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      Adèle Romany, 1769 – 1846

      De 37 bekendste schilderijen van Adèle Romany

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795) is het schilderij waar Adèle Romany het meest om bekendstaat; het maakt deel uit van de collectie van het National Museum of Women in the Arts, Washington, D.C.. Madame Coury, Duhamel Widow (1811) en Portrait of a Young Woman (1804) maken het trio van meest geliefde doeken compleet. Onze catalogus bevat 39 werken van Adèle Romany. Hier zijn de 37 bekendste, inclusief het jaar, het museum en het verhaal achter elk canvas.

      Gerangschikt op basis van onze populariteitsscore, die de zoekopdrachten, bezoeken en bestellingen voor elk werk combineert. Bijgewerkt in november 2026. Elk schilderij op deze pagina kan worden besteld als een handgeschilderde oliereductie op linnen canvas, of als een fine art print, uitgevoerd in de door u gekozen afmeting.

      Portret van Adèle Romany
      Adèle Romany · 1769 – 1846
      Geboren · overleden
      1769 – 1846, Paris
      Stroming
      Neoclassicism
      Werken in onze catalogus
      39
      Meest bekend
      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795)
      Meeste werken in
      Library-museum of the Comédie-Française

      De tien meest geliefde schilderijen van Adèle Romany

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795) door Adèle Romany
      1

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou

      1795 · Oil · National Museum of Women in the Arts, Washington, D.C.

      The gaze of the sitter meets us in Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, a work that captures a quiet, creative pause. Painted by Adèle Romany around 1795, the portrait presents a woman poised amidst the tools of her intellect and expression. She exists in a moment of stillness, her presence defined by the delicate textures of her attire and the objects that surround her.

      Handgeschilderde olieverfreproductie vanaf $178 27 × 36 cm Zelfde formaat als het origineel $522 97 × 128 cm Bestel in de originele afmetingen →
      Laat het met de hand schilderen Het verhaal achter het schilderij
      Madame Coury, Duhamel Widow (1811) door Adèle Romany
      2

      Madame Coury, Duhamel Widow

      1811 · Oil On Canvas · Nationalmuseum, Stockholm

      In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence defined by a sense of refined status and the stillness of a life lived with intention. The composition is a three-quarter length arrangement, positioning her slightly off-center to create a balanced, natural poise. A deep forest green gown anchors the figure, its…

      Handgeschilderde olieverfreproductie vanaf $178 28 × 36 cm Zelfde formaat als het origineel $467 90 × 117 cm Bestel in de originele afmetingen →
      Laat het met de hand schilderen Het verhaal achter het schilderij
      Portrait of a Young Woman (1804) door Adèle Romany
      3

      Portrait of a Young Woman

      1804 · Oil On Canvas · Musée Marmottan Monet, Parijs

      The artwork titled Portrait of a Young Woman is a portrait painted by Adèle Romany. Created in 1804, this oil on canvas work belongs to the genre of portraiture. The subject of the painting is a single young woman, depicted in a full-length vertical composition.

      Handgeschilderde olieverfreproductie vanaf $178 29 × 35 cm Zelfde formaat als het origineel $242 51 × 61 cm Bestel in de originele afmetingen →
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      Portrait of Julie Candeille (1791) door Adèle Romany
      4

      Portrait of Julie Candeille

      1791 · Oil On Canvas

      In Portrait of Julie Candeille, Adèle Romany employs a formal, neoclassical arrangement to present the subject in a medium close-up. The figure is contained within an oval vignette, a choice that creates a sense of depth and focuses the viewer's attention on the sitter. This geometric structure provides a controlled boundary against a soft, atmospheric background of dark greenery. The composition balances the organic fluidity of the subject with this…

      Handgeschilderde olieverfreproductie vanaf $178 29 × 34 cm
      Bestel dit canvas Lees meer over dit canvas
      Portrait of a Young Harpist (1795) door Adèle Romany
      5

      Portrait of a Young Harpist

      1795 · Oil On Canvas · Palais des Beaux-Arts de Lille, Lille

      The air in the room feels heavy with the scent of old wood and the quiet anticipation of a single note. A young woman sits poised, her body angled toward the left as her fingers prepare to brush against the vertical strings of a harp. The warm, reddish-brown wood of the instrument catches the light, creating a soft glow that contrasts against the deep, muted teal of the background. She…

      Handgeschilderde olieverfreproductie vanaf $178 28 × 35 cm Zelfde formaat als het origineel $351 73 × 92 cm Bestel in de originele afmetingen →
      Bestel dit canvas Lees meer over dit canvas
      Portrait of a woman (1795) door Adèle Romany
      6

      Portrait of a woman

      1795 · Oil On Canvas · Musée Jacquemart-André, Parijs

      The Portrait of a woman by Adèle Romany captures a single, quiet moment from 1795. This bust-length composition is set within an oval format, focusing the viewer's attention on the presence of the sitter. The subject is an elegant and intimate young woman, her likeness emerging from a dark, muted background that recedes into shadow.

      Handgeschilderde olieverfreproductie vanaf $178 29 × 35 cm Zelfde formaat als het origineel $291 62 × 76 cm Bestel in de originele afmetingen →
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      Portrait of Amélie-Justine Pontois (1795) door Adèle Romany
      7

      Portrait of Amélie-Justine Pontois

      1795 · Oil

      In this oval-format portrait, we encounter Amélie-Justine Pontois in a moment of quiet poise. The composition, captured in a three-quarter view, positions her with a gentle sense of movement that avoids the stiffness often found in formal commissions of the era. She is rendered with a soft, luminous quality, her skin tones warming against a background of atmospheric greys and deep, nebulous shadows. There is a certain stillness here, a…

      Handgeschilderde olieverfreproductie vanaf $178 28 × 36 cm Zelfde formaat als het origineel $240 49 × 61 cm Bestel in de originele afmetingen →
      Laat het met de hand schilderen Het verhaal achter het schilderij
      Charles-Antoine d'Artenay (1792) door Adèle Romany
      8

      Charles-Antoine d'Artenay

      1792 · Oil On Canvas · Château de Versailles, Versailles

      The man sits in a quiet, oval frame, caught in a moment of stillness. He is a figure of the late eighteenth century, draped in the heavy, tactile weight of a dark coat. A crisp white cravat provides a sharp, bright break against the warmth of his skin and the earthy tones of his attire. Light falls from the upper left, carving the geometry of his face with a gentle…

      Handgeschilderde olieverfreproductie vanaf $178 29 × 35 cm Zelfde formaat als het origineel $253 53 × 65 cm Bestel in de originele afmetingen →
      Laat het met de hand schilderen Het verhaal achter het schilderij
      Portrait of Amélie-Justine and Charles-Édouard Pontois (1800) door Adèle Romany
      9

      Portrait of Amélie-Justine and Charles-Édouard Pontois

      1800 · Oil

      The air feels still, as if the world has paused to allow this couple a moment of private repose. Amélie-Justine and Charles-Édouard Pontois lean toward one another, their connection felt through the gentle tilt of their heads and the soft drape of a shawl. She rests her arm upon his shoulder, a gesture of quiet intimacy that speaks of a shared life lived in the calm of a changing era.…

      Handgeschilderde olieverfreproductie vanaf $203 28 × 35 cm Zelfde formaat als het origineel $377 73 × 92 cm Bestel in de originele afmetingen →
      Haal dit licht in huis Bekijk van dichterbij
      A young person hesitating to play the piano in front of her family (1804) door Adèle Romany
      10

      A young person hesitating to play the piano in front of her family

      1804 · Oil On Canvas · Frances Lehman Loeb Art Center

      The scene unfolds within the quiet tension of "A young person hesitating to play the piano in front of her family," an oil on canvas work that captures a fleeting moment of domestic hesitation. Adèle Romany brings this intimate gathering to life, freezing a single instance of social grace and youthful uncertainty. The figures are suspended in a poised, formal arrangement that suggests the weight of expectation hanging in the…

      Handgeschilderde olieverfreproductie vanaf $278 36 × 28 cm Zelfde formaat als het origineel $746 146 × 113 cm Bestel in de originele afmetingen →
      Haal dit licht in huis Bekijk van dichterbij

      Adèle Romany: doeken 11 tot 37 van de ranglijst

      Mlle Raucourt as Agrippine (1812) door Adèle Romany
      #22

      Mlle Raucourt as Agrippine

      1812 · Library-museum of the Comédie-Française

      In this portrait, titled Mlle Raucourt as Agrippine, the artist Adèle Romany presents a striking study of the celebrated French actress Françoise Marie Antoinette Saucerotte. Known professionally as…

      Haal dit licht in huis vanaf $178 →
      Portrait of Voltaire (1836) door Adèle Romany
      #35

      Portrait of Voltaire

      1836 · Library-museum of the Comédie-Française

      In the Portrait of Voltaire by Adèle Romany, the subject is captured in a bust-length study. The man is positioned slightly off-center, his body turned toward the viewer's…

      Haal dit licht in huis vanaf $178 →
      Baptiste cadet (1832) door Adèle Romany
      #36

      Baptiste cadet

      1832 · Library-museum of the Comédie-Française

      The artwork titled Baptiste cadet is a portrait executed by the artist Adèle Romany. This specific piece was created in 1832. The subject of the painting is a…

      Haal dit licht in huis vanaf $178 →

      De doeken van Adèle Romany, periode voor periode

      Early Period

      1791 – 1798 · 7 werken in deze lijst
      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), Adèle Romany #1 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou 1795 · National Museum of Women in the Arts Portrait of Julie Candeille (1791), Adèle Romany #4 Portrait of Julie Candeille 1791 Portrait of a Young Harpist (1795), Adèle Romany #5 Portrait of a Young Harpist 1795 · Palais des Beaux-Arts de Lille Portrait of a woman (1795), Adèle Romany #6 Portrait of a woman 1795 · Musée Jacquemart-André Portrait of Amélie-Justine Pontois (1795), Adèle Romany #7 Portrait of Amélie-Justine Pontois 1795

      Mature Period

      1799 – 1833 · 28 werken in deze lijst
      Madame Coury, Duhamel Widow (1811), Adèle Romany #2 Madame Coury, Duhamel Widow 1811 · Nationalmuseum Portrait of a Young Woman (1804), Adèle Romany #3 Portrait of a Young Woman 1804 · Musée Marmottan Monet Portrait of Amélie-Justine and Charles-Édouard Pontois (1800), Adèle Romany #9 Portrait of Amélie-Justine and Charles-Édouard Pontois 1800 A young person hesitating to play the piano in front of her family (1804), Adèle Romany #10 A young person hesitating to play the piano in front of her family 1804 · Frances Lehman Loeb Art Center Presumed self-portrait (1799), Adèle Romany #11 Presumed self-portrait 1799 · Musée des Beaux-Arts de Rouen

      Wat Adèle Romany het meest schilderde

      De vier onderwerpen die het meest voorkomen op deze doeken, elk met zijn meest geliefde voorbeeld.

      Woman 24 werken

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), Adèle Romany #1 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou 1795 · National Museum of Women in the Arts Madame Coury, Duhamel Widow (1811), Adèle Romany #2 Madame Coury, Duhamel Widow 1811 · Nationalmuseum Portrait of a Young Woman (1804), Adèle Romany #3 Portrait of a Young Woman 1804 · Musée Marmottan Monet Portrait of Julie Candeille (1791), Adèle Romany #4 Portrait of Julie Candeille 1791

      Man 14 werken

      Charles-Antoine d'Artenay (1792), Adèle Romany #8 Charles-Antoine d'Artenay 1792 · Château de Versailles Portrait of Amélie-Justine and Charles-Édouard Pontois (1800), Adèle Romany #9 Portrait of Amélie-Justine and Charles-Édouard Pontois 1800 Young lovers playing the lyre (1802), Adèle Romany #12 Young lovers playing the lyre 1802 Louis Jean-Baptiste Étienne Vigée (1800), Adèle Romany #15 Louis Jean-Baptiste Étienne Vigée 1800

      White dress 6 werken

      Portrait of Amélie-Justine Pontois (1795), Adèle Romany #7 Portrait of Amélie-Justine Pontois 1795 A young person hesitating to play the piano in front of her family (1804), Adèle Romany #10 A young person hesitating to play the piano in front of her family 1804 · Frances Lehman Loeb Art Center Portrait of mademoiselle A.P. (1806), Adèle Romany #24 Portrait of mademoiselle A.P. 1806 · Musée de la Chartreuse de Douai Portrait of Amélie-Justine Laidin de la Bouterie (1818), Adèle Romany #31 Portrait of Amélie-Justine Laidin de la Bouterie 1818

      White cravat 6 werken

      Joseph-Dominique Fabry Garat Playing a Lyre Guitar (1808), Adèle Romany #20 Joseph-Dominique Fabry Garat Playing a Lyre Guitar 1808 · Museum of Fine Arts Portrait of Antoine Valedau (1809), Adèle Romany #25 Portrait of Antoine Valedau 1809 · Musée Fabre The Marquis de Romance Mesmon's snack (1815), Adèle Romany #29 The Marquis de Romance Mesmon's snack 1815 · Château de Versailles Portrait of Voltaire (1836), Adèle Romany #35 Portrait of Voltaire 1836 · Library-museum of the Comédie-Française

      Waar de doeken van Adèle Romany hangen

      De 8 musea met de meeste schilderijen op deze pagina.

      Museum Stad Werken van Adèle Romany Schilderijen uit deze lijst
      Library-museum of the Comédie-Française Paris 5 Portrait of Emilie Leverd, Mlle Raucourt as Agrippine, Portrait of Fleury
      Château de Versailles, VersaillesChâteau de Versailles Versailles 2 Charles-Antoine d'Artenay, The Marquis de Romance Mesmon's snack
      Museum of Fine Arts, BostonMuseum of Fine Arts Boston 2 Portrait of a Lady at a Pianoforte, Joseph-Dominique Fabry Garat Playing a Lyre Guitar
      National Museum of Women in the Arts, Washington, D.C.National Museum of Women in the Arts Washington, D.C. 1 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou
      Nationalmuseum, StockholmNationalmuseum Stockholm 1 Madame Coury, Duhamel Widow
      Musée Marmottan Monet, ParijsMusée Marmottan Monet Parijs 1 Portrait of a Young Woman
      Palais des Beaux-Arts de Lille, LillePalais des Beaux-Arts de Lille Lille 1 Portrait of a Young Harpist
      Musée Jacquemart-André, ParijsMusée Jacquemart-André Parijs 1 Portrait of a woman

      Het beroemdste canvas van Adèle Romany, decennium na decennium

      1. 1790s
      2. 1800s
        Portrait of a Young Woman (1804) door Adèle Romany
        3 van 37

        Portrait of a Young Woman

        Leeftijd 31 – 40 · Musée Marmottan Monet

        The artwork titled Portrait of a Young Woman is a portrait painted by Adèle Romany. Created in 1804, this oil on canvas work belongs to the genre of…

      3. 1810s
        Madame Coury, Duhamel Widow (1811) door Adèle Romany
        Canvas 2 van 37

        Madame Coury, Duhamel Widow

        Leeftijd 41 – 50 · Nationalmuseum

        In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence…

      4. 1830s
        Portrait de Zoé Prévost, de l'Opéra-Comique (1830) door Adèle Romany
        Op nummer 32 van 37

        Portrait de Zoé Prévost, de l'Opéra-Comique

        Leeftijd 61 – 70 · Musée Magnin

        The artwork is titled Portrait de Zoé Prévost, de l'Opéra-Comique and was executed by the artist Adèle Romany. This portrait depicts Geneviève-Aimé-Zoë Prévost, a figure known in professional…

      De doeken van Adèle Romany, vraag voor vraag

      Waarom wordt Adèle Romany het meest herinnerd om welk canvas?Lees het antwoord

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), National Museum of Women in the Arts, Washington, D.C.. Madame Coury, Duhamel Widow (1811) en Portrait of a Young Woman (1804) volgen.

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou: hoe oud was Adèle Romany toen dit werd geschilderd?Lees het antwoord

      Adèle Romany, geboren in 1769, was 26 jaar oud: Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou dateert uit 1795.

      Wat zijn de tien beroemdste doeken van Adèle Romany?Lees het antwoord

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, Madame Coury, Duhamel Widow, Portrait of a Young Woman, Portrait of Julie Candeille, Portrait of a Young Harpist, Portrait of a woman, Portrait of Amélie-Justine Pontois, Charles-Antoine d'Artenay, Portrait of Amélie-Justine and Charles-Édouard Pontois en A young person hesitating to play the piano in front of her family. Elk canvas in de bovenstaande ranglijst is voorzien van het jaartal en het museum.

      Hoeveel schilderijen heeft Adèle Romany gemaakt?Lees het antwoord

      39 werken van Adèle Romany zijn opgenomen in onze catalogus, gedateerd van 1791 tot 1836.

      Waar hangen de beroemdste doeken van Adèle Romany tegenwoordig?Lees het antwoord

      Voornamelijk in Library-museum of the Comédie-Française (Paris), Château de Versailles (Versailles) en Museum of Fine Arts (Boston); de bovenstaande lijst vermeldt elk museum en de bijbehorende doeken.

      Wanneer schilderde Adèle Romany de beroemdste doeken?Lees het antwoord

      In 1800s, die 13 van de 37 werken op deze pagina vertegenwoordigt, waaronder Portrait of a Young Woman.

      Welk beroemd canvas van Adèle Romany was het eerst, en welke was het laatst?Lees het antwoord

      Het oudste canvas hier is Portrait of Julie Candeille (1791); het nieuwste is Portrait of Voltaire (1836).

      Welke onderwerpen schilderde Adèle Romany het meest?Lees het antwoord

      Woman (24), Man (14) en White dress (6), verspreid over de 37 werken op deze pagina.

      Welk medium komt het meest voor in de schilderijen van Adèle Romany?Lees het antwoord

      Oil On Canvas, gebruikt in 29 van de 37 werken op deze pagina.

      Bij welke stroming wordt Adèle Romany gerekend?Lees het antwoord

      Neoclassicism, zoals de doeken op deze pagina laten zien.

      Welke schilderijen van Adèle Romany zijn in de collectie van het Library-museum of the Comédie-Française?Lees het antwoord

      Het Library-museum of the Comédie-Française, Paris herbergt 5 van de werken op deze pagina, waaronder Portrait of Emilie Leverd, Mlle Raucourt as Agrippine en Portrait of Fleury.

      Waar kan ik een reproductie van een schilderij van Adèle Romany kopen?Lees het antwoord

      Ja. Elk schilderij op deze pagina kan via de eigen pagina worden besteld als een handgeschilderd olieverfreproductie, of als een fine art print, in de door u gekozen afmeting.

      Maak kennis met de schilder: Adèle Romany

      Adèle de Romance (Adèle Romanée): A Life in Miniature and Portraiture

      Adèle de Romance, also known as Adèle Romany or Adèle Romanée (December 7, 1769 – June 6, 1846), was a highly regarded French painter specializing in miniatures and portraits. Her career spanned several decades of significant social and political change in France, and she successfully navigated the art world while adapting her name and artistic presentation to reflect evolving circumstances.

      Early Life and Artistic Training

      • Birth and Legitimation: Born Jeanne Marie Mercier in Paris, Adèle was initially recognized as an illegitimate child. In 1778, at age eight, she was legitimized by her father, Godefroy V, Marquis de Romance, brother of the writer Germain-Hyacinthe de Romance, from this point adopting the name Adèle de Romance.
      • Formal Education: She received formal artistic training under Jean-Baptiste Regnault, a prominent French history painter and academician. This foundational education provided her with a strong understanding of drawing, composition, and color theory – essential skills for both miniature painting and portraiture.
      • Marriage to François Antoine Romany: In 1790, Adèle married fellow miniature painter François Antoine Romany. While their marriage eventually ended in divorce, it significantly influenced her early career as she often exhibited under his surname, "Romany."

      Artistic Style and Notable Works

      • Specialization: Adèle de Romance’s artistic focus centered on miniatures and portraits, particularly those depicting individuals involved in the performing arts. This niche allowed her to cultivate a clientele within Parisian theatrical and musical circles.
      • Exhibitions at the Paris Salon: From 1793 to 1808, she exhibited her works under the name "Romany," and subsequently from 1808 to 1833 as “Romanée.” She presented a substantial body of work over forty years, demonstrating consistent artistic output.
      • Notable Works:
        • Portrait of Auguste Vestris: This piece, housed at the Rhode Island School of Design Museum of Art, exemplifies her skill in capturing likeness and character.
        • Self-portrait with her children (1800): A poignant depiction showcasing both artistic talent and familial life.
        • Portraits of Mlle Raucourt and Mlle Emilie Leverd: These portraits, exhibited at various Salons, further solidified her reputation for capturing the essence of theatrical personalities.
      • Artistic Characteristics: Her miniatures are known for their delicate detail, refined color palettes, and ability to convey a sense of personality within a small format. Her larger portraits demonstrate a similar attention to detail and an understanding of light and shadow.

      Recognition and Historical Significance

      • Gold Medal of the Jury (1808): This prestigious award recognized her artistic merit and contributed to her standing within the French art establishment.
      • Influence on Other Artists: While not a revolutionary figure, Adèle de Romance’s consistent production of high-quality miniatures and portraits helped maintain the popularity of these genres during a period when larger historical paintings were gaining prominence.
      • Representation of Performing Arts: Her focus on portraying actors, actresses, and musicians provides valuable visual documentation of Parisian theatrical life in the late 18th and early 19th centuries. The Comédie-Française holds a significant collection of her works due to this specialization.
      • Financial Acumen: Beyond her artistic pursuits, Adèle demonstrated business savvy through financial speculations during periods of political upheaval, showcasing an entrepreneurial spirit uncommon for women artists of the time.

      Legacy and Rediscovery

      Adèle de Romance’s work received limited critical attention after her death in 1846. However, recent scholarship and a retrospective exhibition at the Jean-Honoré-Fragonard Museum in Grasse (scheduled for 2025) are contributing to a renewed appreciation of her artistic contributions. Her legacy lies not only in her skillful execution but also in her ability to capture the spirit of a vibrant cultural scene and navigate a complex historical landscape as a successful female artist.

      Alle 39 werken van Adèle Romany → Adèle Romany schilderijreproducties, met prijzen →