Atelier — Gratis verzending wereldwijd — Levertijd 2–6 weken
      Dorofield Hardy, 1853 – 1937

      Dorofield Hardy: De 20 bekendste schilderijen

      Van alle schilderijen van Dorofield Hardy is Mary Curzon (1760–1804), Lady Stawell and Her Daughter, Mary Legge (1780–1864) (copy after John Downman) (1900) het meest bekend. Direct daarna volgen Edward Williams Byron Nicholson (1849–1912) (1927) en Lady Gwendolen (Florence Mary) Onslow (1881–1966), Countess of Iveagh (1903). Van de 23 werken van Dorofield Hardy in onze catalogus zijn dit de 20 meest gevierde werken, elk getoond met de datum, het museum en het verhaal erachter.

      Gerangschikt op basis van onze populariteitsscore, die de zoekopdrachten, bezoeken en bestellingen voor elk werk combineert. Bijgewerkt in november 2026. Elk schilderij op deze pagina kan worden besteld als een handgeschilderde oliereductie op linnen canvas, of als een fine art print, uitgevoerd in de door u gekozen afmeting.

      Portret van Dorofield Hardy
      Dorofield Hardy · 1853 – 1937
      Geboren · overleden
      1853 – 1937
      Werken in onze catalogus
      23
      Meest bekend
      Mary Curzon (1760–1804), Lady Stawell and Her Daughter, Mary Legge (1780–1864) (copy after John Downman) (1900)
      Meeste werken in
      Government Art Collection

      De 10 meest gevierde schilderijen van Dorofield Hardy

      Mary Curzon (1760–1804), Lady Stawell and Her Daughter, Mary Legge (1780–1864) (copy after John Downman) (1900) door Dorofield Hardy
      1

      Mary Curzon (1760–1804), Lady Stawell and Her Daughter, Mary Legge (1780–1864) (copy after John Downman)

      1900 · Oil On Canvas

      This portrait, executed in 1900 by Dorofield Hardy, functions as a meticulous reproduction after the earlier work of John Downman. It captures Mary Curzon, Lady Stawell, and her daughter, Mary Legge, positioned within a pastoral field. A white horse occupies the center of the composition, acting as a focal point that anchors the figures to the natural environment. The arrangement of the subjects suggests a quiet, structured social order, reinforced…

      Handgeschilderde olieverfreproductie vanaf $178 35 × 28 cm Zelfde formaat als het origineel $239 61 × 49 cm Bestel in de originele afmetingen →
      Edward Williams Byron Nicholson (1849–1912) (1927) door Dorofield Hardy
      2

      Edward Williams Byron Nicholson (1849–1912)

      1927 · Oil On Canvas · Bodleian Libraries, Oxford

      In this portrait, we encounter a man who carries the weight of his intellect in his very posture. The subject, Edward Williams Byron Nicholson, is presented with a quiet authority that suggests a life spent among the archives and the hushed corridors of learning. He is positioned centrally, his form dominating the frame in a way that feels both grounded and dignified. The lighting is soft, diffusing across the contours…

      Handgeschilderde olieverfreproductie vanaf $178 28 × 36 cm Zelfde formaat als het origineel $357 71 × 97 cm Bestel in de originele afmetingen →

      Schilderijen van Dorofield Hardy gerangschikt van 11 tot 20

      Wat Dorofield Hardy het meest schilderde

      De vier onderwerpen die het meest voorkomen op deze doeken, elk met zijn meest geliefde voorbeeld.

      Waar de doeken van Dorofield Hardy hangen

      De 8 musea met de meeste schilderijen op deze pagina.

      Museum Stad Werken van Dorofield Hardy Schilderijen uit deze lijst
      Government Art Collection, LondenGovernment Art Collection Londen 2 Robert Cecil, 3rd Marquess of Salisbury (1830–1903), Prime Minister (copy of George Richmond), Queen Victoria (1819–1901) (copy of Heinrich von Angeli)
      Bodleian Libraries, OxfordBodleian Libraries Oxford 1 Edward Williams Byron Nicholson (1849–1912)
      National Trust, GuildfordNational Trust Guildford 1 Lady Gwendolen (Florence Mary) Onslow (1881–1966), Countess of Iveagh
      The Royal College of Surgeons of Edinburgh, EdinburghThe Royal College of Surgeons of Edinburgh Edinburgh 1 Joseph Lister (1827–1912), FRCSEd (1855) (after Walter William Ouless)
      Ickworth, Suffolk CountyIckworth Suffolk County 1 Elizabeth Davers (1730–1800), Countess of Bristol, and Her Daughter Lady Louisa Theodosia Hervey (1770–1821), Later Countess of Liverpool (after Antonio de Bittio)
      National Trust, NewtownardsNational Trust Newtownards 1 Hans Willem Bentinck (1649–1709), 1st Earl of Portland (after Hyacinthe Rigaud)
      Chelsea And Westminster Hospital, LondonChelsea And Westminster Hospital London 1 Nottidge Charles MacNamara (1832–1918), FRCS
      Royal College of Veterinary Surgeons, LondonRoyal College of Veterinary Surgeons London 1 Major General Sir Frederick Smith

      Decennium voor decennium: het meest gevierde canvas van Dorofield Hardy

      1. 1900s
      2. 1910s
      3. 1920s
        Edward Williams Byron Nicholson (1849–1912) (1927) door Dorofield Hardy
        2 van 20

        Edward Williams Byron Nicholson (1849–1912)

        Leeftijd 67 – 76 · Bodleian Libraries

        In this portrait, we encounter a man who carries the weight of his intellect in his very posture. The subject, Edward Williams Byron Nicholson, is presented with a…

      4. 1930s

      Uw vragen over de schilderijen van Dorofield Hardy beantwoord

      Wat is het meest gevierde schilderij van Dorofield Hardy?Lees het antwoord

      Mary Curzon (1760–1804), Lady Stawell and Her Daughter, Mary Legge (1780–1864) (copy after John Downman) (1900), gevolgd door Edward Williams Byron Nicholson (1849–1912) (1927) en Lady Gwendolen (Florence Mary) Onslow (1881–1966), Countess of Iveagh (1903).

      Hoe oud was Dorofield Hardy op het moment van Mary Curzon (1760–1804), Lady Stawell and Her Daughter, Mary Legge (1780–1864) (copy after John Downman)?Lees het antwoord

      Dorofield Hardy, geboren in 1853, was 47 jaar oud: Mary Curzon (1760–1804), Lady Stawell and Her Daughter, Mary Legge (1780–1864) (copy after John Downman) dateert uit 1900.

      Waar is Dorofield Hardy het meest bekend om vanwege welke tien schilderijen?Lees het antwoord

      Mary Curzon (1760–1804), Lady Stawell and Her Daughter, Mary Legge (1780–1864) (copy after John Downman), Edward Williams Byron Nicholson (1849–1912), Lady Gwendolen (Florence Mary) Onslow (1881–1966), Countess of Iveagh, Joseph Lister (1827–1912), FRCSEd (1855) (after Walter William Ouless), Called 'Cecil Matthews, Mrs Talbot', but Probably 'Mary de Cardonnel, Lady Talbot (c.1719–1787)', The Ballroom, Londonderry House, 1912 (copy of John Lavery), Elizabeth Davers (1730–1800), Countess of Bristol, and Her Daughter Lady Louisa Theodosia Hervey (1770–1821), Later Countess of Liverpool (after Antonio de Bittio), The Honourable Elizabeth Hervey (c.1610 1620–1700), The Honourable Mrs John Hervey (after Anthony van Dyck), Charles John Alton Chetwynd (1882–1915), Viscount Ingestre, MVO en Hans Willem Bentinck (1649–1709), 1st Earl of Portland (after Hyacinthe Rigaud). Elk canvas in de bovenstaande ranglijst is voorzien van het jaartal en het museum.

      Hoeveel schilderijen van Dorofield Hardy zijn er bekend?Lees het antwoord

      23 werken van Dorofield Hardy zijn opgenomen in onze catalogus, gedateerd van 1900 tot 1934.

      In welke musea bevinden zich de bekendste doeken van Dorofield Hardy?Lees het antwoord

      Voornamelijk in Government Art Collection (Londen), Bodleian Libraries (Oxford) en National Trust (Guildford); de bovenstaande lijst vermeldt elk museum en de bijbehorende doeken.

      In welke jaren schilderde Dorofield Hardy zijn/haar meest gevierde doeken?Lees het antwoord

      In 1920s, die 6 van de 20 werken op deze pagina vertegenwoordigt, waaronder Edward Williams Byron Nicholson (1849–1912).

      Wat zijn de eerste en de laatste van de beroemde doeken van Dorofield Hardy?Lees het antwoord

      Het oudste canvas hier is Mary Curzon (1760–1804), Lady Stawell and Her Daughter, Mary Legge (1780–1864) (copy after John Downman) (1900); het nieuwste is Alderman P. M. Bright, Mayor of Bournemouth (1927–1931) (1934).

      Waar schilderde Dorofield Hardy meestal mee?Lees het antwoord

      Oil On Canvas, gebruikt in 2 van de 20 werken op deze pagina.

      Wat kan ik zien van Dorofield Hardy in het Government Art Collection?Lees het antwoord

      Het Government Art Collection, Londen herbergt 2 van de werken op deze pagina, waaronder Robert Cecil, 3rd Marquess of Salisbury (1830–1903), Prime Minister (copy of George Richmond) en Queen Victoria (1819–1901) (copy of Heinrich von Angeli).

      Kan ik een handgeschilderde kopie bestellen van een schilderij van Dorofield Hardy?Lees het antwoord

      Ja. Elk schilderij op deze pagina kan via de eigen pagina worden besteld als een handgeschilderd olieverfreproductie, of als een fine art print, in de door u gekozen afmeting.

      Dorofield Hardy: het verhaal van de schilder

      A Chronicler of Victorian Domesticity: The Life and Art of Dorofield Hardy

      Frederick Daniel Hardy, known professionally as Dorofield Hardy, occupies a unique and charming niche in the pantheon of 19th-century British genre painters. Born in London in 1853, his life unfolded against the backdrop of a rapidly changing society – a Victorian era steeped in sentimentality, moralizing narratives, and an increasing fascination with everyday life. While not achieving the widespread renown of some of his contemporaries, Hardy’s work offers a particularly poignant glimpse into the interiors and intimacies of middle-class homes, capturing fleeting moments of domesticity with remarkable skill and warmth. His paintings weren't grand historical statements; they were quiet observations, imbued with a gentle humor and an affectionate understanding of human relationships.

      Early Influences and Artistic Development

      Hardy’s artistic journey began with formal training at the South Kensington Art School, then a leading institution fostering a revival in British painting focused on meticulous detail and realistic representation. This academic foundation is readily apparent in his early works, which demonstrate a proficiency in capturing textures, light, and form. However, Hardy quickly diverged from purely academic styles, drawn instead to the burgeoning genre tradition popularized by artists like William Powell Frith and Luke Fildes. These painters elevated scenes of ordinary life to the level of high art, and Hardy embraced this approach wholeheartedly. He wasn’t interested in depicting idealized beauty or heroic deeds; he sought to portray the realities – and often the small joys – of Victorian family life. His early subjects frequently featured children engaged in playful activities, reflecting a broader cultural fascination with childhood innocence during the period. The influence of Dutch Golden Age painting is also discernible in his careful attention to interior details and atmospheric lighting, echoing the works of masters like Johannes Vermeer and Pieter de Hooch.

      The Cranbrook Colony and a Distinctive Style

      A pivotal moment in Hardy’s career came with his involvement in the Cranbrook Colony, established by Sir Walter Besant in 1884. This unique artistic community aimed to provide opportunities for artists to live and work rurally, fostering a sense of collaboration and shared inspiration. The colony's setting in Kent proved particularly conducive to Hardy’s evolving style. He found ample subject matter in the surrounding countryside and the lives of local families. It was during this period that his paintings began to develop their distinctive character – characterized by a warm palette, meticulous detail, and a narrative quality that often hinted at underlying stories. His depictions of children became increasingly central, not merely as subjects but as active participants in scenes brimming with life and energy. Hardy’s ability to capture the fleeting expressions and gestures of his young models is particularly noteworthy, lending an authenticity and immediacy to his work.

      Major Themes and Iconic Works

      Hardy's oeuvre consistently revolves around themes of family, childhood, and domesticity. He masterfully depicted scenes of everyday life – children playing games, families gathered for meals, quiet moments of reading or conversation. “The Sweep”, perhaps his most recognizable work, exemplifies these characteristics. The painting portrays a young chimney sweep boy momentarily pausing during his arduous task, captivated by the antics of a playful kitten. It’s a scene that simultaneously acknowledges the harsh realities of Victorian child labor and celebrates the resilience and innocence of youth. Other notable works include depictions of children engaged in various domestic activities – making mischief in the kitchen, tending to pets, or simply enjoying each other's company. These paintings are not merely sentimental portrayals; they offer a nuanced commentary on Victorian social dynamics and the changing roles of women and children. Hardy’s skill lay in his ability to imbue these scenes with a sense of warmth, humor, and genuine affection.

      Legacy and Historical Significance

      While Dorofield Hardy may not be as widely celebrated as some of his more famous contemporaries, his work remains significant for its insightful portrayal of Victorian life. He captured a specific moment in time – a period characterized by both progress and social inequality – with remarkable sensitivity and skill. His paintings offer a valuable glimpse into the interiors and intimacies of middle-class homes, revealing the values, aspirations, and everyday realities of Victorian families.
      • His meticulous attention to detail provides a rich visual record of Victorian material culture.
      • His sympathetic depictions of children challenge conventional representations of childhood during the period.
      • His work continues to resonate with audiences today, offering a nostalgic and evocative glimpse into a bygone era.
      Hardy’s legacy lies in his ability to elevate the ordinary to the level of art, reminding us that beauty and meaning can be found in the simplest moments of everyday life. He was a chronicler of Victorian domesticity, and his paintings continue to offer a poignant and enduring testament to the lives and experiences of those who lived during this fascinating period.