Atelier — Gratis verzending wereldwijd — Levertijd 2–6 weken
      Daniel Saint, 1778 – 1847

      De 5 bekendste schilderijen van Daniel Saint

      Portrait de Mme Savary, duchesse de Rovigo (1840) is het schilderij waar Daniel Saint het meest om bekendstaat. Portrait of the duchess of berry en Unknown Man maken het trio van meest geliefde doeken compleet. Onze catalogus bevat 7 werken van Daniel Saint. Hier zijn de 5 bekendste, inclusief het jaar, het museum en het verhaal achter elk canvas.

      Gerangschikt op basis van onze populariteitsscore, die de zoekopdrachten, bezoeken en bestellingen voor elk werk combineert. Bijgewerkt in november 2026. Elk schilderij op deze pagina kan worden besteld als een handgeschilderde oliereductie op linnen canvas, of als een fine art print, uitgevoerd in de door u gekozen afmeting.

      Portret van Daniel Saint
      Daniel Saint · 1778 – 1847
      Geboren · overleden
      1778 – 1847, Saint-Lô
      Werken in onze catalogus
      7
      Meest bekend
      Portrait de Mme Savary, duchesse de Rovigo (1840)
      Meeste werken in
      Nationalmuseum

      De tien meest geliefde schilderijen van Daniel Saint

      Lady with a Greyhound (1842) door Daniel Saint
      5

      Lady with a Greyhound

      1842

      Daniel Saint was a worthy successor to prominent portrait-miniaturist Jean-Baptiste-Jacques Augustin; Saint rose to prominence painting official portraits of Napoleon and members of his court. While his early works are soft and vaporous in style, the mature works are more precisely painted with a pure, vibrant palette.Saint’s

      Handgeschilderde olieverfreproductie vanaf $178 24 × 41 cm

      Waar de doeken van Daniel Saint hangen

      De 2 musea met de meeste schilderijen op deze pagina.

      Museum Stad Werken van Daniel Saint Schilderijen uit deze lijst
      Nationalmuseum, StockholmNationalmuseum Stockholm 2 Unknown Man, Charles X, King of France and Navarre
      Château de Chambord, ChambordChâteau de Chambord Chambord 1 Portrait of the duchess of berry

      De beroemdste doeken van Daniel Saint, jaar na jaar

      De gedateerde doeken van Daniel Saint beslaan hier slechts 3 jaar, van 1840 tot 1842: jaar na jaar.

      1. 1840
      2. 1842
        Lady with a Greyhound (1842) door Daniel Saint
        Canvas 5 van 5

        Lady with a Greyhound

        Leeftijd 64

        Daniel Saint was a worthy successor to prominent portrait-miniaturist Jean-Baptiste-Jacques Augustin; Saint rose to prominence painting official portraits of Napoleon and members of his court. While his early…

      De doeken van Daniel Saint, vraag voor vraag

      Waarom wordt Daniel Saint het meest herinnerd om welk canvas?Lees het antwoord

      Portrait de Mme Savary, duchesse de Rovigo (1840), gevolgd door Portrait of the duchess of berry en Unknown Man.

      Portrait de Mme Savary, duchesse de Rovigo: hoe oud was Daniel Saint toen dit werd geschilderd?Lees het antwoord

      Daniel Saint, geboren in 1778, was 62 jaar oud: Portrait de Mme Savary, duchesse de Rovigo dateert uit 1840.

      Hoeveel schilderijen heeft Daniel Saint gemaakt?Lees het antwoord

      7 werken van Daniel Saint zijn opgenomen in onze catalogus, gedateerd van 1840 tot 1842.

      Waar hangen de beroemdste doeken van Daniel Saint tegenwoordig?Lees het antwoord

      Voornamelijk in Nationalmuseum (Stockholm) en Château de Chambord (Chambord); de bovenstaande lijst vermeldt elk museum en de bijbehorende doeken.

      Welk beroemd canvas van Daniel Saint was het eerst, en welke was het laatst?Lees het antwoord

      Het oudste canvas hier is Portrait de Mme Savary, duchesse de Rovigo (1840); het nieuwste is Lady with a Greyhound (1842).

      Welke schilderijen van Daniel Saint zijn in de collectie van het Nationalmuseum?Lees het antwoord

      Het Nationalmuseum, Stockholm herbergt 2 van de werken op deze pagina, waaronder Unknown Man en Charles X, King of France and Navarre.

      Waar kan ik een reproductie van een schilderij van Daniel Saint kopen?Lees het antwoord

      Ja. Elk schilderij op deze pagina kan via de eigen pagina worden besteld als een handgeschilderd olieverfreproductie, of als een fine art print, in de door u gekozen afmeting.

      Maak kennis met de schilder: Daniel Saint

      The Delicate Touch of Parisian Miniature Painting

      Daniel Saint (French, b.1778, d.1847) stands as a pivotal figure in the history of French miniature painting during the Romantic era. Born in the quiet town of Saint Lô, Normandy, he emerged from humble beginnings to become one of the most celebrated portraitists of his time, lauded for his unparalleled ability to capture emotion and nuance within exquisitely detailed canvases often no larger than six inches square. His distinctive style—characterized by a soft, vaporous technique—established him as an innovator who subtly departed from established conventions, marking a significant shift toward Impressionistic sensibilities long before the movement officially took hold.

      Saint’s formative years were shaped by rigorous academic training under the esteemed Jean-Baptiste Regnault at the École Royale Supérieure des Beaux-Arts in Paris. Studying alongside talented contemporaries such as Augustine Aubry and François Auguste Clément, Saint absorbed the foundational principles of the School of David while simultaneously fostering a unique artistic imagination. This period of mentorship was crucial, as it provided him with the technical discipline required for precision, yet allowed him to explore the psychological depth that would become his hallmark. Interestingly, his early exposure to craftsmanship was likely influenced by his father, a printer, whose profession instilled in Saint a lifelong meticulous attention to detail and an appreciation for visual communication.

      A Revolution of Light and Texture

      What truly set Daniel Saint apart from the masters of his era was his pioneering approach to medium and method. While many of his contemporaries, such as Isabey, relied heavily on traditional glazing methods to achieve depth, Saint embraced a groundbreaking use of hatching. By drawing closely spaced parallel lines to create tonal shading, he achieved remarkable effects of light and shadow that conveyed texture with astonishing subtlety. This technique allowed him to move away from overly polished, porcelain-like surfaces in favor of a matte finish, lending his portraits an ethereal, atmospheric quality that mirrored the Romantic preoccupation with mood and psychological realism.

      As his career progressed, Saint’s work underwent a fascinating evolution. His early compositions were celebrated for their soft, vaporous, and almost dreamlike qualities, capturing the fleeting elegance of the era. However, as he matured, his palette became more pure and vibrant, and his brushwork grew increasingly precise. This transition allowed him to navigate the shifting political landscapes of France with ease, moving from the delicate aesthetics of the late 18th century into a more robust and commanding style that suited the grandeur of the Napoleonic age.

      Legacy and Imperial Recognition

      The historical significance of Daniel Saint is inextricably linked to the heights of French political power. He rose to prominence as a worthy successor to the great portrait-miniaturist Jean-Baptiste-Jacques Augustin, eventually earning the prestigious opportunity to paint official portraits of Napoleon Bonaparte and members of his imperial court. His ability to capture the likenesses of figures such as Empress Josephine and Queen Hortense ensured his place in the annals of French history, as his miniatures served not just as art, but as intimate, portable icons of power and familial connection.

      Beyond the imperial court, Saint's influence extended through his mastery of the miniature format, an art form that demanded extreme technical virtuosity. His works remain a testament to a period where the small-scale canvas could hold the weight of an entire era's emotions. Today, his legacy is preserved in collections worldwide, recognized for:

      • Technical Innovation: The pioneering use of hatching to create depth without traditional glazing.
      • Historical Connection: His role as a primary chronicler of the Bonaparte family and the Napoleonic court.
      • Stylistic Evolution: The transition from soft, vaporous Romanticism to a vibrant, precise maturity.
      • Artistic Mastery: An unparalleled ability to convey psychological depth within extremely small dimensions.
      Through his delicate touch, Daniel Saint transformed the miniature portrait from a mere keepsake into a profound medium of light, shadow, and human soul.