Atelier — Gratis verzending wereldwijd — Levertijd 2–6 weken
      Cephas Thompson, 1775 – 1856

      De 55 beroemdste schilderijen van Cephas Thompson, gerangschikt

      Het meest geliefde schilderij van Cephas Thompson is Mrs. Cephas Thompson (Olivia Leonard) (1810), dat hangt in het Metropolitan Museum of Art, New York. The Frightened Girl (1810) en Maria De Wolf (Mrs. Robert Rogers) (1805) volgen daarna in de lijst met doeken die lezers het beste kennen. Onze catalogus bevat 55 werken van Cephas Thompson: hier zijn de 55 bekendste, elk met het jaartal, het museum en wat het werk zo bijzonder maakt.

      Gerangschikt op basis van onze populariteitsscore, die de zoekopdrachten, bezoeken en bestellingen voor elk werk combineert. Bijgewerkt in november 2026. Elk schilderij op deze pagina kan worden besteld als een handgeschilderde oliereductie op linnen canvas, of als een fine art print, uitgevoerd in de door u gekozen afmeting.

      Portret van Cephas Thompson
      Cephas Thompson · 1775 – 1856
      Geboren · overleden
      1775 – 1856, Middleborough
      Stroming
      Impressionism
      Werken in onze catalogus
      55
      Meest bekend
      Mrs. Cephas Thompson (Olivia Leonard) (1810)
      Meeste werken in
      National Gallery of Canada

      Top 10 schilderijen van Cephas Thompson: de doeken die iedereen kent

      Mrs. Cephas Thompson (Olivia Leonard) (1810) door Cephas Thompson
      1

      Mrs. Cephas Thompson (Olivia Leonard)

      1810 · Oil On Canvas · Metropolitan Museum of Art, New York

      The portrait titled Mrs. Cephas Thompson (Olivia Leonard) captures a quiet moment of presence. It was painted by Cephas Thompson, an American artist born in Middleborough, Massachusetts. The subject of this work is Olive Leonard, the wife of the painter. Their connection is etched into the very intent of the brushwork, turning a formal likeness into a private record of a shared life.

      Handgeschilderde olieverfreproductie vanaf $178 26 × 39 cm Zelfde formaat als het origineel $444 80 × 122 cm Bestel in de originele afmetingen →
      The Frightened Girl (1810) door Cephas Thompson
      2

      The Frightened Girl

      1810 · Oil On Canvas · Museum of Fine Arts, Boston

      The Frightened Girl is an oil on canvas work by the American painter Cephas Thompson. Executed about 1810, the portrait captures a woman positioned within a landscape. Thompson, born in Middleborough, Massachusetts, was a prominent figure in early nineteenth-century American portraiture, known for his ability to navigate both intimate miniatures and larger-scale compositions.

      Handgeschilderde olieverfreproductie vanaf $203 29 × 35 cm Zelfde formaat als het origineel $321 64 × 76 cm Bestel in de originele afmetingen →
      Maria De Wolf (Mrs. Robert Rogers) (1805) door Cephas Thompson
      3

      Maria De Wolf (Mrs. Robert Rogers)

      1805 · Oil On Canvas · Museum of Fine Arts, Boston

      In this vertically oriented portrait from about 1805, Cephas Thompson captures Maria De Wolf (Mrs. Robert Rogers) in a quiet, three-quarter view. She is positioned slightly to the left of center, her presence anchored by the weight of an open book held in her hands. The subject rests within a muted, architectural setting where the straight lines of a window frame and a table provide a structured geometry to the…

      Handgeschilderde olieverfreproductie vanaf $178 29 × 35 cm Zelfde formaat als het origineel $265 56 × 69 cm Bestel in de originele afmetingen →
      Giant's Tomb, Georgian Bay door Cephas Thompson
      4

      Giant's Tomb, Georgian Bay

      Oil

      Giant's Tomb, Georgian Bay is a work by the American painter Cephas Thompson. Born in 1775, Thompson established a presence in the American art landscape during the early nineteenth century. His practice was characterized by a transition from the precision of portraiture toward the expansive study of natural environments.

      Handgeschilderde olieverfreproductie vanaf $178 35 × 28 cm

      Meer canvassen van Cephas Thompson, van 11 tot 55

      Wat Cephas Thompson het meest schilderde

      De vier onderwerpen die het meest voorkomen op deze doeken, elk met zijn meest geliefde voorbeeld.

      Waar de doeken van Cephas Thompson hangen

      De 3 musea met de meeste schilderijen op deze pagina.

      Museum Stad Werken van Cephas Thompson Schilderijen uit deze lijst
      National Gallery of Canada, OttawaNational Gallery of Canada Ottawa 5 Spring, French River, Lumber Dam, Split Rock, Georgian Bay
      Museum of Fine Arts, BostonMuseum of Fine Arts Boston 2 The Frightened Girl, Maria De Wolf (Mrs. Robert Rogers)
      Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 1 Mrs. Cephas Thompson (Olivia Leonard)

      De meest geliefde doeken van Cephas Thompson, jaar voor jaar

      De gedateerde doeken van Cephas Thompson op deze pagina beslaan slechts 6 jaar, van 1805 tot 1810: volg ze jaar voor jaar, in hun eigen licht.

      1. 1805
        Maria De Wolf (Mrs. Robert Rogers) (1805) door Cephas Thompson
        Op nummer 3 van 55

        Maria De Wolf (Mrs. Robert Rogers)

        Leeftijd 30 · Museum of Fine Arts

        In this vertically oriented portrait from about 1805, Cephas Thompson captures Maria De Wolf (Mrs. Robert Rogers) in a quiet, three-quarter view. She is positioned slightly to the…

      2. 1810
        Mrs. Cephas Thompson (Olivia Leonard) (1810) door Cephas Thompson
        Canvas 1 van 55

        Mrs. Cephas Thompson (Olivia Leonard)

        Leeftijd 35 · Metropolitan Museum of Art

        The portrait titled Mrs. Cephas Thompson (Olivia Leonard) captures a quiet moment of presence. It was painted by Cephas Thompson, an American artist born in Middleborough, Massachusetts. The…

      3. 1810
        The Frightened Girl (1810) door Cephas Thompson
        Canvas 2 van 55

        The Frightened Girl

        Leeftijd 35 · Museum of Fine Arts

        The Frightened Girl is an oil on canvas work by the American painter Cephas Thompson. Executed about 1810, the portrait captures a woman positioned within a landscape. Thompson,…

      Over de doeken van Cephas Thompson: uw vragen beantwoord

      Wat is het bekendste schilderij van Cephas Thompson?Lees het antwoord

      Mrs. Cephas Thompson (Olivia Leonard) (1810), Metropolitan Museum of Art, New York. The Frightened Girl (1810) en Maria De Wolf (Mrs. Robert Rogers) (1805) volgen.

      Hoe oud was Cephas Thompson toen Mrs. Cephas Thompson (Olivia Leonard) werd geschilderd?Lees het antwoord

      Cephas Thompson, geboren in 1775, was 35 jaar oud: Mrs. Cephas Thompson (Olivia Leonard) dateert uit 1810.

      Wat zijn de 10 bekendste schilderijen van Cephas Thompson?Lees het antwoord

      Mrs. Cephas Thompson (Olivia Leonard), The Frightened Girl, Maria De Wolf (Mrs. Robert Rogers), Giant's Tomb, Georgian Bay, Nicholas Robinson -, Reverend William Bruce, Lake In Algonquin Park, Lake, Shore And Sky, Autumn, Algonquin Park en James Ingram. Elk canvas in de bovenstaande ranglijst is voorzien van het jaartal en het museum.

      Hoeveel werken heeft Cephas Thompson in totaal geschilderd?Lees het antwoord

      55 werken van Cephas Thompson zijn opgenomen in onze catalogus, gedateerd van 1805 tot 1810.

      Waar kan ik de beroemdste doeken van Cephas Thompson bekijken?Lees het antwoord

      Voornamelijk in National Gallery of Canada (Ottawa), Museum of Fine Arts (Boston) en Metropolitan Museum of Art (New York); de bovenstaande lijst vermeldt elk museum en de bijbehorende doeken.

      Wanneer schilderde Cephas Thompson deze geliefde doeken?Lees het antwoord

      In 1810, die 2 van de 55 werken op deze pagina vertegenwoordigt, waaronder Mrs. Cephas Thompson (Olivia Leonard).

      Wat zijn de vroegste en laatste beroemde doeken van Cephas Thompson?Lees het antwoord

      Het oudste canvas hier is Maria De Wolf (Mrs. Robert Rogers) (1805); het nieuwste is Mrs. Cephas Thompson (Olivia Leonard) (1810).

      Wat schilderde Cephas Thompson het vaakst?Lees het antwoord

      Sky (6), Landscape (5) en Lakes (5), verspreid over de 55 werken op deze pagina.

      Met welk medium schilderde Cephas Thompson het vaakst?Lees het antwoord

      Oil On Canvas, gebruikt in 3 van de 55 werken op deze pagina.

      Bij welke stroming behoort het schilderij van Cephas Thompson?Lees het antwoord

      Impressionism, zoals de doeken op deze pagina laten zien.

      Welke doeken van Cephas Thompson hangen in het National Gallery of Canada?Lees het antwoord

      Het National Gallery of Canada, Ottawa herbergt 5 van de werken op deze pagina, waaronder Spring, French River, Lumber Dam en Split Rock, Georgian Bay.

      Kan ik een reproductie van een Cephas Thompson canvas kopen?Lees het antwoord

      Ja. Elk schilderij op deze pagina kan via de eigen pagina worden besteld als een handgeschilderd olieverfreproductie, of als een fine art print, in de door u gekozen afmeting.

      Cephas Thompson: een leven in verf

      The Luminescent Legacy of Thomas Clement Thompson

      In the grand tapestry of nineteenth-century art, few threads are as delicately woven as those left by Thomas Clement Thompson. A master of both the intimate and the expansive, Thompson’s career serves as a bridge between the meticulous precision of Georgian portraiture and the atmospheric, emotive depths of the Luminist movement. Born in Belfast in 1780, his life was shaped by the intellectual and artistic currents of an era defined by transition. His early training at the Dublin Society Schools, which began in 1796, provided him with a rigorous academic foundation, instilling a profound command over draughtsmanship and tonal manipulation that would remain the hallmark of his artistry throughout his long and distinguished life.

      Thompson first rose to prominence through the delicate medium of portrait miniatures. These small-scale works, characterized by their remarkable sensitivity, allowed him to capture the very essence of his subjects with a precision that enchanted the high society of Belfast and Dublin. There is an inherent intimacy in the miniature, a quiet dialogue between the artist and the sitter, which Thompson navigated with unparalleled grace. His ability to render nuanced expressions and the subtle textures of skin and fabric made him a sought-after chronicler of the era's most notable figures, including royalty such as George IV.

      A Transition Toward the Sublime

      As the nineteenth century progressed, Thompson underwent a profound artistic metamorphosis. Between 1803 and 1809, he made the deliberate and daring decision to pivot from the miniature format toward large-scale portraiture and landscape painting. This shift was not merely a change in scale, but a fundamental evolution in his aesthetic philosophy. Influenced by the monumental styles of Joshua Reynolds and Benjamin West, Thompson began to explore the concept of the sublime—the idea that art should evoke awe through the depiction of nature's grandeur and the play of light.

      This period saw him embracing the principles of Luminism, a style that prioritizes the effects of light and atmosphere. In his landscapes, such as the evocative Early Snow, Algonquin Park or the dynamic Thunder Cloud, one can witness his mastery of atmospheric perspective. He utilized soft, diffused light and muted color palettes to create immersive vistas where the boundaries between earth and sky seem to dissolve. Through these works, Thompson did not merely paint scenery; he captured the ephemeral, fleeting moments of weather and light that define the human experience of the natural world.

      Legacy and Historical Significance

      Thompson’s influence extended far beyond the borders of Ireland. By 1817, his burgeoning success led him to establish a new studio in London, where he became a regular fixture at the prestigious Royal Academy exhibitions. His presence in the London art scene solidified his reputation as an international figure of significant merit. His commitment to the institutionalization of art was equally profound; as a founding member of the Royal Hibernian Academy, he played a crucial role in shaping the artistic landscape of Ireland for generations to come.

      The later years of his life saw him settling in Cheltenham, where he continued to refine his craft until his passing in 1857. When reflecting on his body of work, several key achievements emerge:

      • Mastery of Scale: His seamless transition from the microscopic detail of miniatures to the sweeping vistas of landscape painting.
      • Luminist Innovation: His ability to use light as a primary subject, creating atmospheric depth and emotional resonance.
      • Institutional Impact: His foundational role in the Royal Hibernian Academy, fostering a structured environment for Irish artists.
      • Societal Connection: His skill in capturing the likenesses of the political and social elite, preserving the visual history of the Georgian and Victorian eras.

      Today, the works of Thomas Clement Thompson remain vital touchstones for students of art history. They stand as a testament to an artist who could move effortlessly between the quietest whisper of a portrait and the thunderous roar of a storm-swept sky, leaving behind a legacy of light, shadow, and enduring beauty.