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Isabella Buxton

Naam Klas Datum

Thomas Bardwell, Isabella Buxton (1751), Norfolk Museums. Publiek domein Bekijk dit doek onder bewegend licht: de tekening, de ware kleur onder de vernis, het pure pigment

De feiten

Kunstenaar
Thomas Bardwell topimpressionists.com/nl/artists/thomas-bardwell/
Geboortedatum en -overlijden kunstenaar
1704 – 1767
Geschilderd
1751
Gehouden in
Norfolk Museums topimpressionists.com/nl/museums/norfolk-museums-norwich/

In context

Isabella Buxton — Thomas Bardwell

Wanneer is dit geschilderd?

  1. 1700
  2. 1710
  3. 1720
  4. 1730
  5. 1740
  6. 1750
  7. 1760

Bovenste rij: de jaren. Onderste rij: de leeftijd van de kunstenaar aan het begin en het einde van elke periode — 0 bij de geboorte, 63 bij het overlijden.

Geschilderd toen de kunstenaar 47 jaar oud was. De kunstenaar werd 63 jaar oud. 22 van de 48 gedateerde werken van deze kunstenaar in onze catalogus zijn eerder gemaakt.

Shaded: het leven van Thomas Bardwell (1704–1767) ▲ dit werk, 1751 elk gedateerd schilderij, decennium voor decennium

Eerste werken: tot 1748 Belangrijkste werkjaren: 1748–1757 Late werken: vanaf 1757

Deze drie periodes verdelen de werken in deze catalogus in een eerste kwart, een middelste helft en een laatste kwart. Ze vormen niet het volledige oeuvre van de kunstenaar: een dunne periode kan duiden op een hiaat in de verslaglegging in plaats van op een rustige fase. Dezelfde jaren, waarin het leven van de kunstenaar is verweven

Vergelijkbare werken

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: topimpressionists.com/nl/art/similar/thomas-bardwell-isabella-buxton-AQRNFB-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Phthalo Green #2a271b

    Gecatalogiseerd palet

    • #2A271B
    • #957553
    • #E0BC96
    • #534533

    Deze kleuren binnen het volledige palet van de kunstenaar Vind andere schilderijen op kleur

    Palet
    Earthy De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Phthalo Green
    Intensiteit
    Balanced De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Statement De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Strong Color Unity De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Shadow Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Subtle Color Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Waar ter wereld wordt naar dit schilderij gekeken?

    • minder dan 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% en meer
    Dit schilderij alleen heeft te weinig geregistreerde bezoekers om in kaart te brengen, dus de plaat toont elk werk van Thomas Bardwell over de afgelopen twaalf maanden — in totaal 5 landen. Waar deze cijfers vandaan komen

    De tien belangrijkste landen

    1. 1 China 80,8%
    2. 2 Verenigde Staten van Amerika 7,7%
    3. 3 Verenigd Koninkrijk 3,8%
    4. 4 Singapore 3,8%
    5. 5 Zuid-Afrika 3,8%

    Zoek de drie donkerste landen op de kaart. Bevindt het museum waar dit schilderij wordt bewaard zich in een van deze landen? Noteer één reden waarom mensen van ver zouden kunnen komen om het te bekijken.

    De 20 meest bekeken werken van Thomas Bardwell

    1. 1 Group Portrait (possibly of the Brewster Family), in a Domestic Interior, 1736 10,7%
    2. 2 James Poole (d.1780), Mayor of Norwich (1765), 1767 10,7%
    3. 3 William Crowe (d.1778), Mayor of Norwich (1747), 1746 7,1%
    4. 4 Jermy Harcourt, Mayor of Norwich, 1763 7,1%
    5. 5 Leonard Buxton, 1751 7,1%
    6. 6 Richard Temple (1675–1749), 1st Viscount Cobham 7,1%
    7. 7 John Buxton of Channonz, 1750 3,6%
    8. 8 Joshua Ward Receiving Money from Britannia (also known as Joshua Ward Receiving Money from Britannia and Bestowing it as Charity on the Needy), 1748 3,6%
    9. 9 Portrait of a Lady (possibly of the Nassau de Zuylestein family), 1735 3,6%
    10. 10 Mary Phipps, 1749 3,6%
    11. 11 Captain Robert Fenwick (1716–1802), His Wife Isabella Orde (d.1789), and Her Sister Ann, 1746 3,6%
    12. 12 Catherine Talbot of Ingestre and Hillingdon (1722–1785), 1752 3,6%
    13. 13 David Garrick (1717–1779), as Richard III (from 'Richard III' by William Shakespeare) 3,6%
    14. 14 Sarah Buxton, 1751 3,6%
    15. 15 James Phipps (1703–1773), 1749 3,6%
    16. 16 Anne Buxton (1721–1771), 1751 3,6%
    17. 17 Robert Buxton (1710–1750) 3,6%
    18. 18 A Member of the Whitby Family, 1759 3,6%
    19. 19 John Goodman, Mayor of Norwich, 1757 3,6%
    20. — Isabella Buxton, 1751 dit schilderij 0,0%

    Samen maken deze werken 96,6% uit van alle aandacht die de schilderijen van deze kunstenaar in de afgelopen twaalf maanden hebben gekregen. De catalogus bevat 54 werken van deze kunstenaar, waarvan 20 minstens één keer zijn bekeken. Dit schilderij is in die periode nog niet bekeken — het sluit de lijst af zonder rangorde. Hetzelfde geldt voor elke maand

    Staven meten aandacht, niet kwaliteit. Kies het werk bovenaan en dit werk: noem één ding dat een schilderij beroemd zou kunnen maken, los van hoe goed het geschilderd is.

    Kunstenaar en museum

    Kunstenaar

    Thomas Bardwell

    Early Life and Apprenticeship

    Thomas Bardwell, born in 1704, emerged from a family deeply rooted in the decorative arts rather than the established world of fine painting. His initial foray into artistry wasn’t through formal training but within the practical demands of his family's business in Bungay, Suffolk. He began by crafting painted panels – functional embellishments that nonetheless required a keen eye for composition and color. This early experience, though seemingly humble, laid a crucial foundation for his later success. It instilled in him a meticulous approach to craft and an understanding of the visual impact of imagery, even before he consciously aspired to be a portraitist. The earliest documented works, conversation pieces from 1736 – notably one potentially depicting the Brewster family of Beccles now held by the Geffrye Museum – offer glimpses into this formative period. These paintings, intimate scenes capturing familial life, reveal an emerging talent for characterization and narrative detail, hinting at a sensibility that would blossom in his more ambitious commissions.

    Breaking New Ground in Norwich

    Bardwell’s trajectory took a significant turn in 1746 when he secured a commission from the Artillery Company of Norwich to paint William Crowe, who was soon to become mayor. This wasn't merely another portrait; it represented a challenge to the established artistic order within the city. Until then, John Theodore Heins, a German-born artist, had held a virtual monopoly on civic portraiture in Norwich. Bardwell’s success in capturing Crowe’s likeness – and securing this prestigious commission – effectively broke that hold, marking him as a formidable new presence on the local art scene. This initial triumph led to a series of nine portraits for St Andrew's Hall in Norwich, solidifying his reputation and establishing a distinctive style favored by the city’s prominent citizens. He wasn’t simply painting faces; he was becoming an integral part of documenting Norwich society itself.

    London Commissions and Allegorical Depth

    The 1740s and 50s saw Bardwell extend his reach to London, where he undertook a variety of portrait commissions. However, it was during this period that he ventured beyond straightforward representation, demonstrating an ambition for more complex allegorical works. Joshua Ward Receiving Money from Britannia (and bestowing it as charity on the needy), painted in 1748 and now residing within the Royal College of Surgeons’ collection, stands as a prime example. This painting isn't just a portrait of Dr. Joshua Ward; it’s a carefully constructed visual narrative. The symbolic figures of Britannia and Charity flanking Ward, coupled with the throng of grateful patients, elevate the work beyond mere likeness to a celebration of philanthropy and civic virtue. An engraving after this piece, likely by Bernard Baron, further disseminated his imagery and influence. This period reveals Bardwell's growing sophistication in using symbolism to imbue his portraits with deeper meaning, moving him away from purely descriptive representation towards works that actively engaged with moral and social themes.

    Yorkshire, Scotland, and a Return to Norwich

    Bardwell’s artistic journey wasn’t confined to the south of England. Between 1752 and 1753, he embarked on an extensive series of commissions in Yorkshire and Scotland, broadening his exposure to different patrons and regional styles. This period likely influenced his technique and further refined his ability to adapt to diverse aesthetic preferences. However, by 1759, Bardwell made the decision to settle permanently in Norwich. He became a central figure within the city’s artistic community, celebrated for his skill and dedication. An obituary published in a local newspaper lauded him as “an eminent portrait painter…who principally through the power of genius and dint of application, acquired a degree of perfection in his art.”

    Legacy and Theoretical Contributions

    Bardwell’s impact extended beyond the canvas. In 1756, he published The Practice of Painting and Perspective Made Easy, a 64-page treatise dedicated to the Earl of Rochford. This work wasn't merely a technical manual; it reflected his own artistic philosophy and offered practical guidance for aspiring painters. It demonstrates a commitment to sharing his knowledge and promoting the art of painting beyond his immediate circle. According to a general history of Norfolk published in 1829, “the best of his portraits are at Langley,” with works by Turner and Carr also noted as holding historical subjects painted by Bardwell. While perhaps not achieving the widespread fame of some of his contemporaries, Thomas Bardwell carved out a significant niche for himself as a skilled portraitist, a breaker of artistic monopolies, and a thoughtful contributor to the discourse surrounding painting in 18th-century England. His legacy resides not only in the faces he captured but also in the enduring quality of his craftsmanship and his dedication to elevating the art of portraiture within his community.

    Museum

    Norfolk Museums

    Te zien in Norwich, United Kingdom

    A Tapestry of Time: Discovering Norfolk Museums

    Nestled in the historic heart of Norwich, Norfolk Museums isn’t merely a collection of buildings housing artifacts; it's an immersive journey through centuries of British life, artistry, and innovation. The museums collectively represent a vibrant cultural institution dedicated to preserving and showcasing the diverse heritage of this captivating county. From the imposing silhouette of Norwich Castle to the intimate charm of Strangers’ Hall, each location whispers tales of medieval merchants, industrial pioneers, and artistic visionaries. A visit here isn't simply observation; it’s an encounter with the very soul of Norfolk.

    Norwich Castle Museum & Art Gallery:

    This Norman masterpiece, originally built as a Royal Palace, now safeguards medieval treasures that transport visitors back to a time of knights, cathedrals, and burgeoning trade. Beyond its regal origins, the castle’s collection spans centuries, offering a panoramic view of British history through art and artifacts. The curators skillfully employ academic realism—detailed depictions of architectural grandeur and illuminated manuscripts—to convey the scale and significance of Norman rule.

    Bridewell Museum:

    A stark contrast to Norwich Castle's opulence, Bridewell Museum houses the last Jacquard loom in existence, a tangible symbol of Norfolk’s industrial past. This remarkable machine speaks volumes about the ingenuity and craftsmanship that fueled Norwich’s economic growth during the Victorian era. Its architectural design—a Grade I listed building—reflects the city’s transformation from medieval roots to industrial expansion.

    The Norwich School: Capturing Norfolk's Essence

    Norfolk Museums is particularly celebrated for its exceptional art collection, spearheaded by the Norwich School painters. Active in the early 19th century, these artists—John Constable, George Eliot Palmer, John Sell Cotman—captured the essence of the Norfolk landscape and everyday life with a distinctive blend of realism and romanticism. Their canvases resonate with atmospheric perspective and meticulous attention to detail, mirroring the artistic sensibilities of their time. Examining works like ‘The Marketplace’ by Harry Goodwin offers an unparalleled glimpse into Victorian Norwich – a scene rendered with vibrant colors and masterful composition.

    Beyond Art: Portraits of Norfolk's Medical History

    However, Norfolk Museums’ commitment to storytelling extends far beyond traditional art forms. The museum’s unique collection of medical portraits at the Norfolk & Norwich University Hospital provides a fascinating exploration of over 250 years of healthcare evolution. These portraits honor the dedicated professionals who have served the community through periods of both progress and adversity—individuals whose faces are preserved in time, offering poignant reflections on medical practice and societal values.

    A Living Legacy: Engagement & Exploration

    What truly distinguishes Norfolk Museums is its holistic approach to local history, art, and heritage. It’s a place where the past isn't confined to static displays but actively engages with the present through immersive exhibits and educational programs. Collaborations with local artists and researchers foster a deeper understanding of Norfolk’s cultural landscape—a testament to the museum’s enduring mission: to inspire curiosity and cultivate appreciation for this region’s rich artistic legacy.

    Notable Exhibitions:

    Recent exhibitions have explored themes ranging from Tudor Norfolk to the Industrial Revolution, demonstrating the museum's ability to adapt its programming to contemporary interests.

    Lees meer op

    • De kunstenaar Thomas Bardwell topimpressionists.com/nl/artists/thomas-bardwell/
    • Het museum Norfolk Museums topimpressionists.com/nl/museums/norfolk-museums-norwich/
    • Vergelijkbare werken Meer werken om te vergelijken topimpressionists.com/nl/art/similar/thomas-bardwell-isabella-buxton-AQRNFB-en/

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Isabella Buxton

    topimpressionists.com/nl/art/download/thomas-bardwell-isabella-buxton-AQRNFB-en/

    Bronvermelding voor dit kunstwerk

    MLA
    Bardwell, Thomas. Isabella Buxton. 1751, Norfolk Museums. https://topimpressionists.com/nl/art/thomas-bardwell-isabella-buxton-AQRNFB-en/
    APA
    Bardwell, Thomas (1751). Isabella Buxton [Painting]. Norfolk Museums. https://topimpressionists.com/nl/art/thomas-bardwell-isabella-buxton-AQRNFB-en/
    Chicago
    Thomas Bardwell. Isabella Buxton. 1751. Norfolk Museums. https://topimpressionists.com/nl/art/thomas-bardwell-isabella-buxton-AQRNFB-en/
    Harvard
    Bardwell, Thomas (1751) Isabella Buxton. Norfolk Museums. Available at: https://topimpressionists.com/nl/art/thomas-bardwell-isabella-buxton-AQRNFB-en/

    Bekijk het van dichtbij

    Isabella Buxton — Thomas Bardwell

    Kijk eens goed

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Kijk nog eens naar John Buxton of Channonz (1750), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    4. Thomas Bardwell was ongeveer 47 toen dit werd gemaakt. Wat in het werk doet denken aan de stijl van een kunstenaar in die levensfase?
    5. Wat zou de kunstenaar u willen laten voelen?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Vragen & Antwoorden

    Waar kan ik een voorproefje van "Isabella Buxton" bekijken?

    Een voorproefje van "Isabella Buxton" door Thomas Bardwell is beschikbaar op de Voorvertoning-pagina van het kunstwerk.

    Kan "Isabella Buxton" door Thomas Bardwell, onderdeel van de collectie van Norfolk Museums, op legale wijze worden gereproduceerd?

    De auteursrechtstatus van "Isabella Buxton" door Thomas Bardwell is duidelijk: het werk is bevindt zich in het publiek domein - de auteursrechten zijn verlopen. De aanwezigheid ervan in Norfolk Museums verandert die status niet.

    Welk kleurenpalet wordt gebruikt in "Isabella Buxton" door Thomas Bardwell?

    "Isabella Buxton" door Thomas Bardwell maakt gebruik van een Earthy kleurenpalet. Het palet vat het algemene kleurkarakter van het werk samen.