Atelier — Gratis verzending wereldwijd — Levertijd 2–6 weken
      Daniel Casey, 1820 – 1885

      Daniel Casey: De 1 bekendste schilderijen

      Van alle schilderijen van Daniel Casey is Baba-Ali, Arabian Horse of General Henri d'Orléans, Duke of Aumale (1852) het bekendst; het hangt in het Musée Condé in Chantilly. Van de 1 werken van Daniel Casey in onze catalogus zijn dit de 1 meest gevierde werken, elk getoond met de datum, het museum en het verhaal erachter.

      Gerangschikt op basis van onze populariteitsscore, die de zoekopdrachten, bezoeken en bestellingen voor elk werk combineert. Bijgewerkt in november 2026. Elk schilderij op deze pagina kan worden besteld als een handgeschilderde oliereductie op linnen canvas, of als een fine art print, uitgevoerd in de door u gekozen afmeting.

      Portret van Daniel Casey
      Daniel Casey · 1820 – 1885
      Geboren · overleden
      1820 – 1885, Bordeaux
      Werken in onze catalogus
      1
      Meest bekend
      Baba-Ali, Arabian Horse of General Henri d'Orléans, Duke of Aumale (1852)
      Meeste werken in
      Musée Condé

      De 10 meest gevierde schilderijen van Daniel Casey

      Waar de doeken van Daniel Casey hangen

      Het museum met de meeste schilderijen op deze pagina.

      Museum Stad Werken van Daniel Casey Schilderijen uit deze lijst
      Musée Condé, ChantillyMusée Condé Chantilly 1 Baba-Ali, Arabian Horse of General Henri d'Orléans, Duke of Aumale

      Jaar voor jaar: de meest gevierde doeken van Daniel Casey

      Eén jaar, 1852, bevat elk gedateerd canvas van Daniel Casey op deze pagina: hier zijn ze, de beroemdste eerst.

      1. 1852

      Uw vragen over de schilderijen van Daniel Casey beantwoord

      Wat is het meest gevierde schilderij van Daniel Casey?Lees het antwoord

      Baba-Ali, Arabian Horse of General Henri d'Orléans, Duke of Aumale (1852)

      Hoe oud was Daniel Casey op het moment van Baba-Ali, Arabian Horse of General Henri d'Orléans, Duke of Aumale?Lees het antwoord

      Daniel Casey, geboren in 1820, was 32 jaar oud: Baba-Ali, Arabian Horse of General Henri d'Orléans, Duke of Aumale dateert uit 1852.

      Hoeveel schilderijen van Daniel Casey zijn er bekend?Lees het antwoord

      1 werken van Daniel Casey staan in onze catalogus.

      In welke musea bevinden zich de bekendste doeken van Daniel Casey?Lees het antwoord

      Voornamelijk in Musée Condé (Chantilly); de bovenstaande lijst vermeldt elk museum en de bijbehorende doeken.

      Kan ik een handgeschilderde kopie bestellen van een schilderij van Daniel Casey?Lees het antwoord

      Ja. Elk schilderij op deze pagina kan via de eigen pagina worden besteld als een handgeschilderd olieverfreproductie, of als een fine art print, in de door u gekozen afmeting.

      Daniel Casey: het verhaal van de schilder

      A Life Between Borders

      Born in Bordeaux to Irish parents, Daniel Casey lived a life shaped by the shifting landscapes of nineteenth-century Europe. His early years in France provided a foundation that would later merge with the rigorous training he received in Antwerp. It was within the walls of the Antwerp Academy that he formed a bond that would define much of his personal history, meeting and befriending Ford Madox Brown. The two young men shared more than just an education; they shared lodgings at the Hotel du Pot d'Etain, living through the shared struggles of student life on the Continent.

      This companionship was marked by deep devotion and shared hardship. When tragedy struck the household in Paris in 1846, with the passing of Brown’s wife from consumption, Casey did not turn away. He lent his strength to the effort of raising funds to return her body to England, a gesture that spoke to the profound loyalty between the two artists. While Brown eventually returned to England, Casey remained rooted in France, finding his place within the French art scene and exhibiting his works at the Salon.

      The Spirit of the Horse

      In his brushwork, Casey found a particular calling in the depiction of horses. He possessed an eye for the movement and temperament of these animals, often capturing them amidst the elements. His canvases frequently sought to portray the raw energy of nature, such as in his work Horses in a storm. There is a certain weight to his subjects, a sense of physical presence that suggests he understood the muscle and bone beneath the coat.

      His repertoire included varied subject matter that moved between the dramatic and the observational:

      • The Temptation of Faust: An oil on canvas that demonstrates his ability to handle large-scale narrative composition.
      • Le Convoi des Carriers: A work that achieved significant recognition in the auction rooms, reflecting the commercial interest in his depictions of movement and labor.
      • Amazones: A smaller painting on canvas that shows a different scale of his artistic reach.

      A Legacy in Shadows and Light

      Though he lived much of his life on the Continent, Casey’s influence reached beyond the borders of France. His death in Paris in 1885 marked the end of a life spent navigating the intersections of Irish heritage and French training. Even after his passing, the connections he maintained lived on through the memories of his peers. When he died, the loss was felt by those who had known him in the studios of Antwerp and the streets of Paris.

      The historical footprint of his work remains visible in collections where his sketches and oils are preserved. A pencil drawing of him, created by Ford Madox Brown, resides in the Birmingham Museum and Art Gallery, serving as a quiet link to the shared history of two men who once navigated the art worlds of Europe together. His paintings continue to appear in the halls of auction houses, reminding viewers of a painter who found his true voice in the strength of the horse and the atmosphere of the French landscape.