Atelier — Gratis verzending wereldwijd — Levertijd 2–6 weken
      Alexandre de Riquer, 1856 – 1920

      Alexandre de Riquer: De 38 bekendste schilderijen

      Van alle schilderijen van Alexandre de Riquer is Composition with Winged Nymph Blowing Amongst Reeds (1887) het bekendst; het hangt in het Museu Nacional d'Art de Catalunya in Barcelona. Direct daarna volgen Composition with winged nymph at sunrise (1887) en Untitled (970). Van de 38 werken van Alexandre de Riquer in onze catalogus zijn dit de 38 meest gevierde werken, elk getoond met de datum, het museum en het verhaal erachter.

      Gerangschikt op basis van onze populariteitsscore, die de zoekopdrachten, bezoeken en bestellingen voor elk werk combineert. Bijgewerkt in oktober 2026. Elk schilderij op deze pagina kan worden besteld als een handgeschilderde oliereductie op linnen canvas, of als een fine art print, uitgevoerd in de door u gekozen afmeting.

      Portret van Alexandre de Riquer
      Alexandre de Riquer · 1856 – 1920
      Geboren · overleden
      1856 – 1920, Catalonia
      Werken in onze catalogus
      38
      Meest bekend
      Composition with Winged Nymph Blowing Amongst Reeds (1887)
      Meeste werken in
      Museu Nacional d'Art de Catalunya

      De 10 meest gevierde schilderijen van Alexandre de Riquer

      Schilderijen van Alexandre de Riquer gerangschikt van 11 tot 38

      De doeken van Alexandre de Riquer, periode voor periode

      Wat Alexandre de Riquer het meest schilderde

      De vier onderwerpen die het meest voorkomen op deze doeken, elk met zijn meest geliefde voorbeeld.

      Waar de doeken van Alexandre de Riquer hangen

      De 2 musea met de meeste schilderijen op deze pagina.

      Museum Stad Werken van Alexandre de Riquer Schilderijen uit deze lijst
      Museu Nacional d'Art de Catalunya, BarcelonaMuseu Nacional d'Art de Catalunya Barcelona 2 Composition with Winged Nymph Blowing Amongst Reeds, Composition with winged nymph at sunrise
      Biblioteca Museu Víctor Balaguer, ViladecansBiblioteca Museu Víctor Balaguer Viladecans 1 Untitled (607)

      Jaar voor jaar: de meest gevierde doeken van Alexandre de Riquer

      Eén jaar, 1887, bevat elk gedateerd canvas van Alexandre de Riquer op deze pagina: hier zijn ze, de beroemdste eerst.

      1. 1887
      2. 1887

      Uw vragen over de schilderijen van Alexandre de Riquer beantwoord

      Wat is het meest gevierde schilderij van Alexandre de Riquer?Lees het antwoord

      Composition with Winged Nymph Blowing Amongst Reeds (1887), Museu Nacional d'Art de Catalunya, Barcelona. Composition with winged nymph at sunrise (1887) en Untitled (970) volgen.

      Hoe oud was Alexandre de Riquer op het moment van Composition with Winged Nymph Blowing Amongst Reeds?Lees het antwoord

      Alexandre de Riquer, geboren in 1856, was 31 jaar oud: Composition with Winged Nymph Blowing Amongst Reeds dateert uit 1887.

      Waar is Alexandre de Riquer het meest bekend om vanwege welke tien schilderijen?Lees het antwoord

      Composition with Winged Nymph Blowing Amongst Reeds, Composition with winged nymph at sunrise, Untitled (970), Untitled (985), Untitled (176), Untitled (493), Untitled (435), Untitled (715), Untitled (540) en Untitled (413). Elk canvas in de bovenstaande ranglijst is voorzien van het jaartal en het museum.

      Hoeveel schilderijen van Alexandre de Riquer zijn er bekend?Lees het antwoord

      38 werken van Alexandre de Riquer staan in onze catalogus.

      In welke musea bevinden zich de bekendste doeken van Alexandre de Riquer?Lees het antwoord

      Voornamelijk in Museu Nacional d'Art de Catalunya (Barcelona) en Biblioteca Museu Víctor Balaguer (Viladecans); de bovenstaande lijst vermeldt elk museum en de bijbehorende doeken.

      In welke jaren schilderde Alexandre de Riquer zijn/haar meest gevierde doeken?Lees het antwoord

      In 1887, die 2 van de 38 werken op deze pagina vertegenwoordigt, waaronder Composition with Winged Nymph Blowing Amongst Reeds.

      Welke onderwerpen komen het vaakst voor in de schilderijen van Alexandre de Riquer?Lees het antwoord

      Woman figure (2) en Catalan art (2), verspreid over de 38 werken op deze pagina.

      Wat kan ik zien van Alexandre de Riquer in het Museu Nacional d'Art de Catalunya?Lees het antwoord

      Het Museu Nacional d'Art de Catalunya, Barcelona herbergt 2 van de werken op deze pagina, waaronder Composition with Winged Nymph Blowing Amongst Reeds en Composition with winged nymph at sunrise.

      Kan ik een handgeschilderde kopie bestellen van een schilderij van Alexandre de Riquer?Lees het antwoord

      Ja. Elk schilderij op deze pagina kan via de eigen pagina worden besteld als een handgeschilderd olieverfreproductie, of als een fine art print, in de door u gekozen afmeting.

      Alexandre de Riquer: het verhaal van de schilder

      A Life Woven in Art and Intellect

      Alexandre de Riquer i Ynglada, 7th Count of Casa Dávalos, was more than just an artist; he embodied a confluence of aristocratic lineage, intellectual curiosity, and artistic innovation that defined the Catalan Modernisme movement. Born in Calaf, Catalonia, in 1856, his life unfolded against a backdrop of political tension – his father, Martí de Riquer, being a prominent Carlist leader – yet was simultaneously nurtured by a mother, Elisea Ynglada, who fostered a deep appreciation for art and literature within the family. This duality shaped Riquer’s path, imbuing him with both a sense of tradition and a restless desire to forge new artistic expressions. His early education in France, first in Béziers and later at the School of Fine Arts in Toulouse, provided a foundational grounding in French artistic traditions, but it was his return to Barcelona and studies at La Llotja that truly ignited his creative spirit under the mentorship of figures like Tomas Padro, Claudi Lorenzale, and particularly Antoni Caba.

      The Blossoming of a Multifaceted Talent

      Riquer’s artistic journey wasn't confined to a single medium; it was characterized by an extraordinary versatility. He didn’t simply paint or illustrate – he designed jewelry, created decorative programs for events, embellished furniture, and even ventured into ceramic painting. This expansive approach stemmed from a belief in the interconnectedness of art forms and a desire to elevate the aesthetic quality of everyday life. His initial foray into the professional world came through collaboration with Apel·les Mestres, contributing ornamental lettering and cover illustrations that marked the beginning of his prolific career. However, it was a pivotal trip to London in 1894 that irrevocably altered the course of his artistic development. Encountering the Pre-Raphaelites sparked a profound shift in his style, introducing him to a world of romantic narratives, meticulous detail, and symbolic depth. Simultaneously, he became captivated by Japanese art and the burgeoning field of modern poster design, viewing both as avenues for revitalizing graphic arts and imbuing them with new artistic significance. He saw these influences not merely as stylistic choices but as part of a larger “missionary undertaking” to elevate the aesthetic standards of visual communication.

      A Master of Graphic Design and Beyond

      The sheer breadth of Riquer’s output is astonishing. He produced an extensive body of work encompassing posters, etchings, illustrations for books and magazines, certificates, postcards, stamps, menus, sheet music, business cards, and exquisitely crafted bookplates – over 142 documented articles between 1900 and 1924 alone attest to his relentless creativity. His posters, in particular, garnered international recognition, with two featured in the prestigious collection *Les Maîtres de l'Affiche*, solidifying his reputation as a leading figure in poster art. But Riquer’s talents extended beyond the purely visual realm; he was also a gifted writer and poet, contributing to literary publications and demonstrating a remarkable ability to seamlessly blend artistic disciplines. His work *Los Estudiants de Tolosa* (1886), for example, showcases his lyrical sensibility and deep connection to Catalan folklore. He wasn’t simply illustrating stories; he was actively shaping the cultural narrative of Catalonia through both image and word.

      Legacy and Enduring Influence

      Alexandre de Riquer's contributions were integral to defining the aesthetic and intellectual character of Modernisme in Catalonia, a movement that sought to reclaim and celebrate Catalan identity during a period of significant social and political change. His ability to synthesize diverse influences – from Pre-Raphaelite romanticism and Japanese aesthetics to Art Nouveau’s flowing lines and symbolic imagery – resulted in a uniquely personal style that resonated deeply with his contemporaries. Following his death in 1920, his extensive library and collections were thoughtfully acquired by the Barcelona Museums and the National Library of Catalonia, ensuring the preservation of his legacy for generations to come. Riquer’s work continues to inspire artists and designers today, serving as a testament to the power of artistic versatility, intellectual curiosity, and a unwavering commitment to cultural expression. He remains a pivotal figure in Catalan art history, a symbol of an era when art was not merely decoration but a powerful force for social and cultural renewal. His influence can still be felt in contemporary design and illustration, reminding us of the enduring beauty and relevance of his artistic vision.