Van alle schilderijen van Actouche is Portrait of Marguerite-Élie Guadet (1758-1793), Member of the Convention (1789) het bekendst; het hangt in het Musée Carnavalet in Parijs. Van de 1 werken van Actouche in onze catalogus zijn dit de 1 meest gevierde werken, elk getoond met de datum, het museum en het verhaal erachter.
Gerangschikt op basis van onze populariteitsscore, die de zoekopdrachten, bezoeken en bestellingen voor elk werk combineert. Bijgewerkt in november 2026. Elk schilderij op deze pagina kan worden besteld als een handgeschilderde oliereductie op linnen canvas, of als een fine art print, uitgevoerd in de door u gekozen afmeting.
Het museum met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van Actouche | Schilderijen uit deze lijst |
|---|---|---|---|
| Parijs | 1 | Portrait of Marguerite-Élie Guadet (1758-1793), Member of the Convention |
Eén jaar, 1789, bevat elk gedateerd canvas van Actouche op deze pagina: hier zijn ze, de beroemdste eerst.
Portrait of Marguerite-Élie Guadet (1758-1793), Member of the Convention (1789)
Actouche, geboren in 1750, was 39 jaar oud: Portrait of Marguerite-Élie Guadet (1758-1793), Member of the Convention dateert uit 1789.
1 werken van Actouche staan in onze catalogus.
Voornamelijk in Musée Carnavalet (Parijs); de bovenstaande lijst vermeldt elk museum en de bijbehorende doeken.
Ja. Elk schilderij op deze pagina kan via de eigen pagina worden besteld als een handgeschilderd olieverfreproductie, of als een fine art print, in de door u gekozen afmeting.
The life of Actouche remains a quiet presence in the annals of French painting. Born in France in 1750, he lived through a period of profound transformation, navigating a world that would soon be reshaped by revolution. While the grand movements of his era often claim the spotlight, his contribution is found in the intimate precision of the portrait, capturing the likenesses of those caught in the currents of history.
His work reflects the sensibilities of late eighteenth-century France, a time when the brush was used to document not just faces, but the very essence of social standing and political identity. He moved through a landscape of shifting allegiances, leaving behind a record of the individuals who defined his era.
Actouche’s artistic output is characterized by a focus on the individual. His technique sought to render the human form with a clarity that spoke to the dignity of his subjects. One of his most significant surviving works provides a window into the political tensions of the late 1780s.
His catalog includes notable subjects such as:
This specific work, dated 1789, offers a glimpse into the intersection of art and the political upheaval of the time. By painting a member of the Convention, Actouche placed his brush at the center of a changing world, documenting a figure of significant historical weight.
By the time of his death in 1800, the world Actouche had known was unrecognizable from the one into which he was born. He did not seek the loud acclaim of the academies, yet his presence is felt in the collections of Paris. His work resides in the Carnavalet Museum, preserved as a fragment of a vanished age. He remains a painter of the moment, a witness to the faces of a revolution, captured in oil and pigment.