Atelier — Gratis verzending wereldwijd — Levertijd 2–6 weken
      Jacob Coning, 1647 – 1724

      Jacob Coning: De 16 bekendste schilderijen

      Van alle schilderijen van Jacob Coning is Nicolas de Seue (1691) het meest bekend. Direct daarna volgen Portrait of Peter Wessel Tordenskiold (1700) en Nikolaj Sibbern (1720). Van de 16 werken van Jacob Coning in onze catalogus zijn dit de 16 meest gevierde werken, elk getoond met de datum, het museum en het verhaal erachter.

      Gerangschikt op basis van onze populariteitsscore, die de zoekopdrachten, bezoeken en bestellingen voor elk werk combineert. Bijgewerkt in november 2026. Elk schilderij op deze pagina kan worden besteld als een handgeschilderde oliereductie op linnen canvas, of als een fine art print, uitgevoerd in de door u gekozen afmeting.

      Portret van Jacob Coning
      Jacob Coning · 1647 – 1724
      Geboren · overleden
      1647 – 1724, The Hague
      Werken in onze catalogus
      16
      Meest bekend
      Nicolas de Seue (1691)
      Meeste werken in
      National Museum of Art, Architecture and Design

      De 10 meest gevierde schilderijen van Jacob Coning

      Schilderijen van Jacob Coning gerangschikt van 11 tot 16

      Waar de doeken van Jacob Coning hangen

      De 3 musea met de meeste schilderijen op deze pagina.

      Museum Stad Werken van Jacob Coning Schilderijen uit deze lijst
      National Museum of Art, Architecture and Design, OsloNational Museum of Art, Architecture and Design Oslo 9 Krapfoss near Moss, Halden, seen from a hill on the foreground, View of Moss
      Oslo Museum, OsloOslo Museum Oslo 3 Portrait of Peter Wessel Tordenskiold, Halden (Fredrikshald), Oslo Hospital
      Museum Boijmans Van Beuningen, RotterdamMuseum Boijmans Van Beuningen Rotterdam 1 The Cattle Pen

      Decennium voor decennium: het meest gevierde canvas van Jacob Coning

      1. 1660s
        The Cattle Pen (1666) door Jacob Coning
        4 van 16

        The Cattle Pen

        Leeftijd 13 – 22 · Museum Boijmans Van Beuningen
      2. 1690s
      3. 1700s
      4. 1720s

      Uw vragen over de schilderijen van Jacob Coning beantwoord

      Wat is het meest gevierde schilderij van Jacob Coning?Lees het antwoord

      Nicolas de Seue (1691), gevolgd door Portrait of Peter Wessel Tordenskiold (1700) en Nikolaj Sibbern (1720).

      Hoe oud was Jacob Coning op het moment van Nicolas de Seue?Lees het antwoord

      Jacob Coning, geboren in 1647, was 44 jaar oud: Nicolas de Seue dateert uit 1691.

      Waar is Jacob Coning het meest bekend om vanwege welke tien schilderijen?Lees het antwoord

      Nicolas de Seue, Portrait of Peter Wessel Tordenskiold, Nikolaj Sibbern, The Cattle Pen, Halden (Fredrikshald), Oslo Hospital, Krapfoss near Moss, Halden, seen from a hill on the foreground, View of Moss en Akershus Fortress near Christiania/Oslo. Elk canvas in de bovenstaande ranglijst is voorzien van het jaartal en het museum.

      Hoeveel schilderijen van Jacob Coning zijn er bekend?Lees het antwoord

      16 werken van Jacob Coning zijn opgenomen in onze catalogus, gedateerd van 1666 tot 1720.

      In welke musea bevinden zich de bekendste doeken van Jacob Coning?Lees het antwoord

      Voornamelijk in National Museum of Art, Architecture and Design (Oslo), Oslo Museum (Oslo) en Museum Boijmans Van Beuningen (Rotterdam); de bovenstaande lijst vermeldt elk museum en de bijbehorende doeken.

      In welke jaren schilderde Jacob Coning zijn/haar meest gevierde doeken?Lees het antwoord

      In 1690s, die 10 van de 16 werken op deze pagina vertegenwoordigt, waaronder Nicolas de Seue.

      Wat zijn de eerste en de laatste van de beroemde doeken van Jacob Coning?Lees het antwoord

      Het oudste canvas hier is The Cattle Pen (1666); het nieuwste is Nikolaj Sibbern (1720).

      Wat kan ik zien van Jacob Coning in het National Museum of Art, Architecture and Design?Lees het antwoord

      Het National Museum of Art, Architecture and Design, Oslo herbergt 9 van de werken op deze pagina, waaronder Krapfoss near Moss, Halden, seen from a hill on the foreground en View of Moss.

      Kan ik een handgeschilderde kopie bestellen van een schilderij van Jacob Coning?Lees het antwoord

      Ja. Elk schilderij op deze pagina kan via de eigen pagina worden besteld als een handgeschilderd olieverfreproductie, of als een fine art print, in de door u gekozen afmeting.

      Jacob Coning: het verhaal van de schilder

      A Master of the Topographical Eye

      In the golden twilight of the seventeenth century, a period defined by the meticulous observation of the natural world, Jacob Coning emerged as a vital bridge between the storied traditions of Dutch landscape painting and the burgeoning courtly aesthetics of Denmark-Norway. Born around 1647 in The Hague, Coning was steeped in the rich artistic heritage of his homeland from his very first breaths. As the son of the Dutch painter Jacob Koninck, his apprenticeship began within the intimate confines of a family workshop, where he learned to capture the subtle nuances of light and atmosphere that had made Dutch art the envy of Europe. This foundational training was further refined under the guidance of masters such as Adriaen van de Velde, an influence that undoubtedly instilled in him a profound respect for topographical accuracy and the delicate interplay of shadow and sky.

      The trajectory of Coning’s life took a transformative turn in 1676 when he traveled to Copenhagen. This migration was more than a mere change of scenery; it was a pivotal moment that allowed him to transplant the sophisticated techniques of the Dutch school into a new cultural landscape. Settling in Denmark, Coning found himself uniquely positioned to serve the needs of the Danish Court. His arrival coincided with a period where the nobility sought to document their lands and estates with a sense of grandeur and permanence. Through his marriage to Dorothea Tranberg, a lady-in-waiting to Queen Charlotte Amalie, Coning secured a prestigious foothold within the royal circle, eventually earning the esteemed title of painter to the Danish Court.

      The Art of the Landscape and the Court

      Coning’s oeuvre is characterized by a remarkable duality, oscillating between the intimate precision of topographical painting and the formal dignity of portraiture. He was a pioneer in Denmark-Norway, specializing in landscapes that functioned as much as historical documents as they did works of fine art. His approach to topography was not merely about mapping terrain; it was about capturing the soul of a place. Whether rendering the sweeping vistas of Norway or the manicured estates of Denmark, Coning possessed an uncanny ability to imbable his scenes with a sense of lived reality and atmospheric depth.

      His technical mastery is perhaps most evident in his ability to navigate various artistic demands:

      • Topographical Precision: His works, such as the celebrated View of Moss from 1699, demonstrate an exacting eye for detail, documenting specific locales with a clarity that serves both aesthetic and archival purposes.
      • Portraiture: Beyond the landscape, Coning was a sought-after portraitist for the Danish and Norwegian nobility, translating the status and character of his subjects onto canvas with grace and sophistication.
      • Decorative Artistry: His versatility extended to the ornamental, as he undertook tasks such as the gilding of frames, ensuring that the presentation of art matched the quality of the painting itself.

      Despite his proximity to royal splendor, Coning’s personal journey was marked by the harsh realities of economic instability. The life of a court painter, while prestigious, did not always guarantee financial security. He faced periods of significant hardship, often finding himself forced to auction off his beloved creations to sustain himself. This struggle adds a poignant layer to his legacy, painting a picture of an artist whose dedication to his craft persisted even amidst the shadows of poverty.

      Legacy and Historical Significance

      The historical significance of Jacob Coning lies in his role as a cultural conduit. He did not merely bring Dutch techniques to Scandinavia; he helped foster a new visual language for the region. His efforts to establish an art academy in Copenhagen, alongside a circle of contemporary artists, reflect his vision for a structured and flourishing artistic community in Denmark. Though he spent his final years in the humble surroundings of a reformed church poorhouse, his impact on the Northern European landscape tradition remains indelible.

      Today, Coning’s works are cherished not only as beautiful objects of art but as essential windows into the past. His landscapes remain significant for their cultural and historic value, offering contemporary viewers a glimpse into the topography and spirit of a bygone era. Through his brush, the rugged beauty of the North and the refined elegance of the Court continue to breathe, preserved in the enduring legacy of a true master of observation.