Atelier — Gratis verzending wereldwijd — Levertijd 2–6 weken
      James Mcbey, 1883 – 1959

      De 79 bekendste schilderijen van James Mcbey

      Tul Keram A Retreating Turkish Column Bombed and Machine Gunned by Airmen in the Defile at Tul Keram, 26 September 1918 (1918) is het schilderij waar James Mcbey het meest om bekendstaat. The Allies Entering Jerusalem, 11 December 1917 General Allenby with Colonel de Piépape Commanding the French Detachment and Lieutenant Colonel D'Agostio Commanding the Italian Detachment, Entering the City by the Jaffa Gate (1919) en Black and White Puppy Lying on a Bed maken het trio van meest geliefde doeken compleet. Onze catalogus bevat 80 werken van James Mcbey. Hier zijn de 79 bekendste, inclusief het jaar, het museum en het verhaal achter elk canvas.

      Gerangschikt op basis van onze populariteitsscore, die de zoekopdrachten, bezoeken en bestellingen voor elk werk combineert. Bijgewerkt in oktober 2026.

      Portret van James Mcbey
      James Mcbey · 1883 – 1959
      Geboren · overleden
      1883 – 1959, Newburgh
      Stroming
      Impressionism
      Werken in onze catalogus
      80
      Meest bekend
      Tul Keram A Retreating Turkish Column Bombed and Machine Gunned by Airmen in the Defile at Tul Keram, 26 September 1918 (1918)
      Meeste werken in
      Paisley Art Institute Collection

      De tien meest geliefde schilderijen van James Mcbey

      The Allies Entering Jerusalem, 11 December 1917 General Allenby with Colonel de Piépape Commanding the French Detachment and Lieutenant Colonel D'Agostio Commanding the Italian Detachment, Entering the City by the Jaffa Gate (1919) door James Mcbey
      2

      The Allies Entering Jerusalem, 11 December 1917 General Allenby with Colonel de Piépape Commanding the French Detachment and Lieutenant Colonel D'Agostio Commanding the Italian Detachment, Entering the City by the Jaffa Gate

      1919

      The painting "The Allies Entering Jerusalem, 11 December 1917 General Allenby with Colonel de Piépape Commanding the French Detachment and Lieutenant Colonel D'Agostio Commanding the Italian Detachment, Entering the City by the Jaffa Gate" by James McBey is a significant historical representation of the Allied forces entering Jerusalem during World War I. Created in 1919, this oil on canvas painting measures 107 x 152 cm and captures a pivotal moment…

      James Mcbey: doeken 11 tot 79 van de ranglijst

      The Musician (1896) door James Mcbey
      #11

      The Musician

      1896

      The Musician is a captivating painting by the renowned artist James McBey, created in 1896. This artwork showcases the artist's skill in depicting the subject matter, capturing the…

      The Musician (1896) door James Mcbey
      #66

      The Musician

      1896

      The painting The Musician by James McBey is a captivating work of art that showcases the artist's skill and attention to detail. Created in 1896, this oil on…

      De doeken van James Mcbey, periode voor periode

      Wat James Mcbey het meest schilderde

      De vier onderwerpen die het meest voorkomen op deze doeken, elk met zijn meest geliefde voorbeeld.

      Waar de doeken van James Mcbey hangen

      Het museum met de meeste schilderijen op deze pagina.

      Museum Stad Werken van James Mcbey Schilderijen uit deze lijst
      Paisley Art Institute Collection, PaisleyPaisley Art Institute Collection Paisley 1 Church Villefranche

      Het beroemdste canvas van James Mcbey, decennium na decennium

      1. 1890s
        The Musician (1896) door James Mcbey
        Canvas 11 van 79

        The Musician

        Leeftijd 7 – 16

        The Musician is a captivating painting by the renowned artist James McBey, created in 1896. This artwork showcases the artist's skill in depicting the subject matter, capturing the…

      2. 1900s
      3. 1910s
      4. 1920s
      5. 1930s

      De doeken van James Mcbey, vraag voor vraag

      Waarom wordt James Mcbey het meest herinnerd om welk canvas?Lees het antwoord

      Tul Keram A Retreating Turkish Column Bombed and Machine Gunned by Airmen in the Defile at Tul Keram, 26 September 1918 (1918), gevolgd door The Allies Entering Jerusalem, 11 December 1917 General Allenby with Colonel de Piépape Commanding the French Detachment and Lieutenant Colonel D'Agostio Commanding the Italian Detachment, Entering the City by the Jaffa Gate (1919) en Black and White Puppy Lying on a Bed.

      Tul Keram A Retreating Turkish Column Bombed and Machine Gunned by Airmen in the Defile at Tul Keram, 26 September 1918: hoe oud was James Mcbey toen dit werd geschilderd?Lees het antwoord

      James Mcbey, geboren in 1883, was 35 jaar oud: Tul Keram A Retreating Turkish Column Bombed and Machine Gunned by Airmen in the Defile at Tul Keram, 26 September 1918 dateert uit 1918.

      Wat zijn de tien beroemdste doeken van James Mcbey?Lees het antwoord

      Tul Keram A Retreating Turkish Column Bombed and Machine Gunned by Airmen in the Defile at Tul Keram, 26 September 1918, The Allies Entering Jerusalem, 11 December 1917 General Allenby with Colonel de Piépape Commanding the French Detachment and Lieutenant Colonel D'Agostio Commanding the Italian Detachment, Entering the City by the Jaffa Gate, Black and White Puppy Lying on a Bed, Miss Gillespie, Volendam Girl, Tetouan Market Place, Morocco, James Hutcheon (d.c.1933), Venice, Ythan Mouth en El Marrakeshia. Elk canvas in de bovenstaande ranglijst is voorzien van het jaartal en het museum.

      Hoeveel schilderijen heeft James Mcbey gemaakt?Lees het antwoord

      80 werken van James Mcbey zijn opgenomen in onze catalogus, gedateerd van 1896 tot 1938.

      Waar hangen de beroemdste doeken van James Mcbey tegenwoordig?Lees het antwoord

      Voornamelijk in Paisley Art Institute Collection (Paisley); de bovenstaande lijst vermeldt elk museum en de bijbehorende doeken.

      Wanneer schilderde James Mcbey de beroemdste doeken?Lees het antwoord

      In 1930s, die 22 van de 79 werken op deze pagina vertegenwoordigt, waaronder Ythan Mouth.

      Welk beroemd canvas van James Mcbey was het eerst, en welke was het laatst?Lees het antwoord

      Het oudste canvas hier is The Musician (1896); het nieuwste is Atlas Mountains, Morocco (sketch) (1938).

      Welke onderwerpen schilderde James Mcbey het meest?Lees het antwoord

      Portrait (2) en Portrait painting (2), verspreid over de 79 werken op deze pagina.

      Bij welke stroming wordt James Mcbey gerekend?Lees het antwoord

      Impressionism en Contemporary realism, zoals de doeken op deze pagina laten zien.

      Maak kennis met de schilder: James Mcbey

      A Visionary Etcher Bridging Scottish Tradition and Global Exploration

      James McBey was a master of the line and light, an artist whose life story is as much a narrative of self-invention as the evocative landscapes he captured on copper plates and canvas. Born in 1883 in Newburgh, Aberdeenshire, McBey’s journey from a humble clerk in a local bank to one of Scotland’s most celebrated printmakers is nothing short of extraordinary. Lacking formal academic training in his youth, he possessed an insatiable curiosity that led him to study the technical treatises of masters like Maxime Lalanne by candlelight. This self-directed discipline allowed him to develop a visual vocabulary rooted in meticulous detail and atmospheric depth, eventually establishing him as a cornerstone of the early 20th-century etching revival.

      His early artistic impulses were deeply tethered to the rugged beauty of his homeland. The dramatic vistas of the Scottish Highlands, with their sweeping heather moorlands and mist-shrouded mountains, provided the perfect crucible for honing his mastery of tonal subtlety. Influenced by the atmospheric legacies of Turner and the delicate precision of Whistler, McBey learned to manipulate light to evoke emotion, a skill that would later serve him as his horizons expanded far beyond the borders of Scotland. His work during this period established a foundational strength in composition, where every etched line served to build a sense of place and permanence.

      From the Highlands to the Heart of History

      As McBey’s reputation grew, so too did the geographical scope of his subject matter. The artist’s life became a tapestry of global encounters, moving from the familiar terrains of Britain to the sun-drenched landscapes of North Africa and the Middle East. This period of exploration brought about some of his most significant historical contributions. During the First World War, McBey acted as a vital visual chronicler, capturing the monumental shifts of geopolitical power with a raw, journalistic precision. His masterpiece, The Allies Entering Jerusalem, 11 December 1917, stands as a profound testament to this era, rendering the complex movement of cavalry and infantry through the Jaffa Gate with both historical gravity and artistic grace.

      This fascination with the "other" and the exotic allowed him to explore themes of light and texture in ways that were impossible in the muted tones of Scotland. His travels through Morocco and Spain introduced a vibrant palette and a new interest in the interplay of shadow and heat. Whether rendering the rhythmic movement of a Spanish figure in Felix Sanchez (The Picador) or the delicate, colorful bloom of Red Hibiscus, McBey possessed a unique ability to translate the sensory experiences of foreign lands into a language that resonated with a global audience. His work became a bridge between the intimate observations of a traveler and the grand narratives of history.

      A Legacy of Education and Artistic Stewardship

      Beyond his personal output of prints and paintings, McBey’s impact on the art world was cemented through his profound commitment to the next generation of creators. Serving as the Director of the Dundee Art School from 1920 until 1959, he transformed the institution into a vital center for Scottish art instruction. He did not merely teach technique; he championed a philosophy of direct observation and experimental courage. By fostering an environment where students could engage with diverse traditions while maintaining their own unique voices, he ensured that his influence would ripple through decades of subsequent artistic movements.

      McBey’s life concluded in 1959 in Tangier, Morocco, a fitting end for an artist whose soul was forever entwined with the far reaches of the world. His legacy remains preserved not only in the prestigious collections of museums worldwide but also in the very spirit of printmaking excellence he helped define. To look upon a McBey etching is to witness a moment frozen in time—a blend of historical truth and poetic interpretation that continues to captivate the modern eye.