Atelier — Gratis verzending wereldwijd — Levertijd 2–6 weken
      Adolf Eberle, 1843 – 1914

      De 21 beroemdste schilderijen van Adolf Eberle, gerangschikt

      Het meest geliefde schilderij van Adolf Eberle is A futile attempt (1880). Return from the Hunt (1886) en Two Hunters with Girl in the Room and Gemsbok (1886) volgen daarna in de lijst met doeken die lezers het beste kennen. Onze catalogus bevat 21 werken van Adolf Eberle: hier zijn de 21 bekendste, elk met het jaartal, het museum en wat het werk zo bijzonder maakt.

      Gerangschikt op basis van onze populariteitsscore, die de zoekopdrachten, bezoeken en bestellingen voor elk werk combineert. Bijgewerkt in november 2026. Elk schilderij op deze pagina kan worden besteld als een handgeschilderde oliereductie op linnen canvas, of als een fine art print, uitgevoerd in de door u gekozen afmeting.

      Portret van Adolf Eberle
      Adolf Eberle · 1843 – 1914
      Geboren · overleden
      1843 – 1914, Munich
      Stroming
      Realism
      Werken in onze catalogus
      21
      Meest bekend
      A futile attempt (1880)
      Meeste werken in
      Petit Palais

      Top 10 schilderijen van Adolf Eberle: de doeken die iedereen kent

      A futile attempt (1880) door Adolf Eberle
      1

      A futile attempt

      1880 · Lithograph

      The room is small, a tight frame of wood and stone that holds the weight of a single moment. In this lithograph, light enters from a single source, perhaps a doorway or a window, casting long, heavy shadows across the floorboards. An elderly man sits at the center, his presence anchored by the gravity of age. Around him, three figures—a young girl and two women—gather in a silent circle. They…

      Handgeschilderde olieverfreproductie vanaf $253 28 × 36 cm
      Return from the Hunt (1886) door Adolf Eberle
      2

      Return from the Hunt

      1886 · Oil

      A group of figures gathers within a rustic interior, marking the conclusion of a hunt. At the center, an older man in traditional hunting attire presents the day's catch upon a table. He holds a rifle, his presence anchoring the composition. Beside him, a woman and a young boy observe the bounty, while a young man to the right holds both a rifle and a fox. The room is filled…

      Handgeschilderde olieverfreproductie vanaf $253 36 × 28 cm Zelfde formaat als het origineel $355 71 × 61 cm Bestel in de originele afmetingen →
      Two Hunters with Girl in the Room and Gemsbok (1886) door Adolf Eberle
      3

      Two Hunters with Girl in the Room and Gemsbok

      1886 · Oil On Canvas

      The composition of this 1886 oil painting presents a rustic interior, likely a hunting lodge or cottage, defined by heavy wooden floorboards and structured furniture. On the right side of the frame, three figures occupy the space: two men are seated at a table, while a young woman stands nearby. To the left, the scene shifts toward the results of a hunt, featuring a dead gemsbok lying on the floor…

      Handgeschilderde olieverfreproductie vanaf $228 36 × 28 cm Zelfde formaat als het origineel $299 65 × 51 cm Bestel in de originele afmetingen →

      Meer canvassen van Adolf Eberle, van 11 tot 21

      Wat Adolf Eberle het meest schilderde

      De vier onderwerpen die het meest voorkomen op deze doeken, elk met zijn meest geliefde voorbeeld.

      Waar de doeken van Adolf Eberle hangen

      Het museum met de meeste schilderijen op deze pagina.

      Museum Stad Werken van Adolf Eberle Schilderijen uit deze lijst
      Petit Palais, ParijsPetit Palais Parijs 1 Whose Dinner is it

      De meest geliefde doeken van Adolf Eberle, jaar voor jaar

      Adolf Eberle aan het ezel gedurende 18 jaar, van 1869 tot 1886: de meest geliefde doeken van elk jaar, in chronologische volgorde.

      1. 1869
      2. 1869
      3. 1880
        A futile attempt (1880) door Adolf Eberle
        1 van 21

        A futile attempt

        Leeftijd 37

        The room is small, a tight frame of wood and stone that holds the weight of a single moment. In this lithograph, light enters from a single source,…

      4. 1886
        Return from the Hunt (1886) door Adolf Eberle
        Canvas 2 van 21

        Return from the Hunt

        Leeftijd 43

        A group of figures gathers within a rustic interior, marking the conclusion of a hunt. At the center, an older man in traditional hunting attire presents the day's…

      5. 1886
        Two Hunters with Girl in the Room and Gemsbok (1886) door Adolf Eberle
        Op nummer 3 van 21

        Two Hunters with Girl in the Room and Gemsbok

        Leeftijd 43

        The composition of this 1886 oil painting presents a rustic interior, likely a hunting lodge or cottage, defined by heavy wooden floorboards and structured furniture. On the right…

      Over de doeken van Adolf Eberle: uw vragen beantwoord

      Wat is het bekendste schilderij van Adolf Eberle?Lees het antwoord

      A futile attempt (1880), gevolgd door Return from the Hunt (1886) en Two Hunters with Girl in the Room and Gemsbok (1886).

      Hoe oud was Adolf Eberle toen A futile attempt werd geschilderd?Lees het antwoord

      Adolf Eberle, geboren in 1843, was 37 jaar oud: A futile attempt dateert uit 1880.

      Wat zijn de 10 bekendste schilderijen van Adolf Eberle?Lees het antwoord

      A futile attempt, Return from the Hunt, Two Hunters with Girl in the Room and Gemsbok, A bedtime story, Thatched barn, Breakfast Time, The natural history lesson, The successful letter, The Day's Bag en Happy family in a barn interior. Elk canvas in de bovenstaande ranglijst is voorzien van het jaartal en het museum.

      Hoeveel werken heeft Adolf Eberle in totaal geschilderd?Lees het antwoord

      21 werken van Adolf Eberle zijn opgenomen in onze catalogus, gedateerd van 1869 tot 1886.

      Waar kan ik de beroemdste doeken van Adolf Eberle bekijken?Lees het antwoord

      Voornamelijk in Petit Palais (Parijs); de bovenstaande lijst vermeldt elk museum en de bijbehorende doeken.

      Wanneer schilderde Adolf Eberle deze geliefde doeken?Lees het antwoord

      In 1869, die 2 van de 21 werken op deze pagina vertegenwoordigt, waaronder A bedtime story.

      Wat zijn de vroegste en laatste beroemde doeken van Adolf Eberle?Lees het antwoord

      Het oudste canvas hier is A bedtime story (1869); het nieuwste is Return from the Hunt (1886).

      Wat schilderde Adolf Eberle het vaakst?Lees het antwoord

      Woman (3), Table (3) en Man (2), verspreid over de 21 werken op deze pagina.

      Bij welke stroming behoort het schilderij van Adolf Eberle?Lees het antwoord

      Realism, zoals de doeken op deze pagina laten zien.

      Kan ik een reproductie van een Adolf Eberle canvas kopen?Lees het antwoord

      Ja. Elk schilderij op deze pagina kan via de eigen pagina worden besteld als een handgeschilderd olieverfreproductie, of als een fine art print, in de door u gekozen afmeting.

      Adolf Eberle: een leven in verf

      Early Life and Artistic Training

      Adolf Eberle was born in Munich, Germany, on January 11, 1843, into a family deeply rooted in the artistic tradition of Bavaria. His father, Robert Eberle, himself a painter, instilled in young Adolf a passion for visual art from an early age—a formative influence that would shape his entire career trajectory. Recognizing his son’s talent, Robert ensured he received a comprehensive education encompassing both academic pursuits and practical artistic training. Notably, Eberle enrolled at the Academy of Fine Arts in Munich in 1860, where he studied under Karl von Piloty, a respected instructor known for fostering realism and meticulous observation within the landscape genre. This mentorship proved invaluable, equipping Eberle with the foundational skills necessary to excel as a painter.

      Emergence as Genre Painter

      Eberle’s artistic focus quickly crystallized around genre painting—a tradition particularly prominent in Bavaria during the latter half of the 19th century. Unlike historical or mythological subjects, genre painters sought to depict everyday life, capturing scenes from rural communities and portraying the customs, traditions, and occupations of ordinary people. Eberle skillfully captured the essence of Bavarian and Tyrolean society, depicting farmers tending their fields, huntsmen pursuing game in mountainous terrain, and families engaging in domestic activities—subjects that resonated deeply with audiences of his time. His early works demonstrated a remarkable ability to convey atmosphere and emotion through precise detail and nuanced color palettes. The engraving of *Pfändung der letzten Kuh* (Mortgaging the Last Cow), created by William Unger in 1861, established him as a rising talent within the artistic landscape and garnered critical acclaim for its realism and evocative portrayal of rural life.

      Notable Paintings and Artistic Style

      Eberle’s oeuvre comprises numerous paintings that exemplify his distinctive artistic style—characterized by meticulous observation, tonal harmony, and an unwavering commitment to portraying authentic human experience. Among his most celebrated pieces are *Erster Rehbock* (First Stag), completed in 1879, which vividly captures the thrill of the hunt amidst the Bavarian Alps; *Feldschule in Wallensteins Lager*(Field School in Wallenstein’s Camp), depicting a classroom setting within a military encampment—a testament to his versatility as an artist; and *Die verunglückte Musikprobe*(Music Test Gone Wrong)—a poignant depiction of youthful ambition thwarted by circumstance. His paintings are imbued with warmth and luminosity, achieved through masterful use of color and light—techniques honed during his studies under Piloty. Furthermore, Eberle’s meticulous attention to detail—evident in the rendering of textures, costumes, and facial expressions—elevated his work beyond mere representation, transforming it into emotionally resonant narratives that convey a profound understanding of human psychology.

      Recognition and Legacy

      Adolf Eberle achieved considerable recognition during his lifetime for his contributions to Bavarian art history. His paintings were exhibited extensively in Munich and internationally, attracting critical acclaim from prominent art critics and collectors alike. The sale of *Childhood Fun* at Bonhams in 2007—fetching $16,800—demonstrated the enduring appeal of his work and underscored its significance within the broader context of Impressionist aesthetics. Similarly, the auction of *The Day's Bag* at Christie’s in London in 2012 garnered £7,500, affirming Eberle’s reputation as a master of genre painting. Beyond his artistic achievements, Eberle’s legacy extends to the naming of Solln’s Eberlestraße after him—a symbolic tribute to his enduring influence on Bavarian culture and artistic heritage. His paintings continue to inspire admiration for their ability to capture the spirit of a bygone era and convey timeless themes of rural life, family values, and human emotion.