Atelier — Gratis verzending wereldwijd — Levertijd 2–6 weken
      Basawan, 1560 – 1600

      De 13 bekendste schilderijen van Basawan

      Mihrdukht aims her arrow at the ring (1570) is het schilderij waar Basawan het meest om bekendstaat; het maakt deel uit van de collectie van het Metropolitan Museum of Art, New York. The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560) en The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560) maken het trio van meest geliefde doeken compleet. Onze catalogus bevat 13 werken van Basawan. Hier zijn de 13 bekendste, inclusief het jaar, het museum en het verhaal achter elk canvas.

      Gerangschikt op basis van onze populariteitsscore, die de zoekopdrachten, bezoeken en bestellingen voor elk werk combineert. Bijgewerkt in november 2026. Elk schilderij op deze pagina kan worden besteld als een handgeschilderde oliereductie op linnen canvas, of als een fine art print, uitgevoerd in de door u gekozen afmeting.

      Portret van Basawan
      Basawan · 1560 – 1600
      Geboren · overleden
      1560 – 1600, Uttar Pradesh
      Werken in onze catalogus
      13
      Meest bekend
      Mihrdukht aims her arrow at the ring (1570)
      Meeste werken in
      Cleveland Museum of Art

      De tien meest geliefde schilderijen van Basawan

      Mihrdukht aims her arrow at the ring (1570) door Basawan
      1

      Mihrdukht aims her arrow at the ring

      1570 · Tempera · Metropolitan Museum of Art, New York

      The air holds its breath as Mihrdukht leans over the balcony, her focus narrowing to a single, slender point. She aims her arrow at the ring, a gesture that freezes the very pulse of the court. Below her, the world unfolds in layers of architectural precision and organic life. Attendants and observers gather in the shadows of the structure, their eyes drawn upward to the woman and her task. The…

      Handgeschilderde olieverfreproductie vanaf $403 28 × 36 cm Zelfde formaat als het origineel $481 52 × 68 cm Bestel in de originele afmetingen →

      Basawan: doeken 11 tot 13 van de ranglijst

      Waar de doeken van Basawan hangen

      De 6 musea met de meeste schilderijen op deze pagina.

      Museum Stad Werken van Basawan Schilderijen uit deze lijst
      Cleveland Museum of Art, ClevelandCleveland Museum of Art Cleveland 8 The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night, The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night
      Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 1 Mihrdukht aims her arrow at the ring
      Victoria and Albert Museum, LondenVictoria and Albert Museum Londen 1 Akbar visits the tomb of Khwajah Mu'in ad-Din Chishti at Ajmer
      Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 1 The Young Emperor Akbar Arrests the Insolent Shah Abu’l-Maali, page from a manuscript of the Akbarnama
      San Diego Museum of Art, San DiegoSan Diego Museum of Art San Diego 1 The Virgin and Child
      Harvard Art Museums, CambridgeHarvard Art Museums Cambridge 1 A Mughal and a Rajput Converse at Dusk

      Het beroemdste canvas van Basawan, decennium na decennium

      1. 1570s
        Mihrdukht aims her arrow at the ring (1570) door Basawan
        Op nummer 1 van 13

        Mihrdukht aims her arrow at the ring

        Leeftijd 10 – 19 · Metropolitan Museum of Art

        The air holds its breath as Mihrdukht leans over the balcony, her focus narrowing to a single, slender point. She aims her arrow at the ring, a gesture…

      2. 1580s
      3. 1590s

      De doeken van Basawan, vraag voor vraag

      Waarom wordt Basawan het meest herinnerd om welk canvas?Lees het antwoord

      Mihrdukht aims her arrow at the ring (1570), Metropolitan Museum of Art, New York. The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560) en The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560) volgen.

      Mihrdukht aims her arrow at the ring: hoe oud was Basawan toen dit werd geschilderd?Lees het antwoord

      Basawan, geboren in 1560, was 10 jaar oud: Mihrdukht aims her arrow at the ring dateert uit 1570.

      Wat zijn de tien beroemdste doeken van Basawan?Lees het antwoord

      Mihrdukht aims her arrow at the ring, The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night, The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night, A feast for Babur hosted by his half-brother Jahangir Mirza in Ghazni in May 1505, from a Babur-nama (Memoirs of Babur), Akbar visits the tomb of Khwajah Mu'in ad-Din Chishti at Ajmer, The Young Emperor Akbar Arrests the Insolent Shah Abu’l-Maali, page from a manuscript of the Akbarnama, The Virgin and Child, The siege of Arbela in the era of Hulagu Khan, from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles) of Rashid al-Din (Persian, 1247–1318) en Page from Tales of a Parrot (Tuti-nama): text page. Elk canvas in de bovenstaande ranglijst is voorzien van het jaartal en het museum.

      Hoeveel schilderijen heeft Basawan gemaakt?Lees het antwoord

      13 werken van Basawan zijn opgenomen in onze catalogus, gedateerd van 1570 tot 1596.

      Waar hangen de beroemdste doeken van Basawan tegenwoordig?Lees het antwoord

      Voornamelijk in Cleveland Museum of Art (Cleveland), Metropolitan Museum of Art (New York) en Victoria and Albert Museum (Londen); de bovenstaande lijst vermeldt elk museum en de bijbehorende doeken.

      Wanneer schilderde Basawan de beroemdste doeken?Lees het antwoord

      In 1590s, die 4 van de 13 werken op deze pagina vertegenwoordigt, waaronder Akbar visits the tomb of Khwajah Mu'in ad-Din Chishti at Ajmer.

      Welk beroemd canvas van Basawan was het eerst, en welke was het laatst?Lees het antwoord

      Het oudste canvas hier is Mihrdukht aims her arrow at the ring (1570); het nieuwste is The siege of Arbela in the era of Hulagu Khan, from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles) of Rashid al-Din (Persian, 1247–1318) (1596).

      Welke schilderijen van Basawan zijn in de collectie van het Cleveland Museum of Art?Lees het antwoord

      Het Cleveland Museum of Art, Cleveland herbergt 8 van de werken op deze pagina, waaronder The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night en The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night.

      Waar kan ik een reproductie van een schilderij van Basawan kopen?Lees het antwoord

      Ja. Elk schilderij op deze pagina kan via de eigen pagina worden besteld als een handgeschilderd olieverfreproductie, of als een fine art print, in de door u gekozen afmeting.

      Maak kennis met de schilder: Basawan

      Basawan: The Pioneer of Mughal Portraiture

      Basawan (flourished 1580–1600), a name whispered with reverence in Indian art history, stands as one of the foremost figures of the Mughal miniature tradition. Though shrouded in obscurity—details about his life remain scant—his legacy endures through his breathtaking depictions of human subjects within the monumental Akbarnama, cementing his place as an innovator who elevated portraiture to unprecedented heights. Born in New Delhi during a period of significant cultural exchange between Persia and India, Basawan’s artistic journey began amidst the opulent courts of Akbar the Great. His formative years were spent under the tutelage of Abd al-Samad, a renowned artist whose influence profoundly shaped Basawan's stylistic sensibilities. This mentorship instilled within him a meticulous observation of human anatomy and expression—a hallmark that distinguishes his work from contemporaries.
      • Akbarnama Influence: Basawan’s contribution to the Akbarnama is arguably his most celebrated achievement. Unlike previous chronicles, Akbar commissioned a series of portraits capturing not merely royal figures but also individuals representing diverse social strata – scholars, musicians, and artisans. This bold decision signaled a departure from conventional artistic practices and established Basawan as a trailblazer in portraying human character with remarkable realism.
      • Color Palette & Technique: Basawan’s mastery lay primarily in his exceptional color palette and technique. Utilizing opaque watercolor pigments combined with gold leaf—a practice considered revolutionary at the time—he achieved luminous hues and textural depth that captivated viewers. His meticulous layering of colors created an illusionistic effect, mirroring the subtleties of light and shadow and conveying a profound sense of atmosphere.
      • Family Legacy: Basawan’s artistic lineage continued through his son Manohar Das, who carried on the family tradition as a court painter. Today, the Das family maintains a thriving manufacturing business specializing in handcrafted carpets—a tangible connection to their ancestral heritage and a testament to the enduring influence of Basawan's artistic vision.

      Exploring His Artistic Output: Beyond Akbarnama Illustrations

      While the Akbarnama undoubtedly represents Basawan’s magnum opus, evidence suggests he engaged in diverse artistic endeavors extending beyond royal commissions. Fragments of manuscripts depicting scenes from Hindu mythology—particularly those featuring Tara Kalan—offer glimpses into his versatility and willingness to explore different thematic concerns. These works demonstrate a keen understanding of symbolism and narrative complexity, reflecting the broader intellectual currents of the Mughal era.
      • Notable Works: Among Basawan’s surviving paintings are depictions of angels (Peri) riding composite camels—a striking visual representation of Islamic cosmology—and portraits capturing the dignity and solemnity of royal figures.

      Connections to Western Artistic Traditions

      Basawan's artistic development coincided with the arrival of Jesuit missionaries in India, bringing with them European paintings that profoundly impacted Mughal artists. This exposure fostered a dialogue between Eastern and Western aesthetics—a pivotal moment in Indian art history—and Basawan’s oeuvre bears subtle traces of this influence. His meticulous attention to detail and his masterful use of perspective foreshadowed developments occurring across the ocean, marking him as an artist attuned to global artistic trends.

      Historical Significance: A Reflection of Mughal Patronage

      Basawan's success is inextricably linked to Akbar’s enlightened patronage—a royal commitment to fostering artistic excellence and promoting cultural enrichment. Akbar recognized Basawan’s talent and entrusted him with monumental commissions, securing his place as one of the most influential artists of his time. His work serves as a poignant reminder of the transformative power of royal support in shaping artistic innovation and preserving cultural heritage for posterity.