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Moses in the Bulrushes
Handgeschilderde olieverfreproductie vanaf $178 38 × 26 cm
Zelfde formaat als het origineel $240 66 × 46 cm Bestel in de originele afmetingen →
John Ames Mitchell, 1845 – 1918
De 1 bekendste schilderijen van John Ames Mitchell
Moses in the Bulrushes (1880) is het schilderij waar John Ames Mitchell het meest om bekendstaat; het maakt deel uit van de collectie van het Museum of Fine Arts, Boston. Onze catalogus bevat 1 werken van John Ames Mitchell. Hier zijn de 1 bekendste, inclusief het jaar, het museum en het verhaal achter elk canvas.
Gerangschikt op basis van onze populariteitsscore, die de zoekopdrachten, bezoeken en bestellingen voor elk werk combineert. Bijgewerkt in november 2026. Elk schilderij op deze pagina kan worden besteld als een handgeschilderde oliereductie op linnen canvas, of als een fine art print, uitgevoerd in de door u gekozen afmeting.
- Geboren · overleden
- 1845 – 1918, New York City
- Werken in onze catalogus
- 1
- Meest bekend
- Moses in the Bulrushes (1880)
- Meeste werken in
- Museum of Fine Arts
De tien meest geliefde schilderijen van John Ames Mitchell
Waar de doeken van John Ames Mitchell hangen
Het museum met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van John Ames Mitchell | Schilderijen uit deze lijst |
|---|---|---|---|
 Museum of Fine Arts |
Boston | 1 | Moses in the Bulrushes |
De beroemdste doeken van John Ames Mitchell, jaar na jaar
De gedateerde doeken van John Ames Mitchell op deze pagina stammen allemaal uit 1880: hier zijn ze, in volgorde van bekendheid.
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1880
1 van 1Moses in the Bulrushes
De doeken van John Ames Mitchell, vraag voor vraag
Waarom wordt John Ames Mitchell het meest herinnerd om welk canvas?Lees het antwoord
Moses in the Bulrushes (1880)
Moses in the Bulrushes: hoe oud was John Ames Mitchell toen dit werd geschilderd?Lees het antwoord
John Ames Mitchell, geboren in 1845, was 35 jaar oud: Moses in the Bulrushes dateert uit 1880.
Hoeveel schilderijen heeft John Ames Mitchell gemaakt?Lees het antwoord
1 werken van John Ames Mitchell staan in onze catalogus.
Waar hangen de beroemdste doeken van John Ames Mitchell tegenwoordig?Lees het antwoord
Voornamelijk in Museum of Fine Arts (Boston); de bovenstaande lijst vermeldt elk museum en de bijbehorende doeken.
Waar kan ik een reproductie van een schilderij van John Ames Mitchell kopen?Lees het antwoord
Ja. Elk schilderij op deze pagina kan via de eigen pagina worden besteld als een handgeschilderd olieverfreproductie, of als een fine art print, in de door u gekozen afmeting.
Maak kennis met de schilder: John Ames Mitchell
A Life of Many Forms
John Ames Mitchell was a man of many different pursuits, moving between the worlds of architecture, literature, and publishing with a quiet, steady purpose. Born in New York City on January 17, 1845, he was shaped by a diverse education, attending Harvard University before traveling to Paris to study at the École nationale supérieure des Beaux-Arts. This training in the classical traditions of France informed his eye for design, whether he was sketching a building or a magazine masthead. In 1875, he applied his architectural training to the design of the Unity Church of North Easton, a project commissioned by his uncle, Oliver Ames Jr.
His interests were never confined to a single discipline. He was a novelist who explored speculative themes, such as in his 1889 book The Last American, which imagined a Persian admiral rediscovering America in the distant year 2951. He also wrote Amos Judd in 1895, a story that later became the basis for a silent film. This ability to build worlds through both ink and structure defined his character, making him a man who could inhabit the mind of a storyteller and the precision of a designer simultaneously.
The Birth of Life
In 1883, Mitchell took a significant risk by co-founding Life magazine alongside Andrew Miller. He used a $10,000 inheritance to launch the publication, driven by a desire to see his own drawings reproduced through the then-new zinc-coated plate printing process. He was not merely the financier; he was a contributing artist who helped shape the magazine's visual identity. He drew the very first nameplate for the magazine, featuring cupids, and later designed a masthead depicting a knight leveling a lance at a fleeing devil.
Under his leadership, the magazine became a platform for a new generation of talent. He had a keen eye for potential, encouraging many illustrators and writers who would go on to define the era. His magazine was different from its competitors, often taking on social and political issues with a warm-hearted, if sometimes impulsive, approach. He was a man of conviction, using his platform to advocate for causes he believed in, such as sanitation and the protection of animals from vivisection.
A Legacy of Service and Change
Beyond the printed page, Mitchell sought to make a tangible difference in the lives of others. He co-founded the Fresh Air Fund alongside Horace Greeley, an initiative that allowed city children to escape the crowded streets for the fresh air of camps in Ridgefield, Connecticut. This connection to the land remained a constant in his life, as he eventually made Ridgefield his home.
The magazine he helped build eventually changed hands, but its origins remained tied to his vision. The headquarters of his Life was located in a building that now serves as the Herald Square Hotel in New York, a gift from Charles Dana Gibson. Mitchell passed away in Ridgefield, Connecticut, on June 29, 1918. He left behind a body of work that spanned the structural, the literary, and the visual, reflecting a life spent constantly reshaping the world around him.