-jackson-pollock-untitled-25-8EWJZD-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    White #f7eada

    Gecatalogiseerd palet

    • #F7EADA
    • #A6B1A0
    • #977C5B
    • #F3CB91

    Deze kleuren binnen het volledige palet van de kunstenaar Vind andere schilderijen op kleur

    Palet
    Pastels De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    White
    Intensiteit
    Balanced De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Serene De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Strong Color Unity De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Brilliant Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Subtle Color Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Waar ter wereld wordt naar dit schilderij gekeken?

    • minder dan 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% en meer
    Dit schilderij alleen heeft te weinig geregistreerde bezoekers om in kaart te brengen, dus de plaat toont elk werk van Jackson Pollock over de afgelopen twaalf maanden — in totaal 69 landen. Waar deze cijfers vandaan komen

    De tien belangrijkste landen

    1. 1 China 19,1%
    2. 2 Frankrijk 8,2%
    3. 3 Verenigde Staten van Amerika 7,4%
    4. 4 Duitsland 7,1%
    5. 5 Japan 5,8%
    6. 6 Spanje 5,6%
    7. 7 Italië 5,3%
    8. 8 Brazilië 3,2%
    9. 9 Singapore 2,7%
    10. 10 Mexico 2,6%
    11. · 59 andere landen 33,0%

    Zoek de drie donkerste landen op de kaart. Bevindt het museum waar dit schilderij wordt bewaard zich in een van deze landen? Noteer één reden waarom mensen van ver zouden kunnen komen om het te bekijken.

    De 20 meest bekeken werken van Jackson Pollock

    1. 1 Nummer 1, 1949, 1950 35,7%
    2. 2 Herfstritm No. 30 7,1%
    3. 3 One. Number 31, 1950 5,8%
    4. 4 Convergentie 5,4%
    5. 5 Number 5, 1948 3,2%
    6. 6 Wit Licht, 1954 2,3%
    7. 7 Number 5, 1948 2,0%
    8. 8 Nummer 1A 1,9%
    9. 9 Number 10, 1949 1,9%
    10. 10 Number 3, 1948 1,6%
    11. 11 Number 1, 1948 1,3%
    12. 12 Number 6, 1949 1,2%
    13. 13 Number 3, 1949 1,2%
    14. 14 Number 8 1,1%
    15. 15 Number 2, 1951 0,9%
    16. 16 Saint 0,9%
    17. 17 Out of the Web. Number 7 0,8%
    18. 18 Cathedral 0,8%
    19. 19 Lavender Mist_Number 1 0,7%
    20. 117 Untitled 25 dit schilderij 0,1%

    Samen maken deze werken 75,9% uit van alle aandacht die de schilderijen van deze kunstenaar in de afgelopen twaalf maanden hebben gekregen. De catalogus bevat 176 werken van deze kunstenaar, waarvan 122 minstens één keer zijn bekeken. Dit schilderij staat op de 117 plaats, met 0,1% van die aandacht. Hetzelfde geldt voor elke maand

    Staven meten aandacht, niet kwaliteit. Kies het werk bovenaan en dit werk: noem één ding dat een schilderij beroemd zou kunnen maken, los van hoe goed het geschilderd is.

    Over dit kunstwerk

    Untitled 25 — Jackson Pollock

    A Dance of Chaos and Color: Unpacking Paul Jackson Pollock’s “Untitled 25”

    Paul Jackson Pollock's "Untitled 25" stands as a cornerstone of Abstract Expressionism, embodying the movement’s radical departure from representational art and its embrace of spontaneity and subconscious exploration. Painted in 1948 during his prolific period at Black Mountain College, this canvas pulsates with an energy that transcends mere pigment; it's a visual manifestation of process itself—a testament to Pollock’s revolutionary technique and a reflection of the anxieties and aspirations shaping postwar American culture.

    The Method Behind the Madness: Action Painting

    Pollock’s approach to painting was unlike anything seen before. Abandoning traditional brushes, he opted for “drip” or “splatter,” pouring paint onto an unstretched canvas laid horizontally on the floor. Using sticks, knives, and even syringes, he manipulated the paint with rhythmic movements—a process he termed "action painting." This method wasn’t about meticulously crafting a finished image but rather allowing chance to guide the composition. As Pollock famously stated, “I have no fears about making changes, destroying the image, etc., because the painting has a life of its own.” The resulting surface is characterized by interwoven layers of pigment—thickly applied drips and splatters interspersed with thinner washes—creating a textured tapestry that defies easy categorization.

    Symbolism Within the Flow

    While ostensibly rejecting symbolism in favor of pure abstraction, “Untitled 25” nevertheless speaks volumes about the artist’s inner state. The prominent birds scattered across the canvas aren't merely decorative elements; they represent freedom and aspiration—themes central to Pollock’s worldview and mirroring the broader cultural preoccupation with overcoming constraints during the postwar era. Their placement is deliberate, drawing the eye upwards and suggesting a yearning for transcendence. Similarly, the clock – positioned on the right side – could be interpreted as a commentary on time's relentless march and perhaps an acknowledgement of mortality—a poignant juxtaposition within the seemingly carefree dance of color and texture.

    Historical Context: The Rise of Abstract Expressionism

    “Untitled 25” emerged during a period of profound artistic upheaval following World War II. Artists like Pollock, Willem de Kooning, Mark Rothko, and Jackson Pollock were rejecting European Surrealist influences and forging their own path toward emotional expression. They sought to capture the psychological impact of trauma and disillusionment—the anxieties surrounding nuclear weapons and the pervasive sense of uncertainty about the future—through non-figurative art that prioritized feeling over intellect. This painting exemplifies the movement’s core tenets: immediacy, spontaneity, and a rejection of illusionistic representation.

    Emotional Resonance: A Window into Pollock's Soul

    Ultimately, “Untitled 25” succeeds in conveying a palpable sense of dynamism and unease. The chaotic arrangement of paint—the swirling reds and blacks—captures the turbulent emotions simmering beneath the surface. It’s not an artwork designed to soothe or reassure but rather one that confronts the viewer with its raw intensity. Like many masterpieces of Abstract Expressionism, it invites contemplation and encourages viewers to engage in a dialogue with their own subconscious—a powerful reminder of art's ability to communicate profound truths about human experience.

    Kunstenaar en museum

    Kunstenaar

    Jackson Pollock

    Geboren in Cody, Verenigde Staten van Amerika

    Early Life and the Seeds of Innovation

    Paul Jackson Pollock, born in Cody, Wyoming, in 1912, was a restless spirit from the outset. His early life was marked by frequent relocation as his father, LeRoy Pollock, pursued work as a land surveyor across the vast landscapes of the American West. This itinerant existence instilled in young Pollock a deep connection to the natural world and an exposure to diverse cultures, particularly through encounters with Native American art during those surveying trips – impressions that would subtly permeate his artistic vision later in life. Though he never explicitly imitated Indigenous styles, the raw energy and spiritual resonance of these early experiences undoubtedly left their mark. He was the fifth and youngest son in a struggling farming family, and his mother fostered artistic potential in each of her children.

    Pollock’s formal artistic training began at the Manual Arts High School in Los Angeles, followed by studies at the Art Students League of New York under the tutelage of Thomas Hart Benton. Benton, a prominent figure in the Regionalist movement, emphasized rhythmic composition and narrative themes rooted in American life. While Pollock initially absorbed these lessons, his inherent inclination leaned toward more abstract explorations. He was also profoundly impacted by Mexican muralists like José Clemente Orozco, whose powerful depictions of social struggle resonated deeply with him. These early influences laid a foundation, but it was the burgeoning world of Surrealism that truly unlocked Pollock’s artistic potential.

    The Birth of Action Painting and a Revolutionary Technique

    The 1930s saw Pollock experimenting with various techniques, seeking alternatives to traditional brushwork. He began pouring paint, exploring its fluidity and unpredictable nature. However, it was around 1947 that his artistic trajectory underwent a radical transformation. Abandoning the easel altogether, Pollock laid canvases directly on the floor, initiating what would become known as his “drip technique.” He then proceeded to drip, splash, and fling paint onto the canvas from above, orchestrating a dynamic dance between artist, medium, and surface.

    This wasn’t merely about applying paint; it was about embodying the act of creation itself. Pollock's canvases became arenas for physical expression, capturing the immediacy of his gestures and emotions. The resulting paintings are characterized by their “all-over” composition – a lack of central focus that invites the viewer to explore the entire surface as a unified field of energy. Intricate networks of lines and colors intertwine, creating a visual complexity that is both captivating and challenging. He employed unconventional tools—sticks, knives, even syringes—to manipulate the paint in unpredictable ways, further emphasizing the spontaneous nature of his process.

    Pollock’s marriage to fellow artist Lee Krasner was also pivotal; she provided unwavering emotional support and actively encouraged his artistic development, recognizing the groundbreaking nature of his work. She became a crucial collaborator, not just as a wife but as an intellectual partner who understood and championed his vision.

    Iconic Works and Lasting Legacy

    Pollock’s most celebrated works—such as Number 1, 1950 (Lavender Mist), One: Number 31, 1950, Blue Poles: Number 11, 1952, and Convergence—are testaments to his revolutionary technique. These paintings are not simply images; they are records of a performance, imbued with the artist’s physical presence and emotional intensity. The dynamic energy that emanates from these canvases is palpable, drawing viewers into a world of pure abstraction.

    The influence of Surrealism is evident in the dreamlike quality of many of his works, while simultaneously rejecting traditional representational forms. Pollock sought to capture not just what he saw, but what he felt – the underlying currents of emotion and subconscious experience that shaped his perception of the world. His work can be seen as a visual embodiment of the anxieties and uncertainties of the post-war era.

    His style transcends mere aesthetics; it's an exploration of process over product. Pollock sought to capture the immediacy of his actions and emotions on canvas, rejecting traditional notions of composition and representation. He delved into Jungian psychology, exploring archetypes and the subconscious in his art, seeking to tap into universal symbols and primal energies.

    Historical Significance

    Pollock’s impact on the history of art is immeasurable. He fundamentally altered the way artists approached painting, breaking free from easel-based methods and embracing a more performative approach. His work helped solidify New York City's position as a global center for modern art, shifting the focus away from European dominance. He was initially met with skepticism and criticism, but his influence grew steadily after his untimely death in 1956 at the age of 44. Today, he is universally recognized as one of the most important and influential artists of the 20th century, a visionary who dared to challenge conventions and redefine the boundaries of artistic expression. His innovative techniques and expressive style continue to inspire and provoke, ensuring his enduring legacy for generations to come.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Untitled 25

    topimpressionists.com/nl/art/download/paul-jackson-pollock-untitled-25-8EWJZD-en/

    Bronvermelding voor dit kunstwerk

    MLA
    Pollock, Jackson. Untitled 25. n.d., https://topimpressionists.com/nl/art/paul-jackson-pollock-untitled-25-8EWJZD-en/
    APA
    Pollock, Jackson (n.d.). Untitled 25 [Painting]. https://topimpressionists.com/nl/art/paul-jackson-pollock-untitled-25-8EWJZD-en/
    Chicago
    Jackson Pollock. Untitled 25. n.d. https://topimpressionists.com/nl/art/paul-jackson-pollock-untitled-25-8EWJZD-en/
    Harvard
    Pollock, Jackson (n.d.) Untitled 25. Available at: https://topimpressionists.com/nl/art/paul-jackson-pollock-untitled-25-8EWJZD-en/

    Bekijk het van dichtbij

    Untitled 25 — Jackson Pollock

    Kijk eens goed

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. In onze catalogus is dit werk geclassificeerd onder: drip painting, composition, birds imagery. Bent u het hiermee eens? Wat zou u toevoegen of weglaten?
    4. Kijk nog eens naar Nummer 1, 1949 (1950), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    5. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Waar is dat in dit werk te zien?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Kunstquiz

    Untitled 25 — Jackson Pollock

    Hoe goed kent u dit kunstwerk?

    Selecteer één antwoord voor elk van de 5 onderstaande vragen. Elk heeft precies één juist antwoord.

    1. 1. What artistic movement is Paul Jackson Pollock associated with?

      • A Cubism
      • B Impressionism
      • C Abstract Expressionism
    2. 2. The technique Pollock employed in creating this painting involves:

      • A Layering thin glazes of color
      • B Applying paint with a palette knife
      • C Dripping and flinging paint onto an unstretched canvas
    3. 3. What is the predominant color scheme in ‘Untitled 25’?

      • A Pale blues and greens
      • B Warm reds and yellows
      • C Bold blacks and whites
    4. 4. The presence of birds in the painting symbolizes:

      • A Religious devotion
      • B Fertility and renewal
      • C A connection to nature
    5. 5. According to Pollock’s statement, what is crucial for maintaining the painting's essence?

      • A Precise geometric shapes
      • B Detailed realism
      • C Allowing the painting to develop organically

    Mijn score: ____ van de 5

    Antwoordsleutel — voor de docent

    Dit wordt op een nieuwe pagina afgedrukt, waardoor het eenvoudig uit de kopieën weggelaten kan worden.

    1C · 2C · 3A · 4C · 5B

    Controleer elk antwoord met de catalogusgegevens van dit schilderij

    Vragen & Antwoorden

    Wat is het aanbevolen formaat en de oriëntatie voor de afdruk van "Untitled 25"?

    Voor "Untitled 25" is de aanbevolen afdrukinstelling een formaat van Large en een Portrait oriëntatie.

    Waar past "Untitled 25" binnen het oeuvre van Jackson Pollock?

    "Untitled 25" deelt met andere werken van Jackson Pollock de Abstract Expressionism-stijl en de terugkerende thema's: formal expressionism style, american landscape spirit, social interaction dialogue, symbolic bird presence, pollock’s iconic vision.

    Kan ik een olieverfreproductie van "Untitled 25" bestellen?

    "Untitled 25" is verkrijgbaar als een met de hand geschilderde olieverfreproductie op linnen canvas. De bestelling kan worden geplaatst op de Met de hand geschilderde reproductie pagina, met een keuze uit verschillende formaten.