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Gids voor studentenkunst

System 3681012

Naam Klas Datum

Ross Martin, System 3681012 (2007), University of Surrey. Reproduceerd ter referentie; alle rechten voorbehouden aan de auteursrechthebbende. Bekijk dit doek onder bewegend licht: de tekening, de ware kleur onder de vernis, het pure pigment

De feiten

Kunstenaar
Ross Martin topimpressionists.com/nl/artists/ross-martin/
Geboortedatum en -overlijden kunstenaar
1920 – 1981
Geschilderd
2007
Afmetingen origineel werk
143 x 191 cm
Gehouden in
University of Surrey topimpressionists.com/nl/museums/university-of-surrey-guildford/

In context

System 3681012 — Ross Martin

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 143 × 191 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer is dit geschilderd?

  1. 1920
  2. 1930
  3. 1940
  4. 1950
  5. 1960
  6. 1970
  7. 1980
  8. 1990
  9. 2000

Bovenste rij: de jaren. Onderste rij: de leeftijd van de kunstenaar aan het begin en het einde van elke periode — 0 bij de geboorte, 61 bij het overlijden.

Geschilderd toen de kunstenaar 87 jaar oud was. De kunstenaar werd 61 jaar oud.

Shaded: het leven van Ross Martin (1920–1981) ▲ dit werk, 2007 elk gedateerd schilderij, decennium voor decennium

Vergelijkbare werken

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: topimpressionists.com/nl/art/similar/ross-martin-system-3681012-AR2C2U-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Quinacridone Magenta #86544a

    Gecatalogiseerd palet

    • #86544A
    • #AB9489
    • #D0CACB
    • #452C31

    Deze kleuren binnen het volledige palet van de kunstenaar Vind andere schilderijen op kleur

    Naam hoofdkleur
    Quinacridone Magenta
    Intensiteit
    Balanced De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Statement De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Discordant Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Balanced Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Balanced Soft Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Waar ter wereld wordt naar dit schilderij gekeken?

    • minder dan 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% en meer
    Dit schilderij alleen heeft te weinig geregistreerde bezoekers om in kaart te brengen, dus de plaat toont elk werk van Ross Martin over de afgelopen twaalf maanden — in totaal 1 landen. Waar deze cijfers vandaan komen

    De tien belangrijkste landen

    1. 1 China 100,0%

    Zoek de drie donkerste landen op de kaart. Bevindt het museum waar dit schilderij wordt bewaard zich in een van deze landen? Noteer één reden waarom mensen van ver zouden kunnen komen om het te bekijken.

    De 2 meest bekeken werken van Ross Martin

    1. 1 Still Life, 1990 100,0%
    2. — System 3681012, 2007 dit schilderij 0,0%

    Samen maken deze werken 100,0% uit van alle aandacht die de schilderijen van deze kunstenaar in de afgelopen twaalf maanden hebben gekregen. De catalogus bevat 3 werken van deze kunstenaar, waarvan 1 minstens één keer zijn bekeken. Dit schilderij is in die periode nog niet bekeken — het sluit de lijst af zonder rangorde. Hetzelfde geldt voor elke maand

    Staven meten aandacht, niet kwaliteit. Kies het werk bovenaan en dit werk: noem één ding dat een schilderij beroemd zou kunnen maken, los van hoe goed het geschilderd is.

    Kunstenaar en museum

    Kunstenaar

    Ross Martin

    Geboren in Grodków, Poland

    A Life Bridging Worlds: The Art and Performance of Ross Martin

    Ross Martin, born Martin Rosenblatt on March 22, 1920, in the small Polish town of Gródek (now Horodok, Ukraine), embodied a fascinating duality. His journey from a childhood steeped in Eastern European heritage to becoming a celebrated American actor and artist speaks volumes about adaptability, intellectual curiosity, and a relentless pursuit of creative expression. Immigrating with his family to New York City as an infant, Martin absorbed the vibrant energy of his new home while retaining echoes of his ancestral roots – he would later be fluent in Polish, Yiddish, Russian, French, Spanish, and Italian. This linguistic dexterity foreshadowed his remarkable ability to inhabit diverse characters throughout a prolific career. Though academically gifted—earning degrees from City College of New York and the National University School of Law—Martin’s heart lay not in legal briefs but in performance. He initially partnered with Bernie West as a comedy duo, honing his comedic timing and stage presence before venturing into radio and live television, even portraying Wyatt Earp on “The Gabby Hayes Show” in 1952. His Broadway debut followed in 1953 with "Hazel Flagg," marking the beginning of a multifaceted career that would span decades.

    From Sci-Fi to Western Iconography

    Martin’s early film roles, though perhaps less widely known today, reveal a willingness to explore emerging genres and challenging parts. He appeared in George Pal's 1955 science fiction offering “Conquest of Space,” followed by the intriguing “The Colossus of New York” (1958), where he played a scientist grappling with technological anxieties. However, it was his collaboration with Blake Edwards that truly propelled him into prominence. Roles in episodes of "Peter Gunn" and “Mr. Lucky” showcased his versatility, culminating in a memorable performance as the villainous Baron Rolfe Von Stuppe in “The Great Race.” These roles weren’t merely stepping stones; they demonstrated Martin's capacity for nuanced character work, blending charm with an underlying sense of intelligence and complexity. This talent caught the eye of CBS executives, leading to his iconic portrayal of Artemus Gordon on "The Wild Wild West" (1965-1969). Gordon wasn’t simply a sidekick; he was a master of disguise, gadgetry, and improvisation—a role that allowed Martin to fully utilize his linguistic skills, inventive spirit, and theatrical flair. He famously designed many of his own disguises for the show, adding another layer of personal artistry to his performance.

    Beyond the Screen: A Passion for Still Life

    While widely recognized as a captivating actor, Ross Martin harbored a deep passion for painting, particularly still life. This artistic pursuit wasn’t a late-in-life hobby but rather a consistent thread throughout his career. His paintings, often featuring meticulously rendered arrangements of everyday objects—fruit, flowers, glassware—reveal a keen eye for detail and a subtle exploration of light and shadow. These works offer a glimpse into Martin's inner world, a quiet counterpoint to the dynamic energy of his on-screen persona. He approached painting with the same dedication and precision he brought to acting, studying composition and technique with evident care. Though not as publicly celebrated as his theatrical achievements, his paintings demonstrate a sophisticated understanding of artistic principles and a genuine love for visual expression. They represent a personal sanctuary, a space where he could explore form, color, and texture without the constraints of character or narrative.

    A Legacy of Versatility and Intellectual Depth

    Ross Martin’s career was marked by an impressive range—from radio dramas to Broadway stages, from science fiction thrillers to Western adventures. He wasn't confined by typecasting; instead, he embraced diverse roles with a commitment to authenticity and intellectual curiosity. His voice work on projects like “Sealab 2020” (1972) and “Butch Cassidy and the Sundance Kid” (1973), though often uncredited, further showcased his vocal talent and adaptability. Even after suffering a heart attack in the early 1970s, he continued to work steadily in television and film until his untimely death on July 3, 1981.

    His nomination for a Golden Globe Award for Best Supporting Actor in “Experiment in Terror” (1962) acknowledged his exceptional talent.

    The enduring popularity of "The Wild Wild West" cemented his status as a television icon.

    His paintings, though less known, reveal a sophisticated artistic sensibility and a lifelong passion for visual expression.

    Ross Martin’s legacy extends beyond the characters he portrayed; it lies in his unwavering dedication to his craft, his intellectual depth, and his ability to seamlessly bridge the worlds of performance and art. He remains a testament to the power of versatility and the enduring allure of a life lived with passion and purpose.

    Museum

    University of Surrey

    Te zien in Guildford, United Kingdom

    A Tapestry of Time: Where Heritage Meets Modernity

    Nestled within the historic heart of Guildford, a town steeped in centuries of English heritage, lies a cultural treasure that transcends the boundaries of a traditional museum. The University of Surrey’s connection to the local landscape creates a profound dialogue between the ancient and the contemporary, offering a sanctuary where history is not merely observed but deeply felt. As one approaches the museum, the architecture itself begins to tell a story; housed within structures that echo the grandeur of the nearby Guildford Castle, the museum provides an immersive experience that transports visitors across eras. The setting is one of tranquil contemplation, where the picturesque castle grounds serve as a verdant backdrop to the scholarly and artistic discoveries waiting within these storied walls.

    The museum’s architectural legacy is a masterful blend of old-world charm and thoughtful contemporary design. Constructed in the late Victorian era, the building incorporates striking elements of Gothic Revival architecture—a deliberate and poetic homage to the nearby Guildford Castle. This stately setting provides a sense of permanence and weight, yet seamlessly integrated into these historic walls are modern exhibition spaces designed to maximize engagement and facilitate the rigorous research conducted by the University of

    Surrey

    . For the interior designer or art lover, this juxtaposition of heavy, historical masonry with light-filled, modern galleries offers a unique aesthetic inspiration, proving that the past can provide the most stable foundation for future expression.

    Masterpieces in Dialogue: From Prehistoric Flint to Picasso

    To walk through the halls of this institution is to embark on a journey through the very evolution of human creativity. The collection begins with the primal whispers of our ancestors, unveiling a remarkable array of prehistoric artifacts. Here, flint tools, ancient animal bones, and enigmatic carvings serve as tangible portals to a vanished world, prompting a deep reflection on the lives and beliefs of those who first inhabited the Surrey landscape. These relics trace a chronological path from modest Saxon settlements to the thriving medieval market town that Guildford has become, illuminated by meticulously researched documents and evocative photography that breathe life into the dust of antiquity.

    However, the museum’s true brilliance—and its most captivating draw for global collectors—shines through its extraordinary modern art holdings. Through a prestigious partnership with the University of Surrey, the museum offers rare opportunities to encounter masterpieces by

    Pablo Picasso

    and

    Marc Chagall

    . One might find themselves lost in the melancholic beauty of Picasso’s

    “Longrock Beach, Cornwall,”

    where the rugged coastline is rendered with a masterful technique that captures both light and solitude. In stark, vibrant contrast, the dreamlike imagery of Chagall invites a sense of whimsy and wonder; pieces such as

    “Boy Towing Dog on Skateboard”

    reflect a unique artistic heritage, utilizing luminous color palettes to transport the viewer into a realm of pure imagination. It is this rare coexistence of prehistoric grit and 20th-century brilliance that makes the collection an unparalleled destination for those seeking the full spectrum of human expression.

    A Beacon of Accessibility and Scholarly Inspiration

    What truly distinguishes this institution is its unwavering commitment to the democratization of culture. With admission being free, the museum remains a steadfastly inclusive space, inviting everyone from seasoned art historians to curious newcomers to engage in meaningful dialogue with Surrey’s cultural heritage. This spirit of accessibility is bolstered by the active involvement of the University of Surrey, where researchers and academics contribute to exhibition development. This ensures that every display, whether it concerns local archaeological finds or international modernism, is grounded in rigorous scholarship and intellectual depth.

    Ultimately, the museum serves as more than a repository; it is a living, breathing ecosystem of learning and inspiration. It stands as a testament to the transformative power of cultural institutions—places where knowledge blossoms and creativity flourishes. For the visitor seeking beauty, the collector searching for historical context, or the designer looking for aesthetic depth, this hidden gem in Guildford offers an invitation to wander through time and emerge with a renewed perspective on the enduring power of art.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van System 3681012

    topimpressionists.com/nl/art/download/ross-martin-system-3681012-AR2C2U-en/

    Bronvermelding voor dit kunstwerk

    MLA
    Martin, Ross. System 3681012. 2007, University of Surrey. https://topimpressionists.com/nl/art/ross-martin-system-3681012-AR2C2U-en/
    APA
    Martin, Ross (2007). System 3681012 [Painting]. University of Surrey. https://topimpressionists.com/nl/art/ross-martin-system-3681012-AR2C2U-en/
    Chicago
    Ross Martin. System 3681012. 2007. University of Surrey. https://topimpressionists.com/nl/art/ross-martin-system-3681012-AR2C2U-en/
    Harvard
    Martin, Ross (2007) System 3681012. University of Surrey. Available at: https://topimpressionists.com/nl/art/ross-martin-system-3681012-AR2C2U-en/

    Bekijk het van dichtbij

    System 3681012 — Ross Martin

    Kijk eens goed

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Kijk nog eens naar Still Life (1990), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    4. Wat zou de kunstenaar u willen laten voelen?
    5. Als u de kunstenaar één vraag over dit werk zou kunnen stellen, wat zou dat dan zijn?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Vragen & Antwoorden

    Wat is het formaat van "System 3681012"?

    "System 3681012" door Ross Martin is een Landscape compositie. Het is raadzaam de verhoudingen te controleren voordat u een afmeting voor de print kiest.

    Kan "System 3681012" door Ross Martin, onderdeel van de collectie van University of Surrey, op legale wijze worden gereproduceerd?

    Het originele "System 3681012" bevindt zich in University of Surrey en het werk is nog steeds auteursrechtelijk beschermd.

    Wie verkoopt handgeschilderde reproducties van "System 3681012" door Ross Martin?

    "System 3681012" is verkrijgbaar als een met de hand geschilderde olieverfreproductie op linnen canvas. De bestelling kan worden geplaatst op de Met de hand geschilderde reproductie pagina, met een keuze uit verschillende formaten.