Atelier — Gratis verzending wereldwijd — Levertijd 2–6 weken
      Jan Rustem, 1762 – 1835

      De 15 beroemdste schilderijen van Jan Rustem, gerangschikt

      Het meest geliefde schilderij van Jan Rustem is Diana resting (1790), dat hangt in het Nationaal Museum in Warschau, Warschau. Portrait of Karolina Kublicka née Sołtan(ca. 1780–?) (1805) en Portrait of Anna of Puczyńskis (1807) volgen daarna in de lijst met doeken die lezers het beste kennen. Onze catalogus bevat 15 werken van Jan Rustem: hier zijn de 15 bekendste, elk met het jaartal, het museum en wat het werk zo bijzonder maakt.

      Gerangschikt op basis van onze populariteitsscore, die de zoekopdrachten, bezoeken en bestellingen voor elk werk combineert. Bijgewerkt in november 2026. Elk schilderij op deze pagina kan worden besteld als een handgeschilderde oliereductie op linnen canvas, of als een fine art print, uitgevoerd in de door u gekozen afmeting.

      Portret van Jan Rustem
      Jan Rustem · 1762 – 1835
      Geboren · overleden
      1762 – 1835, Istanbul
      Werken in onze catalogus
      15
      Meest bekend
      Diana resting (1790)
      Meeste werken in
      Nationaal Museum in Warschau

      Top 10 schilderijen van Jan Rustem: de doeken die iedereen kent

      Diana resting (1790) door Jan Rustem
      1

      Diana resting

      1790 · Oil On Canvas · Nationaal Museum in Warschau, Warschau

      In Jan Rustem's "Diana resting," the scene unfolds across a horizontal and balanced landscape that invites the eye to wander through a moment of quietude. At the heart of this arrangement, a reclining nude female figure rests, her form bathed in a gentle, luminous light that seems to emanate from the upper left. This soft glow traces the curves of her skin and highlights the smoothness of her limbs against…

      Handgeschilderde olieverfreproductie vanaf $253 47 × 21 cm Zelfde formaat als het origineel $572 160 × 72 cm Bestel in de originele afmetingen →
      Portrait of Karolina Kublicka née Sołtan(ca. 1780–?) (1805) door Jan Rustem
      2

      Portrait of Karolina Kublicka née Sołtan(ca. 1780–?)

      1805 · Oil On Canvas · Nationaal Museum in Warschau, Warschau

      In this classical oil portrait, Jan Rustem presents the Portrait of Karolina Kublicka née Sołtan(ca. 1780–?), a bust-length study of a young woman. The composition is intimate, utilizing a close-up perspective that brings the viewer into the subject's immediate presence. She is positioned slightly off-center, her head turned in a three-quarter view toward the left of the frame. This subtle positioning creates a sense of quietude, as if we have…

      Handgeschilderde olieverfreproductie vanaf $178 30 × 34 cm Zelfde formaat als het origineel $186 34 × 38 cm Bestel in de originele afmetingen →
      Portrait of Anna of Puczyńskis (1807) door Jan Rustem
      3

      Portrait of Anna of Puczyńskis

      1807 · Oil On Panel · Nationaal Museum in Warschau, Warschau

      In the Portrait of Anna of Puczyńskis by Jan Rustem, a woman is captured in a bust-length study, her form positioned slightly off-center against a void of deep browns. She turns her gaze toward the viewer, her eyes holding a subtle, enigmatic expression that remains fixed and quiet. Dark, wavy hair frames a face of pale ochre and creamy whites, catching a soft light that defines the contours of her…

      Handgeschilderde olieverfreproductie vanaf $178 29 × 35 cm
      Portrait of Joseph Saunders (1733–1845) (1810) door Jan Rustem
      4

      Portrait of Joseph Saunders (1733–1845)

      1810 · Oil On Canvas · Nationaal Museum in Warschau, Warschau

      In this 1810 oil portrait, we encounter Joseph Saunders, a man whose presence is felt through a quiet, dignified composure. The composition is a bust-length study, positioning the subject slightly off-center as he gazes toward the right of the frame. There is a certain stillness here, a moment captured in the soft, directional light that enters from the upper left. This illumination carves out the volume of his face, casting…

      Handgeschilderde olieverfreproductie vanaf $178 29 × 35 cm
      Portrait of Maria Mirska, Adam Napoleon Mirski and Barbara Szumska. (1808) door Jan Rustem
      5

      Portrait of Maria Mirska, Adam Napoleon Mirski and Barbara Szumska.

      1808 · Oil · Nationaal Museum in Warschau, Warschau

      The air on this paved terrace feels still, caught in the soft, luminous glow of a twilight sky. Two women and a small child occupy this space, framed by the heavy, silent presence of large architectural columns. On the left, a woman stands with a graceful, fluid movement, her white gown catching the light with a silky sheen. She holds a shallow dish aloft, an action that feels part of…

      Handgeschilderde olieverfreproductie vanaf $228 28 × 35 cm Zelfde formaat als het origineel $795 125 × 159 cm Bestel in de originele afmetingen →
      Portrait of Aniela Nowicka née Popławska (1807) door Jan Rustem
      6

      Portrait of Aniela Nowicka née Popławska

      1807 · Oil On Canvas · Nationaal Museum in Warschau, Warschau

      The light enters from the upper left, brushing against the soft contours of Aniela Nowicka’s face with a gentle, directional touch. She sits in a three-quarter view, her gaze meeting the viewer with a calm that feels both poised and deeply private. There is a stillness here, a moment frozen in the early 19th century, where the deep, muted olive green of her drapery melts into a dark, nearly black…

      Handgeschilderde olieverfreproductie vanaf $178 28 × 36 cm Zelfde formaat als het origineel $230 47 × 58 cm Bestel in de originele afmetingen →
      Portrait of Wiktoria née Potocka 1.v. Choiseul Gouffier 2.v. wife of general Bakhmatiev (1807) door Jan Rustem
      7

      Portrait of Wiktoria née Potocka 1.v. Choiseul Gouffier 2.v. wife of general Bakhmatiev

      1807 · Oil On Canvas · Nationaal Museum in Warschau, Warschau

      In this 1807 oil on canvas, we encounter a young woman captured in a moment of quietude. She is positioned slightly off-center, her gaze directed toward the left of the frame, creating a sense of introspective stillness. The composition is a bust-length portrait, where the soft, somewhat weathered texture of the paint suggests the passage of time. Her dark, curly hair provides a sharp textural contrast to the smooth, porcelain-like…

      Handgeschilderde olieverfreproductie vanaf $178 29 × 34 cm Zelfde formaat als het origineel $246 52 × 62 cm Bestel in de originele afmetingen →
      Self-portrait of Jonas Rustemas (1815) door Jan Rustem
      8

      Self-portrait of Jonas Rustemas

      1815 · Oil On Canvas · Lithuanian National Museum of Art, Vilnius

      In this close-up bust portrait, titled Self-portrait of Jonas Rustemas, the artist Jan Rustem presents himself as a middle-aged man. The subject is positioned slightly off-center, creating a subtle tension within the frame. He looks directly toward the viewer with a piercing, somewhat stern expression that demands immediate attention. This direct gaze establishes an intimate connection between the subject and the observer, stripping away any sense of artifice.

      Handgeschilderde olieverfreproductie vanaf $178 28 × 36 cm
      Portrait of Edward Jan Römer (1806–1878) (1824) door Jan Rustem
      9

      Portrait of Edward Jan Römer (1806–1878)

      1824 · Oil · Nationaal Museum in Warschau, Warschau

      In this intimate oil portrait, we find ourselves in the presence of a young man, Edward Jan Römer, captured during a period of profound transition in his life. The composition is a close-up bust portrait, positioning the subject slightly off-center as he gazes toward the left of the frame. There is a certain stillness here, a moment of contemplation frozen in time. The lighting, descending softly from the upper left,…

      Handgeschilderde olieverfreproductie vanaf $178 29 × 34 cm

      Meer canvassen van Jan Rustem, van 11 tot 15

      Wat Jan Rustem het meest schilderde

      De vier onderwerpen die het meest voorkomen op deze doeken, elk met zijn meest geliefde voorbeeld.

      Waar de doeken van Jan Rustem hangen

      De 2 musea met de meeste schilderijen op deze pagina.

      Museum Stad Werken van Jan Rustem Schilderijen uit deze lijst
      Nationaal Museum in Warschau, WarschauNationaal Museum in Warschau Warschau 13 Diana resting, Portrait of Karolina Kublicka née Sołtan(ca. 1780–?), Portrait of Anna of Puczyńskis
      Lithuanian National Museum of Art, VilniusLithuanian National Museum of Art Vilnius 2 Self-portrait of Jonas Rustemas, Portrait of Professor Josef Frank (1771–1842). Ca. 1819

      De meest geliefde canvas van Jan Rustem uit elk decennium

      1. 1790s
        Diana resting (1790) door Jan Rustem
        Canvas 1 van 15

        Diana resting

        Leeftijd 28 – 37 · Nationaal Museum in Warschau

        In Jan Rustem's "Diana resting," the scene unfolds across a horizontal and balanced landscape that invites the eye to wander through a moment of quietude. At the heart…

      2. 1800s
        Portrait of Karolina Kublicka née Sołtan(ca. 1780–?) (1805) door Jan Rustem
        2 van 15

        Portrait of Karolina Kublicka née Sołtan(ca. 1780–?)

        Leeftijd 38 – 47 · Nationaal Museum in Warschau

        In this classical oil portrait, Jan Rustem presents the Portrait of Karolina Kublicka née Sołtan(ca. 1780–?), a bust-length study of a young woman. The composition is intimate, utilizing…

      3. 1810s
        Portrait of Joseph Saunders (1733–1845) (1810) door Jan Rustem
        Op nummer 4 van 15

        Portrait of Joseph Saunders (1733–1845)

        Leeftijd 48 – 57 · Nationaal Museum in Warschau

        In this 1810 oil portrait, we encounter Joseph Saunders, a man whose presence is felt through a quiet, dignified composure. The composition is a bust-length study, positioning the…

      4. 1820s
        Portrait of Edward Jan Römer (1806–1878) (1824) door Jan Rustem
        Op nummer 9 van 15

        Portrait of Edward Jan Römer (1806–1878)

        Leeftijd 58 – 67 · Nationaal Museum in Warschau

        In this intimate oil portrait, we find ourselves in the presence of a young man, Edward Jan Römer, captured during a period of profound transition in his life.…

      Over de doeken van Jan Rustem: uw vragen beantwoord

      Wat is het bekendste schilderij van Jan Rustem?Lees het antwoord

      Diana resting (1790), Nationaal Museum in Warschau, Warschau. Portrait of Karolina Kublicka née Sołtan(ca. 1780–?) (1805) en Portrait of Anna of Puczyńskis (1807) volgen.

      Hoe oud was Jan Rustem toen Diana resting werd geschilderd?Lees het antwoord

      Jan Rustem, geboren in 1762, was 28 jaar oud: Diana resting dateert uit 1790.

      Wat zijn de 10 bekendste schilderijen van Jan Rustem?Lees het antwoord

      Diana resting, Portrait of Karolina Kublicka née Sołtan(ca. 1780–?), Portrait of Anna of Puczyńskis, Portrait of Joseph Saunders (1733–1845), Portrait of Maria Mirska, Adam Napoleon Mirski and Barbara Szumska., Portrait of Aniela Nowicka née Popławska, Portrait of Wiktoria née Potocka 1.v. Choiseul Gouffier 2.v. wife of general Bakhmatiev, Self-portrait of Jonas Rustemas, Portrait of Edward Jan Römer (1806–1878) en Male portrait. Elk canvas in de bovenstaande ranglijst is voorzien van het jaartal en het museum.

      Hoeveel werken heeft Jan Rustem in totaal geschilderd?Lees het antwoord

      15 werken van Jan Rustem zijn opgenomen in onze catalogus, gedateerd van 1790 tot 1824.

      Waar kan ik de beroemdste doeken van Jan Rustem bekijken?Lees het antwoord

      Voornamelijk in Nationaal Museum in Warschau (Warschau) en Lithuanian National Museum of Art (Vilnius); de bovenstaande lijst vermeldt elk museum en de bijbehorende doeken.

      Wanneer schilderde Jan Rustem deze geliefde doeken?Lees het antwoord

      In 1800s, die 5 van de 15 werken op deze pagina vertegenwoordigt, waaronder Portrait of Karolina Kublicka née Sołtan(ca. 1780–?).

      Wat zijn de vroegste en laatste beroemde doeken van Jan Rustem?Lees het antwoord

      Het oudste canvas hier is Diana resting (1790); het nieuwste is Portrait of Edward Jan Römer (1806–1878) (1824).

      Wat schilderde Jan Rustem het vaakst?Lees het antwoord

      Woman (6), Portrait (6) en Man (4), verspreid over de 15 werken op deze pagina.

      Met welk medium schilderde Jan Rustem het vaakst?Lees het antwoord

      Oil On Canvas, gebruikt in 6 van de 15 werken op deze pagina.

      Welke doeken van Jan Rustem hangen in het Nationaal Museum in Warschau?Lees het antwoord

      Het Nationaal Museum in Warschau, Warschau herbergt 13 van de werken op deze pagina, waaronder Diana resting, Portrait of Karolina Kublicka née Sołtan(ca. 1780–?) en Portrait of Anna of Puczyńskis.

      Kan ik een reproductie van een Jan Rustem canvas kopen?Lees het antwoord

      Ja. Elk schilderij op deze pagina kan via de eigen pagina worden besteld als een handgeschilderd olieverfreproductie, of als een fine art print, in de door u gekozen afmeting.

      Jan Rustem: een leven in verf

      A Life Bridging Cultures: The Story of Jonas Rustemas

      Jonas Rustemas, a name often echoed alongside his Polish alias Jan Rustem, occupies a fascinating, yet somewhat elusive position in the annals of 18th and 19th-century European art. Born in Constantinople in 1762, his life was one of remarkable transition and cultural synthesis. Orphaned at a young age, his trajectory took an unexpected turn when he was sponsored by Adam Kazimierz Czartoryski, a prominent figure of the Polish aristocracy and a dedicated patron of the arts. This act of generosity propelled the young Armenian boy westward, towards the heart of the Polish-Lithuanian Commonwealth around 1774, forever altering the course of his artistic development.

      Rustemas’s formative years were spent immersed in the vibrant artistic milieu of Warsaw. He received tutelage from two of the most celebrated painters working within the royal court: Jean-Pierre Norblin de la Gourdaine, renowned for his delicate genre scenes and masterful draftsmanship, and Marcello Bacciarelli, a portraitist whose skill lay in capturing the essence of aristocratic society. These influences are readily apparent in Rustemas’s early works – a refined attention to detail, a sensitivity to light and shadow, and an ability to portray both psychological depth and social standing within his subjects. He wasn't merely absorbing technique; he was learning to navigate the complex world of patronage, courtly aesthetics, and the subtle language of visual representation.

      From Warsaw to Vilnius: A Freemason’s Journey

      The late 1780s saw Rustemas embark on a period of travel that broadened his intellectual and artistic horizons. Between 1788 and 1790, he ventured into Germany, where he became initiated into the world of Freemasonry. This affiliation proved significant, shaping not only his worldview but also potentially influencing the symbolism embedded within his later paintings. The tenets of Enlightenment thought – reason, liberty, and fraternity – resonated deeply with Rustemas, and these ideals would subtly permeate his artistic practice. Upon returning to the Polish-Lithuanian Commonwealth in 1790, he settled for a time in Warsaw before ultimately relocating to Vilnius.

      Vilnius became the central stage of Rustemas’s career. In 1797, he began a long and fruitful association with Vilnius University, initially as an artist-in-residence and eventually ascending to the position of Professor of Painting in 1819. This appointment marked a turning point, solidifying his reputation as a leading figure in Lithuanian art education. He established a rigorous curriculum, emphasizing both technical proficiency and intellectual engagement. Rustemas wasn’t simply imparting skills; he was fostering a new generation of artists capable of contributing to the cultural landscape of the region.

      A Legacy Etched in Canvas: Students and Style

      Rustemas's impact extended far beyond his own artistic output, largely through the remarkable students he mentored. Among them were names that would become synonymous with Lithuanian national identity: Taras Shevchenko, the iconic Ukrainian poet and artist; Józef Oleszkiewicz, a celebrated landscape painter; Kanuty Rusiecki, known for his historical canvases; and Michał Kulesza, another prominent figure in 19th-century Lithuanian art. He instilled in them not only technical mastery but also a sense of national pride and artistic purpose.

      While Rustemas continued to paint throughout his life, retiring formally in 1826 though continuing to lecture until his death near Dūkštas in Lithuania in 1835, his style evolved. His portraits, while retaining the elegance inherited from Bacciarelli, gained a greater psychological intensity and emotional depth. He also explored historical subjects, often imbued with subtle allegorical meaning. Though not widely known outside of Eastern Europe during his lifetime, Rustemas’s work represents a unique fusion of artistic traditions – Armenian sensitivity, Polish refinement, and Lithuanian national consciousness.

      Historical Significance: A Bridge Between Worlds

      Jonas Rustemas stands as a compelling example of an artist whose life mirrored the turbulent political and cultural landscape of his time. He navigated shifting allegiances, embraced Enlightenment ideals, and dedicated himself to fostering artistic talent within a region undergoing profound change. His legacy is not merely confined to the canvases he produced but resides in the generations of artists he inspired. He was a bridge between worlds, seamlessly blending diverse influences into a distinctive artistic voice that continues to resonate today. His story serves as a poignant reminder of the power of art to transcend boundaries and shape national identities.